Years in the making! The glory of MGM on parade! Enough studio resources to film twenty pictures were expended on this paean to showman Florenz Ziegfeld. It’s really Metro Goldwyn Mayer’s Technicolor valentine to itself, showing off the studio’s enormous stable of musical talent, along with various of its comic performers. Arthur Freed and Louis B. Mayer’s notion of ‘something for everyone’ results in weird stack of grandiose musical numbers and mostly weak comedy. The biggest draw is the incredible color cinematography that peeks through in three or four jaw-droppingly elaborate musical spectacles. The picture is a workout to find the artistic limits of the Technicolor system.
Ziegfeld Follies
Blu-ray
Warner Archive Collection
1945 / Color / 1:37 Academy / 117 110 min. / Street Date June 15, 2021 / 21.99
Starring: (alphabetically): Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, Victor Moore, Red Skelton, Esther Williams. Also...
Ziegfeld Follies
Blu-ray
Warner Archive Collection
1945 / Color / 1:37 Academy / 117 110 min. / Street Date June 15, 2021 / 21.99
Starring: (alphabetically): Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, Victor Moore, Red Skelton, Esther Williams. Also...
- 7/20/2021
- by Glenn Erickson
- Trailers from Hell
The Yearling
Blu ray
Warner Archive
1946 / 1.33:1 / 128 min.
Starring Gregory Peck, Jane Wyman, Claude Jarman Jr.
Cinematography by Charles Rosher, Leonard Smith
Directed by Clarence Brown
Based on Marjorie Kinnan Rawlings’s 1938 novel, The Yearling revels in the solitary adventures of Jody Baxter, a boy whose untamed nature is reflected in his Deep South stomping grounds, Florida’s “Big Scrub.” Director Clarence Brown and a raft of MGM’s finest cinematographers cruised the backwaters and swamplands to capture the sensual pleasures of the child’s primeval playground and in some respects those Technicolor vistas are the real star of the film.
Jody is played by Claude Jarman Jr. and Gregory Peck is his homesteading father Penny, an adjudicator of boyhood problems great and small—he’s a roughhewn work in progress for the more citified Atticus Finch. “Hulking” was Rawlings’s own description of Jody’s mother Orry—a force...
Blu ray
Warner Archive
1946 / 1.33:1 / 128 min.
Starring Gregory Peck, Jane Wyman, Claude Jarman Jr.
Cinematography by Charles Rosher, Leonard Smith
Directed by Clarence Brown
Based on Marjorie Kinnan Rawlings’s 1938 novel, The Yearling revels in the solitary adventures of Jody Baxter, a boy whose untamed nature is reflected in his Deep South stomping grounds, Florida’s “Big Scrub.” Director Clarence Brown and a raft of MGM’s finest cinematographers cruised the backwaters and swamplands to capture the sensual pleasures of the child’s primeval playground and in some respects those Technicolor vistas are the real star of the film.
Jody is played by Claude Jarman Jr. and Gregory Peck is his homesteading father Penny, an adjudicator of boyhood problems great and small—he’s a roughhewn work in progress for the more citified Atticus Finch. “Hulking” was Rawlings’s own description of Jody’s mother Orry—a force...
- 6/1/2021
- by Charlie Largent
- Trailers from Hell
MGM’s old-fashioned Irving Berlin musical has superior songs and powerful performances, especially that of Betty Hutton. She gets plenty loud and rambunctious, but it fits the ‘big’ Annie Oakley character. And the talented, under-appreciated Howard Keel really fires up the screen with her in songs like ‘Anything You Can Do.’ The Wac disc contains plenty of George Feltenstein- rescued unused audio material, plus footage … depressing footage … of Judy Garland’s attempt in the leading role. Yep, the show may be PC minefield begging for a Cancel Culture intervention, but if it goes we’ll have to put most of Hollywood film history in a landfill.
Annie Get Your Gun
Blu-ray
Warner Archive Collection
1950 / Color / 1:37 Academy / 107 min. / Available at Amazon.com / Street Date April 10, 2021 / 21.99
Starring: Betty Hutton, Howard Keel, Louis Calhern, J. Carrol Naish, Edward Arnold, Keenan Wynn, Benay Venuta, Clinton Sundberg, Mae Clarke, John Mylong, Chief Yowlachie, Evelyn Beresford.
