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7/10
Thirty-Two Short Films About Glenn Gould Themes and Thoughts
16 March 2006
Warning: Spoilers
This week we watch a non-linear film tilted Thirty-Two Short Films About Glenn Gould. This film took thirty-two vignettes that concern some aspect of Glenn Gould's life. Vignette is that in theatre and script writing, these are short, impressionistic, scenes that focus on one moment or gives one impression about a character, an idea or a setting. Each of these thirty-two shorts are glimpses into the life of Gould, they are like puzzle pieces that we, because of the non-linear aspects, are forced to piece together the life of Gould. It was 32 shorts that were all different from each other, which helped to bring out the theme. It is possibly named after a musical piece that Gould did an interpretation on, Bach's Goldberg Variations. Because these vignettes are broken up into various sections it was more interested than if it were linear. The shorts demand out attention in order to make connections between the disassociation of these clips. In order for us to understand the irrational we must use the irrational thought to explain it.

I think that this was done beautifully in Thirty-Two Short Films About Glenn Gould. We are drawn in to the film by the various clips and the beautiful music that we hear. The beat of the video draws us to want to learn about this man who in this documentary tells his own story. This man seems to interview himself. He holds his interviews by telephone. While he is on a phone conversation he talks through out the night to himself while the person on the other side of the line has fallen asleep. On a play of what was going on, he would introduce his own thoughts by asking himself a question, and then he acted out the answer. This helped us to understand who he was and helped us look at him subjectively.

This man was a genius, in his musical abilities many were awed. It could be said that isolation can breed genius but genius can breed isolation. Is it possible that this is what happened to Gould? Who knows what could have been going on in his mind? An outward appearance that we get of him is his clothes. He would wear layers of clothes even in the summer time to prevent from catching a cold. There is a short where we see all the various pills Gould was taking trying to balance each other out shown in various shapes, sizes, and color.

The music that we hear is what connected Gould to the rest of the world but at the same time it kept him separated from it. Technology was able to help Gould perfect his music. There is a clip where Gould is in a recording studio and we are listening to a play back of a recording he just made. He says that after listening to it that it is almost good. The recording seems to takes the soul out of music. He decides that he wants to re-record the track, so he prepares to play, but we don't see him play. The show is about a piano player but we never saw him playing the piano. It is possible that he hated the instrument that he is most known for. You would think that since this is a documentary about a piano player that you would get to see him play, but you don't. Is this out of respect for him, he is so into his music that it was about him and not his music. It could also be that the film is not about him but about who he was. A genius mind is very complex and often difficult or hard to understand. I think the film does well to try and portray the randomness of a genius mind in the style of non-linear film where we are forced to use our own minds to make the connections in the life of Glenn Gould.
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9/10
Lady for a Day Themes and Thoughts
16 March 2006
Warning: Spoilers
Things aren't always what they seem. A person may appear to be rich, happy, and enjoying life, when in fact they are poorer than dirt, have not smiled in days, and are just miserable everyday. Apple Annie was a woman who didn't live in the best of circumstances but she made the best of what she had. She sold apples to earn money to send to her daughter living in Spain. Such a kind old woman who is trying her best to survive, and she makes that best of her poor little life. She has made many friends in her life some poorer than her and other who are well enough off to not even worry about money. An acquaintance that she has, Dave the Dude, is a well off man, although it is not of total honest ways, as he is the leader of a gang, but he is always kind to Apple Annie and believes that she is good luck for him. He believes that an apple a day does more than keep the doctor away, it keeps the cops away as well as gives him luck in his dealings. Not quite the fairy tale that one would expect but maybe it is. Is it possible that bad guys have good qualities? Can a grown man believe in a fairy tale? Can a lie really turn out to be good or must it be covered up by a string of more lies.

In Lady for a Day we see much of a fairy tale made of lies come to life through the kindness of a mobster. Annie is embarrassed about her standard of living, and sets up the allusion to her daughter that Annie is a lady of the upper class. She writes letters on the stationery of a classy hotel. She has set up a seemingly harmless lie that she is doing better in life than she really is. This is fine until Louise sends a letter saying she is coming home and bringing a suitor and his father Count Romero. Now Annie finds herself in a bind. She must cover up this lie so that her daughter can keep her lover. Annie fears that if she does not live up to the life style, which her daughter thinks she has, everything will fall apart.

