This rendition of Peter Pan may very well be better than the classic Disney rendition.
Everyone, by now, should know the story of Peter Pan. He runs away from home and is taken to Neverland by Tinker Bell. In this magical place, he and his band of Lost Boys play all day and never grow old. They do not deal with the tediousness of adult life, however they are very comfortable to talk about death and killing. Creating duality, we have Captain Hook. Unlike the Boys, he lives at sea with his adult band of pirates. His sole obsession is to kill Peter, having lost his right arm to Peter in an earlier battle.
There is an underlying darkness that is appropriate given the situation of the characters. Peter never grows up, however he experiences much. The movie presents us with a very useful question, "What is Peter Pan?" This is a question that Peter himself struggles with.
The casting is well done. Few would argue that Jason Isaacs is the star of this film. His dual role as Mr. Darling and Captain Hook is, as another reviewer put it, "brilliant." As Mr. Darling, he is shy but quite the gentleman. As Captain Hook, he is dashing and as evil as can be. Unlike Dustin Hoffman and the animated Hook in Disney's Pan, Isaacs is a lean mean pirate. Ultimately, he is as alone as Pan. For that reason, they rely so much on one another.
The weakest quality of "Peter Pan" is in Peter himself. Here we have a film of fine British actors (or actors with accents) and Peter is an American. While this works to distinguish him from the rest, his lack of an accent makes his dialogue disjointed in comparison. Could they not find a young British actor with the quality to play Pan? He seems as out of place as Hayden Christensen does in Star Wars. It's not that he's bad, it just doesn't feel right. Well, at least he plays a pan flute in this film.
There is a beautiful scene where Peter presents to Wendy a gathering of dancing faeries, followed by a touching scene in which Peter and Wendy dance, afloat amidst green trees and twinkling starlight.
Everyone, by now, should know the story of Peter Pan. He runs away from home and is taken to Neverland by Tinker Bell. In this magical place, he and his band of Lost Boys play all day and never grow old. They do not deal with the tediousness of adult life, however they are very comfortable to talk about death and killing. Creating duality, we have Captain Hook. Unlike the Boys, he lives at sea with his adult band of pirates. His sole obsession is to kill Peter, having lost his right arm to Peter in an earlier battle.
There is an underlying darkness that is appropriate given the situation of the characters. Peter never grows up, however he experiences much. The movie presents us with a very useful question, "What is Peter Pan?" This is a question that Peter himself struggles with.
The casting is well done. Few would argue that Jason Isaacs is the star of this film. His dual role as Mr. Darling and Captain Hook is, as another reviewer put it, "brilliant." As Mr. Darling, he is shy but quite the gentleman. As Captain Hook, he is dashing and as evil as can be. Unlike Dustin Hoffman and the animated Hook in Disney's Pan, Isaacs is a lean mean pirate. Ultimately, he is as alone as Pan. For that reason, they rely so much on one another.
The weakest quality of "Peter Pan" is in Peter himself. Here we have a film of fine British actors (or actors with accents) and Peter is an American. While this works to distinguish him from the rest, his lack of an accent makes his dialogue disjointed in comparison. Could they not find a young British actor with the quality to play Pan? He seems as out of place as Hayden Christensen does in Star Wars. It's not that he's bad, it just doesn't feel right. Well, at least he plays a pan flute in this film.
There is a beautiful scene where Peter presents to Wendy a gathering of dancing faeries, followed by a touching scene in which Peter and Wendy dance, afloat amidst green trees and twinkling starlight.
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