"Swallow" is a captivating psychological drama directed by Carlo Mirabella-Davis that delves deeply into the themes of control, identity, and compulsion. It poignantly explores the life of Hunter, played by Haley Bennett, a newly pregnant housewife in a seemingly perfect but stifling marriage to her wealthy husband, Richie, portrayed by Austin Stowell. Bennett's delicate and powerful performance authentically captures Hunter's descent into pica, an eating disorder where she compulsively swallows inedible objects, drawing viewers into her intense inner turmoil and journey toward self-empowerment.
Reviews
999 Reviews
A Haunting Mystery Under the Neon Lights
21 May 2024
"Disappearance at Clifton Hill" is an engrossing thriller that leaves a lasting impression. Set in the lively tourist area of Niagara Falls known as Clifton Hill, the movie explores a childhood trauma that reemerges for Abby, portrayed by the always captivating Tuppence Middleton.
The film is exceptional in creating a suspenseful atmosphere. The worn-out charm of the Clifton Hill motels and the incessant sound of the falls generate a feeling of uneasiness, reflecting Abby's fragmented memories of witnessing a kidnapping. As she investigates further, the boundary between reality and perception becomes increasingly unclear, keeping the audience in suspense.
While the plot thickens with conspiracy theories and hidden agendas, the film stays grounded in Abby's emotional journey. Middleton delivers a powerful performance, portraying a troubled young woman determined to confront her past. The supporting cast, including a scene-stealing David Cronenberg, adds depth and intrigue to the narrative.
Disappearance at Clifton Hill isn't a fast-paced action flick. It's a slow burn that rewards patient viewers. The film's strength lies in its ability to build a mood of unease and explore the complexities of memory and trauma.
If you're in the mood for a thriller that is both thought-provoking and slightly strange, "Disappearance at Clifton Hill" is a film you shouldn't miss. Be ready to be captivated by the eerie beauty and disturbing mysteries of Clifton Hill.
The film is exceptional in creating a suspenseful atmosphere. The worn-out charm of the Clifton Hill motels and the incessant sound of the falls generate a feeling of uneasiness, reflecting Abby's fragmented memories of witnessing a kidnapping. As she investigates further, the boundary between reality and perception becomes increasingly unclear, keeping the audience in suspense.
While the plot thickens with conspiracy theories and hidden agendas, the film stays grounded in Abby's emotional journey. Middleton delivers a powerful performance, portraying a troubled young woman determined to confront her past. The supporting cast, including a scene-stealing David Cronenberg, adds depth and intrigue to the narrative.
Disappearance at Clifton Hill isn't a fast-paced action flick. It's a slow burn that rewards patient viewers. The film's strength lies in its ability to build a mood of unease and explore the complexities of memory and trauma.
If you're in the mood for a thriller that is both thought-provoking and slightly strange, "Disappearance at Clifton Hill" is a film you shouldn't miss. Be ready to be captivated by the eerie beauty and disturbing mysteries of Clifton Hill.
Premature
(2019)
Great romance
20 May 2024
A widely acclaimed coming-of-age drama directed by Rashaad Ernesto Green and co-written by Zora Howard, who also stars in the film. Set in Harlem, the film follows the emotional journey of Ayanna, a 17-year-old poet played by Howard, who delivers a raw and compelling performance. Her chemistry with Joshua Boone, who portrays Isaiah, a music producer, is electrifying and deeply moving. The screenplay, rooted in the Harlem setting, is both lyrical and authentic, exploring themes of love, trust, and the pains of growing up with sharp, realistic dialogue. Cinematographer Laura Valladao enhances the film's emotional depth with stunning visuals, while Green's sensitive and assured direction draws powerful performances from the cast. Premature stands out for its exceptional performances, authentic storytelling, and visual beauty, making it a poignant and unforgettable cinematic experience.
Olympic Dreams
(2019)
A dream
20 May 2024
A captivating love story set amidst the energetic atmosphere of the Winter Olympics. Directed by Jeremy Teicher and featuring Alexi Pappas and Nick Kroll this movie combines romance, sports and the excitement of the events. Despite its aspects the film also exhibits some flaws.
One of the film's most distinctive features is its setting within the real-life Olympic Village during the 2018 PyeongChang Winter Olympics, which adds a layer of realism and excitement, providing viewers with a rare behind-the-scenes look at the lives of athletes and the atmosphere of the Games. Alexi Pappas, a real-life Olympian, brings a genuine and heartfelt performance as Penelope, a cross-country skier, and her chemistry with Nick Kroll, who plays the charming but lonely volunteer dentist Ezra, feels organic and sincere. Their interactions are often sweet and endearing, capturing the tentative steps of a budding romance. The film's semi-improvised approach lends it a spontaneous and authentic feel, with dialogue that often feels unscripted, adding to the film's sense of intimacy and immediacy.
While the film's slice-of-life style can be charming, it also means that the plot often meanders and lacks a strong narrative drive, which may leave some viewers feeling disengaged. The central romance, though sweet, sometimes feels underdeveloped and lacking in dramatic tension. The film's relaxed pace can be a double-edged sword: while it allows for naturalistic moments and character development, it also causes the story to drag at times, with certain scenes feeling prolonged without adding significant depth to the characters or the plot. Despite the film's intimate approach, some characters feel one-dimensional; Penelope and Ezra are charming, but their backstories and personal growth are not deeply explored, making it challenging for viewers to fully invest in their journey.
One of the film's most distinctive features is its setting within the real-life Olympic Village during the 2018 PyeongChang Winter Olympics, which adds a layer of realism and excitement, providing viewers with a rare behind-the-scenes look at the lives of athletes and the atmosphere of the Games. Alexi Pappas, a real-life Olympian, brings a genuine and heartfelt performance as Penelope, a cross-country skier, and her chemistry with Nick Kroll, who plays the charming but lonely volunteer dentist Ezra, feels organic and sincere. Their interactions are often sweet and endearing, capturing the tentative steps of a budding romance. The film's semi-improvised approach lends it a spontaneous and authentic feel, with dialogue that often feels unscripted, adding to the film's sense of intimacy and immediacy.
While the film's slice-of-life style can be charming, it also means that the plot often meanders and lacks a strong narrative drive, which may leave some viewers feeling disengaged. The central romance, though sweet, sometimes feels underdeveloped and lacking in dramatic tension. The film's relaxed pace can be a double-edged sword: while it allows for naturalistic moments and character development, it also causes the story to drag at times, with certain scenes feeling prolonged without adding significant depth to the characters or the plot. Despite the film's intimate approach, some characters feel one-dimensional; Penelope and Ezra are charming, but their backstories and personal growth are not deeply explored, making it challenging for viewers to fully invest in their journey.
Snack Basue
(2024– )
A Slice-of-Life Anime in a Hokkaido Bar
19 May 2024
Looking for a relaxing anime that ditches the action for relatable conversations? Snack Basue takes you inside a cozy Hokkaido "snack bar," a Japanese hangout for working folks. Run by the friendly Basue and the charming Akemi, the bar becomes a stage for the everyday lives of its patrons.
Expect genuine characters you won't love or hate, but can easily connect with. Regulars like Yamada, Tatsu, Kazama, and Morita bring a variety of personalities and stories to the table. Akemi, our main hostess, juggles her own relationship woes while effortlessly connecting with everyone.
The humor is witty and relies on clever conversation, not slapstick. Fans of pop culture will appreciate the occasional anime and real-life references sprinkled throughout. Be prepared to ponder the topics brought up - the show might even have you reflecting on your own views!
While the animation style might not be for everyone, it complements the chill vibe. The ending karaoke in each episode is a nice touch, and the opening theme is catchy.
Forget the romance - Snack Basue offers a unique slice-of-life experience. If you're tired of action-heavy comedies and crave a character-driven, conversation-rich anime, give Snack Basue a shot! Just avoid it if fast-paced humor is your thing.
Expect genuine characters you won't love or hate, but can easily connect with. Regulars like Yamada, Tatsu, Kazama, and Morita bring a variety of personalities and stories to the table. Akemi, our main hostess, juggles her own relationship woes while effortlessly connecting with everyone.
The humor is witty and relies on clever conversation, not slapstick. Fans of pop culture will appreciate the occasional anime and real-life references sprinkled throughout. Be prepared to ponder the topics brought up - the show might even have you reflecting on your own views!
While the animation style might not be for everyone, it complements the chill vibe. The ending karaoke in each episode is a nice touch, and the opening theme is catchy.
Forget the romance - Snack Basue offers a unique slice-of-life experience. If you're tired of action-heavy comedies and crave a character-driven, conversation-rich anime, give Snack Basue a shot! Just avoid it if fast-paced humor is your thing.
BUCCHIGIRI?!
(2024– )
MAPPA's Knockout Blend of Action, Comedy, and the Supernatural
19 May 2024
Bucchigiri had a promising start with its unique visuals, intriguing premise (think Aladdin with a modern twist), and energetic action. It built up a lot of mysteries, but the show never delivered answers. What is "Honkibito"? Why is Matakara obsessed with becoming one? The side characters like Senya and Yichiya felt pointless, possessing high schoolers for their grudge match. Matakara's fixation on the main character and the Cat Cafe plot with Miss Jasmine all felt like wasted ideas.
But the biggest disappointment was the characters. The main guy, Arajin, was a shallow ladies' man stuck on getting with one girl. All his early fights were just to impress her, with cringeworthy declarations about "losing his virginity." There was no room for him to develop amidst the constant brawls, making his later personality shift feel unearned. The rest of the cast wasn't much better. They felt like wacky stereotypes rather than actual people with motivations and stories. This show had the potential to be something special, but it fumbled the plot and wasted its characters.
But the biggest disappointment was the characters. The main guy, Arajin, was a shallow ladies' man stuck on getting with one girl. All his early fights were just to impress her, with cringeworthy declarations about "losing his virginity." There was no room for him to develop amidst the constant brawls, making his later personality shift feel unearned. The rest of the cast wasn't much better. They felt like wacky stereotypes rather than actual people with motivations and stories. This show had the potential to be something special, but it fumbled the plot and wasted its characters.
