“Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock!”
The Third Man screens Wednesday May 3rd at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.
Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light.
The Third Man screens Wednesday May 3rd at The Tivoli Theater (6350 Delmar in ‘The Loop’) as part of their new ‘Classics in the Loop’ Crime & Noir film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.
Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light.
- 5/1/2017
- by Tom Stockman
- WeAreMovieGeeks.com
There’s nothing more fun than getting to watch classic movies the way they were intended–on the big screen!
Now, I understand plenty of people don’t want to go to a theater, spend a fortune on tickets, popcorn, and a drink just to see the glow of cell phones and hear people rudely talking while someone kicks your seat from behind, but that’s not the experience you’ll get at Landmark theaters affordable ‘Crime & Noir’ film series. St. Louis movie buffs are in for a treat as Landmark’s The Tivoli Theater will return with it’s ‘Classics on the Loop’ every Wednesday beginning April 5th at 7pm. This season, the Tivoli will screen, on their big screen (which seats 320 btw), eight crime and noir masterpiece that need to be seen in a theater with an audience. Admission is only $7.
One benefits of the big screen is...
Now, I understand plenty of people don’t want to go to a theater, spend a fortune on tickets, popcorn, and a drink just to see the glow of cell phones and hear people rudely talking while someone kicks your seat from behind, but that’s not the experience you’ll get at Landmark theaters affordable ‘Crime & Noir’ film series. St. Louis movie buffs are in for a treat as Landmark’s The Tivoli Theater will return with it’s ‘Classics on the Loop’ every Wednesday beginning April 5th at 7pm. This season, the Tivoli will screen, on their big screen (which seats 320 btw), eight crime and noir masterpiece that need to be seen in a theater with an audience. Admission is only $7.
One benefits of the big screen is...
- 3/22/2017
- by Tom Stockman
- WeAreMovieGeeks.com
“Don’t be so gloomy. After all it’s not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock!”
The restored, 4k update of The Third Man opens Friday, August 7th in St. Louis at Landmark’s Plaza Frontenac Theater
Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light. There’s a reason that the only Academy Award won by The Third Man, one of the most beloved films of all time,...
The restored, 4k update of The Third Man opens Friday, August 7th in St. Louis at Landmark’s Plaza Frontenac Theater
Roger Ebert called Harry Lime, the character played by Orson Welles in the 1949 classic The Third Man, his favorite screen villain of all time. Fittingly, he gets one of the great movie character introductions — an unforgettable one involving a doorway, a cat, and a sudden beam of light. There’s a reason that the only Academy Award won by The Third Man, one of the most beloved films of all time,...
- 8/6/2015
- by Tom Stockman
- WeAreMovieGeeks.com
(1949, Carol Reed; StudioCanal, PG, DVD/Blu-ray)
From the moment the first audiences saw the opening image of Anton Karas’s zither filling the screen with the nerve-jangling Harry Lime Theme (before, indeed, they had heard the word “zither”), they knew that with the second collaboration between director Carol Reed and author Graham Greene they were in for something special. At its end they recognised they’d seen a near-perfect work, what we now call a noir classic. The title rapidly entered the language and took on new meanings as the careers of Greene as wartime intelligence agent and Kim Philby as cold war traitor became linked.
The story features an evil, charismatic anti-hero who fakes his own death and makes his home in a Viennese sewer, and ends with its dull, perplexed leading man being silently snubbed by the beautiful, unsmiling heroine in a deserted cemetery. This new print does...
From the moment the first audiences saw the opening image of Anton Karas’s zither filling the screen with the nerve-jangling Harry Lime Theme (before, indeed, they had heard the word “zither”), they knew that with the second collaboration between director Carol Reed and author Graham Greene they were in for something special. At its end they recognised they’d seen a near-perfect work, what we now call a noir classic. The title rapidly entered the language and took on new meanings as the careers of Greene as wartime intelligence agent and Kim Philby as cold war traitor became linked.
The story features an evil, charismatic anti-hero who fakes his own death and makes his home in a Viennese sewer, and ends with its dull, perplexed leading man being silently snubbed by the beautiful, unsmiling heroine in a deserted cemetery. This new print does...
- 8/2/2015
- by Philip French
- The Guardian - Film News
New York-based distributor Rialto Pictures will release Carol Reed’s Film Noir masterpiece The Third Man in a major 4K restoration – the first ever for the 1949 mega-classic.
The new restoration has its world premiere this month in the “Cannes Classics” section of the Cannes Film Festival, with U.S. openings at New York’s Film Forum on June 26 (2-week run) and L.A.’s Nuart on July 3. Engagements in San Francisco, Washington, DC, Seattle, Philadelphia and other major markets will follow.
