Jeff Burr, director of “Leatherface: Texas Chainsaw Massacre III,” “From a Whisper to a Scream” and “Straight Into Darkness,” has died. He was 60.
Director-writer Jim Wynorski shared the news of Burr’s death on Facebook, writing that he “passed away last night [Oct. 10] in his sleep.”
Burr helmed New Line’s “Leatherface: Texas Chainsaw Massacre III,” starring former pro wrestler R.A. Mihailoff as the villain in the 1990 installment. He later directed several entries in the “Pumpkinhead” and “Puppet Master” franchises, including “Pumpkinhead II: Blood Wings” (1993), “Puppet Master 4” (1993), “Puppet Master 5” (1995) and “Puppet Master: Blitzkrief Massacre” (2018).
Burr was born in Aurora, Ohio, on July 18, 1963, and grew up in Dalton, Ga. He attended USC, but dropped out after his third year alongside fellow director Kevin Meyer to finish their American civil war short “Divided We Fall.” His feature-length directorial debut was 1987’s “From a Whisper to a Scream,” starring Vincent Price, Clu Gulager and Terry Kiser.
Director-writer Jim Wynorski shared the news of Burr’s death on Facebook, writing that he “passed away last night [Oct. 10] in his sleep.”
Burr helmed New Line’s “Leatherface: Texas Chainsaw Massacre III,” starring former pro wrestler R.A. Mihailoff as the villain in the 1990 installment. He later directed several entries in the “Pumpkinhead” and “Puppet Master” franchises, including “Pumpkinhead II: Blood Wings” (1993), “Puppet Master 4” (1993), “Puppet Master 5” (1995) and “Puppet Master: Blitzkrief Massacre” (2018).
Burr was born in Aurora, Ohio, on July 18, 1963, and grew up in Dalton, Ga. He attended USC, but dropped out after his third year alongside fellow director Kevin Meyer to finish their American civil war short “Divided We Fall.” His feature-length directorial debut was 1987’s “From a Whisper to a Scream,” starring Vincent Price, Clu Gulager and Terry Kiser.
- 10/12/2023
- by Michaela Zee
- Variety Film + TV
We got some sad news today as we have learned that director Jeff Burr, best known for Leatherface: The Texas Chainsaw Massacre III, Stepfather II, Pumpkinhead II: Blood Wings, and more, has died. He was just 60 years old.
Like many future horror directors, Jeff Burr grew up reading horror magazines like Famous Monsters of Filmland and making his own Super-8 movies. He later attended the University of Southern California but dropped out after his third year to finish his American Civil War drama Divided We Fall with co-director Kevin Meyer. His second feature found him entering the world of horror, and he scored a superstar of the genre to star in it: The one and only Vincent Price.
From a Whisper to a Scream was a horror anthology movie which featured Vincent Price as a historian who tells four tales to a journalist, all of which take place in the small town of Oldfield,...
Like many future horror directors, Jeff Burr grew up reading horror magazines like Famous Monsters of Filmland and making his own Super-8 movies. He later attended the University of Southern California but dropped out after his third year to finish his American Civil War drama Divided We Fall with co-director Kevin Meyer. His second feature found him entering the world of horror, and he scored a superstar of the genre to star in it: The one and only Vincent Price.
From a Whisper to a Scream was a horror anthology movie which featured Vincent Price as a historian who tells four tales to a journalist, all of which take place in the small town of Oldfield,...
- 10/11/2023
- by Kevin Fraser
- JoBlo.com
We're smack dab in the middle of baseball season, but that doesn't mean we can't appreciate a good football movie.
Football has taken a hit in recent years. It's often plagued with news about assaults, drugs, and incessant politics that keep the focus places other than the field and gameplay.
Enter 12 Mighty Orphans, which reminds us how football can be used to unite and raise marginalized kids from obscurity into fine young men.
Family-friendly, inspirational films once proliferated movie theaters, but an obsession with crime and violence have culled dramatic efforts from most venues, but this Ty Roberts-directed film from a script he, Lane Garrison, and Kevin Meyer adapted from Larry Dent's novel bucks the trend.
Luke Wilson stars in 12 Might Orphans as Rusty Russell, a legendary Texas football coach who coached football for the Masonic Home and School orphanage from 1927-1941.
As we battle daily about whether...