Annie Get Your Gun
Blu-ray
Warner Archive Collection
1950 / Color / 1:37 Academy / 107 min. / Available at Amazon.com / Street Date April 10, 2021 / 21.99
Starring: Betty Hutton, Howard Keel, Louis Calhern, J. Carrol Naish, Edward Arnold, Keenan Wynn, Benay Venuta, Clinton Sundberg, Mae Clarke, John Mylong, Chief Yowlachie, Evelyn Beresford.
- 4/20/2021
- by Glenn Erickson
- Trailers from Hell
MGM’s remake of the grand musical can’t be ignored — the restored transfer is stunning, demonstrating the studio’s technical skill at full tilt. There are good aspects to this version, even if it’s mostly a missed opportunity more notable for production backstories than for itself. It’s Kathryn Grayson’s high water mark at MGM, and Howard Keel does yeoman’s work on his side. MGM’s musical arrangements of the Hammerstein / Kern songbook is as good as ever. Most critics in 1951 thought it superior because it was in Technicolor; and it was one of the top $ money earners of the year.
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
- 3/2/2021
- by Glenn Erickson
- Trailers from Hell
MGM’s remake of the grand musical can’t be ignored — the restored transfer is stunning, demonstrating the studio’s technical skill at full tilt. There are good aspects to this version, even if it’s mostly a missed opportunity more notable for production backstories than for itself. It’s Kathryn Grayson’s high water mark at MGM, and Howard Keel does yeoman’s work on his side. MGM’s musical arrangements of the Hammerstein / Kern songbook is as good as ever. Most critics in 1951 thought it superior because it was in Technicolor; and it was one of the top $ money earners of the year.
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
Show Boat
Blu-ray
Warner Archive Collection
1951 / Color / 1:37 Academy / 108 min. / Street Date February 23, 2021 / available through the WBshop / 21.99
Starring: Kathryn Grayson, Ava Gardner, Howard Keel, Joe E. Brown, Marge Champion, Gower Champion, Robert Sterling, Agnes Moorehead, Leif Erickson, William Warfield, Regis Toomey, Adele Jergens, Owen McGiveney,...
- 3/2/2021
- by Glenn Erickson
- Trailers from Hell
Welcome to this week’s Impact Wrestling review, right here on Nerdly. I’m Nathan Favel and Charles Rosher can light my ass. Greta Garbo couldn’t wrestle her way out of a paper bag and this show might have that same problem, at least this week. You’ll see what I mean.
Match #1: Moose def. Willie Mack The following is courtesy of impactwrestling.com:
Willie hits a Hurricanrana to gain control in the early going. Moose connects with a delayed dropkick in the corner. Moose shows off his incredible strength with a strong Irish whip in the corner. Moose hits the Go to Hell Sitdown Powerbomb for a near fall. Willie builds momentum with a Stunner, followed by a huge clothesline that turns Moose inside out. Moose takes Willie off the top with a thunderous Superplex, followed by the No Jackhammer Needed Spear to win.
My Opinion: 3.2 out...
Match #1: Moose def. Willie Mack The following is courtesy of impactwrestling.com:
Willie hits a Hurricanrana to gain control in the early going. Moose connects with a delayed dropkick in the corner. Moose shows off his incredible strength with a strong Irish whip in the corner. Moose hits the Go to Hell Sitdown Powerbomb for a near fall. Willie builds momentum with a Stunner, followed by a huge clothesline that turns Moose inside out. Moose takes Willie off the top with a thunderous Superplex, followed by the No Jackhammer Needed Spear to win.
My Opinion: 3.2 out...
- 11/7/2019
- by Nathan Favel
- Nerdly
The last time a black-and-white film won a cinematography Oscar was in 1994, when Polish cinematographer Janusz Kaminski won the category for lensing Steven Spielberg's haunting Schindler's List. This year could be the next if one of two cinematographer nominees — Alfonso Cuaron for Roma (Netflix) or Lukasz Zal for Cold War (Focus Features) — claims the prize.
