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Reviews
Panic (1999)
FILMSON: From the first frame, you'll be gripped
Mother and son had a blast at the fair. The fireworks finale was a smashing finish to a lovely evening. On the long drive home, they stop for a bit of gas at the local AM/PM. Too bad that's also where a slovenly pair of car thieves stake out their next hapless victim. Mom lets junior have the keys to pump the gas while she steps inside to buy a steaming hot cup of joe. When she takes a peek outside, she's shocked to see her SUV gone. Dashing outside, she's nearly run down by a truck that's speeding out of the lot. She jumps in the passenger seat, imploring him to please follow her son. Little does she know, the driver could be in on the whole scheme. Fast-paced, Hitchcockian, and with a load of suspenseful twists, Panic will make you sweat.
From the first frame, you'll be gripped. Panic is the kind of movie that launches impressive careers for everyone involved. Apparently, a number of behind-the-scenes folks are professionals who've worked on some very high-end films. It would take people of such caliber to pull off such stunning work. Writer/director Omid Nooshin also helps out in the composing department. This makes a lot of sense, since many directors think musically, picturing their films to musical beats. Extra kudos go to the cinematographer and editor for an impressive synergy that should've won awards, if it didn't. Where are you now, Omid?