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Yodha (2024)
TOO MUCH PATRIOTIC, TOO LESS STORY
"Yodha," directed by Sagar Ambre and Pushkar Ojha and produced by Dharma Productions, is an action drama focusing on the Indian Army's special task force, Yodha. The film stars Siddharth Malhotra, Raashi Khanna, and Sunny Hinduja in lead roles, with Tanuj Virwani and Disha Patani in supporting roles. Despite its ambitious premise, "Yodha" falls into the trap of rehashing familiar tropes without offering anything new or compelling.
The movie kicks off with an intense mission involving the disengagement of a hijack, setting up expectations for a gripping military action film. However, it quickly becomes apparent that "Yodha" adheres to the conventional narrative often seen in Indian army-centric movies. Siddharth Malhotra's character is depicted as an almost infallible superhero, whose efforts are undermined by political interference, a cliché that feels tired and predictable.
The second half of the movie introduces an India-Pakistan plotline where the protagonist must save both countries from terrorists. This storyline has been explored numerous times in Bollywood, with successful films like "Uri" and "Madras Cafe" standing out. Unfortunately, "Yodha" does not reach the same heights and ends up being another forgettable entry in this genre, similar to "Rashtra Kavach Om."
Siddharth Malhotra, who received critical acclaim for his role as an Indian Army soldier in "Shershaah," struggles to replicate that success here. Despite his decent acting skills, he is let down by a poorly written script and unconvincing plot. Raashi Khanna, returning to Bollywood after nine years since "Madras Cafe," adds little to the story beyond her romantic involvement with the hero, highlighting a missed opportunity to develop her character meaningfully.
Sunny Hinduja delivers a commendable performance in his limited screen time, but it is unlikely to receive the recognition it deserves. Tanuj Virwani and Disha Patani manage to hold their own, yet their roles are too brief to leave a lasting impact.
Ultimately, "Yodha" is a disappointing addition to a genre that desperately needs innovation. It recycles familiar storylines without offering fresh perspectives or engaging character arcs. The film's lack of originality and depth makes it yet another missed opportunity in Bollywood's crowded action-drama landscape.
Krishna Mohini (2024)
YET ANOTHER PROBLEMATIC SHOW
"Krishna Mohini," directed by Vinod Rautela, is a weekly soap opera that ambitiously tackles the complex and often taboo subjects of gender identity and LGBTQIA+ issues within Indian society. While the series aims to shed light on these important topics, it unfortunately falls short in execution, creating more confusion than clarity.
The plot centers around Krishna Joshi, played by Debattama Saha, a 21-year-old gifted singer and the sole breadwinner of her family. She supports her younger brother Mohan Joshi, portrayed by Ketaki Kulkarni, who is grappling with gender identity issues amidst societal and familial challenges. The show's intention to highlight the struggles faced by individuals with diverse gender identities is commendable, but the portrayal is problematic.
One major flaw is the casting of a female actor in a male role with gender curiosity, which undermines the authenticity of the storyline. This choice complicates the narrative, making it difficult for viewers to engage with and understand the characters' true struggles. Instead of providing a strong, coherent storyline that sensitively addresses the challenges faced by the LGBTQIA+ community, the show often devolves into chaos and confusion.
The depiction of these themes in "Krishna Mohini" risks reinforcing existing taboos and misconceptions, especially among older viewers who may already be resistant to accepting non-traditional gender identities. The lack of a clear, respectful, and educational narrative further alienates the very audience it seeks to enlighten.
Given the sensitive nature of the subject matter, it's crucial for television shows to handle it with care, precision, and respect. "Krishna Mohini," unfortunately, misses the mark, potentially doing more harm than good. The Indian Board of Certification might need to reconsider the show's airing, ensuring that any future content on such topics is more thoughtfully produced and accurately represents the realities of those facing gender identity issues.
In summary, while "Krishna Mohini" had the potential to be a groundbreaking show addressing critical social issues, its flawed execution and confusing narrative ultimately detract from its noble intentions, leaving viewers with more questions than answers.
Yaariyan 2 (2023)
SO BAD IT'S NOT EVEN GOOD
"Yaariyan 2," directed by Radhika Rao and Vinay Sapru, serves as a standalone sequel to the sleeper hit "Yaariyan" (2014), directed by Divya Khosla Kumar. Despite the high expectations set by its predecessor's success and its memorable music, this romantic drama unfortunately falls short in several areas.
The movie stars Divya Khosla Kumar, Pearl V Puri, and Meezaan Jafri in the lead roles. The plot is convoluted and lacks coherence, making it challenging to summarize. The story kicks off with Ladli (Divya Khosla Kumar) being rescued from a forced marriage by her cousins Bajju (Pearl V Puri) and Shikhar Randhawa (Meezaan Jafri). Ladli is subsequently married to Abhay, who is disinterested due to a past love. In a twist of revenge, Ladli's former fiancé ensures that Shikhar's dream of becoming a motocross racer is shattered, leading to his banishment. The narrative then spirals into a chaotic mix of love interests, forgotten storylines, and missed subplots, ultimately culminating in a happy ending that feels unearned.