A cinematography Oscar was first handed out in 1928 — to Charles Rosher and Karl Struss for the silent film Sunrise: A Song of Two Humans. In 1939, the award was separated into two different categories, color and black-and-white. In 1968, cinematography again became a ...
A cinematography Oscar was first handed out in 1928 — to Charles Rosher and Karl Struss for the silent film Sunrise: A Song of Two Humans. In 1939, the award was separated into two different categories, color and black-and-white. In 1968, cinematography again became a ...
The last time a black-and-white film won a cinematography Oscar was in 1994, when Polish cinematographer Janusz Kaminski won the category for lensing Steven Spielberg's haunting Schindler's List. This year could be the next if one of two cinematographer nominees — Alfonso Cuaron for Roma (Netflix) or Lukasz Zal for Cold War (Focus Features) — claims the prize.
A cinematography Oscar was first handed out in 1928 — to Charles Rosher and Karl Struss for the silent film Sunrise: A Song of Two Humans. In 1939, the award was separated into two different categories, color and black-and-white. In 1968, cinematography again became a ...
A cinematography Oscar was first handed out in 1928 — to Charles Rosher and Karl Struss for the silent film Sunrise: A Song of Two Humans. In 1939, the award was separated into two different categories, color and black-and-white. In 1968, cinematography again became a ...
The American Society of Cinematographers (Asc) celebrates its 100th anniversary on Tuesday by unveiling two lists devoted to 20th century visual achievements: the 100 Milestone Films and the top 10 Best-Shot Films, led by “Lawrence of Arabia” (1962), shot by Oscar-winning cinematographer Freddie Young.
The rest of the Top 10 list includes sci-fi classics “2001: A Space Odyssey” (1968), shot by Geoffrey Unsworth, and “Blade Runner” (1982), shot by Jordan Cronenweth; two from director Francis Ford Coppola: “The Godfather” (1972), shot by Gordon Willis, and “Apocalypse Now” (1979), shot by Oscar-winner Vittorio Storaro; two black-and-white entries: “Citizen Kane” (1941), shot by Gregg Toland, and “Raging Bull” (1980), shot by Michael Chapman; “Days of Heaven” (1978), shot by Oscar winner Néstor Almendros; and “The French Connection” (1971), shot by five-time Oscar nominee Owen Roizman.
Alas, there are no silent movies in the top 10. And there’s no representation of the ’30s; ‘the ’50s; or the ’90s.
The lists were voted on by...
The rest of the Top 10 list includes sci-fi classics “2001: A Space Odyssey” (1968), shot by Geoffrey Unsworth, and “Blade Runner” (1982), shot by Jordan Cronenweth; two from director Francis Ford Coppola: “The Godfather” (1972), shot by Gordon Willis, and “Apocalypse Now” (1979), shot by Oscar-winner Vittorio Storaro; two black-and-white entries: “Citizen Kane” (1941), shot by Gregg Toland, and “Raging Bull” (1980), shot by Michael Chapman; “Days of Heaven” (1978), shot by Oscar winner Néstor Almendros; and “The French Connection” (1971), shot by five-time Oscar nominee Owen Roizman.
Alas, there are no silent movies in the top 10. And there’s no representation of the ’30s; ‘the ’50s; or the ’90s.
The lists were voted on by...
- 1/8/2019
- by Bill Desowitz
- Indiewire
Is this the filmic birth of both the wartime Oss and the SuperSpy genre? State department diplomat trainee Joel McCrea weds refugee Brenda Marshall, not realizing that she has gained her freedom by volunteering to become a Nazi spy. Released just as WW2 broke out but filmed and produced earlier, Warners’ production faced stiff political pressure from an isolationist Washington. Ever heard the phrase ‘premature anti-Nazi?’ Here there be patriots.
Espionage Agent
DVD
The Warner Archive Collection
1939 / B&W / 1:37 flat Academy / 83 min. / Street Date May 1, 2018 / available through the WBshop / 21.99
Starring: Joel McCrea, Brenda Marshall, Jeffrey Lynn, George Bancroft, Stanley Ridges, James Stephenson, Martin Kosleck, Rudolph Anders, Hans Heinrich von Twardowski, Egon Brecher, Nana Bryant, William Hopper, Glenn Langan, Chris-Pin Martin, George Reeves.