The Witch and the Beast
(2024– )
Dark Fantasy Adventure
19 May 2024
If you enjoyed the dark humor and mystery of "Undead Girl Murder Farce," then "Majo to Yajuu" won't disappoint. This anime offers a creepy atmosphere, a suspenseful plot, and a fantastic relationship between the main characters.
Fueled by fellow manga readers' excitement, I dove into this story with anticipation. As a dark fantasy and metal enthusiast, I was impressed by the world's brooding atmosphere and the engaging adventure plot. The tale of Ashaf and Guideau's quest to break a witch's curse and restore Ashaf's true form is a thrilling ride. It echoes Tsugaru, Aya, and Shizuku's journey in its blend of dark humor and monster-filled cases, but with an extra dose of genuine plot twists that kept me hooked.
This anime has a strong Dark Souls vibe, which I really enjoyed. There's a ton of worldbuilding with hints of a deeper story, but sadly, 12 episodes weren't enough to explore it all. It has great potential for future seasons! The magic system itself is a bit generic, but the powers are used really well. While the action is limited and the animation (except for the first episode) is just okay, that doesn't matter to me. The best parts are the journey to find the original witch, the atmosphere, and the relationships between the characters.
The show's real charm comes from the interactions between its characters, especially Ashaf and Guideau. They're a fun duo to watch. Ashaf is the epitome of cool composure, while Guideau is loud and sharp, basically acting like a man stuck in a woman's body thanks to the body swap. Ashaf is the calming voice of reason, reining Guideau in when she gets impulsive and keeping her on track. They're like a classic brain-and-brawn combo, similar to Inuyasha and Kagome or Tsugaru and Aya from Undead Girl. Their banter is witty, and the voice actors bring them to life so well that even slow episodes fly by.
Even though it's kind of overused, this show is simply an experience. I can't quite describe how it makes me feel. It's dark, unsettling, and emotional, and it really resonates with me. Despite some production problems, the plot is exciting, the characters are interesting, and the world has a lot of potential. Unfortunately, like most seasonal anime, it feels like we barely explored this world. Time to jump into the manga!
Fueled by fellow manga readers' excitement, I dove into this story with anticipation. As a dark fantasy and metal enthusiast, I was impressed by the world's brooding atmosphere and the engaging adventure plot. The tale of Ashaf and Guideau's quest to break a witch's curse and restore Ashaf's true form is a thrilling ride. It echoes Tsugaru, Aya, and Shizuku's journey in its blend of dark humor and monster-filled cases, but with an extra dose of genuine plot twists that kept me hooked.
This anime has a strong Dark Souls vibe, which I really enjoyed. There's a ton of worldbuilding with hints of a deeper story, but sadly, 12 episodes weren't enough to explore it all. It has great potential for future seasons! The magic system itself is a bit generic, but the powers are used really well. While the action is limited and the animation (except for the first episode) is just okay, that doesn't matter to me. The best parts are the journey to find the original witch, the atmosphere, and the relationships between the characters.
The show's real charm comes from the interactions between its characters, especially Ashaf and Guideau. They're a fun duo to watch. Ashaf is the epitome of cool composure, while Guideau is loud and sharp, basically acting like a man stuck in a woman's body thanks to the body swap. Ashaf is the calming voice of reason, reining Guideau in when she gets impulsive and keeping her on track. They're like a classic brain-and-brawn combo, similar to Inuyasha and Kagome or Tsugaru and Aya from Undead Girl. Their banter is witty, and the voice actors bring them to life so well that even slow episodes fly by.
Even though it's kind of overused, this show is simply an experience. I can't quite describe how it makes me feel. It's dark, unsettling, and emotional, and it really resonates with me. Despite some production problems, the plot is exciting, the characters are interesting, and the world has a lot of potential. Unfortunately, like most seasonal anime, it feels like we barely explored this world. Time to jump into the manga!
Metallic Rouge
(2024– )
Yep
19 May 2024
Metallic Rouge starts slow on explanations, and the studio might take some unexpected turns. While the world-building might be intriguing, the first episode relies heavily on tired sci-fi elements and fails to grab attention. The following episodes focus on action, character bonding, and an android rebellion, but none of it feels fresh enough to overcome the initial mediocrity.
It's boring when robots just follow old rules (like Asimov's Laws) and complain about doing chores. Only some special robots (like the oddball Rouge) break free.
This entire android rebellion resembles a scenario taken directly from a superhero comic! Androids are designed to work, not to engage in debates about rights. If they wanted freedom, why even bother? It's like the designers went out of their way to make them a nuisance. Androids are machines, not teenagers throwing tantrums! Who cares if toasters want a say? They're supposed to be helpful, not whine about free will!
While the action looks cool, it seems like the show relies on special effects over a compelling story. The plot about the "Immortal Nine" sounds cliche and immature. The fight scenes are all flash and have no substance, and the backgrounds are just okay. Even early on, the quality seems to be dropping, so it's likely the show won't get any better.
It's boring when robots just follow old rules (like Asimov's Laws) and complain about doing chores. Only some special robots (like the oddball Rouge) break free.
This entire android rebellion resembles a scenario taken directly from a superhero comic! Androids are designed to work, not to engage in debates about rights. If they wanted freedom, why even bother? It's like the designers went out of their way to make them a nuisance. Androids are machines, not teenagers throwing tantrums! Who cares if toasters want a say? They're supposed to be helpful, not whine about free will!
While the action looks cool, it seems like the show relies on special effects over a compelling story. The plot about the "Immortal Nine" sounds cliche and immature. The fight scenes are all flash and have no substance, and the backgrounds are just okay. Even early on, the quality seems to be dropping, so it's likely the show won't get any better.
Sengoku Youko
(2024)
Reborn from the Ashes?
5 May 2024
Satoshi Mizukami's unique storytelling captivates readers. He crafts intricate worlds filled with characters driven by strong, personal desires. These characters, with their conflicting goals, create the story's momentum, not some preordained plot. Unlike some dark fantasy, Mizukami avoids clear-cut heroes and villains. Instead, he presents individuals with diverse values clashing in a relatable way. It's like a heartwarming Game of Thrones - you'll find yourself invested in the entire cast, even those who oppose the protagonists.
While Sengoku Youko's animation by White Fox isn't top-notch and takes shortcuts, the team clearly cares about the project. Surprisingly, it's a great adaptation for a lesser-known manga. The studio respects the source material and even improves upon it in some ways. The beginning is a bit rough due to the manga's pacing and needing to condense a lot of story, but things pick up by the middle. The soundtrack by Evan Call is excellent, and the opening theme is a standout from this season.
While Sengoku Youko's animation by White Fox isn't top-notch and takes shortcuts, the team clearly cares about the project. Surprisingly, it's a great adaptation for a lesser-known manga. The studio respects the source material and even improves upon it in some ways. The beginning is a bit rough due to the manga's pacing and needing to condense a lot of story, but things pick up by the middle. The soundtrack by Evan Call is excellent, and the opening theme is a standout from this season.
Meiji Gekken: 1874
(2024– )
Last Man Standing: Crunchyroll's Final Original Anime of 2020 Finds a Home
5 May 2024
As a history buff, I especially enjoy anime that incorporates Japanese history. This rich past provides a treasure trove of stories that come alive through animation, making them even more engaging. Shows like Golden Kamuy, by the manga creator Satoru Noda, and The Heike Story, a modern take on Hideo Furukawa's classic The Tale of the Heike, are prime examples of anime that effectively use historical elements as the foundation for their narratives. Throughout its history, Japan has been a stage for countless battles, both within its borders and abroad. These conflicts have given rise to legendary stories spanning many eras, such as those surrounding the Meiji Restoration of 1868 and beyond.
This anime, a leftover from Crunchyroll's initial Originals announcement in 2020, was originally planned to combine Japanese and Western animation styles. However, Crunchyroll's Originals branding became known for failing to deliver on its promises, and this show went through multiple studios before landing at the small Tsumugi Akita Animation Lab. This studio primarily does digital animation work, and while Meiji Gekken might have caused some delays in their other projects, it seems they were still able to complete it.
This anime, a leftover from Crunchyroll's initial Originals announcement in 2020, was originally planned to combine Japanese and Western animation styles. However, Crunchyroll's Originals branding became known for failing to deliver on its promises, and this show went through multiple studios before landing at the small Tsumugi Akita Animation Lab. This studio primarily does digital animation work, and while Meiji Gekken might have caused some delays in their other projects, it seems they were still able to complete it.
The Fire Hunter
(2023– )
Bang
3 May 2024
The show's potential is wasted. While the story, characters, and art style (where it's present) hold promise, the animation is incredibly lazy - the worst I've seen in a while. Even though the first season had similar issues, they weren't as glaring. It feels like the creators either phoned it in this season, lacked the necessary resources, or simply didn't have the time to polish the animation. There are moments that are practically slideshows.
The passion for the source material was undeniable. Everyone working on the adaptation clearly adored the story and wanted to faithfully translate it to the screen. No wonder, considering the story's strengths: well-developed characters (except maybe Koushi, who grew earlier on), a captivating mystery, and stunning visuals that perfectly capture the fantastical and suspenseful atmosphere.
The passion for the source material was undeniable. Everyone working on the adaptation clearly adored the story and wanted to faithfully translate it to the screen. No wonder, considering the story's strengths: well-developed characters (except maybe Koushi, who grew earlier on), a captivating mystery, and stunning visuals that perfectly capture the fantastical and suspenseful atmosphere.
