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peter_roigk
Studied from 1983 till 1988
Working as technician at BUFA (Berliner Union Film Atelier g.) starting begin 1988 till autumn 1989 (mostly analog tape: 16mm and 17,5 and 35 mm tape , 0,25 inch tape , other formats and first DAT two heads
Since September 15th , i learned Foley Artist and Foley editing and sound editing with a Apprenticeship contract , tape analog ,4 years long
(mostly foreign versions (IT) for serials, also soon short films with original version foleys) , (KBS , sorts of "deutsche synchron")
later employeed Foley Artist till 1996 (wanted to learn a bit more..(video&sound berlin, 24 track tape , transfer to "augan" , back to tape etc..(not that clever that company...),since early nineties first own field recordings (i tried also a laptop with digigram vx pocket v2
(c'est une card francaise..oui! tres bonne avec Timecode, nice experience) as also DAT )
Since mid eighties first own recordings (mostly music) with various tape configurations and since 1989 with own tascam 244 , soon first digital recordings with a intel 486DX , (wow was that machine expensive, just 100 MB Harddisk! Windows had just 30MB..,8 bit my first recordings)
First digital pro quality recordings since early 90ies (Saw, Sawplus, Sawplus 32 since mid nineties with VITC synced Video (Antex Studio Card and SVHS) and very soon with digital video too (AV master , Sawplus (32) , Avi viewer (iq soft,thanks Bob Lentini!).
As Foley Artist freelancer since 1997 , Studio Babelsberg , various other Studios too (look imdb).
First own Studio (with two partners) 2002 , with Nuendo .
Sawplus32 didn't recognized OMF and RS422 (bob ? You missed a chance...i told you)
Since 2004 Pro Tools(always mac)
(first on OS 9 , version 5.13 , dsp hardware)
soon upgraded to Pro Tools 6.41 on OSX , with miro dc 30 card (not that bad, but sawplus32 was in 1996 much snappier...)
Since 2010 , my first real own Studio (pictures at foleymusicsoundandvisionDOTcom ) , first with PT 6.41 mixplus ,
soon PT HD Accell and later upgraded to Pro Tools Ultimate HDX , as soon as important plugins where there..(intensity card still ok for most projects) and very happy with Pro Tools DSP ..also for Music and
FoleyMusic
Also video works (recording, editing , fx ) since 2005 , editing with
Vegas and FCP (i prefer Vegas's surface but no mac version and often i need just a TC visible...)
Peter Heinz Kamillo Roigk , Peter Roigk (imdb)
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EneMe (2018)
At least a "touchy" poser (t) missing, BUT HUGE DEFICITS!
As foley artist , it is , to my bad , sometimes necessary , just to have an income, (further explained , farer and later ,away .. .).
5 days , i think foley works , for a film with few nice pictures , at the begin , which doesn't lasts very long...
Complete nonsense the story , not even good for a laugh ...
Few actors did their best , me too...
But beeing NOT paid , but i paid even the recordist (Foley), my studio and a lawyer , to get nothing then a huge defcite...
(He did more then the director , he wrote a bill , invoice..i paid!)
Its more then a SHAME , not for me...
Also to see , hear (dialogues) ..(die luft war raus...(german poem, normally in present told (ist)) the last period (where does it started in time , movie , this above mentioned..too),
Even a film , obviously not that small budget , that has , above described "quality" , this category , needs much more time , also for adequate Foley .Other talents too , but that's :
Nonsense...
Danshingu Marî (2019)
Foley to add and find new..for pictures unknown known
I regret , besides few exceptions , nearly most , to had have the opportunity for adequate work for , also this kind of movie..
It's very difficult to compare one original individual with any other , if it is that sophisticated and intelligent made , arted ..,
The story , about ghosts , shadows ; horror only visible when understood . I had , to my greatest luck , also the opportunity to make few very special foley , sounds , for occuring "events" , shimmering , fogs , fear ...bells , what you don't hear , don't see but , hopefully imagine.. . Few sounds where already there , standards , from japanese movies , as i assumed . Better version possible , more natural ,more expression , but its about a language.. a co moncept , which is to support. The coin , western , the boot , too , sword .. .Sometimes is it necessary to use a quote , even it sounds "cheap" or antique , depends on the concept. For a documentary not possible .It was , also the conflict between ghost,realty, history and present.
Also one of my favorites...
Der Vulkan (1999)
Impressive Movie , impressive Director , good old school at this time ..
Since it's long ago , it is hard to make a good informed critic about this film. Its more about my memories...
I was impressed , the camera , the director , also as person , his daughter , picture editing , as far i remember , nina hoss , impressive actress and voice , singing , also ben becker , better as in most other movies , i know, a bit old fashioned, was my impression at this time , the movie , a to "soft" , maybe much to sentimental , regarding the historic "truth" , described , as most movies are a"description" , but it was very good , old school , movie , very good acting actors , and since it was obviously , in regards of the age and other circumstances of the director , a very gentle , cultivated person , as far i rember ,
an important work also for him ...