Cinematography: Charles Rosher
Film Editor: Ralph Dawson
Original Music: Adolph Deutsch
Written by Warren Duff, Michael Fessier, Frank Donoghue, James Hilton, story by Robert Henry Buckner
Produced by Louis B.
Espionage Agent
DVD
The Warner Archive Collection
1939 / B&W / 1:37 flat Academy / 83 min. / Street Date May 1, 2018 / available through the WBshop / 21.99
Starring: Joel McCrea, Brenda Marshall, Jeffrey Lynn, George Bancroft, Stanley Ridges, James Stephenson, Martin Kosleck, Rudolph Anders, Hans Heinrich von Twardowski, Egon Brecher, Nana Bryant, William Hopper, Glenn Langan, Chris-Pin Martin, George Reeves.
Cinematography: Charles Rosher
Film Editor: Ralph Dawson
Original Music: Adolph Deutsch
Written by Warren Duff, Michael Fessier, Frank Donoghue, James Hilton, story by Robert Henry Buckner
Produced by Louis B.
- 5/19/2018
- by Glenn Erickson
- Trailers from Hell
There’s a heapin’-helpin’ of palace intrigue in this 1952 swashbuckler starring underrated action hero Stewart Granger (the role was a gift from MGM for his bang-up job in King Solomon’s Mines made two years earlier). Though it lacks the Boy’s Life adventurism of King Solomon, the movie is still brightly colored fun, shot by Charles Rosher (The Yearling, Show Boat). The lucky Granger is supported by two beauties who took full advantage of Rosher’s Technicolor mastery, flaming-haired Eleanor Parker and a radiant Janet Leigh.
- 8/28/2017
- by Charlie Largent
- Trailers from Hell
This past weekend, the American Society of Cinematographers awarded Greig Fraser for his contribution to Lion as last year’s greatest accomplishment in the field. Of course, his achievement was just a small sampling of the fantastic work from directors of photography, but it did give us a stronger hint at what may be the winner on Oscar night. Ahead of the ceremony, we have a new video compilation that honors all the past winners in the category at the Academy Awards
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
Created by Burger Fiction, it spans the stunning silent landmark Sunrise: A Song of Two Humans all the way up to the end of Emmanuel Lubezki‘s three-peat win for The Revenant. Aside from the advancements in color and aspect ration, it’s a thrill to see some of cinema’s most iconic shots side-by-side. However, the best way to experience the evolution of the craft is by...
- 2/6/2017
- by Jordan Raup
- The Film Stage
If beauty is in the eye of the beholder, then there will never be a definitive list of the greatest cinematography, but for our money, one of the finest polls has been recently conducted on the matter. Our friend Scout Tafoya polled over 60 critics on Fandor, including some of us here, and the results can be found in a fantastic video essay below. Rather than the various wordless supercuts that crowd Vimeo, Tafoya wrestles with his thoughts on cinematography as we see the beautiful images overlaid from the top 12 choices.
“I’ve been thinking of the world cinematographically since high school,” Scout says. “Sometime around tenth grade I started looking out windows, at crowds of my peers, at the girls I had crushes on, and imagining the best way to film them. Lowlight, mini-dv or 35mm? Curious and washed out like the way Emmanuel Lubezki shot Y Tu Mamá También,...
“I’ve been thinking of the world cinematographically since high school,” Scout says. “Sometime around tenth grade I started looking out windows, at crowds of my peers, at the girls I had crushes on, and imagining the best way to film them. Lowlight, mini-dv or 35mm? Curious and washed out like the way Emmanuel Lubezki shot Y Tu Mamá También,...
- 4/28/2016
- by Jordan Raup
- The Film Stage
The Musicals Collection Blu-ray set from Warner Home Video contains four Hollywood classics of the genre, at least two of them among the greatest of all time: Kiss Me Kate, Calamity Jane, The Band Wagon, and Singin’ in the Rain. And all except for Singin’ in the Rain are making their Blu-ray debut. While the films may not rank equal in terms of quality—those latter two titles are the all-time greats—each of the transfers are outstanding, the movies themselves are still nevertheless enjoyable, and the set is a terrific bargain.
