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sammcneil
Reviews
Jiao qu de niao (2018)
Why is the score so low?
I'm not understanding the tepid to cold reception this film seems to be receiving. At the time of writing the score here on IMDb is 4.5, perhaps this is due to the film not receiving a wide release. After a bit of googling the reviews seem to be coming back mixed. All I know is I'm sat here thinking this is a fantastic debut film from an exciting new director!
To me, this was a film that dealt very effectively with big, universal subjects, mostly surrounding the passage of time. The relationships we form, and lose, within time; the changing (urban) environment (in particular relating to development and gentrification); and the almost eternal aspects of life, that pass from person to person, generation to generation, timelessly. Qiu doesn't attempt to summarise these concepts in absolute, or to illustrate them clearly to the audience, instead the aim is to observe these processes in action, and contemplate them both intellectually and emotionally. The sparse but deliberate writing gave me plenty to consider, while allowing me the space to arrive at personal conclusions.
I was very impressed with the use of filmmaking techniques to bring attention to these concepts. Camera movement and use of zoom that reflects the environments people create for themselves. Colour that feels intrinsic to the environments we visit and the moods they create. Geometric, organised compositions juxtaposing with organic, naturalistic forms and shapes. There's a lot to unpack here.
Qiu added extra difficulty to the production for his cast. The adult cast has a script which is for the most part, on the surface, so mundane that bringing characterisation into the performance must be a challenge. But the whole cast succeeds excellently. And the rest of the film is concerned with child characters, which can be a risk if the casting is not up to scratch. Here however, all of the child actors do a fantastic job of building characters with depth, charm and realism.
In summary, in my eyes Suburban Birds is one of the most interesting debut films of the last years. Bold in his style, humble and honest in his philosophy, Qiu has made a statement that is worth thinking about. I look forward to more films, and hope that more people get the chance to watch this one.
I, Daniel Blake (2016)
The world would be a better place with more filmmakers like Ken Loach
After watching I, Daniel Blake I can't help but feel that films like this; that are so honest of their subject matter, sympathetic to those suffering and simultaneously strongly critical of a great injustice, are remarkably rare. This is in no small part due to the fact that creating such a genuine portrayal is not easy, and that Ken Loach is clearly an artist capable to exceptional levels of empathy. But still the film leaves me feeling that so much of modern cinema is merely introspective in comparison to this great film.
Of course making all films of this style would be hugely limiting, but I suppose that this is how you feel after watching a truly excellent film. I, Daniel Blake has had that effect on me.
I would also like to concur with other reviewers who have stated that those who serve us in the houses of parliament could well greatly benefit from a screening, and am reminded of Alain Juppe screening La Haine for the members of his cabinet.