Not all Isekai are great
3 May 2024
Fantasy and Isekai are like peanut butter and jelly - a great pairing. But these stories often set up huge, fantastical worlds, then give the main characters way too much power. It's a tired cliché for them to just become all-powerful heroes. There's more to a story than that! Luckily, there are hidden gems out there that don't rely on this boring trope. This season, one such gem is "The Weakest Tamer Began a Journey to Pick Up Trash" by novelist Honobonoru500. It's not your typical trashy Isekai - it's a surprisingly heartwarming story with a bittersweet edge.
This story takes a familiar reincarnation Isekai plot and gives it a twist. In a world obsessed with magical skill rankings represented by stars, Femicia is ostracized for having a low-rated Tamer skill and zero stars. Even her family rejects her. Shunned by Latomi Village, she escapes and finds refuge with a kind fortune teller who cares for her until the fortune teller passes away. Forced to fend for herself, Femicia (now calling herself Ivy and disguising herself as a boy) stumbles upon a weak slime and decides to care for it, naming it Sora. Together, Ivy and her slime companion embark on a new adventure, making a living by collecting discarded items and using their resourcefulness to survive.
Ditch the overpowered heroes and skimpy outfits! "The Weakest Tamer Began a Journey to Pick Up Trash" offers a breath of fresh air in the stale world of fantasy Isekai. Instead of objectified characters and forced romance, it focuses on the heartwarming bond between a protector and a child. The story promises to nurture the protagonist's growth without shielding them from challenges, making them stronger when it truly matters.
This story takes a familiar reincarnation Isekai plot and gives it a twist. In a world obsessed with magical skill rankings represented by stars, Femicia is ostracized for having a low-rated Tamer skill and zero stars. Even her family rejects her. Shunned by Latomi Village, she escapes and finds refuge with a kind fortune teller who cares for her until the fortune teller passes away. Forced to fend for herself, Femicia (now calling herself Ivy and disguising herself as a boy) stumbles upon a weak slime and decides to care for it, naming it Sora. Together, Ivy and her slime companion embark on a new adventure, making a living by collecting discarded items and using their resourcefulness to survive.
Ditch the overpowered heroes and skimpy outfits! "The Weakest Tamer Began a Journey to Pick Up Trash" offers a breath of fresh air in the stale world of fantasy Isekai. Instead of objectified characters and forced romance, it focuses on the heartwarming bond between a protector and a child. The story promises to nurture the protagonist's growth without shielding them from challenges, making them stronger when it truly matters.
Isekai Onsen Paradise
(2024– )
Head off to the onsen
3 May 2024
Isekai Onsen Paradise is an anime with a fun premise. Who wouldn't love to be transported to another world and relax in luxurious hot springs? The animation is bright and colorful, and the characters are all fairly likeable. However, the plot is pretty thin, and the humor can be hit-or-miss. If you're looking for something mindless and relaxing to watch, then Isekai Onsen Paradise might be a good fit for you. But if you're looking for something with more depth and substance, you're probably better off looking elsewhere.
However, the plot is pretty thin. Each episode follows a similar formula, with Yoshizo and company discovering a new hot spring, encountering the local inhabitants, and enjoying the rejuvenating waters. There's not much in the way of overarching story or character development. The humor can also be hit-or-miss. Some jokes land well, particularly those that play on the fish-out-of-water dynamic of Yoshizo in this new world. But others rely on slapstick or fan service, which may not appeal to all viewers.
Despite these shortcomings, Isekai Onsen Paradise can still be an enjoyable watch. If you're looking for something mindless and relaxing to watch, then it might be a good fit for you. The beautiful animation and charming characters create a soothing atmosphere, perfect for winding down after a long day. And who knows, you might even learn a thing or two about Japanese hot spring culture along the way.
However, the plot is pretty thin. Each episode follows a similar formula, with Yoshizo and company discovering a new hot spring, encountering the local inhabitants, and enjoying the rejuvenating waters. There's not much in the way of overarching story or character development. The humor can also be hit-or-miss. Some jokes land well, particularly those that play on the fish-out-of-water dynamic of Yoshizo in this new world. But others rely on slapstick or fan service, which may not appeal to all viewers.
Despite these shortcomings, Isekai Onsen Paradise can still be an enjoyable watch. If you're looking for something mindless and relaxing to watch, then it might be a good fit for you. The beautiful animation and charming characters create a soothing atmosphere, perfect for winding down after a long day. And who knows, you might even learn a thing or two about Japanese hot spring culture along the way.
Love at First Touch? Cherry Magic! Blooms With Unexpected Romance
27 April 2024
This anime is a beautiful reminder of the magic of love! It starts by honestly showing the challenges Adachi faces as he grapples with his feelings for another boy. But despite his initial confusion and attempts to deny Kurosawa's genuine affection, their connection proves undeniable. The anime portrays their blossoming romance in a heartwarming way that will leave you with butterflies. Even the side stories feel real and relatable, adding depth and richness to the overall narrative. If you're looking for an anime that celebrates LGBTQ+ love in a heartwarming and authentic way, this is a must-watch!
Bang Brave Bang Bravern
(2024– )
Giant Robots and Unlikely Heroes Collide in New Mecha Anime
27 April 2024
Lewis Smith, a US Marine with dreams of piloting giant robots (Titanostriders) instead of serving in the regular forces, finds his calling during a joint US-Japan military exercise. There, he meets Isami Ao, his future comrade-in-arms from Japan's Ground Self-Defense Force. Suddenly, their peaceful exercise is interrupted by a mysterious enemy wielding superior Super Robots called Deathdrives. These Deathdrives require human pilots, unlike the typical Titanostriders used for routine tasks. Just when all seems lost, a savior emerges - Bravern, a mysterious super robot that appears to be on their side!
This new show is generating incredible buzz by keeping its true nature a secret until the big reveal. Here's the backstory: The Brave series was a hugely popular Japanese anime franchise back in the day, created by Sunrise. It emerged from a failed attempt to market the Transformers (think Michael Bay movies) in Japan.
Instead, toy company Takara (now Takara Tomy) and Sunrise teamed up to launch a new franchise built around giant robots with heart, the brave pilots who control them, and themes of courage and teamwork. Each Brave series is a standalone story with its own unique themes and ideas. Notably, the Brave series helped inspire future mecha giants like Gundam, with Sunrise continuing to produce iconic anime since the 1980s.
While known for directing some mecha anime, Oobari's true fame lies in his character and mecha designs. He started young, working on shows like Dorvack and Star Musketeer Bismarck. But his big break came at 19, designing mechs for Dancougar.
His distinctive style dominated the mecha scene throughout the 80s and beyond, with his work appearing in Brave series like Fighbird and J-Decker. He even created and directed the mecha anime Gravion in 2002. So, for mecha fans familiar with the Oobari name, his directing comes as no surprise (or maybe it does?)
The hype for Brave Bang Bravern! Keeps building! This mecha anime from Cygames (creators of Granblue Fantasy and Princess Connect! Re:Dive) features the talents of Masami Oobari and a connection to the classic Brave series.
A cryptic teaser hinted at something new, but the main PV threw everyone off the scent, making it seem like a realistic mecha show. Surprise! Episode 1 revealed Brave Bang Bravern!'s true form: a classic, over-the-top Super Robot anime directed by the legendary Oobari himself. Cygames, known for their unconventional projects, certainly knows how to keep fans guessing!
The opening is a glorious throwback to classic mecha anime, complete with a bombastic theme song sung by the giant robot itself (voiced by the legendary Kenichi Suzumura)! The sound effects and animation perfectly capture the old-school mecha vibe.
The ending theme takes a surprising turn, featuring a close and emotional song between two male characters.
Who would have expected a fantastic classic-style mecha anime in 2024? This show offers a unique blend of mecha action and a surprisingly heartwarming story, making it a must-watch for anyone who missed out on classic mecha experiences.
For a truly mind-blowing experience, dive headfirst into Brave Bang Bravern! (also known as Yuuki Bakuhatsu Bang Bravern). The less you know, the better! This anime is a hilarious and fast-paced twist on the mecha genre, like an abridged series but full-length. Trust me, it's an unforgettable ride!
This new show is generating incredible buzz by keeping its true nature a secret until the big reveal. Here's the backstory: The Brave series was a hugely popular Japanese anime franchise back in the day, created by Sunrise. It emerged from a failed attempt to market the Transformers (think Michael Bay movies) in Japan.
Instead, toy company Takara (now Takara Tomy) and Sunrise teamed up to launch a new franchise built around giant robots with heart, the brave pilots who control them, and themes of courage and teamwork. Each Brave series is a standalone story with its own unique themes and ideas. Notably, the Brave series helped inspire future mecha giants like Gundam, with Sunrise continuing to produce iconic anime since the 1980s.
While known for directing some mecha anime, Oobari's true fame lies in his character and mecha designs. He started young, working on shows like Dorvack and Star Musketeer Bismarck. But his big break came at 19, designing mechs for Dancougar.
His distinctive style dominated the mecha scene throughout the 80s and beyond, with his work appearing in Brave series like Fighbird and J-Decker. He even created and directed the mecha anime Gravion in 2002. So, for mecha fans familiar with the Oobari name, his directing comes as no surprise (or maybe it does?)
The hype for Brave Bang Bravern! Keeps building! This mecha anime from Cygames (creators of Granblue Fantasy and Princess Connect! Re:Dive) features the talents of Masami Oobari and a connection to the classic Brave series.
A cryptic teaser hinted at something new, but the main PV threw everyone off the scent, making it seem like a realistic mecha show. Surprise! Episode 1 revealed Brave Bang Bravern!'s true form: a classic, over-the-top Super Robot anime directed by the legendary Oobari himself. Cygames, known for their unconventional projects, certainly knows how to keep fans guessing!
The opening is a glorious throwback to classic mecha anime, complete with a bombastic theme song sung by the giant robot itself (voiced by the legendary Kenichi Suzumura)! The sound effects and animation perfectly capture the old-school mecha vibe.
The ending theme takes a surprising turn, featuring a close and emotional song between two male characters.