Divya Khosla Kumar, while successful as a director with "Yaariyan" and "Sanam Re," disappoints in her acting role. Her performance lacks the necessary emotional depth and expression, despite her beauty. Pearl V Puri's portrayal of the introverted and socially anxious Bajju feels forced and unconvincing. Meezaan Jafri, following his promising debut in "Malaal," fails to make an impact here, much like his role in "Hungama 2."
Yash Dasgupta, a renowned Bengali actor with a strong following in Hindi soap operas, delivers a performance that is as lifeless and uninspiring as his late-night soap opera characters. Anaswara Rajan, making her Hindi film debut at just 20 years old, likely hopes this movie is a temporary setback, as the disaster of "Yaariyan 2" could hinder her future prospects in Hindi cinema.
The film fails to offer even the guilty pleasure of being so bad it's good, or to redeem itself with a memorable soundtrack, which has been a saving grace for many T-Series productions under Bhushan Kumar. Instead, "Yaariyan 2" is a muddled and forgettable entry, lacking the charm and entertainment value that might have justified its existence.
Bel-Air (2022)
New Prince on the Blocks fails to live up to the hype
"Bel-Air," directed by Morgan Cooper, is a modern and slightly darker reinterpretation of the beloved 90s sitcom "The Fresh Prince of Bel-Air," originally starring Will Smith. The series originated from a viral fan fiction trailer created by Cooper, which showcased a more intense and contemporary vision of Will Smith's life in Bel-Air. The concept caught the attention of Will Smith himself, and the show, produced by Tasha Smith, was adapted to be slightly less dark and dramatized to make it more PG-friendly, aligning with current narratives.
The show offers a fresh take on the original premise, albeit without capturing the same charm. Jabari Banks as Will Smith delivers a performance that is both a hit and a miss. While his portrayal focuses on high school and basketball, his character is often hot-headed and overtly political, especially on issues related to race. This adds a layer of complexity but occasionally feels overemphasized.
Jimmy Akingbola's Geoffrey Thompson takes on a darker, more secretive persona, diverging significantly from the original, and presenting a more gangster-like figure. Adrian Holmes as Philip Banks, or Uncle Phil, is portrayed as more supportive and lenient, yet remains assertive, adding a nuanced dimension to his character.
Jordan L. Jones as Jazz stands out as one of the best characters, although he doesn't receive enough screen time. His presence adds a refreshing touch to the series. Olly Sholotan's Carlton Banks is depicted with a stark contrast; he is shown as loyal, playful, and successful on one hand, and indecisive, anxious, and struggling with drug addiction on the other. This bipolar portrayal adds depth but sometimes feels inconsistent.
Despite some shortcomings, the series provides an engaging and contemporary reimagining of the classic show. With season 3 on the horizon, there are high hopes for the new "Fresh Prince of Bel-Air" to further develop its characters and storylines, potentially bridging the gap between nostalgia and modern-day relevance.
Heeramandi: The Diamond Bazaar (2024)
Heeramandi: A Mirror misidentified as a Diamond
"Heeramandi," directed by Sanjay Leela Bhansali and streaming on Netflix, transports viewers to the red-light district of Heera Mandi in Lahore during the Indian independence movement of the 1920s-1940s. While the series boasts Bhansali's signature opulent set design, stunning art direction, and exquisite costumes, it falls short in terms of storytelling.
Manisha Koirala as Malikajaan and Sonakshi Sinha as Fareedan shine in their roles, delivering captivating performances that anchor the show. However, it is Aditi Rao Hydari as Bibojaan who steals the limelight with her compelling portrayal. Sanjeed Sheikh impresses as Waheeda, but it's Pratibha Ranta as Shama who charms with her limited screen time.
Despite being advertised as a main cast member, Richa Chaddha's role as Lajjo feels more like an extended cameo. The casting missteps with Sharmin Sehgal and Taha Saha, coupled with weak chemistry and dialogue delivery, detract from the series' impact. Questions arise about nepotism and favoritism, particularly with Sehgal's inclusion as Bhansali's niece.
Fardeen Khan and Shekhar Suman's comeback performances are noteworthy but lack the impact expected of them. However, Farida Jalal's presence is a pleasant surprise, showcasing her enduring talent. Mark Bennington and Jason Shah's roles as token white characters add little to the narrative.
Unfortunately, "Heeramandi" suffers from inconsistent storytelling, poorly written Urdu dialogues, historical inaccuracies, and weak casting choices. Despite its visual splendor, these shortcomings prevent the series from reaching its full potential. Overall, while "Heeramandi" offers glimpses of brilliance, it ultimately falls short of expectations, failing to deliver a cohesive and compelling narrative.
Laapataa Ladies (2023)
Laapataa Ladies: A Weekend Debate on Social Topics
"Laapataa Ladies," a comedy-drama directed by Kiran Rao, tells the story of a newly married husband who mistakenly brings home the wrong bride after losing his traditionally veiled wife on a crowded train. The plot unfolds as the husband embarks on a search for his actual wife, while the stranded wife navigates her way in an unfamiliar village, and the mistaken bride grapples with her unexpected situation.
The film delves into three important subjects: the tradition of "ghoonghat" or veiling married women, the importance of education and freedom for women, and the harmful practices associated with dowry. Ravi Kishan delivers a standout performance as Shyam Manohar, showcasing his versatility and charm once again, particularly in a character grounded in his hometown of Bihar. Sparsh Shrivastav and Pratibha Ranta also shine in their respective roles, displaying depth and emotion where required.
