Not much here for a movie. Short story? What about adding in some close calls, where Henry Fonda sees the real criminal a couple times in the city. Perhaps he chases him once and falls off the platform: a train stops just in time. The real criminal finds out where Fonda lives and plants some evidence? Fonda almost hits him in the crosswalk. So much potential here. The wife going crazy is not only unbelievable and uninteresting it's poorly acted. Fonda is flat too like he always was. 4/10. I did like the retro footage of NYC and its jails.
Hitchcock suspense to me is always somehow missing something. I'm kept on the edge of me seat supposedly but I never really feel that way. I leave this thinking he's probably one of the most overhyped Wroter/Directors of all time. Compare this to Billy Wilder's Double Indemnity. This movie is amateurish by comparison.
Hitchcock suspense to me is always somehow missing something. I'm kept on the edge of me seat supposedly but I never really feel that way. I leave this thinking he's probably one of the most overhyped Wroter/Directors of all time. Compare this to Billy Wilder's Double Indemnity. This movie is amateurish by comparison.
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