Who would have expected a fantastic classic-style mecha anime in 2024? This show offers a unique blend of mecha action and a surprisingly heartwarming story, making it a must-watch for anyone who missed out on classic mecha experiences.
For a truly mind-blowing experience, dive headfirst into Brave Bang Bravern! (also known as Yuuki Bakuhatsu Bang Bravern). The less you know, the better! This anime is a hilarious and fast-paced twist on the mecha genre, like an abridged series but full-length. Trust me, it's an unforgettable ride!
Delusional Monthly Magazine
(2024– )
Fact or Fiction? This Magazine Investigates the Unexplained
27 April 2024
While the title "Delusional Monthly Magazine" promises something offbeat and exciting, the anime itself is a disappointment. It relies on cliched fantasy elements and recycled jokes, failing to deliver anything fresh or engaging.
Gekkan Mousou Kagaku relies on a tired formula. The show revolves around finding a lost continent of furry humanoids, but a predictable villain constantly thwarts the heroes. Each episode follows a repetitive pattern: a clue emerges, the heroes investigate, the villain attacks, they win (with empty threats), rinse and repeat. This formula, reminiscent of children's shows from the 90s and 2000s (think Dora the Explorer or Pokemon), feels uninspired and watered down.
This anime suffers from a predictable plot. The storylines are basic and unfold exactly as you expect from the very beginning. Even any hunches you have are likely spot-on. The repetitive nature is only interrupted by nonsensical moments from certain characters, intended to be comedic but appearing childish. Imagine a fight scene abruptly replaced by everyone inexplicably dancing. These interventions disrupt the flow of the story and leave you bewildered, wondering why you're wasting your time on this when there are countless other, more engaging options available.
Disregarding its soul-crushing monotony, Gekkan Mousou Kagaku might be the most generic anime I've seen recently. Every trope is present and utterly predictable: a charming but generic hero, a sidekick whose sole purpose is tired jokes and disagreement, a loyal pet, twin antagonists who speak in unison for some reason, and their mysterious, shadowy boss. The humor is stale, the hero's catchphrase grates, and the backgrounds are forgettable. The setting is a confusing mishmash of Japanese and European influences, with a vintage vibe that feels out of place amidst modern and ancient technology. The characters are shallow archetypes, with only a few supporting players offering a glimmer of depth later in the story. Overall, the cast feels like a lifeless collection of AI-generated clichés, or perhaps written by a teenager (or an AI fed a teenager's ideas).
Despite wanting to find something positive about Gekkan Mousou Kagaku, it's hard to recommend. While there are a few minor bright spots, like some drink animations and character designs, that's pretty much it.
The animation falls flat, especially in facial expressions. Characters often have blank faces that don't reflect their emotions, or wildly overreact when they should be subtle. It's also choppy and uneven. The color palette is another issue. It's way too bright and clashes horribly with the show's old-school setting. Imagine a serious drama with characters wearing neon clothing. Plus, there's a constant barrage of flashbacks to a repetitive 10-second transformation scene whenever someone becomes a Motalian. This show feels like it belongs in the 90s, not 2024.
The sound design and music are weak. The opening theme is generic and cheesy, while the ending theme is forgettable. The background music is uninteresting, and the voice acting is inconsistent. Characters can sound robotic and unemotional, ruining the impact of dramatic scenes. Imagine an intense moment in Attack on Titan where a character should be screaming, but instead they speak flatly. That's the kind of awkward mismatch this show suffers from.
"Delusional Monthly Magazine" might be a niche anime that caters more to fans of furry characters or lighthearted stories. The overall presentation may feel less complex compared to other shows. While the series introduces a lot of background information, it doesn't delve deeply into it, which could leave some viewers wanting more explanation. The ending might also feel simpler, resembling a children's story.
This anime might not be the best use of your time. With a vast selection of over ten thousand anime available, there are likely options that will be more enjoyable.
Gekkan Mousou Kagaku relies on a tired formula. The show revolves around finding a lost continent of furry humanoids, but a predictable villain constantly thwarts the heroes. Each episode follows a repetitive pattern: a clue emerges, the heroes investigate, the villain attacks, they win (with empty threats), rinse and repeat. This formula, reminiscent of children's shows from the 90s and 2000s (think Dora the Explorer or Pokemon), feels uninspired and watered down.
This anime suffers from a predictable plot. The storylines are basic and unfold exactly as you expect from the very beginning. Even any hunches you have are likely spot-on. The repetitive nature is only interrupted by nonsensical moments from certain characters, intended to be comedic but appearing childish. Imagine a fight scene abruptly replaced by everyone inexplicably dancing. These interventions disrupt the flow of the story and leave you bewildered, wondering why you're wasting your time on this when there are countless other, more engaging options available.
Disregarding its soul-crushing monotony, Gekkan Mousou Kagaku might be the most generic anime I've seen recently. Every trope is present and utterly predictable: a charming but generic hero, a sidekick whose sole purpose is tired jokes and disagreement, a loyal pet, twin antagonists who speak in unison for some reason, and their mysterious, shadowy boss. The humor is stale, the hero's catchphrase grates, and the backgrounds are forgettable. The setting is a confusing mishmash of Japanese and European influences, with a vintage vibe that feels out of place amidst modern and ancient technology. The characters are shallow archetypes, with only a few supporting players offering a glimmer of depth later in the story. Overall, the cast feels like a lifeless collection of AI-generated clichés, or perhaps written by a teenager (or an AI fed a teenager's ideas).
Despite wanting to find something positive about Gekkan Mousou Kagaku, it's hard to recommend. While there are a few minor bright spots, like some drink animations and character designs, that's pretty much it.
The animation falls flat, especially in facial expressions. Characters often have blank faces that don't reflect their emotions, or wildly overreact when they should be subtle. It's also choppy and uneven. The color palette is another issue. It's way too bright and clashes horribly with the show's old-school setting. Imagine a serious drama with characters wearing neon clothing. Plus, there's a constant barrage of flashbacks to a repetitive 10-second transformation scene whenever someone becomes a Motalian. This show feels like it belongs in the 90s, not 2024.
The sound design and music are weak. The opening theme is generic and cheesy, while the ending theme is forgettable. The background music is uninteresting, and the voice acting is inconsistent. Characters can sound robotic and unemotional, ruining the impact of dramatic scenes. Imagine an intense moment in Attack on Titan where a character should be screaming, but instead they speak flatly. That's the kind of awkward mismatch this show suffers from.
"Delusional Monthly Magazine" might be a niche anime that caters more to fans of furry characters or lighthearted stories. The overall presentation may feel less complex compared to other shows. While the series introduces a lot of background information, it doesn't delve deeply into it, which could leave some viewers wanting more explanation. The ending might also feel simpler, resembling a children's story.
This anime might not be the best use of your time. With a vast selection of over ten thousand anime available, there are likely options that will be more enjoyable.
Ex-Villainess Hits Max Level, Accidentally Becomes Demon Lord Suspect
25 April 2024
The phrase "reinventing the wheel" applies to many creative fields, especially when genres become saturated with repetitive ideas. This is true for the AniManga industry, where even promising new trends like the "Villainess in an Otome Game" theme can fall victim to formulaic storytelling. However, this season, two light novels are breathing fresh air into the genre: "Loop 7-kaime" by Touko Amekawa and "Villainess Level 99" by Satori Tanabata.
What makes "Villainess Level 99" so enjoyable is its ability to set up a familiar Otome Game scenario and then completely subvert it. The main character, Yumiella Dolkness, finds herself reincarnated into the world of an Otome game she once played. While she possesses the memories of the game, she's not actually the Demon Lord as everyone expects, but a hidden boss with immense power. Yumiella longs for a peaceful life, but her dark appearance and magic make her an outcast. To avoid trouble, she spends her childhood diligently training, unknowingly reaching the unheard-of level 99 by the time she enters magic academy. Now, Yumiella must navigate her place in this new reality, prepare for the true Demon Lord's arrival, and overcome people's prejudice against her. This unexpected turn of events throws a wrench into her plans for a quiet life, forcing her to balance her duties with building relationships.
Yumiella doesn't care about the main plot. In the typical Otome Game story, the heroine wields light magic and fights the Demon Lord. Yumiella, however, is stuck completing odd jobs (like side quests) to get back on track with the pre-written story, while accidentally pushing the other love interests' paths forward.
Meet the Hero (sort of). Alicia, the supposed hero, uses light magic, making her Yumiella's opposite. Both girls are assumed to be low-level (around 10). This worries Yumiella because she's destined to fight the Demon Lord much later, and Alicia seems unprepared. Initially, they clash due to their opposing magic. Alicia even gets close to the capture targets (the guys you can romance in the game). However, the game has been messed up, and Yumiella has to replay parts to get back on track. This makes Alicia dislike Yumiella even more, fearing Yumiella weakens them for the future battle against the Demon Lord.
This game flips the script on typical otome RPGs. Capture targets, meant to be helpful companions, are now arrogant and self-serving. This separates Alicia and Yumiella, who were supposed to work together, and throws Yumiella under the bus with accusations of faking her abilities. Edwin Valschein, the second prince and a magic swordsman, exemplifies this shift. Though talented, he's overshadowed by his attendants: the gifted mage Oswald and the master swordsman William. These three, known for their arrogance, constantly torment Yumiella, except for Edwin who merely insults her. Unlike them, Yumiella hides a secret: powerful level 99 skills and dark magic. This makes her both a target and a valuable asset, as she's the only mage capable of facing large demons.
The saying "revenge is a dish best served cold" applies perfectly to Eleonora Hillrose, daughter of the noble faction leader. Everyone picks sides at the magic academy, but Yumiella remains neutral. This frustrates Eleonora, who tries to recruit her. Interestingly, Eleonora is both lovestruck by Prince Edwin and part of a jealous clique that resents Yumiella's connection to him. Ironically, Yumiella ends up defending Eleonora from her own friends, bonding over their shared love of dragons. This act of kindness earns Yumiella a best friend, proving her loyalty lies with those who deserve it.
