Saw Alexander last night and loved it. Would I recommend it? Yes-BUT-be forewarned, this is not your classic historical epic so leave behind all ideas of what an historic epic film should be and bring along an open the mind for a wonderful ride. After all, one doesn't expect Ben-Hur or The Robe or The Ten Commandments from Oliver Stone. He uses jumpy camera shots and grainy filters as well as wonderful color filters that give the battle scenes a viscerally disturbing edge, taking the viewer out of their complacent acceptance of 21st century, violent battle scenes and making them squirm. I felt the desiccating heat at Gaugamel as well as the cloying humidity of the Indian forests. The grandeur of the CGI presentation of Babylon was awe inspiring as was the set for the Library at Alexandria.
The subtle presentation of the film in Greek Tragedy format worked well for me, from Pharoah Ptolomy representing the chorus through the Oedipal angst of Alexander's love/hate relationship with his parents. The costuming was perfection, as was the architecture. Not once was I jolted by an incorrect piece of art, jewelry, fabric or weapon. The use of a Gypsy Horse (or Irish Cob) for Bucephalus was a striking choice. They are a majestic breed and, although I am under-educated as to what his actual breed was, he was well cast.
Before seeing the film I was only aware of Messers Stone and Farrell and Ms. Jolie's involvement so I was pleasantly surprised by the appearance of Brian Blessed as the wrestling master and Jonathan Rhys Meyers as Cassander, and I was thrilled by the Vangelis score! I have not heard a Vangelis score since The Bounty.
As for the representation of love between Alexander and Hephaestion, my hat is off to Oliver Stone for his presentation of a love that transcended gender and was as true as that Paris held for Helen. Unlike the recent film of Troy, in which the lovers Achilles and Patroclus were made into platonic cousins, Oliver Stone has courageously represented an historic love to a culture wherein the attitude towards male/male pairings have become anethema. That the Great General Alexander had a male life companion is a simple fact of history as we know it. In my years at school it was not presented as either laudable or offensive, it was simply a researched fact. History as we know it tells us that the Greece of Alexander's time looked upon such pairings as Alexander's and Hephaestion's as something acceptable as long as they grew in knowledge and virtue. Christopher Plummer's Aristotle sums this up in one simple speech near the beginning of the film and, by taking Ganymede to his side, the greatest of all Greek Gods, Zeus, sanctioned such pairings. Like it as not, right or wrong, the *gender issue* and *gay issue* are a none other than a matter of popular opinion, and popular opinion at the time of Alexander was that men lay down with men as well as women. It simply was, and that is how Oliver Stone handled it-simply-without defense or apology and that took guts.
Even without the *controversial* relationship between Alexander and Hephaestion, this would have been a 9.5 out of 10 for me.
The subtle presentation of the film in Greek Tragedy format worked well for me, from Pharoah Ptolomy representing the chorus through the Oedipal angst of Alexander's love/hate relationship with his parents. The costuming was perfection, as was the architecture. Not once was I jolted by an incorrect piece of art, jewelry, fabric or weapon. The use of a Gypsy Horse (or Irish Cob) for Bucephalus was a striking choice. They are a majestic breed and, although I am under-educated as to what his actual breed was, he was well cast.
Before seeing the film I was only aware of Messers Stone and Farrell and Ms. Jolie's involvement so I was pleasantly surprised by the appearance of Brian Blessed as the wrestling master and Jonathan Rhys Meyers as Cassander, and I was thrilled by the Vangelis score! I have not heard a Vangelis score since The Bounty.
As for the representation of love between Alexander and Hephaestion, my hat is off to Oliver Stone for his presentation of a love that transcended gender and was as true as that Paris held for Helen. Unlike the recent film of Troy, in which the lovers Achilles and Patroclus were made into platonic cousins, Oliver Stone has courageously represented an historic love to a culture wherein the attitude towards male/male pairings have become anethema. That the Great General Alexander had a male life companion is a simple fact of history as we know it. In my years at school it was not presented as either laudable or offensive, it was simply a researched fact. History as we know it tells us that the Greece of Alexander's time looked upon such pairings as Alexander's and Hephaestion's as something acceptable as long as they grew in knowledge and virtue. Christopher Plummer's Aristotle sums this up in one simple speech near the beginning of the film and, by taking Ganymede to his side, the greatest of all Greek Gods, Zeus, sanctioned such pairings. Like it as not, right or wrong, the *gender issue* and *gay issue* are a none other than a matter of popular opinion, and popular opinion at the time of Alexander was that men lay down with men as well as women. It simply was, and that is how Oliver Stone handled it-simply-without defense or apology and that took guts.
Even without the *controversial* relationship between Alexander and Hephaestion, this would have been a 9.5 out of 10 for me.
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