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The Life of Henry the Fifth (1979)
Hooray for Captain Fluellen
The production has been well-covered above. I just want to add that, to me, this is deep Shakespeare without piffle-paffle, as the good Captain Fluellen would say. It presents the full story as Will wrote it, with minimal, if any, cuts.
As an American, I must say that British actors never cease to amaze me. They must get a lot more training than Yank actors do. For instance, Tim Wylton as the 'actively annoying' Captain Fluellen to my mind created a memorable comic character. He made me laugh or at least smile in every speech he made, which is exactly Fluellen's purpose (other than representing the rough, honest courage of the common soldier.) And I woke up thinking about his portrayal this morning, and I was still chuckling.
I particularly wish to thank 'gerlynga' for his or her thoughtful review clearly based on a deep knowledge of the play's many productions. I look forward to reading all her stuff.
Convict 13 (1920)
Pure wonderful surrealist craziness
I'd like to add to Claudio's plot synopsis that this film is total surrealism. I was so struck by its superficial resemblance to reality but the story is really taking place in a crazy imaginary world where Keaton as the golfer can grab a fish out of the river (when the ball is knocked there), shake it around and have his golf ball pop out the fish's mouth. The film has a charm all it's own - so different from what Chaplin or Harold Lloyd were doing. I wonder if the European Dadaists were looking at Keaton's early stuff. The time frame is just right. The film is available, by the way,on the Kino Steamboat Bill Jr. DVD. But in an unrestored version, alas.
Amandla! A Revolution in Four Part Harmony (2002)
How can an entire nation sing so beautifully?
I know this is a minority opinion, and I think if I was South African I would have been very moved by the film. But I just did not understand the issues well enough or know the history and weight of the people interviewed, except for Miriam Mekeba and Hugh Masekela. The film would have worked better for me if it had provided more background and focus for an uninformed American. It certainly never answered the first question I had: how can an entire nation sing so beautifully in four-part harmony? It must have seemed so normal to the filmmakers that they never even noticed that question. But for me, in a world where very few non-professional people know how to sing harmony, it's a stumper.
My Favorite Blonde (1942)
One of the funniest American comedies ever made.
Bob Hope was in his prime in this one, and once the roller coaster of laughs starts it doesn't quit for 90 minutes. It's a road format movie: Bob and Madeleine Carroll have to get across WWII America from New York to Los Angeles with secret plans before the Nazi spies intercept them. It's a formula plot but handled most inventively and Sidney Lansfield's competent comedic direction gives Bob a perfect opportunity to develop what became his trademark character. The scenes of Percy the Penguin loose on the train, the bus driver's picnic, Hope impersonating a child psychologist for a meeting of proper small town ladies - they're little miracles of laughter. If you don't think you like Bob Hope - try this one.