Highly recommend "Villainess Level 99"! You won't be disappointed.
What makes "Villainess Level 99" so enjoyable is its ability to set up a familiar Otome Game scenario and then completely subvert it. The main character, Yumiella Dolkness, finds herself reincarnated into the world of an Otome game she once played. While she possesses the memories of the game, she's not actually the Demon Lord as everyone expects, but a hidden boss with immense power. Yumiella longs for a peaceful life, but her dark appearance and magic make her an outcast. To avoid trouble, she spends her childhood diligently training, unknowingly reaching the unheard-of level 99 by the time she enters magic academy. Now, Yumiella must navigate her place in this new reality, prepare for the true Demon Lord's arrival, and overcome people's prejudice against her. This unexpected turn of events throws a wrench into her plans for a quiet life, forcing her to balance her duties with building relationships.
Yumiella doesn't care about the main plot. In the typical Otome Game story, the heroine wields light magic and fights the Demon Lord. Yumiella, however, is stuck completing odd jobs (like side quests) to get back on track with the pre-written story, while accidentally pushing the other love interests' paths forward.
Meet the Hero (sort of). Alicia, the supposed hero, uses light magic, making her Yumiella's opposite. Both girls are assumed to be low-level (around 10). This worries Yumiella because she's destined to fight the Demon Lord much later, and Alicia seems unprepared. Initially, they clash due to their opposing magic. Alicia even gets close to the capture targets (the guys you can romance in the game). However, the game has been messed up, and Yumiella has to replay parts to get back on track. This makes Alicia dislike Yumiella even more, fearing Yumiella weakens them for the future battle against the Demon Lord.
This game flips the script on typical otome RPGs. Capture targets, meant to be helpful companions, are now arrogant and self-serving. This separates Alicia and Yumiella, who were supposed to work together, and throws Yumiella under the bus with accusations of faking her abilities. Edwin Valschein, the second prince and a magic swordsman, exemplifies this shift. Though talented, he's overshadowed by his attendants: the gifted mage Oswald and the master swordsman William. These three, known for their arrogance, constantly torment Yumiella, except for Edwin who merely insults her. Unlike them, Yumiella hides a secret: powerful level 99 skills and dark magic. This makes her both a target and a valuable asset, as she's the only mage capable of facing large demons.
The saying "revenge is a dish best served cold" applies perfectly to Eleonora Hillrose, daughter of the noble faction leader. Everyone picks sides at the magic academy, but Yumiella remains neutral. This frustrates Eleonora, who tries to recruit her. Interestingly, Eleonora is both lovestruck by Prince Edwin and part of a jealous clique that resents Yumiella's connection to him. Ironically, Yumiella ends up defending Eleonora from her own friends, bonding over their shared love of dragons. This act of kindness earns Yumiella a best friend, proving her loyalty lies with those who deserve it.
Highly recommend "Villainess Level 99"! You won't be disappointed.
Shaman King: Flowers
(2024– )
Shaman King's Legacy Blooms! Asakura Hana Fights for Supremacy
25 April 2024
The animation and soundtrack are good.
We met the main character Hana briefly in the prequel. He's grumpy, keeps to himself, and doesn't get along with his dad, which makes sense since his parents are hardly there.
The pacing is off though. Hana and his friends are the same age as Yoh was during the Shaman Fight, but they're already as strong as Yoh was at the very end. It's a shonen so the story revolves around them, but it feels a bit extreme. One character is only 7 years old and supposedly the strongest!
The original cast is mostly still around for some reason, but they just let these kids fight a world-ending battle.
The story builds on the prequel and continues the Shaman Fight, but it feels a bit unnatural at times. The characters all seem to understand what's happening, but the main character, Hana, is completely left in the dark. It seems like the author forgot to tell her what's going on! This lack of explanation is frustrating, especially since Hana clearly needs some guidance.
Some characters, like Tamao, feel forced into their new roles. The way they portray her now is completely different from how she was before. It's hard to believe she would act this way.
Because of these issues, I almost gave up on the show halfway through. However, the last few episodes offered a glimmer of hope. Hana finally started to develop as a character, and the plot itself became more interesting. Since I haven't read the manga, I'm unsure if this improvement is temporary. I'll wait for reviews before deciding if I'll watch the next season.
We met the main character Hana briefly in the prequel. He's grumpy, keeps to himself, and doesn't get along with his dad, which makes sense since his parents are hardly there.
The pacing is off though. Hana and his friends are the same age as Yoh was during the Shaman Fight, but they're already as strong as Yoh was at the very end. It's a shonen so the story revolves around them, but it feels a bit extreme. One character is only 7 years old and supposedly the strongest!
The original cast is mostly still around for some reason, but they just let these kids fight a world-ending battle.
The story builds on the prequel and continues the Shaman Fight, but it feels a bit unnatural at times. The characters all seem to understand what's happening, but the main character, Hana, is completely left in the dark. It seems like the author forgot to tell her what's going on! This lack of explanation is frustrating, especially since Hana clearly needs some guidance.
Some characters, like Tamao, feel forced into their new roles. The way they portray her now is completely different from how she was before. It's hard to believe she would act this way.
Because of these issues, I almost gave up on the show halfway through. However, the last few episodes offered a glimmer of hope. Hana finally started to develop as a character, and the plot itself became more interesting. Since I haven't read the manga, I'm unsure if this improvement is temporary. I'll wait for reviews before deciding if I'll watch the next season.
Reincarnated Doctor Seeks Redemption in Royal Court
25 April 2024
Gekai Elise is an anime that combines medical drama with romance. It features a unique storyline where the characters are reincarnated twice and also trapped in a time loop.
Our protagonist, Elise, got a second chance at life after a not-so-great first run (executed, remember?). Turns out, she wasn't exactly an angel in her past life - think bad attitude and prince-obsessed. This time around, she had a loving family and a breeze of a life, but fate wasn't done with her yet. She became a renowned doctor, but sadly kicked the bucket again. (Talk about bad luck!) Now, she's back in her first life, pre-execution, and things are about to get messy. Determined to be a doctor again, she faces a major hurdle: an arranged marriage to the prince on her 18th birthday. The story follows her journey to become a doctor in this unfamiliar world, using her modern knowledge. However, people doubt her and try to throw wrenches in her plans, all because she's destined to be queen.
This anime suffers from several issues. The romance, for one, is poorly executed. Despite having multiple potential love interests for the protagonist, none of the relationships feel developed enough to be considered true romances. My biggest gripe, however, is with Linden, the supposed main love interest. He's about as exciting as watching paint dry. Throughout the entire show, he barely does anything. About the most he manages is the occasional conversation with the protagonist, Elise. Even these talks are pointless - for most of the anime, his knowledge of her seems limited to her love of sweets and her dream of becoming a doctor. He never seems to understand her as a person, yet the show expects us to root for them. Why? There are situations where Elise faces danger or obstacles to her dream, and Linden offers no assistance, even when he clearly could. This character is infuriating, especially considering there are two other men who are far better suited for her. One is intelligent, the other brave and funny.
The biggest issue is the main character, Elise. She's like a superhero with no weaknesses - flawless, universally adored, and inexplicably skilled in everything. In a world where challenges are supposed to make her grow, her constant perfection is tiresome. Even her "struggles" are shallow because she's always right and emerges unscathed. Beyond her intelligence, she simply lacks depth as a character.
This avoids the medical and logical issues to keep things concise. Were there any redeeming qualities? It was nice to see her relationship with Graham and Julian develop, and I also enjoyed seeing her try to prove herself to the entire kingdom despite no one believing her at first.
While the animation is decent and complements the anime's style, it lacks the wow factor. The character designs, particularly the male characters, are rather bland compared to the source material. Overall, I wouldn't recommend this anime. There are many superior historical romance options with well-developed female characters.
Our protagonist, Elise, got a second chance at life after a not-so-great first run (executed, remember?). Turns out, she wasn't exactly an angel in her past life - think bad attitude and prince-obsessed. This time around, she had a loving family and a breeze of a life, but fate wasn't done with her yet. She became a renowned doctor, but sadly kicked the bucket again. (Talk about bad luck!) Now, she's back in her first life, pre-execution, and things are about to get messy. Determined to be a doctor again, she faces a major hurdle: an arranged marriage to the prince on her 18th birthday. The story follows her journey to become a doctor in this unfamiliar world, using her modern knowledge. However, people doubt her and try to throw wrenches in her plans, all because she's destined to be queen.
This anime suffers from several issues. The romance, for one, is poorly executed. Despite having multiple potential love interests for the protagonist, none of the relationships feel developed enough to be considered true romances. My biggest gripe, however, is with Linden, the supposed main love interest. He's about as exciting as watching paint dry. Throughout the entire show, he barely does anything. About the most he manages is the occasional conversation with the protagonist, Elise. Even these talks are pointless - for most of the anime, his knowledge of her seems limited to her love of sweets and her dream of becoming a doctor. He never seems to understand her as a person, yet the show expects us to root for them. Why? There are situations where Elise faces danger or obstacles to her dream, and Linden offers no assistance, even when he clearly could. This character is infuriating, especially considering there are two other men who are far better suited for her. One is intelligent, the other brave and funny.
The biggest issue is the main character, Elise. She's like a superhero with no weaknesses - flawless, universally adored, and inexplicably skilled in everything. In a world where challenges are supposed to make her grow, her constant perfection is tiresome. Even her "struggles" are shallow because she's always right and emerges unscathed. Beyond her intelligence, she simply lacks depth as a character.
This avoids the medical and logical issues to keep things concise. Were there any redeeming qualities? It was nice to see her relationship with Graham and Julian develop, and I also enjoyed seeing her try to prove herself to the entire kingdom despite no one believing her at first.
While the animation is decent and complements the anime's style, it lacks the wow factor. The character designs, particularly the male characters, are rather bland compared to the source material. Overall, I wouldn't recommend this anime. There are many superior historical romance options with well-developed female characters.