However, the film could have utilized Nitanshi Goel's talent more effectively, as her character's potential seemed underutilized. Despite this, the performances overall contribute to the film's narrative and themes.
"Laapataa Ladies" may not sweep awards or make headlines, but it offers a pleasant viewing experience akin to a weekend movie. While it may not reach the heights of classics like "Taare Zameen Par" or "Swades," it provides an enjoyable one-time watch with some thought-provoking themes. Similar to "Peepli Live," it sparks conversation for a few days after viewing but may not leave a lasting impact. Overall, it's a film worth watching for its performances and exploration of important societal issues, albeit without the expectation of groundbreaking cinema.
All India Rank (2023)
All India Rank: Nostalgia or Nuisance
"All India Rank," directed by Varun Grover, presents a coming-of-age comedy-drama set in the 1990s, delving into the intense competition, parental pressure, and the obsession with cracking the IIT entrance exams.
While the film attempts to capture the essence of the era, it falls short in several aspects. The weak cast is a notable drawback, with only a few standout performances, namely Bodhisattva Sharma as Vivek Singh, Sheeba Chaddha as Kalpana Bundela, and Geeta Agrawal Sharma as Manju Singh, Vivek's mother. The remaining cast members fail to leave a lasting impression, diminishing the overall impact of the film.
Moreover, the slow pace of the narrative hampers its ability to engage viewers effectively. Instead of contributing to the storyline, the sluggish pacing detracts from the viewing experience, making it difficult for audiences to stay invested in the plot.
One of the film's major shortcomings is its abrupt ending, leaving many loose ends unresolved. Despite attempting to explore various themes such as parental pressure, financial constraints, and the changing landscape of India during the era of liberalization, the story fails to delve deeply into any of these subjects, resulting in a lack of cohesion and depth.
Ultimately, "All India Rank" may serve as a nostalgia trip for individuals who experienced the IIT craze of the 90s firsthand. However, for others, it offers little more than a surface-level portrayal of the era, failing to leave a lasting impression or deliver a meaningful narrative.
Siren (2024)
Siren: A Gripping Tamil Thriller
"Siren 108," directed by Antony Bhagyaraj, is a Tamil action thriller that centers on Thilagan, an honest ambulance driver in Kanchipuram, who is wrongfully convicted of murdering his wife, Jennifer, and his friend Kathir. After spending 14 years in prison, Thilagan is granted parole for 14 days, during which he seeks revenge against Anbazhagan and DSP S. Nagalingam for the deaths of Jennifer and Kathir, and attempts to reconcile with his daughter, Malar, who harbors resentment towards him for his alleged crimes.
Jayam Ravi delivers a compelling performance as Thilagavarman, showcasing both his veteran acting skills and emotional depth, which effectively garners viewer support for his character. Keerthy Suresh's portrayal of Inspector K. Nandhini, while competent, occasionally veers into overacting, and her character lacks the depth and backstory needed to fully engage the audience. Yogi Babu provides comic relief as Velankanni, although his role feels somewhat underutilized in the overall narrative.
The film's pacing is a bit slow at the start, with the true motives and backstory unfolding more prominently in the second half. However, once the action kicks in, the stylized sequences, sound effects, and musical score enhance the viewing experience.
Samuthirakani delivers a solid performance as DSP S. Nagalingam, although his character feels somewhat familiar due to similarities with his previous roles. Ajay as Anbazhagan serves as a convincing antagonist, adding tension and conflict to the story.
Yuvina Parthavi impresses in her limited role as Malar, Thilagan's daughter, bringing depth and emotion to the character. However, the film could have benefited from further exploration of her character's arc and involvement in the plot.
Overall, "Siren 108" succeeds as a weekend masala movie, offering gripping action and entertainment for audiences. While it has its flaws, particularly in character development and pacing, it remains an enjoyable watch for fans of the genre.
Article 370 (2024)
Article 370: A Politically Charged Thriller
"Article 370" attempts to dramatize the political maneuvering behind the landmark decision to abrogate Article 370, which granted special status to the state of Jammu and Kashmir. Written by Aditya Suhas Jambhale and Aditya Dhar, the film delves into the events leading up to this significant constitutional change, including the killing of Burhan Wani, the Pulwama attack, and the parliamentary vote on Article 370.
Starring Yami Gautam and Priya Mani in prominent roles, with support from Arun Govil, Raj Arun, Vaibhav Tatwawadi, Raj Zutshi, and Kiran Karmarkar, the film boasts a talented cast. Gautam shines as NIA Agent Zooni Haksar, bringing fire and dedication reminiscent of her performance in "Uri," while Mani impresses as PMO Joint Secretary Rajeshwari Swaminathan, portraying a politically astute character with depth.
Arun Govil and Kiran Karmarkar convincingly embody the roles of the Prime Minister and Home Minister of India, drawing on real-life figures for inspiration. Raj Zutshi's portrayal of J&K Chief Minister Salahuddin Jalal adds a compelling antagonist element to the narrative.