Kiss Me, Kate
Written by Dorothy Kingsley
Directed by George Sidney
USA, 1953
Kiss Me, Kate is offered in 2-D and 3-D versions. Though the 3-D is certainly not the best to grace a Blu-ray, it’s still the version to watch, even with the clichéd, though occasionally amusing gimmick of characters throwing things at the camera. However, it...
Kiss Me, Kate
Written by Dorothy Kingsley
Directed by George Sidney
USA, 1953
Kiss Me, Kate is offered in 2-D and 3-D versions. Though the 3-D is certainly not the best to grace a Blu-ray, it’s still the version to watch, even with the clichéd, though occasionally amusing gimmick of characters throwing things at the camera. However, it...
- 3/17/2015
- by Jeremy Carr
- SoundOnSight
By winning the Best Cinematography Oscar for a second year in a row, "Birdman" director of photography Emmanuel Lubezki has joined a truly elite club whose ranks haven't been breached in nearly two decades. Only four other cinematographers have won the prize in two consecutive years. The last time it happened was in 1994 and 1995, when John Toll won for Edward Zwick's "Legends of the Fall" and Mel Gibson's "Braveheart" respectively. Before that you have to go all the way back to the late '40s, when Winton Hoch won in 1948 (Victor Fleming's "Joan of Arc" with Ingrid Bergman) and 1949 (John Ford's western "She Wore a Yellow Ribbon"). Both victories came in the color category, as the Academy awarded prizes separately for black-and-white and color photography from 1939 to 1956. Leon Shamroy also won back-to-back color cinematography Oscars, for Henry King's 1944 Woodrow Wilson biopic "Wilson" and John M. Stahl...
- 2/23/2015
- by Kristopher Tapley
- Hitfix
Stumbling across that list of best-edited films yesterday had me assuming that there might be other nuggets like that out there, and sure enough, there is American Cinematographer's poll of the American Society of Cinematographers membership for the best-shot films ever, which I do recall hearing about at the time. But they did things a little differently. Basically, in 1998, cinematographers were asked for their top picks in two eras: films from 1894-1949 (or the dawn of cinema through the classic era), and then 1950-1997, for a top 50 in each case. Then they followed up 10 years later with another poll focused on the films between 1998 and 2008. Unlike the editors' list, though, ties run absolutely rampant here and allow for way more than 50 films in each era to be cited. I'd love to see what these lists would look like combined, however. I imagine "Citizen Kane," which was on top of the 1894-1949 list,...
- 2/4/2015
- by Kristopher Tapley
- Hitfix
First Best Actor Oscar winner Emil Jannings and first Best Actress Oscar winner Janet Gaynor on TCM (photo: Emil Jannings in 'The Last Command') First Best Actor Academy Award winner Emil Jannings in The Last Command, first Best Actress Academy Award winner Janet Gaynor in Sunrise, and sisters Norma Talmadge and Constance Talmadge are a few of the silent era performers featured this evening on Turner Classic Movies, as TCM continues with its Silent Monday presentations. Starting at 5 p.m. Pt / 8 p.m. Et on November 17, 2014, get ready to check out several of the biggest movie stars of the 1920s. Following the Jean Negulesco-directed 1943 musical short Hit Parade of the Gay Nineties -- believe me, even the most rabid anti-gay bigot will be able to enjoy this one -- TCM will be showing Josef von Sternberg's The Last Command (1928) one of the two movies that earned...
- 11/18/2014
- by Andre Soares
- Alt Film Guide
Sunrise
Scenario by Carl Mayer, from an original theme by Hermann Sudermann
Directed by F.W. Murnau
USA, 1927
William Fox had seen Faust, Nosferatu, and The Last Laugh, and on the basis of these German masterworks, he brought their creator, F.W. Murnau, to Hollywood. What he got was a truly distinct cinematic vision, which was what he had in mind: something to set a few Fox features apart from the other studios’ output. What he probably didn’t expect was just how much of that “artsy” European touch he was going to get with Murnau on contract. Were American audiences going to go for this type of movie, with its symbolism, melodious structure, and overtly self-conscious style? At any rate, Murnau’s first picture at Fox was one to remember. Sunrise, from 1927, is one of the greatest of all films. It is a touching, beautiful, and artistically accomplished movie, one of the best ever made,...