Heavenly Match? Angel and Devil Tango in The Foolish Angel Dances with the Devil
20 April 2024
Don't be fooled by Kanaten's familiar premise! It takes the classic Romeo and Juliet "enemies to lovers" trope with angels and demons, but flips it on its head. As a long-time manga reader (almost five years!), I was initially worried the anime adaptation might butcher the story. Thankfully, my fears were unfounded! Kanaten is a fantastic adaptation that goes above and beyond my expectations.
Kanaten is a surprising blend of genres! It starts as a straightforward rom-com with action thrown in, but it excels in each area. Akutsu and Lily's romance feels totally believable, their chemistry sizzles on screen, and their relationship progresses naturally. The humor is hilarious - imagine Cromartie High School's zaniness mixed with the playful competition of Kaguya-sama: Love is War. But wait, there's more! The angel-versus-demon fight scenes are surprisingly good, way better than you'd expect from a typical rom-com.
The anime adaptation is a slam dunk! The characters look exactly like they do in the manga, and the voice acting is spot-on. The jokes even landed better than I expected, translating smoothly from page to screen. The animation is surprisingly good, especially for a rom-com - I was genuinely impressed by some scenes. It's clear the studio put a lot of love into bringing the manga to life.
Calling all romance fans! Looking for a laugh, some action, and a great story? Kanaten might be your new favorite. Despite being underrated (seriously, it's a 9/10!), this rom-com delivers on all fronts. Whether you're a seasoned anime watcher or new to the genre, Kanaten has something for you. Give it a try!
Kanaten is a surprising blend of genres! It starts as a straightforward rom-com with action thrown in, but it excels in each area. Akutsu and Lily's romance feels totally believable, their chemistry sizzles on screen, and their relationship progresses naturally. The humor is hilarious - imagine Cromartie High School's zaniness mixed with the playful competition of Kaguya-sama: Love is War. But wait, there's more! The angel-versus-demon fight scenes are surprisingly good, way better than you'd expect from a typical rom-com.
The anime adaptation is a slam dunk! The characters look exactly like they do in the manga, and the voice acting is spot-on. The jokes even landed better than I expected, translating smoothly from page to screen. The animation is surprisingly good, especially for a rom-com - I was genuinely impressed by some scenes. It's clear the studio put a lot of love into bringing the manga to life.
Calling all romance fans! Looking for a laugh, some action, and a great story? Kanaten might be your new favorite. Despite being underrated (seriously, it's a 9/10!), this rom-com delivers on all fronts. Whether you're a seasoned anime watcher or new to the genre, Kanaten has something for you. Give it a try!
Hokkaido Gals Are Super Adorable!
(2024– )
Gals & Giggles: Hokkaido's Cutest Come to Town!
20 April 2024
With a blonde gyaru and a quirky accent, this character seemed like a surefire hit. Guess not! What a missed opportunity.
In other words, this anime is incredibly repetitive. Every episode follows the exact same formula: a guy meets a flashy girl, they grab a bite, and then the guy ends up flustered. It's like watching the same scene on repeat. If you ever felt like slice-of-life anime relies on clichés, this show cranks that feeling up to eleven - and all within a super predictable format.
This anime is boring, even for someone like me who enjoys silly jokes. It offers nothing: no interesting ideas, not heartwarming enough, not the cute style I like, and forget about anything spicy. It doesn't even deliver the cozy vibes a slice-of-life should! The only saving grace is a single scene with a character's mom. The rest is just repetitive and irritating.
In other words, this anime is incredibly repetitive. Every episode follows the exact same formula: a guy meets a flashy girl, they grab a bite, and then the guy ends up flustered. It's like watching the same scene on repeat. If you ever felt like slice-of-life anime relies on clichés, this show cranks that feeling up to eleven - and all within a super predictable format.
This anime is boring, even for someone like me who enjoys silly jokes. It offers nothing: no interesting ideas, not heartwarming enough, not the cute style I like, and forget about anything spicy. It doesn't even deliver the cozy vibes a slice-of-life should! The only saving grace is a single scene with a character's mom. The rest is just repetitive and irritating.
'Tis Time for "Torture, " Princess
(2024– )
The princess is hungry
17 April 2024
The anime seemed like a sweet story about a girl named Hime being pampered with delicious food and finding new friends. However, it turned out to be a total bait and switch! I was the one being tortured, not Hime, by the constant repetition that made finishing the show a chore. The first episode did a great job of drawing me in with its cuteness and lighthearted humor. Unfortunately, the jokes got old fast, and I regret sticking with it all the way through.
While the show recycles dialogue and scenarios, it lacks the wit to make repetition funny. I wish they'd focused on humor instead of just repeating the same lines. The characters are kind of boring. I wasn't looking for super complex backstories, but some more energetic or lighthearted personalities could have helped overcome the show's repetitiveness.
A shorter version, like 5-minute episodes, would have been great.
While the show recycles dialogue and scenarios, it lacks the wit to make repetition funny. I wish they'd focused on humor instead of just repeating the same lines. The characters are kind of boring. I wasn't looking for super complex backstories, but some more energetic or lighthearted personalities could have helped overcome the show's repetitiveness.
A shorter version, like 5-minute episodes, would have been great.
Synduality: Noir
(2023– )
New anime
17 April 2024
Following the excitement for mecha anime renewed by Gundam: Witch from Mercury, Synduality: Noir emerges as a fresh take on the genre, offering a contrasting vision.
While Witch from Mercury offered a breath of fresh air for its established franchise, Noir is utterly derivative. It forgoes the potential for spacefaring LGBTQ+ relationships in favor of a tired harem trope. The protagonist is the typical dense character we see in countless post-apocalyptic mecha stories involving alien invaders. Noir fails to innovate within the genre, borrowing heavily from others. Its "Magus" system, a contract-bound humanoid companion, feels like a copy of Fate's Servants and JoJo's Stands. It's basically Takt Op. Destiny with giant robots, thankfully without reaching the same level of absurdity.
Even though Noir uses familiar elements like stock characters and skimpy outfits, it's still entertaining. The art and animation are impressive, especially the mecha battles done in 3D. The characters, while typical, behave more maturely than their age suggests and their funny exchanges make them endearing.
The story unfolds one episode at a time, focusing more on introducing new characters than advancing the plot. It's unclear if things will become more serious and fast-paced later, but so far, season 1 is a fun and light introduction.
The Synduality project, particularly its anime Synduality: Noir, has generated some buzz. The anime uses the character Noir to introduce the world, but despite the involvement of well-known creators, it's not particularly groundbreaking in the mecha genre.
So, does part two fix the issues of part one? Yes, kind of. But it's not perfect - it still has its ups and downs.
Noir's a double-edged sword for her allies. Unraveling the truth about the Type Zero Magus and its origin in a place called Histoire has caused problems for everyone around her. This hidden location is key to a sinister plot by the Ideal group, led by Weisheit Blaurecht. He opposes a future with Maguses and aims to wipe them out. Ideal's creation and its followers are just tools for his plan.
Only his close friends, Macht Ewigkeit and Licht Alter (Tokio), are aware of his horrifying goal. Despite having their own Maguses (Macht with Schnee and Licht with Mouton), Licht ultimately defects because of his conscience. This is how he and his Magus end up in Rock Town as a double agent for both sides.
Meanwhile, Kanata's meddling in Noir's mysteries has been a source of trouble. While his hero complex was a pain in Part 1, he's grown more determined in Part 2. He wants to stop Ideal and Weisheit's vision of a human-only world. With Ciel's help, his goal is to fix Noir and make her a true Type Zero Magus.
The animation quality remains good (studio 8-bit) and the large cast is still there. The story reaches a major turning point, with characters risking themselves to save loved ones. The music in the first part ("Part 1") felt more impactful for setting up the series, even though the artists for the opening and ending themes switched places in the second part ("Part 2").
Overall, I wasn't impressed by Synduality. Combining different media types (mixed-media) is challenging, especially for video game companies like Bandai Namco with many existing franchises (like Scarlet Nexus). Mecha anime haven't been particularly innovative lately, even when paired with a video game. This is the case with Synduality: the anime just aired, and the video game (Synduality: Echo of Ada) comes out right after, even though they have different stories.
While Witch from Mercury offered a breath of fresh air for its established franchise, Noir is utterly derivative. It forgoes the potential for spacefaring LGBTQ+ relationships in favor of a tired harem trope. The protagonist is the typical dense character we see in countless post-apocalyptic mecha stories involving alien invaders. Noir fails to innovate within the genre, borrowing heavily from others. Its "Magus" system, a contract-bound humanoid companion, feels like a copy of Fate's Servants and JoJo's Stands. It's basically Takt Op. Destiny with giant robots, thankfully without reaching the same level of absurdity.
Even though Noir uses familiar elements like stock characters and skimpy outfits, it's still entertaining. The art and animation are impressive, especially the mecha battles done in 3D. The characters, while typical, behave more maturely than their age suggests and their funny exchanges make them endearing.
The story unfolds one episode at a time, focusing more on introducing new characters than advancing the plot. It's unclear if things will become more serious and fast-paced later, but so far, season 1 is a fun and light introduction.
The Synduality project, particularly its anime Synduality: Noir, has generated some buzz. The anime uses the character Noir to introduce the world, but despite the involvement of well-known creators, it's not particularly groundbreaking in the mecha genre.
So, does part two fix the issues of part one? Yes, kind of. But it's not perfect - it still has its ups and downs.
Noir's a double-edged sword for her allies. Unraveling the truth about the Type Zero Magus and its origin in a place called Histoire has caused problems for everyone around her. This hidden location is key to a sinister plot by the Ideal group, led by Weisheit Blaurecht. He opposes a future with Maguses and aims to wipe them out. Ideal's creation and its followers are just tools for his plan.
