For all his originality, Stanley Kubrick sure loved using other people's work. Almost all his films are based on pre-existing stories, which, rather than undermining his talent as a director, simply formed a part of his specific filmmaking method. Kubrick sought out inspiration like it was his life-source — which, in a way, it was. The legendary auteur needed a good story to get him excited enough to make a film. And without films, who knows what would have become of the bookish boy from the Bronx.
Back in 1987, just as the director's celebrated Vietnam War drama "Full Metal Jacket" was opening in theaters, the New York Times noted how Kubrick would use the time before starting work on his next project to "catch up on 18 months of missed movies, good and bad, and read as ever with the hope of finding another story." That story would be one he'd been...
Back in 1987, just as the director's celebrated Vietnam War drama "Full Metal Jacket" was opening in theaters, the New York Times noted how Kubrick would use the time before starting work on his next project to "catch up on 18 months of missed movies, good and bad, and read as ever with the hope of finding another story." That story would be one he'd been...
- 12/26/2022
- by Joe Roberts
- Slash Film
One night in 1971, J.D. Souther stopped by a small club on Melrose Avenue at the urging of David Geffen. “I was just complaining about how stupid most pop artists are and how most songwriting doesn’t really get much beneath the surface,” Souther, who co-wrote several of the Eagles’ biggest hits, recalls with a laugh. “And he said, ‘Go see this girl I just signed, Judee Sill.’”
Souther found a seat in the crowd, and placed his eyes on a 27-year-old musician with long honey-blond hair and round wire-rim eyeglasses holding an acoustic guitar.
Souther found a seat in the crowd, and placed his eyes on a 27-year-old musician with long honey-blond hair and round wire-rim eyeglasses holding an acoustic guitar.
- 3/16/2021
- by Angie Martoccio
- Rollingstone.com
Everyone notices the eyes first, languid, those of a somnambulist. Robert Mitchum, calm and observant, is a presence that, through passivity, enamors a viewer. His face is as effulgent as moonlight. The man smolders, with that boozy, baritone voice, seductive and soporific, a cigarette perched between wispy lips below which is a chin cleft like a geological fault. He’s slithery with innuendo. There’s an effortless allure to it all, a mix of malaise and braggadocio, a cocksure machismo and a hint of fragility. He’s ever-cool, a paradox, “radiating heat without warmth,” as Richard Brody said. A poet, a prodigious lover and drinker, a bad boy; his penchant for marijuana landed him in jail, and in the photographs from his two-month stay he looks like a natural fit. He sits, wrapped in denim, legs spread wide, hair shiny and slick, holding a cup of coffee. His mouth is...
- 9/29/2017
- MUBI
Those seeking a groove-tastic immersion in a gritty 1970s crime drama will want to pop Criterion’s new burn of The Friends of Eddie Coyle into the nearest blu-ray player. Directed with a cool efficiency by master storyteller Peter Yates, the film is a tale of small time hoods and the sketchy federal marshals who pursue them. Told under the gray, heavy skies of Boston, it depicts a working class world of tiny clapboard houses and chain link fences, with massive land yacht automobiles cruising its wet, glistening streets. With Dave Grusin’s funky yet foreboding score providing Fender Rhodes twinkles and wah-wah pedal counterpoint, The Friends of Eddie Coyle unfolds as a fine example this decade’s unique sub genre: Disco Noir.
Based on a best selling novel by George V. Higgins, The Friends of Eddie Coyle was chiefly a vehicle for Hollywood legend Robert Mitchum, who at the...
Based on a best selling novel by George V. Higgins, The Friends of Eddie Coyle was chiefly a vehicle for Hollywood legend Robert Mitchum, who at the...
- 4/28/2015
- by David Anderson
- IONCINEMA.com
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