This film is style over substance and only midly amusing if one ignores the misogyny. But the closing credits, using those real photos with that David Bowie song, were pure exploitation. I have no problem with cinematic attacks on US politics, but why go after the poor, as if they had a say in US policy? Lars von Trier should watch the documentary STRANGER WITH A CAMERA (by Elizabeth Barrett) before he makes another horrible mistake.
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