Football has taken a hit in recent years. It's often plagued with news about assaults, drugs, and incessant politics that keep the focus places other than the field and gameplay.
Enter 12 Mighty Orphans, which reminds us how football can be used to unite and raise marginalized kids from obscurity into fine young men.
Family-friendly, inspirational films once proliferated movie theaters, but an obsession with crime and violence have culled dramatic efforts from most venues, but this Ty Roberts-directed film from a script he, Lane Garrison, and Kevin Meyer adapted from Larry Dent's novel bucks the trend.
Luke Wilson stars in 12 Might Orphans as Rusty Russell, a legendary Texas football coach who coached football for the Masonic Home and School orphanage from 1927-1941.
As we battle daily about whether...
- 7/18/2021
- by Carissa Pavlica
- TVfanatic
Sports writer Jim Dent had the best of both worlds when deciding to write the book Twelve Mighty Orphans: The Inspiring True Story of the Mighty Mites Who Ruled Texas Football. He had ragtag kids languishing in a Texas orphanage who were able to find the self-respect and courage necessary to overcome stigmas the label “orphan” possessed on and off the field in 1927, as well as a leader in Coach Rusty Russell who would end up revolutionizing football with the advent of the spread offense. That’s feel-good camaraderie and historically relevant biography all wrapped into one to tell an unlikely story that even gets a cameo from President Franklin Delano Roosevelt. No surprise that Hollywood would come calling, too.
Ty Roberts’ 12 Mighty Orphans isn’t, however, a Disney property, despite its narrative fitting their catalog of underdog sports dramas. And that’s not necessarily a bad thing when you...
Ty Roberts’ 12 Mighty Orphans isn’t, however, a Disney property, despite its narrative fitting their catalog of underdog sports dramas. And that’s not necessarily a bad thing when you...
- 6/15/2021
- by Jared Mobarak
- The Film Stage
Updated, 11:18 Am: Sony Pictures Classics has set for release dates for two more of its pics that will screen at the Tribeca: Art world documentary The Lost Leonardo will bow August 13 in Los Angeles and New York, and GLAAD Media Award nominee I Carry You with Me hits L.A. and NYC theaters on June 25. Both will expand in the weeks after their debuts, with Lost Leonardo going nationwide.
They join the previously scheduled 12 Mighty Orphans, which releases June 11 and expands a week later. All three are set to screen at the Tribeca Film Festival during the week of June 13.
Previously, April 16: Sony Pictures Classics will open Ty Roberts’ 12 Mighty Orphans on June 11 in New York and Texas with a wider expansion on June 18.
Texas theaters will do advance screenings starting June 10.
12 Mighty Orphans tells the true story of the Mighty Mites, the football team of...
They join the previously scheduled 12 Mighty Orphans, which releases June 11 and expands a week later. All three are set to screen at the Tribeca Film Festival during the week of June 13.
Previously, April 16: Sony Pictures Classics will open Ty Roberts’ 12 Mighty Orphans on June 11 in New York and Texas with a wider expansion on June 18.
Texas theaters will do advance screenings starting June 10.
12 Mighty Orphans tells the true story of the Mighty Mites, the football team of...
- 5/10/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Sony Pictures Classics has acquired the worldwide distribution rights to the Luke Wilson and Martin Sheen drama “12 Mighty Orphans,” an individual with knowledge of the deal told TheWrap.
The film also stars Vinessa Shaw, Wayne Knight, Jake Austin Walker, Treat Williams, Ron White, Scott Haze and Robert Duvall. Ty Roberts is directing. The screenplay is written by Roberts, Lane Garrison and Kevin Meyer, adapted from Jim Dent’s bestselling book of the same name.
“12 Mighty Orphans” tells the true story of the Mighty Mites, the football team of a Fort Worth orphanage who, during the Great Depression, went from playing without shoes to competing in the Texas state championships.
“There is a reason underdog stories hold so much weight in the popular imagination, and we know the Mighty Mites’ true story of triumph over adversity — set in a time when much of the country was suffering — will lift the spirits of audiences worldwide.
The film also stars Vinessa Shaw, Wayne Knight, Jake Austin Walker, Treat Williams, Ron White, Scott Haze and Robert Duvall. Ty Roberts is directing. The screenplay is written by Roberts, Lane Garrison and Kevin Meyer, adapted from Jim Dent’s bestselling book of the same name.
