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Batman Begins (2005)
10/10
Masterful: Batman doesn't have the luxury of continuity in his portrayals, but Nolan and Bale help deliver the closest iteration any movie-goer has seen of Bob Kane's legend.
15 June 2005
Freshly returned from the midnight showing of Batman Begins, I witnessed a cinematic event that left me with inspiration enough to author a post. Was it good? Was it bad? I'm sure you'll be able to figure that out.

First, I'd like to talk about an aspect of movies I don't hear much about: progression. Batman Begins had sections that were definitely set apart from each other. By the end of the movie I felt I had gone with Bruce Wayne on his journey from a man consumed by guilt and anger to an immutable symbol of justice and hope in a paradigm of modern society known as Gotham. At the end of the movie I felt as if I was looking at a changed man in a world just a little different than it was before. The two hours and fifteen minutes seemed chock full of content and at a rather satisfying balance between length and brevity.

I'll go ahead and take care of the obvious: action. Any movie with over a hundred million dollars in it's budget is going to have some satisfying action. For the first time ever, every aspect of the dark knight was realized in a live-action setting. Burton's films had his dark nature and a little of his ingenuity down pat. But Keaton's Batman was merely a Darth Vader without the force: slow and clumsy, though still intimidating. Not necessarily the fault of Tim and Michael, Bale's presence was much more akin to that of Bob Kane's vision. He was fluid, quick, agile, and silent. He was ninjesque, as the Batman of the comics and the animated series. But he was more menacing, too, though it was Bale who was in more control of this aspect. His voice as Batman was more different than that of Keaton's, Kilmer's or Clooney's performances. Bale's Batman was the best. So was his Bruce Wayne. There wasn't much action outside of this, though. That's likely to be different in the sequel, given the villain. But, I shan't spoil the surprise.

There were interesting twists to the Batman story that I won't ruin here for you. But it's hard to see any Batman, regardless of how well versed he or she may be in the literature, disliking it to severely. I mean, keep in mind that it's based on the comics, not the comics translated into live-action film.

Bale does an excellent job of portraying Bruce in all of his stages of development. His development as a character only ends with the movie; the sequel is sure to continue this development. Michael Keaton played Bruce Wayne. Christian Bale is Bruce Wayne. Val Kilmer portrayed Batman. Christian Bale is Batman.

I can't say for sure if this was my favorite comic book movie, though it's almost certainly my favorite of Batman fame. I was so much more than satisfied with Raime's and Maguire's deliverance of Spider-Man, and despite that being the only time justice has ever been done to the character on the big screen, I felt similarly about Batman Begins. It was as if the previous movie's were the interpretations of individuals, while Nolan's film was the interpretation of a generation. Batman doesn't have the luxury of continuity in his portrayals, but Nolan and Bale help deliver the closest iteration any movie-goer has seen of Bob Kane's legend. Kudos to you both, sirs.
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10/10
Dan guu!
16 October 2003
That little summary phrase is Japanese for "extremely awesome." This movie proves yet again how Talented a director and writer Quentin Tarantino really is. The previews for the movie do an excellent job of keeping people in the dark about the most of the movie, and I'll try to do the same. Kill Bill basically centers on "The Bride" (Uma Thurman)and her quest for revenge. She was an assassin betrayed by her former comrades. This movie is full of action. In fact, it's quite refreshing to see such an action-packed movie that relies very little, if at all, on firearms. The special effects may not seem to be state-of-the-art (you'll see what I mean), but I beseech you to disregard such vain things. There's much much more to the movie than the violence and action. Unlike most action movies, the plot proves itself quite riveting. The twists and turns, while most movies have them, mask themselves so well and when they finally do make themselves known, they do so in a surprising manner. Being only Volume 1 of a two-part franchise, I eagerly anticipate Volume 2's February release. I can't say in good faith that this is my favorite Tarantino film, as I'm a sucker for the land of the rising sun. But Kill Bill Vol. 1 is an excellent comeback after a four-year hiatus of Tarantino films. I give it a ten out of ten.
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Hulk (2003)
9/10
Ang Lee's American Masterpiece
28 September 2003
First off, I'd like to say that superhero movies get a lot a of bad hype. They're not bad movies, it's just sometimes telling origins gets in the way or the director/producer doesn't take enough of a creative license with it. Ang Lee did an excellent job with Hulk. Of all the superhero movies I've ever seen (which is nearly all of them), this one remains the pinnacle of underlying philosophical substance (excepting possibly Raimi's Spider-Man). Hulk deals with how sorrow, anger, and all the other related emotions can build up within a man and can manifest physically. Admittedly, no one will become big and green, but that's more symbolic of the kind of monsters people can become. Hitler, for instance, was hardly an eyesore, but when it's all said and done, he remains one of the most atrocious monsters in the history of mankind.