However, the film is not without its flaws. While it purports to be a fictional tale based on real events, it takes creative liberties that result in factual inaccuracies. These inaccuracies are cleverly masked but may detract from the overall viewing experience for those familiar with the subject matter.
Moreover, "Article 370" leans more towards political drama than action, which may disappoint audiences expecting a fast-paced thriller akin to "Uri." The stylized drama outweighs the action sequences, and a more balanced approach could have elevated the film to greater heights.
Despite its shortcomings, "Article 370" offers a glimpse into the complex political landscape surrounding the abrogation of Article 370. Its release timing, just before the Lok Sabha elections and on the OTT platform Netflix, adds a layer of relevance to its narrative. Overall, while the film falls short of its potential, it remains a thought-provoking exploration of a significant moment in Indian political history.
OMG 2 (2023)
OMG 2: A Thought-Provoking Comedy-Drama
Directed by Amit Rai, "OMG 2" is a courtroom comedy-drama that tackles the taboo subject of sex education in India. Starring Pankaj Tripathi and Akshay Kumar, the film follows the story of a devout father who challenges a dogmatic school system and his own moral beliefs after his son is expelled for a viral video.
Pankaj Tripathi delivers yet another standout performance, solidifying his reputation as one of Bollywood's most versatile and talented actors. His portrayal of the conflicted father navigating societal norms and personal convictions is both poignant and humorous. Similarly, Akshay Kumar shines in his role, making a strong comeback after a series of commercial setbacks.
The supporting cast also delivers noteworthy performances, with Yami Gautam standing out as the defense lawyer who adds depth to the moral dilemma at the heart of the story. Pavan Malhotra and Govind Namdev bring comic relief and depth to their respective roles, while Anvesha Vij holds her own alongside seasoned actors, showcasing her talent and potential.
The film's music and sound direction are highlights, with memorable songs like "Oonchi Oonchi Waadi" and "Har Har Mahadev" adding to the cinematic experience. These elements, combined with a visually appealing dance number, contribute to the film's overall artistry.
"OMG 2" offers a compelling social message that challenges societal norms and sparks debate about morality and ethics. While the subject matter may be uncomfortable for some, the film's thought-provoking narrative encourages audiences to confront difficult questions about modern society.
Overall, "OMG 2" is a must-watch for its stellar performances, engaging storyline, and relevant social commentary. It is a film that will leave a lasting impression and provoke meaningful conversations long after the credits roll.
Crash Course (2022)
Crash Course: A Glimpse into the Dark Side of Education
Directed by Vijay Maurya, "Crash Course" is an Amazon Original web series that delves into the cutthroat world of coaching institutes in Kota, Rajasthan. The series centers around two rival coaching centers and the impact of their rivalry on the students who attend them.
At the heart of the story is the conflict between Ratanraj Jindal, portrayed by Annu Kapoor, and Shashank Batra, played by Bhanu Uday, as they battle for supremacy in the competitive coaching industry. While the two institutes vie for dominance, the students find themselves caught in the crossfire, navigating the pressures of academic success, peer relationships, and personal growth. Anchored by stellar performances from Annu Kapoor, Udit Arora, Gaurav Sharma, and Bhanu Uday, the series offers a compelling narrative that explores the lives of students caught in the crossfire of this intense rivalry.
The ensemble cast delivers solid performances, with Annu Kapoor commanding the screen as the ruthless Ratanraj Jindal. The young actors portraying the students, including Anvesha Vij, Riddhi Kumar, Anushka Kaushik, Hridhu Haroon, Hetal Gada, Aryan Singh, Bhavesh Balchandani, and Mohit Solanki, bring authenticity to their roles, capturing the struggles and aspirations of youth in pursuit of their dreams.
"Crash Course" offers a gritty and realistic portrayal of the challenges faced by students in Kota, shedding light on the darker aspects of the education system. The series raises important questions about the commercialization of education and the intense competition prevalent in coaching centers.
While the series boasts impressive production values, including striking cinematography and a compelling soundtrack, some viewers may find the pacing of the story to be uneven, and the character development lacking depth. However, "Crash Course" succeeds in offering a thought-provoking glimpse into the underbelly of the education industry, making it a compelling watch for those interested in exploring the complexities of academic pressure and ambition.
Yeh Kaali Kaali Ankhein (2022)
Yeh Kaali Kaali Ankhein: A Riveting Romantic Crime Thriller
Directed by Sidharth Sengupta, "Yeh Kaali Kaali Ankhein" is a Netflix original series that weaves together elements of romance, crime, and thriller. Starring Tahir Raj Bhasin, Anchal Singh, and Shweta Tripathi, the show follows the story of Vikrant Singh Chauhan, who finds himself entangled in a dangerous web of love and obsession.
The series revolves around Vikrant's tumultuous relationship with Purva Awasthi, the daughter of a powerful politician, Akheraj Awasthi. Purva's relentless pursuit of Vikrant, driven by her toxic and obsessive love, sets off a chain of events that lead Vikrant down a dark and risky path. Meanwhile, Vikrant finds solace and genuine love in Shikha, portrayed by Shweta Tripathi.
What sets "Yeh Kaali Kaali Ankhein" apart is its gripping storyline and compelling characters. Anchal Singh delivers a standout performance as Purva, portraying her complex emotions and toxic love with conviction. Tahir Raj Bhasin shines as Vikrant, capturing the character's internal turmoil and vulnerability.