“12 Mighty Orphans” tells the true story of the Mighty Mites, the football team of a Fort Worth orphanage who, during the Great Depression, went from playing without shoes to competing in the Texas state championships.
“There is a reason underdog stories hold so much weight in the popular imagination, and we know the Mighty Mites’ true story of triumph over adversity — set in a time when much of the country was suffering — will lift the spirits of audiences worldwide.
- 1/19/2021
- by Beatrice Verhoeven
- The Wrap
Sony Pictures Classics has acquired worldwide distribution rights to “12 Mighty Orphans,” a new drama starring Luke Wilson, Martin Sheen, Vinessa Shaw and Robert Duvall.
Sheen and Duvall have not shared the screen together since 1979, in Francis Ford Coppola’s landmark “Apocalypse Now.”
Adapted from Jim Dent’s bestselling novel, “12 Mighty Orphans” tells the true story of the Mighty Mites, the football team of a Fort Worth orphanage who, during the Great Depression, went from playing without shoes or a football to playing in the Texas state championships. The team was led by legendary high school coach Rusty Russell, who few knew was himself an orphan. Russell abandoned a cushy gig teaching privileged kids to teach and coach at the orphanage home of the Mighty Mites.
The project was directed by Ty Roberts, who adapted the screenplay with Lane Garrison and Kevin Meyer. Wayne Knight, Jake Austin Walker, Treat Williams,...
Sheen and Duvall have not shared the screen together since 1979, in Francis Ford Coppola’s landmark “Apocalypse Now.”
Adapted from Jim Dent’s bestselling novel, “12 Mighty Orphans” tells the true story of the Mighty Mites, the football team of a Fort Worth orphanage who, during the Great Depression, went from playing without shoes or a football to playing in the Texas state championships. The team was led by legendary high school coach Rusty Russell, who few knew was himself an orphan. Russell abandoned a cushy gig teaching privileged kids to teach and coach at the orphanage home of the Mighty Mites.
The project was directed by Ty Roberts, who adapted the screenplay with Lane Garrison and Kevin Meyer. Wayne Knight, Jake Austin Walker, Treat Williams,...
- 1/19/2021
- by Matt Donnelly
- Variety Film + TV
Disney on Tuesday announced that Bob Iger is stepping down after 15 years as CEO of the media giant, and Bob Chapek will succeed him in the job.
Effective immediately, Iger will assume the role of executive chairman and direct Disney’s creative endeavors, while leading the company’s board to ensure a smooth transition through the end of his contract on Dec. 31, 2021.
Chapek, who most recently served as chairman of Disney’s parks, experiences and consumer products division, has been with the company for 27 years in a variety of roles. He oversaw the Disney’s largest business segment, with operations around the globe and more than 170,000 employees worldwide. In 2018, the parks and resorts segment brought in $20.3 billion in revenue, up 10% from 2017 and nearly 20% from 2016. As CEO, his annual salary will increase to $2.5 million.
Chapek previously served as distribution head for the film studio from 2009 to 2011 before a stint as head of Disney’s consumer products.
Effective immediately, Iger will assume the role of executive chairman and direct Disney’s creative endeavors, while leading the company’s board to ensure a smooth transition through the end of his contract on Dec. 31, 2021.
Chapek, who most recently served as chairman of Disney’s parks, experiences and consumer products division, has been with the company for 27 years in a variety of roles. He oversaw the Disney’s largest business segment, with operations around the globe and more than 170,000 employees worldwide. In 2018, the parks and resorts segment brought in $20.3 billion in revenue, up 10% from 2017 and nearly 20% from 2016. As CEO, his annual salary will increase to $2.5 million.
Chapek previously served as distribution head for the film studio from 2009 to 2011 before a stint as head of Disney’s consumer products.
- 2/25/2020
- by Trey Williams
- The Wrap
With the news that the African Queen has become a tourist boat on the Nile, we look at other screen boats that have captured film fans' imaginations
Boats and films go together like the seaside and scampi. There's the 320-tonne steamboat in Fitzcarraldo that Werner Herzog famously had the film's extras cart over a hill to get it from one tributary of the Amazon to another. Then there's Kevin Costner's trusty trimaran in Waterworld, the U-96 of Wolfgang Petersen's Das Boot, Forrest Gump's shrimping vessel, and Jenny and One-Eyed Willy's ship, The Inferno, which the truffle-shuffling gang come across in The Goonies. This year, we'll be popping our life-jackets on again in readiness for another boat film, Darren Aronofsky's biblical epic Noah.