Only his close friends, Macht Ewigkeit and Licht Alter (Tokio), are aware of his horrifying goal. Despite having their own Maguses (Macht with Schnee and Licht with Mouton), Licht ultimately defects because of his conscience. This is how he and his Magus end up in Rock Town as a double agent for both sides.
Meanwhile, Kanata's meddling in Noir's mysteries has been a source of trouble. While his hero complex was a pain in Part 1, he's grown more determined in Part 2. He wants to stop Ideal and Weisheit's vision of a human-only world. With Ciel's help, his goal is to fix Noir and make her a true Type Zero Magus.
The animation quality remains good (studio 8-bit) and the large cast is still there. The story reaches a major turning point, with characters risking themselves to save loved ones. The music in the first part ("Part 1") felt more impactful for setting up the series, even though the artists for the opening and ending themes switched places in the second part ("Part 2").
Overall, I wasn't impressed by Synduality. Combining different media types (mixed-media) is challenging, especially for video game companies like Bandai Namco with many existing franchises (like Scarlet Nexus). Mecha anime haven't been particularly innovative lately, even when paired with a video game. This is the case with Synduality: the anime just aired, and the video game (Synduality: Echo of Ada) comes out right after, even though they have different stories.
Mr. Villain's Day Off
(2024– )
The Villain Just Wants Peace
16 April 2024
While lighthearted slice-of-life shows are plentiful, it's getting harder to tell them apart, especially with relaxing series like Yuru Camp. But this winter, I have the perfect show for unwinding: Mr. Villain's Day Off by Yuu Morikawa.
Tired of the daily grind? What about the neverending battle between good and evil? Mr. Villain, also known as Warumono-san, feels your pain. Leading an evil space organization, he disrupts peace on Earth only to be foiled by everyday heroes - think Power Rangers! But all Warumono wants is a quiet life to pursue his true passions. These passions? Pandas! He's utterly obsessed with these adorable black and white creatures.
Not even the heroes can stop Warumono's "evil" deeds on his days off. These include searching for pandas, finding panda-themed snacks, and simply relaxing - all well-deserved villainous behavior!
Shintarou Asanuma's voice acting breathes life into Warumono, even if it doesn't quite match his villainous image. Warumono might seem like a stereotypical bad guy at first, but he's actually a complex character with a surprisingly good heart. He's both impressed by humans and weirdly threatened by cuddly pandas. This bizarre mix leads him to experience a strange form of enlightenment ("Nirvana") and vow revenge...by seeking more panda snacks! He leaves the dirty work to his loyal assistant, Rooney. The heroes, the Rangers, are equally quirky. Akatsuki Red, the caring leader, has a terrible sense of direction. Green consists of twins, Mugi and Sora. Shinonome Pink is the only girl on the all-male team. Finally, Yoiyami Black, the team's founder, remains shrouded in mystery.
The production of the anime is fairly standard. Shin-Ei Animation and SynergySP collaborate to create the show with a minimalist yet polished style. The true star of the show's chill atmosphere ("Iyashikei") is the music. The soundtrack is incredibly calming, and so are the theme songs (although there seems to be some disagreement about that). The opening by Ivudot is like taking a peaceful walk through a park at night. Glasgow's ending song is a cheerful contrast, offering a hopeful outlook. Some viewers might argue that the opening doesn't feel like a typical opening theme, but it perfectly complements the show's laid-back tone and source material.
Even the most determined heroes and villains need a break. Mr. Villain's Day Off perfectly captures this idea by showing a villain who just wants to relax on his day off. Now, if you'll excuse me, I'm off to the zoo to see some pandas! Their fluffy cuteness and carefree lounging are exactly what I need right now.
Tired of the daily grind? What about the neverending battle between good and evil? Mr. Villain, also known as Warumono-san, feels your pain. Leading an evil space organization, he disrupts peace on Earth only to be foiled by everyday heroes - think Power Rangers! But all Warumono wants is a quiet life to pursue his true passions. These passions? Pandas! He's utterly obsessed with these adorable black and white creatures.
Not even the heroes can stop Warumono's "evil" deeds on his days off. These include searching for pandas, finding panda-themed snacks, and simply relaxing - all well-deserved villainous behavior!
Shintarou Asanuma's voice acting breathes life into Warumono, even if it doesn't quite match his villainous image. Warumono might seem like a stereotypical bad guy at first, but he's actually a complex character with a surprisingly good heart. He's both impressed by humans and weirdly threatened by cuddly pandas. This bizarre mix leads him to experience a strange form of enlightenment ("Nirvana") and vow revenge...by seeking more panda snacks! He leaves the dirty work to his loyal assistant, Rooney. The heroes, the Rangers, are equally quirky. Akatsuki Red, the caring leader, has a terrible sense of direction. Green consists of twins, Mugi and Sora. Shinonome Pink is the only girl on the all-male team. Finally, Yoiyami Black, the team's founder, remains shrouded in mystery.
The production of the anime is fairly standard. Shin-Ei Animation and SynergySP collaborate to create the show with a minimalist yet polished style. The true star of the show's chill atmosphere ("Iyashikei") is the music. The soundtrack is incredibly calming, and so are the theme songs (although there seems to be some disagreement about that). The opening by Ivudot is like taking a peaceful walk through a park at night. Glasgow's ending song is a cheerful contrast, offering a hopeful outlook. Some viewers might argue that the opening doesn't feel like a typical opening theme, but it perfectly complements the show's laid-back tone and source material.
Even the most determined heroes and villains need a break. Mr. Villain's Day Off perfectly captures this idea by showing a villain who just wants to relax on his day off. Now, if you'll excuse me, I'm off to the zoo to see some pandas! Their fluffy cuteness and carefree lounging are exactly what I need right now.
High Card
(2023– )
When Kingsman meets anime
16 April 2024
High Card, the unexpected mashup of Kakegurui and Kingsman, surprised everyone by being a fantastic new anime this season. Unfortunately, it seems to be flying under the radar. Just when it seemed the breakneck pace and lack of mainstream appeal might doom the show, AnimeJapan 2023 announced a second season! This is fantastic news, as it will allow High Card to wrap up its intended first act within this season. But before we get ahead of ourselves, let's rewind a bit...
High Card might seem like a brand new anime, but it's actually a bigger project created by several companies. TMS Entertainment is the main animation studio, but the writer is especially interesting. Homura Kawamoto, known for the crazy and suspenseful gambling anime Kakegurui (including the recent Netflix spin-off), is back with another story centered around games of chance. Just like Kakegurui, High Card uses playing cards as a theme, with the title and locations all referencing poker and other card games. He's not working alone though - his brother, Hikaru Muno (who wrote the Kakegurui light novels), is also involved. The animation looks fantastic thanks to TMS Entertainment and the character designer Ebimo.
Instead of a high-stakes school gambling den like Kakegurui, High Card throws the school setting out the window and injects a world of constant danger. The key lies in a secret deck of magical cards, each granting unique powers to its user. These "X-Playing Cards" are controlled by the mysterious Fourland royalty. Think X-Men meets Kingsman: the creators were heavily influenced by Kingsman and aimed for a global audience, reflected in the diverse cast and international settings.
Our hero, Finn, is a scrappy orphan trying to save his orphanage from eviction. Determined to help the kids, he hatches a desperate plan to steal from a Las Vegas-style casino. But instead of riches, Finn stumbles onto a life-or-death situation involving a stolen X-Playing Card. This thrusts him into a battle to recover the scattered cards. Now armed with a card himself, Finn joins High Card, a secret group tasked with retrieving the cards. Their cover? Selling luxury cars for the Pinochle company.
Both High Card and Kingsman share a similar dynamic duo. High Card's Finn Oldman is like Kingsman's Eggsy: a talented young pickpocket with exceptional focus and eyesight who can strategize several moves ahead. Finn wields the 2 of Spades, granting him the "Neo New Nambu" power - summoning a loaded Nambu revolver and conjuring extra bullets at will.
Chris Redgrave mirrors Kingsman's Harry Hart. A charming ladies' man and a skilled driver with a weakness for sweets, Chris utilizes the power of the 5 of Hearts. This "Calorie's High" ability allows him to instantly heal fatal injuries by burning off excess calories.
Leo Constantine Pinochle is the Navy Blue Chester "Arthur" King, the 14-year-old son of Pinochle's CEO Theodore Constantine Pinochle, being the manager of the Old Maid branch office, with an abrasive demeanor that often grates on his colleagues.
Wendy Sato is the Grey Roxanne "Roxy" Morton, the daughter of a master swordsman from the Far East, and the accountant for Pinochle's Old Maid branch office. She wields the Ace of Spades with the ability of "Love and Peace," a large sword with a mind of its own that summons her sadistic side, and goes away once the power is under control.
Vijay Kumar Singh is the Green James "Lancelot" Spencer, the highly intelligent PhD student at the University of Cribbage and the system manager-cum-cook at Pinochle's Old Maid office, with his aloof personality making him difficult to approach people.
Pinochle is constantly under siege. From the ruthless car company "Who's Who" out to destroy Pinochle, to the sinister Klondike mafia coveting the X-Playing cards, Pinochle faces a relentless barrage of threats. But there's one thing standing in their way:
Norman Kingstadt, the flamboyant and charismatic CEO of "Who's Who" in a one-sided rivalry with his childhood friend Theodore. He is aided by Blist Blitz Broadhurst, his personal secretary and bodyguard, who prefers to keep a strictly professional attitude while on the job, constantly reminding the charismatic CEO about pay and labour regulations even as he works to collect X-Playing cards for him.
Ban Klondike is the Dark antagonist Richmond Valentine, the head of the Klondike mafia family, though he appears to have a softer side when dealing with women and children, seeking the X-Playing cards for his own ends and has a shared history with Theodore and Norman.
Bobby Ball, the one who started the battle of the X-Playing Cards against the unsuspecting Finn. The young and no-nonsense cruelty member of the Klondike family who works under the young executive Tilt servng as a mediating force for inter-family struggles, while managing the search for the X-Playing cards.
