Nitzan Gilady’s second feature has gone to Film Movement in the US and Canada and Peccadillo Picture in the UK and Ireland.
Berlin-based sales outfit M-Appeal had closed deals for North America and the UK and Ireland for its erotic gay thriller In Bed.
Tel Aviv-based writer-director Nitzan Gilady’s second feature has gone to Film Movement in the US and Canada and Peccadillo Picture in the UK and Ireland. This follows on from its premiere at the Tallinn Black Nights Film Festival, in the Rebels without a Cause competition.
Set mostly in one Tel Aviv apartment, In Bed...
Berlin-based sales outfit M-Appeal had closed deals for North America and the UK and Ireland for its erotic gay thriller In Bed.
Tel Aviv-based writer-director Nitzan Gilady’s second feature has gone to Film Movement in the US and Canada and Peccadillo Picture in the UK and Ireland. This follows on from its premiere at the Tallinn Black Nights Film Festival, in the Rebels without a Cause competition.
Set mostly in one Tel Aviv apartment, In Bed...
- 1/20/2023
- by Geoffrey Macnab
- ScreenDaily
By Tim Greaves
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One of the most surprising things about director Roger Christian’s 1982 chiller The Sender, which screams America from almost every fibre, is that it’s British made. With a cast and crew of varied nationality and narratively set in America – location work took place in Georgia – all the studio work for the Paramount Pictures production was actually shot on stages at Shepperton in the UK.
British born Christian himself was a former Academy Award winning art director on the first Star Wars (and a nominee in the same category for Alien). On the other end of the ‘accomplishments to be proud of’ scale, however, he’s the man responsible for the woeful Battlefield Earth, so it’s fair to say his cinematic career was mixed. The Sender, his debut in the director’s chair, resides on the upper end of that scale.
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One of the most surprising things about director Roger Christian’s 1982 chiller The Sender, which screams America from almost every fibre, is that it’s British made. With a cast and crew of varied nationality and narratively set in America – location work took place in Georgia – all the studio work for the Paramount Pictures production was actually shot on stages at Shepperton in the UK.
British born Christian himself was a former Academy Award winning art director on the first Star Wars (and a nominee in the same category for Alien). On the other end of the ‘accomplishments to be proud of’ scale, however, he’s the man responsible for the woeful Battlefield Earth, so it’s fair to say his cinematic career was mixed. The Sender, his debut in the director’s chair, resides on the upper end of that scale.
- 7/16/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Jeff Favreproduction: A Beautiful View, Son of Semele Theatre; Robots vs. Fake Robots, Powerhouse Theatre; Shipwrecked! An Entertainment, Geffen Playhouse.Playwriting: David Largman Murray, Robots vs. Fake Robots.Direction: Don Boughton, A Beautiful View; John Doyle, Sweeney Todd, the Demon Barber of Fleet Street, Center Theatre Group, Ahmanson Theatre; Tiger Reel, Cartoon, Art/Works Theatre; Elise Robertson, The Women, Circus Theatricals.Music Direction: Sarah Travis, Sweeney Todd, the Demon Barber of Fleet Street. Scenic Design: Simon Higlett, The School of Night, Center Theatre Group, Mark Taper Forum; Christine Jones, Spring Awakening, Center Theatre Group, Ahmanson Theatre; Anthony Ward, My Fair Lady, Center Theatre Group, Ahmanson Theatre.Lighting Design: Russell H. Champa, The School of Night; Richard Jones, Sweeney Todd, the Demon Barber of Fleet Street.Costume Design: Anthony Ward, My Fair Lady.Sound Design: Dan Moses Schreier, Sweeney Todd, the Demon Barber of Fleet Street.Perfomance In A (Primarily) Straight Play:Gregory Itzin,...
- 3/11/2009
- backstage.com
Chicago – The Round-Up, HollywoodChicago.com’s famous recurring column about lesser Blu-Ray and DVD titles that may have slipped through your fingers at the store recently, is in clean-up mode this week. With a DVD collection for a famous young actress, an old cartoon, a straight-to-video horror movie, and three movies with the word “Mountain” in the title, the only word that comes to mind to tie these titles together is “random”.