With the original African Queen now reincarnated as a tourist boat on the river Nile, we decided to take a look at what other...
Boats and films go together like the seaside and scampi. There's the 320-tonne steamboat in Fitzcarraldo that Werner Herzog famously had the film's extras cart over a hill to get it from one tributary of the Amazon to another. Then there's Kevin Costner's trusty trimaran in Waterworld, the U-96 of Wolfgang Petersen's Das Boot, Forrest Gump's shrimping vessel, and Jenny and One-Eyed Willy's ship, The Inferno, which the truffle-shuffling gang come across in The Goonies. This year, we'll be popping our life-jackets on again in readiness for another boat film, Darren Aronofsky's biblical epic Noah.
With the original African Queen now reincarnated as a tourist boat on the river Nile, we decided to take a look at what other...
- 1/21/2014
- by Ellie Violet Bramley
- The Guardian - Film News
A SMILE LIKE YOURS
Paramount Pictures
Chronicling one couple's ad-ventures in procreation, "A Smile Like Yours" starts out with a premise that is certainly fertile fodder for a '90s romantic comedy. However, the end result, directed and co-written by Rysher Entertainment founder Keith Samples (with Kevin Meyer), is a dreary, labored affair that squanders the promising concept, leaving a response of widespread indifference in its wake.
The other major problem is that Lauren Holly and Greg Kinnear make for a cute, if bland, couple. As likable and sincere as they come across, they simply lack the dynamic that would enable them to transcend the material and make it their own (HR 8/22).
Michael Rechtshaffen
MASTERMINDS
Sony Pictures Releasing
Despite the title, "Masterminds" is neither a masterful nor clever teen-targeted action adventure about a 16-year-old cyberhacker (Vincent Kartheiser) who thwarts the elaborate plan of a vengeful security expert (Patrick Stewart) to hold a private school for ransom.
Ridiculously plotted and boasting across-the-board dumb dialogue, it's a safe bet this shot-in-Vancouver effort won't be adding to Sony's summer booty, although some back-to-schoolers may find cathartic pleasure in the destruction of an educational institution (HR 8/20).
Michael Rechtshaffen
PIPPI LONGSTOCKING
Legacy Releasing
Directed by Clive Smith, a co-founder of Nelvana Ltd., the underdog animated feature "Pippi Longstocking" is aimed at young children and might make for a peppy video release. A Canadian-Swedish-German-English co-production, "Pippi" has five agreeable songs and plenty of upbeat attitude, but the Legacy offering is headed for a quick exit in theaters. A veteran of numerous animated television specials and series, Smith and his team worked with original Swedish author Astrid Lindgren in fashioning this breezy tale of a seafaring lass with boundless energy and optimism who comes ashore for a round of adventures (HR 8/22).
David Hunter
KULL THE CONQUEROR
Universal Pictures
A Robert E. Howard-inspired sword-and-sorcery adventure with insufficient gore, memorable humor and cinematic brawn to capture the fancy of moviegoers in a big way, "Kull the Conqueror" is mainly notable for the feature-film launch of Kevin Sorbo, star of Universal Television's "Hercules: The Legendary Journeys." Alas, the wooden and clean-cut Sorbo is a major reason the weakly realized lead character undermines the overall production.
The feature debut of veteran television producer-director John Nicolella, "Kull the Conqueror" is only mildly arousing in the battle scenes, and the special effects are lackluster. As a 3,000-year-old evil being in the guise of a barbarian queen, Tia Carrere finds the groove and vamps it up enough to at least distract one from the uninspired production design and costumes (HR 8/25).
David Hunter
TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION
Cinepix Film Properties
Blackly comic and extreme in its portrayal of a murderous backroads clan, Cinepix Film Properties' "Texas Chainsaw Massacre: The Next Generation" jokingly refers to the first two "Massacre" sequels made in 1986 and 1990 to Tobe Hooper's original 1974 film. One has to be in the right mood for this brand of horror-comedy, and for general audiences it's unpalatable.