Her penniless friends talk Dave the Dude into setting Annie up in a room at the classy hotel so that she can go on her lie. Dave who is a bad guy in the sight of the law has a touch of good in him. He believes that he can help what he sees as a fairy tale to come to pass. A parallel to Cinderella Dave becomes the fairy godmother that helps dear Annie to live her dream. But this is not a simple answer. Now that Annie has her classy suite in the hotel, there is more of the story that she has to fulfill. The story follows a perfect line of events. We see the objective of Annie and the obstacles that she must over come. The action just starts rising from the moment she gets the letter from the hotel manager. She has to find her second husband, and even throw a party for the Count before they leave. The point in the movie where I was on the edge of my seat was when we were waiting for Dave and his gangster friends to arrive at this classy party. Leave it to the police to draw out what seems to be a simple gathering to put a stop to the gangster's sinister plans. What a way to bring the movie to a climax. The resolution finally comes after a little added suspense of Dave being arrested, almost. The party goes on with a few unexpected guests; the police chief and even the governor play in to this fairy tale to help it have a happy ending. And the story ends on what could be a happy note, an end to a string of lies, but then again it could be just the beginning of a happily ever after marriage.
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8/10
Children of Heaven Themes and Thoughts
16 March 2006
Warning: Spoilers
"There is beauty all around when there's love at home. There is joy in every sound when there's love at home…In the cottage there is joy, hate and envy ne'er annoy… Oh there's One who smiles on high, when there's love at home" (LDS Hymn #294). When a brother and sister do not fight it brings joy to the parents. There is a sweet spirit that can be found with in the walls of that home when there is love. It does not matter if people are rich or poor, black or white, American or Iranian, what matters is the way people treat one another. Among children there is a certain loyalty to one another, especially when these children are siblings. There is nothing a brother wouldn't do to help his sister, keep her happy, and keep her safe. The portrayal of love, loyalty, and caring is wonderfully depicted in Children of Heaven. In a typical family you might expect to observe bickering, back biting, and children acting out against one another. At other times we see the total opposite of this example, a home filled with family members expressing compassion and sympathy in how they feel and act towards one another. In this fairly simple story Ali loses his sister's shoes, tries to find them and fails. He must then go home and tell his sister what has happened, and as children often do they try and hide from their parents the truth that they will be reprimanded for. After Ali tells his sister, Zahra, that he lost her shoes he pleads with her not to tell their father. There are two reasons I see for this fear, it could be because Ali fears he will be in trouble and will be punished for his carelessness, or it could be that he knows that the burden his parents have is already too great and that his family does not have the means to buy new shoes for Zahra. It is out of love rather than fear he does not tell his parents. The relationship that Ali has with his sister is more valuable than all the material things of this world. In effort to console or keep his sister quiet Ali gives her a new pencil and later a golden pen that he is awarded for doing well on a test. Ali shares his shoes with his sister until he can figure out how he will get her shoes back. This makes for some interesting action where they must quickly meet up to exchange shoes so Ali can try to make it to school on time, which he seems unable to do. He is caught a few times by a school administrator, yet even when Ali is in trouble, we see something that seems to be not so common in America anymore. A young child who is courteous and respectful to the elders he comes in contact with, always raising his hand to speak. In doing a little research on this foreign film the use of children actors in Iran is more than just showing innocence and child like love. In Iran there are rules in the film making about using adults. They cannot use a beautiful woman if she is over the age of nine she must cover her hair and womanly curves at all time and if there is a love scene with in the film they cannot touch or even kiss, unless in real life they are husband and wife. When using children they are able to still show these same ideas and are able to use the children in adult situations and give them the characteristics of adults. At the age of nine the father feels his son should be able to help support the family, and that he should be working as well, just like the father had done at his age. There is a tremendous pressure and responsibility put upon a young child, but it is only because of the love of the parents wanting to help prepare them for the rest of their life.
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New York Doll (2005)
8/10
New York Doll Themes and Thoughts
16 March 2006
Warning: Spoilers
New York Dolls is the name of a band that had its ten seconds of fame thirty years ago in New York, but had their last five seconds cut short. Arthur "Killer" Kane's dream was to perform those last five seconds. After thirty years and a completely different lifestyle, Arthur Kane lost hope in accomplishing his dream. This documentary depicts the timeline of the band, and how they managed to get their last five seconds. To show this, New York Dolls incorporates many typical documentary styles.

The main tool used in the documentary was talking heads. There were many interviews from bishops, home teachers, co-workers from past and present, influential people in the music business from the present day, and even an old friend or two with a broken fence. During an interview with his bishop, rock music played in the background. This polar opposite of religion and the world represented his old life as Arthur "Killer" Kane and his new life as Brother Kane. The talking heads served as a means of artifact, evidence and testimony. This enables the documentary to seem more believable and easier for viewers to relate to the subject.