The series is complemented by its haunting music and sound direction, which adds to the overall atmosphere of tension and suspense. The title track, reminiscent of the cult classic "Baazigar," sets the tone for the intense drama that unfolds.
While Shweta Tripathi's character of Shikha could have been more nuanced, the series still manages to keep viewers on the edge of their seats with its twists and turns. With a gripping ending to Season 1 and the promise of Season 2 on the horizon, "Yeh Kaali Kaali Ankhein" is sure to keep audiences hooked and eagerly awaiting the next installment.
Decoupled (2021)
Decoupled: A Refreshing Take on Relationships
Directed by Manu Joseph, the Netflix original series "Decoupled" offers a refreshing and authentic portrayal of marriage and divorce. Starring R. Madhavan and Surveen Chawla as the lead couple, Arya and Shruti Iyer, the show delves into the complexities of their relationship as they navigate the decision to separate while considering the impact on their daughter, Rohini.
What sets "Decoupled" apart is its honest and relatable portrayal of married life. The characters feel like real people grappling with real issues, and the dialogue is sharp, witty, and often laugh-out-loud funny. Madhavan and Chawla deliver standout performances, capturing the nuances of their characters' emotions with authenticity and depth.
The supporting cast adds further depth to the story, with standout performances from Arista Mehta as Rohini, Atul Kumar and Aseem Hattangadi as Arya's friends, and Akash Khurana and Shefali Shah as Shruti's parents. Each character brings their own perspective to the narrative, enriching the overall viewing experience.
One of the series' strengths is its ability to balance humor with genuine emotion. While it tackles serious themes such as divorce and co-parenting, it does so with sensitivity and humor, making it accessible and engaging for a wide audience.
Overall, "Decoupled" is a must-watch for anyone interested in thoughtful, character-driven storytelling. With its witty dialogue, stellar performances, and insightful exploration of modern relationships, it's a series that will leave a lasting impression.
Farrey (2023)
Farrey: A Remake That Falls Short of Expectations
Directed by Soumendra Padhi, "Farrey" is a heist-thriller that follows a group of teenagers attempting to cheat on an international entrance test. Led by Niyati Singh (played by Alizeh Agnihotri), the group navigates the complexities of academic pressure and privilege to achieve their goals.
The film's premise, based on the Thai film "Bad Genius," offers promise but ultimately falls short in execution. While the storyline touches on themes of class disparity and the pressure to succeed, it lacks depth in character development and storytelling.
The performances by the cast, including Alizeh Agnihotri, Sahil Mehta, Zeyn Shaw, and Prasanna Bisht, are decent but fail to elevate the material. Despite the potential for emotional resonance, the film's pacing feels rushed, leaving little room for the audience to connect with the characters on a deeper level.
One of the film's major drawbacks is its lack of a compelling soundtrack and sound direction, which contributes to moments of boredom and disengagement. Additionally, the ending feels predictable and anticlimactic, robbing the film of any lasting impact.
Overall, "Farrey" may serve as a passable one-time watch, but it ultimately fails to leave a lasting impression. With its lack of originality and missed opportunities for deeper exploration of its themes, it's a forgettable addition to the genre.
Fighter (2024)
Fighter: A Bollywood Take on Top Gun with Mixed Results
Directed by Siddharth Anand, "Fighter" is an action-packed Bollywood film that aims to capture the adrenaline-fueled world of aerial combat. Starring Hrithik Roshan, Deepika Padukone, and Anil Kapoor, the movie follows the story of the Indian Air Force (IAF) as they assemble a team to counter the looming threat from Pakistan known as Air Dragon.
Hrithik Roshan shines as Patty, the best pilot in the IAF, reminiscent of Tom Cruise's iconic character, Maverick, from "Top Gun." Deepika Padukone delivers a solid performance as Mini, the top helicopter pilot, while Anil Kapoor adds depth to the narrative as Rocky, the team leader with a troubled past.
While "Fighter" boasts impressive cinematography, music direction, and editing, the lack of originality in its story and screenplay is disappointing. The film often feels like a derivative version of "Top Gun" and its sequel, "Top Gun: Maverick," with certain scenes and story arcs appearing almost identical.
Despite the captivating visuals, the use of CGI for aerial sequences sometimes falls short, detracting from the realism of the action. However, the actors' training with real Air Force pilots is evident in their performances, lending authenticity to the film's aerial sequences.
The supporting cast, including Karan Singh Grover and Akshay Oberoi, delivers commendable performances, though the main antagonist portrayed by Rishabh Sawhney feels underdeveloped and lacking in depth.
Overall, "Fighter" offers a classic weekend movie experience with a dose of patriotism, making it a suitable choice for fans of Hrithik Roshan. However, for those familiar with "Top Gun," the film may feel like a rehashed version with little to offer in terms of originality.
Teri Baaton Mein Aisa Uljha Jiya (2024)
Teri Baaton Mein Aisa Uljha Jiya: A Visual Treat with a Lackluster Story
Directed by Amit Joshi and Aradhana Sah, "Teri Baaton Mein Aisa Uljha Jiya" is a sci-fi romantic comedy starring Shahid Kapoor and Kriti Sanon. The film explores the unconventional love story between Aryan Aghnihotri (Aaru), a robotics engineer, and SIFRA, a self-conscious humanoid, delving into the complexities and repercussions of their relationship.
