Back in December, after my first viewing of Persona, I stated that the film was "not as great as other reviewers had made out"
How wrong I was. I watched Persona again last night and found it, second time around, to be challenging, interesting and enjoyable, emotions and feelings that went straight over my head on first viewing. This is the closest thing to "real" cinema that I have seen, because it doesn't offer the viewer any easy answers, Bergman lets the story unfold, and as he goes deeper into the psyche of the character he expects us to pay very close attention to what he is doing.
The film is pretentious, unashamedly, but the way Bergman takes the style from the narrative means that the pretension isn't a bad thing, because the images of Persona are some of the most memorable and haunting that any director has dared to show. From the opening images of the young boy framed in front of a full-screen rear projection of his mother, to the famous image of the two women's faces merged as one, the images help the audience decode some of the more complicated elements of the plot.
Now I must mention the acting (something I glossed over in my first review), because there are better performances in this film than any other I can think of at this moment. Firstly Liv Ullmann, who is simply amazing as the broken-down actress Elisabeth Vogler, she manages to seem both trustworthy, but at the same time controlling without speaking a single line of dialog, and she's helped out enormously by Bibi Andersson. The way that Bergman uses these very different (but in some way similar) actresses, is to contradict their actions at every turn, to continually play with their status within the film, Ullmann comes off as the masculine character, despite the fact that her profession would call for her to be feminine. Similarly, Andersson's nurse Alma often comes off as being far too weak for her vocation, but is this a general character flaw, or just a continuation of the role reversal the two women are undergoing.
There is still a great deal of Persona that I don't understand, and maybe I never will but this only makes me want to watch the film again and again, as it's the perfect film to just loose yourself in. There is so much that I have picked up on since my first viewing that I could write about this film for even longer, but this is not my personal forum form any kind of film critique. All I can say is Persona is a film that must be watched multiple times, every viewing only strengthens my affection for it and my growing admiration for Bergman that hit full swing after I saw The Seventh Seal. In December I gave this film a rating of 8/10, now I feel compelled to, not only change that score to a 10, but also to see the film again. A true masterpiece
The film is pretentious, unashamedly, but the way Bergman takes the style from the narrative means that the pretension isn't a bad thing, because the images of Persona are some of the most memorable and haunting that any director has dared to show. From the opening images of the young boy framed in front of a full-screen rear projection of his mother, to the famous image of the two women's faces merged as one, the images help the audience decode some of the more complicated elements of the plot.
Now I must mention the acting (something I glossed over in my first review), because there are better performances in this film than any other I can think of at this moment. Firstly Liv Ullmann, who is simply amazing as the broken-down actress Elisabeth Vogler, she manages to seem both trustworthy, but at the same time controlling without speaking a single line of dialog, and she's helped out enormously by Bibi Andersson. The way that Bergman uses these very different (but in some way similar) actresses, is to contradict their actions at every turn, to continually play with their status within the film, Ullmann comes off as the masculine character, despite the fact that her profession would call for her to be feminine. Similarly, Andersson's nurse Alma often comes off as being far too weak for her vocation, but is this a general character flaw, or just a continuation of the role reversal the two women are undergoing.
There is still a great deal of Persona that I don't understand, and maybe I never will but this only makes me want to watch the film again and again, as it's the perfect film to just loose yourself in. There is so much that I have picked up on since my first viewing that I could write about this film for even longer, but this is not my personal forum form any kind of film critique. All I can say is Persona is a film that must be watched multiple times, every viewing only strengthens my affection for it and my growing admiration for Bergman that hit full swing after I saw The Seventh Seal. In December I gave this film a rating of 8/10, now I feel compelled to, not only change that score to a 10, but also to see the film again. A true masterpiece
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