Scenario by Carl Mayer, from an original theme by Hermann Sudermann
Directed by F.W. Murnau
USA, 1927
William Fox had seen Faust, Nosferatu, and The Last Laugh, and on the basis of these German masterworks, he brought their creator, F.W. Murnau, to Hollywood. What he got was a truly distinct cinematic vision, which was what he had in mind: something to set a few Fox features apart from the other studios’ output. What he probably didn’t expect was just how much of that “artsy” European touch he was going to get with Murnau on contract. Were American audiences going to go for this type of movie, with its symbolism, melodious structure, and overtly self-conscious style? At any rate, Murnau’s first picture at Fox was one to remember. Sunrise, from 1927, is one of the greatest of all films. It is a touching, beautiful, and artistically accomplished movie, one of the best ever made,...
- 1/17/2014
- by Jeremy Carr
- SoundOnSight
Eleanor Parker today: Beautiful as ever in Scaramouche, Interrupted Melody Eleanor Parker, who turns 91 in ten days (June 26, 2013), can be seen at her most radiantly beautiful in several films Turner Classic Movies is showing this evening and tomorrow morning as part of their Star of the Month Eleanor Parker "tribute." Among them are the classic Scaramouche, the politically delicate Above and Beyond, and the biopic Interrupted Melody, which earned Parker her third and final Best Actress Academy Award nomination. (Photo: publicity shot of Eleanor Parker in Scaramouche.) The best of the lot is probably George Sidney’s balletic Scaramouche (1952), in which Eleanor Parker plays one of Stewart Granger’s love interests — the other one is Janet Leigh. A loose remake of Rex Ingram’s 1923 blockbuster, the George Sidney version features plenty of humor, romance, and adventure; vibrant colors (cinematography by Charles Rosher); an elaborately staged climactic swordfight; and tough dudes...
- 6/18/2013
- by Andre Soares
- Alt Film Guide
One of the Most Amazing Silent Movies (or Movies of Any Era, Period) Ever Made Tops the List of Best of Movies Released in 1921 Rex Ingram’s The Four Horsemen of the Apocalypse, Metro Pictures' film version of Vicente Blasco Ibáñez’s epic novel -- from a scenario by the immensely powerful writer-producer June Mathis -- catapulted Mathis’ protégé, the until then little known Rudolph Valentino (photo, left), to worldwide superstardom, as The Four Horsemen became one of the biggest box-office hits of the silent era. Ingram’s wife, the invariably excellent Alice Terry (right, dark-haired in real life; a light-haired in her many movies), played Valentino's love interest. Ninety-two years after its initial launch, the Four Horsemen remains a monumental achievement. Released by MGM, Vincente Minnelli's 1962 remake of this Metro Pictures production featured an all-star cast: Glenn Ford, Ingrid Thulin (dubbed by Angela Lansbury), Charles Boyer, Lee J. Cobb,...
- 4/3/2013
- by Andre Soares
- Alt Film Guide
In Robert Wiene’s 1920 dreamlike horror classic, veteran German actor Werner Krauss plays the mysterious Dr. Caligari, the apparent force behind a creepy somnambulist named Cesare and played by Conrad Veidt, who abducts beautiful Lil Dagover. The finale in The Cabinet of Dr. Caligari has inspired tons of movies and television shows, from Fritz Lang's 1944 film noir The Woman in the Window to the last episode of the TV series St. Elsewhere. In addition, the film shares some key elements in common (suppposedly as a result of a mere coincidence) with Martin Scorsese and Leonardo DiCaprio's 2011 thriller Shutter Island. The 1920 crime melodrama Outside the Law is not in any way related to Rachid Bouchareb's 2010 political drama. Instead, the Tod Browning-directed movie is a well-made entry in the gangster genre (long before the explosion a decade later). Browning, best known for his early '30s efforts Dracula and Freaks,...