Visually, the film is stunning, with vibrant cinematography and meticulous editing that elevate the viewing experience. The music and sound direction are also commendable, adding depth and emotion to the narrative.
However, where the film falls short is in its story and screenplay. While the premise holds promise, the execution leaves much to be desired. The storyline often lapses into clichés typical of Bollywood rom-coms, failing to fully capitalize on its sci-fi elements for intelligent storytelling.
Shahid Kapoor and Kriti Sanon share a charming chemistry on screen, which helps to carry the film through its weaker moments. Dimple Kapadia delivers a standout performance, further enriching the narrative with her veteran talent. The supporting cast, including Rajesh Kumar, Dharmendra, and Ashish Verma, injects humor and energy into the film with their impeccable comic timing.
Overall, "Teri Baaton Mein Aisa Uljha Jiya" offers a visually captivating ride, but its lackluster story detracts from its potential impact. The open ending teasing a sequel leaves room for improvement, and one can only hope that any future installments will better execute the intriguing premise hinted at in this film.
Thunivu (2023)
Thunivu: A Mediocre Heist Drama
Directed by H. Vinoth, "Thunivu" is an action-packed heist film starring Ajith Kumar in the role of Dark Devil, an anti-hero who sets out to rob a bank of its ill-gotten wealth. The movie aims to blend elements of a classic heist thriller with political drama and moral commentary, but ultimately falls short of its ambitious goals.
The film's premise revolves around Dark Devil's mission to reclaim 25,000 crores stolen from the people of India through a fraudulent mutual fund scheme. While the setup promises an engaging cat-and-mouse chase, the execution feels muddled and disjointed. The narrative struggles to find a cohesive rhythm, veering between action sequences, preachy messaging, and character-driven drama.
Despite Ajith Kumar's strong performance as the enigmatic Dark Devil, the lackluster storytelling fails to fully capitalize on his talents. While the action scenes are well-executed and the music complements the overall tone of the film, they are not enough to salvage a weak plot.
One of the film's major drawbacks is its attempt to tackle too many themes at once, resulting in a narrative that feels cluttered and unfocused. The exploration of the banking system and the moral ambiguity of the characters could have been intriguing if given more depth and nuance.
In the end, "Thunivu" tries to be everything-a thrilling heist film, a political commentary, and a character study-but ends up being a mediocre amalgamation of these elements. Despite its flaws, Ajith Kumar's committed performance and some well-executed action sequences may still appeal to his fans. However, for viewers seeking a cohesive and engaging cinematic experience, "Thunivu" may leave much to be desired.
Vaathi (2023)
Vaathi (Sir): A Thought-Provoking Drama
Directed by Venky Atluri, "Vaathi (Sir)" is a compelling period action drama that delves into the complexities of the education system and the role of teachers in shaping young minds. Starring Dhanush in the leading role as Balu Sir, the film explores themes of commercialization, the rat race of education, and the transformative power of dedicated educators.
The storyline, while familiar, resonates deeply with audiences as it sheds light on the struggles faced by both students and teachers in today's society. Through Balu Sir's character, the film highlights the importance of quality education and the impact that passionate educators can have on their students' lives.
However, the inclusion of certain elements in the film, particularly the romantic subplot between Balu Sir and Meenakshi Ma'am (played by Samyuktha), feels somewhat forced and detracts from the overall narrative. Despite this, Dhanush delivers a standout performance, portraying Balu Sir with depth and sincerity.
Samuthirakani shines as the antagonist, portraying the ruthless owner of the Tripathi Education Group with conviction. His portrayal adds layers to the film's exploration of the commercialization of education and the corruption within the system.
While the film's message is powerful, its execution could have been tighter. The pacing feels uneven at times, and certain scenes come across as preachy rather than impactful. With more refined writing and editing, "Vaathi (Sir)" could have been even more effective in conveying its themes.
Overall, "Vaathi (Sir)" is a cinematic masterpiece with a strong message and compelling performances. Despite its flaws, it serves as a thought-provoking exploration of the education system and the individuals who strive to make a difference within it.
Amar Singh Chamkila (2024)
Amar Singh Chamkila: A Captivating Biopic
Imtiaz Ali's biopic, "Amar Singh Chamkila," delves into the life of the legendary Punjabi folk singer, known for his controversial yet immensely popular music. Diljit Dosanjh delivers a career-defining performance as Chamkila, capturing his essence with remarkable authenticity. From his charismatic stage presence to his provocative lyrics, Dosanjh embodies the iconic singer with remarkable depth.
Parineeti Chopra's portrayal of Amarjot Kaur, Chamkila's wife and singing partner, is equally commendable. Chopra's dedication to the role is evident in her transformation and her ability to capture the essence of Kaur's character. The chemistry between Dosanjh and Chopra on screen adds depth to their tumultuous yet passionate relationship.
The supporting cast, including Anjum Batra as Tiki, Chamkila's drummer and confidante, delivers stellar performances, adding layers to the narrative.
