The plot revolves around Giovanni (who goes by everyone's name Kurtz after the character in Apocalypse Now played by Marlon Brando) a very rich Roman orphan who spends his days dicking around as a writer, surrounded by people he insists on calling friends but who actually have little to do with him.
The film shows the psychological collapse of an increasingly lonely man, abandoned even by his girlfriend, who ends up blaming Premier Berlusconi for all his misfortunes. Giovanni's only way out: the assassination of Berlusconi himself, an icon and symbol, according to him, of the Italian degradation of the last two decades.
Tragic ending.
The film is exciting: very paranoid and hallucinated like its protagonist, it sails through murky waters made up of loneliness and confusion. A countless number of cameos are worth mentioning: Alessandro Haber in the dual role of notary and "Filipino," journalist Marco Travaglio as himself, the legendary Remo Remoti as a taxi driver, and finally Erlend Oye, the bespectacled Kings of Convenience nerd also playing himself.
The film is certainly interesting and should be rewarded as experimentation.
The film shows the psychological collapse of an increasingly lonely man, abandoned even by his girlfriend, who ends up blaming Premier Berlusconi for all his misfortunes. Giovanni's only way out: the assassination of Berlusconi himself, an icon and symbol, according to him, of the Italian degradation of the last two decades.
Tragic ending.
The film is exciting: very paranoid and hallucinated like its protagonist, it sails through murky waters made up of loneliness and confusion. A countless number of cameos are worth mentioning: Alessandro Haber in the dual role of notary and "Filipino," journalist Marco Travaglio as himself, the legendary Remo Remoti as a taxi driver, and finally Erlend Oye, the bespectacled Kings of Convenience nerd also playing himself.
The film is certainly interesting and should be rewarded as experimentation.
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