- 4/1/2013
- by Andre Soares
- Alt Film Guide
Everybody's favorite movie decade: Which ones are the best movies released in the 20th century's second decade? Best Film (Pictured above) Broken Blossoms: Barthelmess and Gish star as ill-fated lovers in D.W. Griffith’s romantic melodrama featuring interethnic love. Check These Out (Pictured below) Cabiria: is considered one of the major landmarks in motion picture history, having inspired the scope and visual grandeur of D.W. Griffith’s Intolerance. Also of note, Pastrone's epic of ancient Rome introduced Maciste, a bulky hero who would be featured in countless movies in the ensuing decades. Best Actor (Pictured below) In the tragic The Italian, George Beban plays an Italian immigrant recently arrived in the United States (Click below for film review). Unfortunately, his American dream quickly becomes a horrendous nightmare of poverty and despair. Best Actress (Pictured below) The movies' super-vamp Theda Bara in A Fool There Was: A little...
- 3/27/2013
- by Andre Soares
- Alt Film Guide
Kevin Brownlow now has two Oscars, and I couldn’t be happier. The second award, which bears his name, is the result of the Academy of Motion Picture Arts and Sciences deciding that a film historian and archivist of his stature is as worthy of an honorary Oscar as two world-class directors (Francis Ford Coppola and Jean-Luc Godard) and one superb actor (Eli Wallach). This says as much about the Academy and its mission as it does about the recipients…and it honors the field of film history. The first Oscar was bequeathed to Kevin by pioneering cinematographer Charles Rosher upon his…...
- 11/16/2010
- Leonard Maltin's Movie Crazy
HollywoodNews.com: The American Society of Cinematographers (Asc) announced completion of the renovation and expansion of the organization’s historic clubhouse here today. Los Angeles Councilman Tom LeBonge and Hollywood Chamber of Commerce President and CEO Leron Gubler joined an array of venerable cinematographers, filmmakers and professionals from all sectors of the industry at the ceremony.
“Our clubhouse has been a second home for the world’s most talented cinematographers for nearly 75 years,” says Asc President Michael Goi. “We are committed to perpetuating the spirit of artistry that resides within the walls of the Asc clubhouse, and enhancing our capacity for educational outreach programs for the next generation of filmmakers from around the world.”
The renovated clubhouse contains a treasure trove of film history, including a Kinetoscope projector that was designed by the Edison Company during the 1890s, early motion picture cameras, lenses, photographs of cinematographers who have set the standards for artful filmmaking,...
“Our clubhouse has been a second home for the world’s most talented cinematographers for nearly 75 years,” says Asc President Michael Goi. “We are committed to perpetuating the spirit of artistry that resides within the walls of the Asc clubhouse, and enhancing our capacity for educational outreach programs for the next generation of filmmakers from around the world.”
The renovated clubhouse contains a treasure trove of film history, including a Kinetoscope projector that was designed by the Edison Company during the 1890s, early motion picture cameras, lenses, photographs of cinematographers who have set the standards for artful filmmaking,...
- 6/3/2010
- by HollywoodNews.com
- Hollywoodnews.com
Friedrich Wilhelm Murnau, to give him his full name, died in an automobile accident in California in 1931. The German-born émigré director was 42 years old. His death was luridly speculated upon by Kenneth Anger in his book Hollywood Babylon. Whatever the cause of his untimely end, there are few cinema artists who left behind such an iconic body of work, at such a relatively early age.
Working in Germany in the 1920s, Murnau helmed some of the greatest silent features ever made. His roll of honour includes: Nosferatu (1922), The Last Laugh (1924) and Faust (1926). Taking up an offer of work with American producer William Fox, he left behind Germany for good. It would provide a legacy entitled Sunrise: A Song of Two Humans (1927), and his death.
Murnau will forever be associated with a landmark aesthetic known as German Expressionism. His experimental, highly-stylised, poetic outlook proved highly influential. There is general debate as...
Working in Germany in the 1920s, Murnau helmed some of the greatest silent features ever made. His roll of honour includes: Nosferatu (1922), The Last Laugh (1924) and Faust (1926). Taking up an offer of work with American producer William Fox, he left behind Germany for good. It would provide a legacy entitled Sunrise: A Song of Two Humans (1927), and his death.
Murnau will forever be associated with a landmark aesthetic known as German Expressionism. His experimental, highly-stylised, poetic outlook proved highly influential. There is general debate as...
- 11/17/2009
- by Martyn Conterio
- FilmShaft.com
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