You know those bins of “impulse buy” items you’ll see in stores near the cash register? Stuff that you may not have put on your shopping list and that you may not even know you want until you see them? That’s what this week’s Round-Up column is like. Peek in the bin and take a look at “Jonny Quest,” “The Scarlett Johansson Collection,” “Dead in 3 Days,” “Brokeback Mountain,” “Escape to Witch Mountain,” and “Return to...
You know those bins of “impulse buy” items you’ll see in stores near the cash register? Stuff that you may not have put on your shopping list and that you may not even know you want until you see them? That’s what this week’s Round-Up column is like. Peek in the bin and take a look at “Jonny Quest,” “The Scarlett Johansson Collection,” “Dead in 3 Days,” “Brokeback Mountain,” “Escape to Witch Mountain,” and “Return to...
- 3/10/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Dimension Extreme and Genius Products sent over an exclusive clip from Dead In 3 Days, the Austrian youth-stalker film they’re releasing today on DVD. You can give the scene a look below the cut.
Directed by Andreas Prochaska from a script he wrote with Thomas Baum, Dead In 3 Days centers on a group of friends who are celebrating their high-school graduation when they all receive the same text message, promising the titular fate. They at first dismiss it as a prank, but then the teens start getting murdered one by one and have to figure out who is targeting them and why. A hit in Europe, it spawned an equally successful sequel that was released overseas last year but has yet to snag U.S. distribution. The Dead In 3 Days disc retails for $19.98.
Directed by Andreas Prochaska from a script he wrote with Thomas Baum, Dead In 3 Days centers on a group of friends who are celebrating their high-school graduation when they all receive the same text message, promising the titular fate. They at first dismiss it as a prank, but then the teens start getting murdered one by one and have to figure out who is targeting them and why. A hit in Europe, it spawned an equally successful sequel that was released overseas last year but has yet to snag U.S. distribution. The Dead In 3 Days disc retails for $19.98.
- 3/3/2009
- Fangoria
Dimension Extreme and Genius Products released the cover art seen below for Dead In 3 Days. The Austrian slasher film, a hit at home when released there in 2006, arrives on U.S. DVD shelves March 3.
Directed by Andreas Prochaska from a script he wrote with Thomas Baum, the movie follows a group of best friends who receive the titular cell-phone threat, and then start getting bumped off by a mysterious murderer. The film will be presented in widescreen with German and English Dolby 5.1 soundtracks; there are no extras announced as of now, and the retail price is $19.97. Another Eurohorror title, Tomas Alfredson’s much-praised Let The Right One In (which recently won five nominations in the Bug Awards, Sweden’s version of the Oscars), has had details annouced for its disc release March 10 by Magnolia Home Entertainment under the 6-Shooter banner. This one will also be in widescreen with its original...
Directed by Andreas Prochaska from a script he wrote with Thomas Baum, the movie follows a group of best friends who receive the titular cell-phone threat, and then start getting bumped off by a mysterious murderer. The film will be presented in widescreen with German and English Dolby 5.1 soundtracks; there are no extras announced as of now, and the retail price is $19.97. Another Eurohorror title, Tomas Alfredson’s much-praised Let The Right One In (which recently won five nominations in the Bug Awards, Sweden’s version of the Oscars), has had details annouced for its disc release March 10 by Magnolia Home Entertainment under the 6-Shooter banner. This one will also be in widescreen with its original...
- 1/5/2009
- Fangoria
On the night of July 2nd, 1979, Robbie Robertson and Gary Busey stopped off at a bar and grill in lower Manhattan for a drink. They wanted to make a toast: to Carny, which they’d finished filming only the day before.
Several revelers at the next table were harassing them and started to jump Busey on his way out of the men’s room. They froze at the sound of Robertson’s glass breaking against the edge of the table. He pointed the jagged weapon at Busey’s opponents, and...
Several revelers at the next table were harassing them and started to jump Busey on his way out of the men’s room. They froze at the sound of Robertson’s glass breaking against the edge of the table. He pointed the jagged weapon at Busey’s opponents, and...
- 6/26/1980
- by Chet Flippo
- Rollingstone.com
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