Ali's direction brings Chamkila's world to life, offering audiences a glimpse into the vibrant and often tumultuous music scene of Punjab in the 1970s and 1980s. The film navigates Chamkila's rise to fame and his eventual tragic demise with sensitivity and nuance, shedding light on the complexities of his persona.
Overall, "Amar Singh Chamkila" stands out as a captivating biopic that offers a refreshing take on the genre. With compelling performances, authentic storytelling, and vibrant cinematography, it pays homage to a cultural icon while offering audiences a glimpse into his tumultuous yet extraordinary life.
How to Date Billy Walsh (2024)
How to Date Billy Walsh: A Forgettable High School Romance
Directed by Alex Pillai, "How to Date Billy Walsh" attempts to bring a fresh twist to the high school romantic drama genre but ultimately falls short of making a lasting impression. The film follows the story of a young nerd who finds himself in a love triangle with his childhood best friend and a charismatic bad boy.
While the inclusion of an interracial love angle adds a unique element to the narrative, the film struggles to offer anything truly original. Instead, it relies on tired clichés and predictable plot twists that fail to engage the audience. Despite a few fleeting moments that may entertain on platforms like Instagram Reels or YouTube Shorts, the movie as a whole lacks substance.
The cast, including Sebastian Croft, Charithra Chandran, Tanner Buchanan, and Kunal Nayyar, does little to elevate the material. Their performances feel uninspired, with limited opportunity to showcase their talents in a meaningful way.
Overall, "How to Date Billy Walsh" is a forgettable addition to the rom-com genre. Despite its attempts to inject new life into familiar tropes, the film ultimately falls flat, leaving viewers longing for something more substantial and memorable.
The Wedding Guest (2018)
The Wedding Guest: A Disappointing Cross-Border Thriller
Michael Winterbottom's "The Wedding Guest" attempts to blend action and thriller elements with a cross-border narrative, but ultimately falls short of delivering a compelling story. Starring Dev Patel, Radhika Apte, and Jim Sarabh, the film takes viewers on a journey from Pakistan to India, weaving through various cities like Amritsar, New Delhi, Jaipur, and Goa.
From the outset, the film struggles to find its footing, presenting a disjointed narrative that feels more like a misguided travelogue than a gripping thriller. The action sequences are sparse, and lacking in intensity and impact, while the storyline and dialogue fail to engage the audience.
Despite the cast's talent, including standout performances from Dev Patel and Jim Sarabh, the film fails to capitalize on their abilities. In her pre-Netflix era, Radhika Apte delivers a commendable performance, but even her efforts cannot salvage the film from its shortcomings.
One of the major issues with "The Wedding Guest" is its lack of depth and coherence. The plot feels contrived and disconnected, leaving viewers confused and disengaged. The attempt to incorporate elements of Stockholm Syndrome only adds to the film's narrative confusion, further detracting from its overall impact.
Ultimately, "The Wedding Guest" is a disappointing endeavor that falls short of its ambitions. Despite its promising premise and talented cast, the film struggles to deliver a compelling story, leaving viewers feeling unsatisfied and underwhelmed.
Murder Mubarak (2024)
Murder Mubarak: A Missed Opportunity in Indian Murder Mystery
Directed by Anuja Chauhan, "Murder Mubarak" is Netflix's attempt at an Indianized murder mystery, drawing inspiration from the works of Agatha Christie but falling short of delivering a captivating narrative. Despite boasting a stellar cast including Pankaj Tripathi, Sara Ali Khan, Vijay Varma, and Dimple Kapadia, the film fails to live up to its potential and feels like a cheap imitation of its Western counterparts.
The story follows a classic murder mystery setup, reminiscent of Agatha Christie's iconic works such as "Murder on the Orient Express" and "Death on the Nile." However, unlike its predecessors, "Murder Mubarak" lacks the depth and complexity needed to engage audiences. The plot feels contrived and poorly executed, relying on clichés and predictable twists rather than offering genuine intrigue.
While Pankaj Tripathi and Vijay Varma deliver commendable performances, injecting some much-needed life into the film, other cast members like Sara Ali Khan and Dimple Kapadia fail to leave a lasting impression. Even the return of Karishma Kapoor to Bollywood fails to make a significant impact, despite her efforts to portray the role of the "Diva."
One of the film's major shortcomings lies in its screenplay and character development. The story feels disjointed, with poorly defined characters and subplots that fail to contribute meaningfully to the overall narrative. A crisper edit and better utilization of the ensemble cast could have potentially salvaged the film, but unfortunately, "Murder Mubarak" falls short of delivering a compelling murder mystery.
In conclusion, "Murder Mubarak" is a missed opportunity in the realm of Indian murder mysteries. Despite its talented cast and promising premise, the film fails to deliver a gripping and engaging story, ultimately leaving audiences disappointed.
Article 15 (2019)
Article 15: A Poignant Exploration of Casteism and Social Injustice
Directed by Anubhav Sinha, "Article 15" delves into the deep-rooted issue of caste-based discrimination in Indian society. Ayushmann Khurrana delivers a compelling performance as a police detective who embarks on a journey to uncover the truth behind the disappearance of three girls from a rural village. As he delves deeper into the case, he exposes the systemic oppression and violence perpetuated by caste-based hierarchies.