A rare collaboration of legendary producers Alexander Korda and David O. Selznick, The Third Man was Reed’s second teaming with novelist/screenwriter Graham Greene. An instant critical and commercial sensation, it won the Palme D’Or at Cannes, the British Film Academy’s Best British Film award, and an Academy Award for Robert Krasker’s expressionist, now iconic b&w cinematography, and was also Oscar-nominated for Best Director.
The new restoration has its world premiere this month in the “Cannes Classics” section of the Cannes Film Festival, with U.S. openings at New York’s Film Forum on June 26 (2-week run) and L.A.’s Nuart on July 3. Engagements in San Francisco, Washington, DC, Seattle, Philadelphia and other major markets will follow.
A rare collaboration of legendary producers Alexander Korda and David O. Selznick, The Third Man was Reed’s second teaming with novelist/screenwriter Graham Greene. An instant critical and commercial sensation, it won the Palme D’Or at Cannes, the British Film Academy’s Best British Film award, and an Academy Award for Robert Krasker’s expressionist, now iconic b&w cinematography, and was also Oscar-nominated for Best Director.
- 5/6/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Palais des Festivals at the 2013 Cannes Film FestivalPhoto: RopeofSilicon.com The 2014 Cannes Film Festival begins in just two days and since I won't be able to attend this year I still wanted to do something Cannes-related. I started looking back over the years of the festival, which is celebrating its 67th edition this year. I considered going back and reviewing 15-16 films from a specific year in the past, but I thought of it too late. I then started looking over the history of past winners, and while I realize I haven't seen even half of the Cannes Film Festival winners I thought it would be fun to take a look at a list of the top ten I had seen, assuming readers could add their thoughts in the comments, suggesting some titles I have not yet seen or those you believe belong in the top ten. As we all know,...
- 5/12/2014
- by Brad Brevet
- Rope of Silicon
Looking for a date for Valentine's Day? Why not spend the holiday with Beck, Vampire Weekend, Fiona Apple and Phosphorescent? Those artists -- along with Jim James, Brandi Carlile, Ben Harper, Sharon Jones & the Dap-Kings, and others -- will contribute cover versions to a new romance-themed CD collection called "Sweetheart 2014." The fifth in a series created exclusively for Starbucks, Sweetheart 2014 features 13 all-new recordings. Highlights include My Morning Jacket frontman Jim James' take on Bob Marley's "Turn Your Lights Down Low"; Beck cozying up to John Lennon's "Love"; Fiona Apple and Maude Maggart's rendering of Anton Karas' "I'm in the Middle of...
- 1/7/2014
- by Dave Lewis
- Hitfix
Feature Aliya Whiteley 20 Jun 2013 - 10:11
The films of post-war Britain are fascinating; Aliya picks 10 of the best British thrillers from the 1940s
The 1940s was a heck of a decade for the British. We started it at war with Nazi Germany, with the threat of Ira collaboration with the enemy looming large. By the end of it we had seen Independence achieved by India, lived through strikes and rationing, and held the fourteenth Olympic Games in London at a time of great austerity. The welfare state was under formation, and in the space of ten years we had become a very different country.
The British film industry reflected those changes, particularly in the thrillers that were made. The lines between good and evil, safety and danger, were the stuff of entertainment that tapped into the concerns of the public. It was a period of vivid, ambitious, and surprising films.
The films of post-war Britain are fascinating; Aliya picks 10 of the best British thrillers from the 1940s
The 1940s was a heck of a decade for the British. We started it at war with Nazi Germany, with the threat of Ira collaboration with the enemy looming large. By the end of it we had seen Independence achieved by India, lived through strikes and rationing, and held the fourteenth Olympic Games in London at a time of great austerity. The welfare state was under formation, and in the space of ten years we had become a very different country.
The British film industry reflected those changes, particularly in the thrillers that were made. The lines between good and evil, safety and danger, were the stuff of entertainment that tapped into the concerns of the public. It was a period of vivid, ambitious, and surprising films.
- 6/18/2013
- by louisamellor
- Den of Geek
In the beginning, when this site was still on Blogspot, The Playlist focused on the intersection of music and film, and while our coverage has expanded it’s still a subject near and dear to our hearts. To that end, here's some news that will be exciting to fans of two classic films. Last week, Milan Records announced the future releases of digitally remastered editions of Anton Karas’ score for the Carol Reed-helmed and Orson Welles-starring noir “The Third Man” and Bernard Herrmann’s score for the classic Alfred Hitchcock film -- and the greatest film of all time per Sight & Sound -- “Vertigo.” Both releases feature great cover art and look to be a great addition to any film score collection. Serious collectors may want to keep a closer eye on Karas’ score as it may soon be as scarce as the now-out-of-print Criterion edition of “The Third Man.