Originally released by Columbia TriStar in 1995 under a different title, "Next Generation" is resurfacing in a shorter version to cash in on the rising stardom of leads Renee Zellweger and Matthew McConaughey (HR 8/25).
David Hunter...
Paramount Pictures
Chronicling one couple's ad-ventures in procreation, "A Smile Like Yours" starts out with a premise that is certainly fertile fodder for a '90s romantic comedy. However, the end result, directed and co-written by Rysher Entertainment founder Keith Samples (with Kevin Meyer), is a dreary, labored affair that squanders the promising concept, leaving a response of widespread indifference in its wake.
The other major problem is that Lauren Holly and Greg Kinnear make for a cute, if bland, couple. As likable and sincere as they come across, they simply lack the dynamic that would enable them to transcend the material and make it their own (HR 8/22).
Michael Rechtshaffen
MASTERMINDS
Sony Pictures Releasing
Despite the title, "Masterminds" is neither a masterful nor clever teen-targeted action adventure about a 16-year-old cyberhacker (Vincent Kartheiser) who thwarts the elaborate plan of a vengeful security expert (Patrick Stewart) to hold a private school for ransom.
Ridiculously plotted and boasting across-the-board dumb dialogue, it's a safe bet this shot-in-Vancouver effort won't be adding to Sony's summer booty, although some back-to-schoolers may find cathartic pleasure in the destruction of an educational institution (HR 8/20).
Michael Rechtshaffen
PIPPI LONGSTOCKING
Legacy Releasing
Directed by Clive Smith, a co-founder of Nelvana Ltd., the underdog animated feature "Pippi Longstocking" is aimed at young children and might make for a peppy video release. A Canadian-Swedish-German-English co-production, "Pippi" has five agreeable songs and plenty of upbeat attitude, but the Legacy offering is headed for a quick exit in theaters. A veteran of numerous animated television specials and series, Smith and his team worked with original Swedish author Astrid Lindgren in fashioning this breezy tale of a seafaring lass with boundless energy and optimism who comes ashore for a round of adventures (HR 8/22).
David Hunter
KULL THE CONQUEROR
Universal Pictures
A Robert E. Howard-inspired sword-and-sorcery adventure with insufficient gore, memorable humor and cinematic brawn to capture the fancy of moviegoers in a big way, "Kull the Conqueror" is mainly notable for the feature-film launch of Kevin Sorbo, star of Universal Television's "Hercules: The Legendary Journeys." Alas, the wooden and clean-cut Sorbo is a major reason the weakly realized lead character undermines the overall production.
The feature debut of veteran television producer-director John Nicolella, "Kull the Conqueror" is only mildly arousing in the battle scenes, and the special effects are lackluster. As a 3,000-year-old evil being in the guise of a barbarian queen, Tia Carrere finds the groove and vamps it up enough to at least distract one from the uninspired production design and costumes (HR 8/25).
David Hunter
TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION
Cinepix Film Properties
Blackly comic and extreme in its portrayal of a murderous backroads clan, Cinepix Film Properties' "Texas Chainsaw Massacre: The Next Generation" jokingly refers to the first two "Massacre" sequels made in 1986 and 1990 to Tobe Hooper's original 1974 film. One has to be in the right mood for this brand of horror-comedy, and for general audiences it's unpalatable.
Originally released by Columbia TriStar in 1995 under a different title, "Next Generation" is resurfacing in a shorter version to cash in on the rising stardom of leads Renee Zellweger and Matthew McConaughey (HR 8/25).
David Hunter...
- 8/26/1997
- The Hollywood Reporter - Movie News
Chronicling one couple's adventures in procreation, "A Smile Like Yours" starts out with a premise that is certainly fertile fodder for a '90s romantic comedy.
However, the end result, directed and co-written by Rysher Entertainment founder Keith Samples (with Kevin Meyer), is a dreary, labored affair that squanders the promising concept, leaving a response of widespread indifference in its wake.
At the boxoffice, given that and the fact Greg Kinnear and Lauren Holly have yet to prove themselves as bankable leads, moviegoers will likely opt for abstinence.
On the surface, Danny and Jennifer Robertson (Kinnear and Holly) would appear to have everything going for them, including a strong, passionate relationship and good jobs. He works in construction. She is co-owner of a burgeoning aroma-therapy business. The only thing missing in their lives is a bouncing bundle of joy.