The film is named after Article 15 of the Indian Constitution, which prohibits discrimination on grounds of religion, race, caste, sex, or place of birth. Through its powerful narrative and evocative storytelling, "Article 15" shines a light on the harsh realities faced by marginalized communities in India.
The supporting cast delivers stellar performances, bringing depth and authenticity to their roles. Nassar, Manoj Pahwa, Kumud Mishra, and others embody the complexities of their characters, portraying the multifaceted layers of caste dynamics with sensitivity and nuance.
While some may dismiss the film as propaganda, it serves as a poignant reminder of the ongoing struggles against casteism and social injustice. "Article 15" does not seek to demean Hindu culture or shame the country; rather, it challenges the entrenched biases and prejudices that continue to plague Indian society.
One of the most impactful scenes comes towards the end, where characters from different castes come together to share a meal without any regard for social hierarchy. This powerful moment encapsulates the film's message of unity and solidarity in the face of discrimination.
Overall, "Article 15" is a thought-provoking and socially relevant film that demands introspection and action. It serves as a wake-up call to confront the harsh realities of caste-based discrimination and strive towards a more inclusive and equitable society.
K.G.F: Chapter 2 (2022)
K.G.F. Chapter 2: A Spectacular Sequel Raises the Bar
Prashanth Neel's much-anticipated sequel, "K. G. F. Chapter 2," elevates the action-packed saga of Rocky to new heights, surpassing the success of its predecessor and setting a new standard for Indian cinema. Starring Yash reprising his iconic role as Rocky, alongside powerhouse performances from Sanjay Dutt and Raveena Tandon, the film delivers a gripping narrative filled with relentless action, intrigue, and emotion.
Picking up from the events of the first chapter, Rocky ascends to the throne of KGF, driven by his unwavering determination to fulfill the promise he made to his mother. The stakes are higher, the action is more intense, and the scale is grander, as Rocky faces formidable adversaries and confronts his own inner demons.
Yash delivers a powerhouse performance once again, embodying the persona of Rocky with charisma and intensity. Sanjay Dutt adds gravitas to the film with his portrayal of Adheera, a formidable antagonist who poses a formidable challenge to Rocky's reign. Raveena Tandon impresses as the enigmatic character of Ramika Sen, adding depth and intrigue to the storyline.
The supporting cast, including Srinidhi Shetty, Achyuth Kumar, and Rao Ramesh, deliver stellar performances that enrich the narrative and elevate the overall cinematic experience. Each character is given depth and complexity, contributing to the immersive world-building of the KGF universe.
With breathtaking cinematography, adrenaline-pumping action sequences, and a captivating storyline, "K. G. F. Chapter 2" keeps audiences on the edge of their seats from start to finish. The film seamlessly blends spectacle with emotion, offering a cinematic experience that leaves a lasting impact.
As the credits roll, the promise of a third installment in the franchise only adds to the anticipation, with rumors of Prashanth Neel assembling an impressive ensemble cast for "K. G. F. Chapter 3." With the success of "K. G. F. Chapter 2," the franchise cements its status as a game-changer in Indian cinema, setting new benchmarks for storytelling and spectacle.
Salaar: Part 1 - Ceasefire (2023)
Salaar: Part 1 - Ceasefire: A Spectacular Action-Packed Epic
Prashanth Neel's latest offering, "Salaar: Part 1 - Ceasefire," marks another grand entry into the Indian film industry following the phenomenal success of the KGF franchise. With an ensemble cast led by Prabhas, Prithviraj Sukumaran, and Shruti Hassan, supported by Jagapati Babu, Sriya Reddy, and Ramachandra Raju, the movie promises an exhilarating ride filled with neon visuals, intense action, and gripping storytelling.
The narrative revolves around the tumultuous friendship between two characters, Deva (Prabhas) and Vardha (Prithviraj), in a saga of loyalty, betrayal, and power struggles. Set against a backdrop reminiscent of Game of Thrones, the film embarks on their journey, highlighting Deva's vow to bestow the throne of Khaansar upon Vardha.
Prashanth Neel's signature style is evident throughout the film, with visually stunning cinematography, massy dialogues, and adrenaline-pumping action sequences that elevate the viewing experience. Prabhas shines as Deva, portraying a character with almost mythical strength and unwavering determination. His portrayal as a fearless warrior with a singular focus on obeying his mother and protecting Vardha adds depth to the narrative.
The supporting cast delivers commendable performances, with Ramachandra Raju standing out once again in a powerful role reminiscent of his debut as Garuda in KGF: Part 1. Jagapati Babu impresses with his versatility, while Shruti Hassan adds a touch of intrigue to her character, albeit with limited screen time.
Despite some shortcomings in the writing department, the film is buoyed by its well-choreographed action sequences and captivating background score, which keep the audience engaged from start to finish. As with KGF, "Salaar: Part 1 - Ceasefire" sets the stage for a highly anticipated sequel, with rumors of Prabhas playing a pivotal role in KGF: Part 3 only adding to the excitement.
Overall, "Salaar: Part 1 - Ceasefire" delivers on its promise of being an epic action-packed spectacle, paving the way for what is sure to be another blockbuster franchise in Prashanth Neel's impressive filmography.