- 2/5/2013
- by Cain Rodriguez
- The Playlist
The Third Man
Directed by Carol Reed
Written by Graham Green
U.K, U.S.A., 1949
*This review will avoid some of the story’s major details
In the years immediately following the second World War, many of Europe’s countries were left in a pile of rubble, their economies destroyed, and their people still reeling from the all too real nightmare they had endured for 6 long years. Even some of Europe’s most historic, near-mythic cities had been the victim of intensive bombing or urban warfare, or both in the worst cases. Among said cities which were forced to endure a period of strenuous recovery was Austria’s capital, Vienna. Vienna was in an even greater political quagmire than Berlin. While the latter was occupied by two of WWII’s victorious nations, Vienna had four adoptive fathers, the British, the French, the United States and the Soviet Union. What greater setting,...
Directed by Carol Reed
Written by Graham Green
U.K, U.S.A., 1949
*This review will avoid some of the story’s major details
In the years immediately following the second World War, many of Europe’s countries were left in a pile of rubble, their economies destroyed, and their people still reeling from the all too real nightmare they had endured for 6 long years. Even some of Europe’s most historic, near-mythic cities had been the victim of intensive bombing or urban warfare, or both in the worst cases. Among said cities which were forced to endure a period of strenuous recovery was Austria’s capital, Vienna. Vienna was in an even greater political quagmire than Berlin. While the latter was occupied by two of WWII’s victorious nations, Vienna had four adoptive fathers, the British, the French, the United States and the Soviet Union. What greater setting,...
- 5/25/2012
- by Edgar Chaput
- SoundOnSight
Thirty-six years ago today, on April 25th, 1976, filmmaker Carol Reed passed away. One of the greatest directors ever to come out of the U.K., Reed started out as an actor, but gained fame as a writer-director in the late 1930s and 1940s, thanks to films like "Night Train To Munich," and the outstanding "Odd Man Out" and "The Fallen Idol." Later, he'd also find success with films like "Trapeze," "Our Man In Havana," "The Agony and the Ecstasy" and "Oliver!," for which he won the Academy Award for Best Director, beating out Stanley Kubrick's "2001" and Gillo Pontecorvo's "The Battle of Algiers."
But Reed's undisputed masterpiece is "The Third Man," a 1949 film noir based on a screenplay by the great British writer Graham Greene. The film involves a writer of Westerns, Holly Martins (Joseph Cotten), who comes to post-war Vienna after being promised a job by his childhood friend Harry Lime.
But Reed's undisputed masterpiece is "The Third Man," a 1949 film noir based on a screenplay by the great British writer Graham Greene. The film involves a writer of Westerns, Holly Martins (Joseph Cotten), who comes to post-war Vienna after being promised a job by his childhood friend Harry Lime.
- 4/25/2012
- by Oliver Lyttelton
- The Playlist
It feels great to finally be able to reveal that the secret film at Secret Cinema’s record breaking bumper run was ‘The Third Man.’ Over the course of the seven week long run, over 19,000 people were transported back to 1940’s Vienna to experience what can only be described as a simply unique way of experiencing cinema.
From the moment Secret Cinema announced their latest venture in late October, the internet was ablaze with gossip and intense blogging from followers who asserted, argued and debated what the title would be, continually being fuelled by a steady supply of clues.
Tickets for the opening night sold out in a matter of minutes; tickets for the run sold out in a matter of days. So, assuming the mantra of ‘give the people what they want’, Secret Cinema extended the run until the end of January. The result was the same – sell out!
From the moment Secret Cinema announced their latest venture in late October, the internet was ablaze with gossip and intense blogging from followers who asserted, argued and debated what the title would be, continually being fuelled by a steady supply of clues.
Tickets for the opening night sold out in a matter of minutes; tickets for the run sold out in a matter of days. So, assuming the mantra of ‘give the people what they want’, Secret Cinema extended the run until the end of January. The result was the same – sell out!
- 2/2/2012
- by Adam Rayner
- Obsessed with Film
For my soundtrack to The Awakening I used an orchestra and choir – but the creepiest sound we created was with a slide whistle. Here are some other simple but effective soundtracks …
I've just done the music to the feature film The Awakening. Had a massive orchestra, huge choir and a bunch of other things. Sounds fantastic. Cost me a flipping fortune – these things do. Nicholas Dodd – who does the orchestrations for David Arnold's James Bond scores – recently likened the rate you spend money recording a film score to "standing next to a bin with a wad of £20 notes and trying to throw them in one by one as fast as you can". That is a pretty accurate assessment. But despite having some of the best musicians in London and Abbey Road's finest at my disposal, the spookiest sound we created was the one I made in my flat with...