Hulk's plot was a rather interesting spin on Bruce's life and his relationship with Betty. Again, I enjoyed the creative license they took with the property, and I even enjoyed the little twist at the end between Bruce and his father. When I saw this movie, I was on the edge of my seat. I could feel every bone-crunching hit between Hulk and the mutated canines. I felt all kinds of emotions during Hulk's battles, including the jet scene. I felt so much in the movie I could almost smell Ross's breath during his close-ups. I loved this movie, more so than even Spider-Man who happens to be my favorite American superhero. And to be honest, I was never really a Hulk person. On a scale of 1-10, I'd have to give it a solid 9.
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Spirited Away (2001)
9/10
Miyazaki's Latest Masterpiece
28 September 2003
Well, what a surprise; "Miyazaki" and "masterpiece" together in an affirmative sentence. Spirited Away marks Miyazaki's first work as a semi-retired director, though the movie doesn't suffer from it in the least. Spirited Away is about a young girl gets lost in a world of ghosts and spirits and is forced to work at the bath house for specters. Any fan of Miyazaki will instantly fall in love with this movie. Don't be fooled by Disney's involvement or the fact that it's animated. It's still very much anime, but not anime for anyone. This is a good movie for young children and those who have a timeless love for movies. If you're the kind of person who still loves Toy Story, for example, then this will become another one of your favorites. People who are only into anime like Ninja Scroll and Cowboy Beebop, this may not be the movie for you. This is a movie for those who love anime of all kinds, like myself. Spirited Away is a fanciful movie that most open-minded individuals will enjoy. I'd have to give it a 9.25 out of 10.
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Kikujiro (1999)
8/10
A Magical Foreign Film
28 September 2003
This is yet another of the many films I'm fond of that doesn't have a readily apparent point. This means you have to watch the movie for yourself and make your own decision on what goes on. Kikujiro is about a little boy who sets of to find his mother and accompanied by a very brash and unrefined middle-aged man. They have quite an adventure along their journey. Personally, I think this movie is about life. It's about a young child and a thirty-something man learning more about the world and each other. Part of the fun is deciding for yourself, though. It's a rather heart-warming tale that I had a lot of fun watching, not just because of the Japanese language. It's not a movie for everyone, but it's a nice change of pace from all the American movies that try so hard to do something and end up doing nothing. I'd give it an 8.
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10/10
One of Miyazaki's Best
28 September 2003
This movie was it for me. I am a huge fan of anything Japanese, and this movie has played a big role in perpetuating that. It's such an amazing work of art. This movie follows a young warrior-prince named Ashitaka in feudal Japan who sets off to find a cure for a curse he incurred by defending his village from a demon. It explores how humanity's seemingly harmless sins, greed most prominent among them, can snowball into atrocious acts of shockingly great magnitudes. I advise anyone and everyone to see this. Disregard the fact that it's animated; Japanese animation has proven time and again that characters drawn on a piece of paper have no less depth than that of one portrayed by a live actor. Princess Mononoke remains one of my favorite movies.
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10/10
Simply Wonderful
28 September 2003
I've finally seen this movie after so long of having heard about it. I have to say, it was simply amazing. The way the movie's set up is so unique that you can't help but remember almost in detail every scene. Of course there's the infamous ear scene, which was pretty powerful despite the lack of visuals. I still cringe at it. But as Chris Penn explains, it's not so much that movie's violent, it just does such an excellent job of building up tension that when there is violence it just feels so much more magnified. It's a definite must-see for anyone who watches movies. If you're a Tarantino fan, then there's no reason for you not to have seen it. If by some chance you haven't then you should be slapped until you do see it. Reservoir Dogs is easily among my top ten.
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7/10
Thoughtful Flick
28 September 2003
I just saw The Man Who Loved Women, and I found it to be a rather delightful movie. It's a plot you don't see to often; it's focused on one man and his love of women. The movie may seem pointless, but you'll get it once you see the ending. I won't ruin it here, but it was kind of depressing and unexpected, and looking back on the movie, I enjoyed it much more afterwards than during. It's not the most exciting movie. You won't see any amazing or dynamic cinematography or camera angles that are all to creative. In fact, it seems more like a movie from the '70's than 1983 in the way it was filmed, but if you like the kind of movies that you enjoy much more after having looked back on everything, I think you'll find this a rather enjoyable work.
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10/10
Awesome movie drastically underrated
6 September 2003
This movie was so amazing and it's so very disappointing that so many people will miss out on it and refuse to watch it just because it's animated instead of live actors. I think this movie does a really great job of capturing the many aspects of oppression and rebellion, perhaps not in the best way, but still in a uniquely striking fashion. Having prior knowledge to Gundam's Universal Century enriches the experience even more. Char's transformation is definitely a major aspect, but there's also so much more. The relationship between Amuro and Char has evolved and come much farther; it's at a point in this film that keeps you riveted, wether you be fond of Amuro or tend to lean towards Char. I would recommend this movie to anyone, regardless. It may seem like just an action movie or cartoon at just a glance, but once you see the movie and get a feel for the story and everything that goes on, I'm convinced you'll be satisfied afterwards, provided that you just have an open mind. And obviously I'm talking more towards everyone else out there, and not so much my fellow anime fans.
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