The show's strength lies in its characters. Each has a unique card power and can perform amazing feats with clever card manipulation, like the X-Hand that grants wishes. The creators clearly focused on making them likable. In the words of director Kawamoto, "We want the audience to love the characters just as much as we do." Every character plays a role and has a reason for being in this world, as Muno, another creator, explains: "We hope you find your favorite!"
Take Finn, for example. He's on a rags-to-riches mission to save his orphanage, Sun Fields. This goal unknowingly involves those close to him, like Lindsey Betz, the director who took him in after his parents were mysteriously killed. Finn might be using High Card to find answers about their deaths. Chris has a similar motivation: saving a family member after a near-death experience of his own.
The story's larger than life, hinting at a darker plot lurking beneath the surface. This season sets the stage for something even bigger in season 2, and I can't wait to see where it goes!
It's been a while since Studio Hibari made a solo anime! Their last big project was "Clean Freak Aoyama-kun" in 2017, and since then they've mostly collaborated on smaller productions. This is because their subsidiaries like Lerche took over most of the animation work. So, with High Card being their first solo anime in 6 years, it's exciting to see the studio back in action! They're bringing their A-game with impressive visuals, a constantly evolving world, and a clean animation style. Season 2 looks even better, and I can't wait to see more of this unique concept come to life. In short: awesome animation, cool world-building, and a promising future for the series!
High Card's music is incredible, arguably the best part of the show. Composer Ryo Takahashi, known for his work on Princess Principal and Classroom of the Elite, delivers a truly magnificent soundtrack. Compared to last year's favorite, Healer Girl, High Card is full of action with pumping beats that perfectly complement the high-stakes atmosphere. The soundtrack is my favorite of the season, featuring the insanely catchy opening theme "Trickster" by newcomers FIVE NEW OLD and the squad-themed ending theme "Squad!" by utaite Meychan. Both songs are guaranteed hype anthems. "Trickster" is a fantastic debut for FIVE NEW OLD, while "Squad!" is Meychan's second anime theme song (after Estab-Life: Great Escape) and a super fun, catchy track perfect for belting out at karaoke.
While High Card has a lot going for it, the storytelling across the 12 episodes feels a bit messy. This might be due to the director, Junichi Wada. Aside from SukaSuka in 2017 (which was a fluke success), he doesn't have a strong track record. Here's hoping that if there's a season 2, Wada will get a chance to prove himself as a director we can rely on.
Season 1 introduces a world centered around a deck of 52 unique X-Playing Cards, each granting special powers to whoever holds them. It's a chaotic scramble for power, like wannabe Kingsmen vying to collect all the cards. But that's just the beginning. Season 1 also sets the stage for the various organizations and characters - High Card under Pinochle, their rivals Who's Who, and the mafia-like Klondike Family - all maneuvering within their own structures to achieve their goals.
Season 2 delves deeper by exploring the history of these X-Playing Cards. We travel back in time to witness their creation in the Kingdom of Fourland. The season explores how greed and the allure of power caused the cards to spiral out of control, highlighting the potential for both peace and utter destruction represented by these cards.
High Card might seem like a brand new anime, but it's actually a bigger project created by several companies. TMS Entertainment is the main animation studio, but the writer is especially interesting. Homura Kawamoto, known for the crazy and suspenseful gambling anime Kakegurui (including the recent Netflix spin-off), is back with another story centered around games of chance. Just like Kakegurui, High Card uses playing cards as a theme, with the title and locations all referencing poker and other card games. He's not working alone though - his brother, Hikaru Muno (who wrote the Kakegurui light novels), is also involved. The animation looks fantastic thanks to TMS Entertainment and the character designer Ebimo.
Instead of a high-stakes school gambling den like Kakegurui, High Card throws the school setting out the window and injects a world of constant danger. The key lies in a secret deck of magical cards, each granting unique powers to its user. These "X-Playing Cards" are controlled by the mysterious Fourland royalty. Think X-Men meets Kingsman: the creators were heavily influenced by Kingsman and aimed for a global audience, reflected in the diverse cast and international settings.
Our hero, Finn, is a scrappy orphan trying to save his orphanage from eviction. Determined to help the kids, he hatches a desperate plan to steal from a Las Vegas-style casino. But instead of riches, Finn stumbles onto a life-or-death situation involving a stolen X-Playing Card. This thrusts him into a battle to recover the scattered cards. Now armed with a card himself, Finn joins High Card, a secret group tasked with retrieving the cards. Their cover? Selling luxury cars for the Pinochle company.
Both High Card and Kingsman share a similar dynamic duo. High Card's Finn Oldman is like Kingsman's Eggsy: a talented young pickpocket with exceptional focus and eyesight who can strategize several moves ahead. Finn wields the 2 of Spades, granting him the "Neo New Nambu" power - summoning a loaded Nambu revolver and conjuring extra bullets at will.
Chris Redgrave mirrors Kingsman's Harry Hart. A charming ladies' man and a skilled driver with a weakness for sweets, Chris utilizes the power of the 5 of Hearts. This "Calorie's High" ability allows him to instantly heal fatal injuries by burning off excess calories.
Leo Constantine Pinochle is the Navy Blue Chester "Arthur" King, the 14-year-old son of Pinochle's CEO Theodore Constantine Pinochle, being the manager of the Old Maid branch office, with an abrasive demeanor that often grates on his colleagues.
Wendy Sato is the Grey Roxanne "Roxy" Morton, the daughter of a master swordsman from the Far East, and the accountant for Pinochle's Old Maid branch office. She wields the Ace of Spades with the ability of "Love and Peace," a large sword with a mind of its own that summons her sadistic side, and goes away once the power is under control.
Vijay Kumar Singh is the Green James "Lancelot" Spencer, the highly intelligent PhD student at the University of Cribbage and the system manager-cum-cook at Pinochle's Old Maid office, with his aloof personality making him difficult to approach people.
Pinochle is constantly under siege. From the ruthless car company "Who's Who" out to destroy Pinochle, to the sinister Klondike mafia coveting the X-Playing cards, Pinochle faces a relentless barrage of threats. But there's one thing standing in their way:
Norman Kingstadt, the flamboyant and charismatic CEO of "Who's Who" in a one-sided rivalry with his childhood friend Theodore. He is aided by Blist Blitz Broadhurst, his personal secretary and bodyguard, who prefers to keep a strictly professional attitude while on the job, constantly reminding the charismatic CEO about pay and labour regulations even as he works to collect X-Playing cards for him.
Ban Klondike is the Dark antagonist Richmond Valentine, the head of the Klondike mafia family, though he appears to have a softer side when dealing with women and children, seeking the X-Playing cards for his own ends and has a shared history with Theodore and Norman.
Bobby Ball, the one who started the battle of the X-Playing Cards against the unsuspecting Finn. The young and no-nonsense cruelty member of the Klondike family who works under the young executive Tilt servng as a mediating force for inter-family struggles, while managing the search for the X-Playing cards.
The show's strength lies in its characters. Each has a unique card power and can perform amazing feats with clever card manipulation, like the X-Hand that grants wishes. The creators clearly focused on making them likable. In the words of director Kawamoto, "We want the audience to love the characters just as much as we do." Every character plays a role and has a reason for being in this world, as Muno, another creator, explains: "We hope you find your favorite!"
Take Finn, for example. He's on a rags-to-riches mission to save his orphanage, Sun Fields. This goal unknowingly involves those close to him, like Lindsey Betz, the director who took him in after his parents were mysteriously killed. Finn might be using High Card to find answers about their deaths. Chris has a similar motivation: saving a family member after a near-death experience of his own.
The story's larger than life, hinting at a darker plot lurking beneath the surface. This season sets the stage for something even bigger in season 2, and I can't wait to see where it goes!
It's been a while since Studio Hibari made a solo anime! Their last big project was "Clean Freak Aoyama-kun" in 2017, and since then they've mostly collaborated on smaller productions. This is because their subsidiaries like Lerche took over most of the animation work. So, with High Card being their first solo anime in 6 years, it's exciting to see the studio back in action! They're bringing their A-game with impressive visuals, a constantly evolving world, and a clean animation style. Season 2 looks even better, and I can't wait to see more of this unique concept come to life. In short: awesome animation, cool world-building, and a promising future for the series!
High Card's music is incredible, arguably the best part of the show. Composer Ryo Takahashi, known for his work on Princess Principal and Classroom of the Elite, delivers a truly magnificent soundtrack. Compared to last year's favorite, Healer Girl, High Card is full of action with pumping beats that perfectly complement the high-stakes atmosphere. The soundtrack is my favorite of the season, featuring the insanely catchy opening theme "Trickster" by newcomers FIVE NEW OLD and the squad-themed ending theme "Squad!" by utaite Meychan. Both songs are guaranteed hype anthems. "Trickster" is a fantastic debut for FIVE NEW OLD, while "Squad!" is Meychan's second anime theme song (after Estab-Life: Great Escape) and a super fun, catchy track perfect for belting out at karaoke.
While High Card has a lot going for it, the storytelling across the 12 episodes feels a bit messy. This might be due to the director, Junichi Wada. Aside from SukaSuka in 2017 (which was a fluke success), he doesn't have a strong track record. Here's hoping that if there's a season 2, Wada will get a chance to prove himself as a director we can rely on.
Season 1 introduces a world centered around a deck of 52 unique X-Playing Cards, each granting special powers to whoever holds them. It's a chaotic scramble for power, like wannabe Kingsmen vying to collect all the cards. But that's just the beginning. Season 1 also sets the stage for the various organizations and characters - High Card under Pinochle, their rivals Who's Who, and the mafia-like Klondike Family - all maneuvering within their own structures to achieve their goals.
Season 2 delves deeper by exploring the history of these X-Playing Cards. We travel back in time to witness their creation in the Kingdom of Fourland. The season explores how greed and the allure of power caused the cards to spiral out of control, highlighting the potential for both peace and utter destruction represented by these cards.
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