I've just done the music to the feature film The Awakening. Had a massive orchestra, huge choir and a bunch of other things. Sounds fantastic. Cost me a flipping fortune – these things do. Nicholas Dodd – who does the orchestrations for David Arnold's James Bond scores – recently likened the rate you spend money recording a film score to "standing next to a bin with a wad of £20 notes and trying to throw them in one by one as fast as you can". That is a pretty accurate assessment. But despite having some of the best musicians in London and Abbey Road's finest at my disposal, the spookiest sound we created was the one I made in my flat with...
- 11/15/2011
- by Daniel Pemberton
- The Guardian - Film News
What do you think of while you listen to classical music? Do you have an education in music, and think of the composer's strategies, or the conductor's interpretation? Do you, in short, think in words at all? I never do, and I suppose that would make me incompetent as a music critic. I fall into a reverie state.
With some music, my thoughts simply drift, and I daydream. I'll be surprised where I end up. The music has untethered logic and freed me to go in places chosen by the music itself by obscure means. Other times, with music that is very, very familiar, I will find myself drifting into the music itself, without conscious thought at all.
Consider Beethoven's Fifth Symphony. I've heard it so many times for so many years that it creates its own self-contained reality. I haven't the slightest idea what it is "saying." It proceeds implacably,...
With some music, my thoughts simply drift, and I daydream. I'll be surprised where I end up. The music has untethered logic and freed me to go in places chosen by the music itself by obscure means. Other times, with music that is very, very familiar, I will find myself drifting into the music itself, without conscious thought at all.
Consider Beethoven's Fifth Symphony. I've heard it so many times for so many years that it creates its own self-contained reality. I haven't the slightest idea what it is "saying." It proceeds implacably,...
- 3/18/2011
- by Roger Ebert
- blogs.suntimes.com/ebert
Not sure what to watch? We can help with our comprehensive guide to the best films on TV this Christmas and new year
Choose a date
Saturday 19 December | Sunday 20 December | Monday 21 December | Tuesday 22 December | Wednesday 23 December |Christmas Eve | Christmas Day | Boxing Day | Sunday 27 December | Monday 28 December | Tuesday 29 December | Wednesday 30 December | New Year's Eve | New Year's Day
Saturday 19 December
Yes Man (Peyton Reed, 2008)
10am, 8pm, Sky Movies Premiere
Remember Jim Carrey in Liar, Liar, where he forces himself to tell the truth for 24 hours? Well, here Jim Carrey forces himself to answer yes to any request, for a year. Which is upping the ante somewhat, but doesn't make it a better film. This is a return to the manic, gurning, not-very-funny Carrey, as if The Truman Show, Eternal Sunshine etc hadn't happened. Just say no.
The Golden Compass (Chris Weitz, 2007)
11.40am, 8pm, Sky Movies Family
What with Harry Potter, Narnia, Lemony Snicket and all,...
Choose a date
Saturday 19 December | Sunday 20 December | Monday 21 December | Tuesday 22 December | Wednesday 23 December |Christmas Eve | Christmas Day | Boxing Day | Sunday 27 December | Monday 28 December | Tuesday 29 December | Wednesday 30 December | New Year's Eve | New Year's Day
Saturday 19 December
Yes Man (Peyton Reed, 2008)
10am, 8pm, Sky Movies Premiere
Remember Jim Carrey in Liar, Liar, where he forces himself to tell the truth for 24 hours? Well, here Jim Carrey forces himself to answer yes to any request, for a year. Which is upping the ante somewhat, but doesn't make it a better film. This is a return to the manic, gurning, not-very-funny Carrey, as if The Truman Show, Eternal Sunshine etc hadn't happened. Just say no.
The Golden Compass (Chris Weitz, 2007)
11.40am, 8pm, Sky Movies Family
What with Harry Potter, Narnia, Lemony Snicket and all,...
- 12/18/2009
- by Paul Howlett
- The Guardian - Film News
It's time for a little more The Third Man love. Elisabeth already shared one of the best scenes from the film, and now I've got to give love to the trailer. See, I hadn't seen the trailer until tonight, and once I did, it quickly became one of my favorite examples of cinematic spazziness ever. Yes, it's like a lot of other mid-20th century trailers in layout and execution, but this perspective on Carol Reed's film takes the cake.
As we all know (or should -- if you haven't seen the movie rent it now), The Third Man follows an American pulp novelist named Holly Martins who moves to Vienna at the behest of old friend Harry Lime. But when he arrives, he discovers that his old friend has died under mysterious circumstances. Being a popular pen behind mystery fare, Holly decides to crack the secrets himself. Jazzed...
As we all know (or should -- if you haven't seen the movie rent it now), The Third Man follows an American pulp novelist named Holly Martins who moves to Vienna at the behest of old friend Harry Lime. But when he arrives, he discovers that his old friend has died under mysterious circumstances. Being a popular pen behind mystery fare, Holly decides to crack the secrets himself. Jazzed...
- 10/6/2009
- by Monika Bartyzel
- Cinematical
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