Other tools used included file footage, newspaper clippings, and audio clips. In a scene toward the end of the documentary, their regained five seconds at the concert in London was mixed with footage from a performance thirty years previously. This helped create a sense of continuity and the answer to his prayer. Although they looked different, the spirit between the two performances was the same. After Arthur was baptized, he prayed earnestly for the Dolls to get back together and to repair his relationship with David. He was able to accomplish both of those things a few days before his death. In Mormon 9:21 it reads, "Behold, I say unto you that whoso believeth in Christ, doubting nothing, whatsoever he shall ask the Father in the name of Christ it shall be granted him; and this promise is unto all, even unto the ends of the earth." The climactic scene of the film is when David rejoins the band. All other members of the band were practicing for the second day and the camera never stopped rolling when he came in. The practice also did not stop. David picked up a mic, set up his stand and started singing when he was ready. The camera went from face to face of the band members showing their reactions to him coming in. When the song was done, they hugged and welcomed and continued on playing as if they had not been apart for thirty years.

In Arthur's darkest time while drinking and on drugs, a light came into his life that brought him renewed hope. He spoke his spirit burning inside him and giving him a natural high that didn't require harmful substances. Arthur describes feeling the spirit as an LSD trip from the Lord. After his true conversion, his only desire was to stand strong for what he now believed. He wanted to portray Joseph Smith and the Lord in every aspect of his life. Nine minutes before going on stage, he was trying to share the gospel with other members of the band. He was the only true living statue in rock and roll, he never moved on stage. Like his stance, he found the only true church, the rock, the sure foundation. Perhaps that's why he died 18 days after fulfilling his dreams.
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City Lights (1931)
7/10
City Lights Themes and Thoughtrs
16 March 2006
Warning: Spoilers
City Lights is a different film from what I am used to seeing. I have not watched a Silent film or pantomime in a few years. I really enjoyed the story that Charles Chaplin helped to create and produce for our enjoyment. The plot seems to be commonly used now, with a boy falling in love and trying to win the girl's love in return. In City Lights, there are a few twists to the plot. The girl is blind and poor, the Tramp—Chaplin—is poor, in love, and wants to help the blind girl. The Millionaire can help the tramp out by giving him money, but he is an on-again, off-again friend depending on whether or not he is drunk.

Being that this is a silent film, there is more importance on the use of props and the acting of the character. Since in a silent film they can't tell us how they are feeling, it is important that we can understand feelings through action. This may be through facial expressions, body language, dress, eye contact, kinds of touch, or the use of written statements, like title cards in a silent film. A prop that stood out to me was the use of flowers. From the flower girl selling her flowers, to how Chaplin was always holding or smelling one of the flowers from his special girl, the use of flowers helped show the emotions and feelings of the two characters. It symbolized the affection he had for her, because like the flowers she couldn't see, she couldn't see the true him or his true affections. Another prop that was used was money. From the millionaire's point of view, money was really of no matter. He threw a party just because he had been reunited with his friend, he went out to the dance club, and when Chaplin needed money in order to help the flower girl pay for rent and surgery he was willing to give him one thousand dollars. To the millionaire this money is nothing, but to Chaplin and the flower girl this is a showing forth of love and charity. When the movie was made in the 1930s, many people were poor and hopeless, but the portrayal of Chaplin as a poor but happy and hopeful man might have given hope to others who watched this movie during the Depression.

In the film I noticed the use of a repetition, or rather a parallelism, as was read in the Film Art book dealing with The Wizard of Oz. They show shots one way in Kansas and then reverse the shot in Oz, as I saw in City Lights. In City Lights, parallelism is done with sight, not necessarily with eyes, but with the mind. We see the reverse where the poor blind girl "sees" Chaplin as a millionaire, and then at the end, she sees him as the tramp he is with her new eyesight. The true reverse is emphasized because she is now working in a shop and making money. The two characters are somehow always at perceived opposite ends of the social class spectrum, yet he still has a desire for her to be happy because of his love. Another reverse is the happy friendly drunk millionaire who sees Chaplin as his friend and hero for stopping him from committing suicide. However, when he is sober he wants nothing to do with him, throws him out and even has him arrested.

In a way, this film is different then what our generation might be used to, but by watching these "classics" we can better learn where the movies we love today came from and gain a better appreciation for the art of film.
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