While Danny isn't so sure the timing's right, Jennifer becomes absolutely obsessed with the idea. When all homespun methods fail to produce the desired result, they surrender their bodies to a fertility clinic as their marriage, too, is tested by a series of fresh stress loads.
To the script's credit, it doesn't shy away from all the invasive treats that await couples when their attempts at baby-making shift from the bedroom to the lab. The results will likely have some nodding their heads in empathy and others squirming in their seats, but that isn't the picture's problem. It's Samples' awkward freshman direction, which places undue emphasis on all the wrong moments, suffocating potential humor, not to mention lumbering pacing (the kiss of death for a romantic comedy) that makes the film's reasonable 101-minute running time feel interminable.
The other major problem is that Holly and Kinnear (last seen together in "Sabrina") make for a cute, if bland, couple. As likable and sincere as they come across, they simply lack the dynamic that would enable them to transcend the material and make it their own. Picking up the slack is the always terrific Joan Cusack as Holly's business partner, Jay Thomas as Kinnear's work buddy and Marianne Muellerleile who's a riot as a smirking, bullying fertility clinic nurse.
Even Shirley MacLaine has been recruited (obviously as a favor to Samples for Rysher's "Evening Star"), making an unbilled extended cameo at the picture's end, but her considerable comedic talents are unable to resuscitate a production that simply fails to deliver the goods.
A SMILE LIKE YOURS
Paramount Pictures
Rysher Entertainment presents
a David Kirkpatrick production
Director Keith Samples
Screenwriters Kevin Meyer, Keith Samples
Producers David Kirkpatrick, Tony Amatullo
Executive producer Robert Harling
Director of photography Richard Bowen
Production designer Garreth Stover
Editor Wayne Wahrman
Costume designer Jill Ohanneson
Music William Ross
Music supervisors Randy Gerston, Evyen Klean
Casting Jennifer Shull
Color/stereo
Cast:
Danny Robertson Greg Kinnear
Jennifer Robertson Lauren Holly
Nancy Tellen Joan Cusack
Steve Harris Jay Thomas
Lindsay Hamilton Jill Hennessy
Richard Halstrom Christopher McDonald
Dr. Felber Donald Moffat
Dr. Chin France Nuyen
Nurse Wheeler Marianne Muellerleile
Running time -- 101 minutes
MPAA rating: R...
However, the end result, directed and co-written by Rysher Entertainment founder Keith Samples (with Kevin Meyer), is a dreary, labored affair that squanders the promising concept, leaving a response of widespread indifference in its wake.
At the boxoffice, given that and the fact Greg Kinnear and Lauren Holly have yet to prove themselves as bankable leads, moviegoers will likely opt for abstinence.
On the surface, Danny and Jennifer Robertson (Kinnear and Holly) would appear to have everything going for them, including a strong, passionate relationship and good jobs. He works in construction. She is co-owner of a burgeoning aroma-therapy business. The only thing missing in their lives is a bouncing bundle of joy.
While Danny isn't so sure the timing's right, Jennifer becomes absolutely obsessed with the idea. When all homespun methods fail to produce the desired result, they surrender their bodies to a fertility clinic as their marriage, too, is tested by a series of fresh stress loads.
To the script's credit, it doesn't shy away from all the invasive treats that await couples when their attempts at baby-making shift from the bedroom to the lab. The results will likely have some nodding their heads in empathy and others squirming in their seats, but that isn't the picture's problem. It's Samples' awkward freshman direction, which places undue emphasis on all the wrong moments, suffocating potential humor, not to mention lumbering pacing (the kiss of death for a romantic comedy) that makes the film's reasonable 101-minute running time feel interminable.
The other major problem is that Holly and Kinnear (last seen together in "Sabrina") make for a cute, if bland, couple. As likable and sincere as they come across, they simply lack the dynamic that would enable them to transcend the material and make it their own. Picking up the slack is the always terrific Joan Cusack as Holly's business partner, Jay Thomas as Kinnear's work buddy and Marianne Muellerleile who's a riot as a smirking, bullying fertility clinic nurse.
Even Shirley MacLaine has been recruited (obviously as a favor to Samples for Rysher's "Evening Star"), making an unbilled extended cameo at the picture's end, but her considerable comedic talents are unable to resuscitate a production that simply fails to deliver the goods.
A SMILE LIKE YOURS
Paramount Pictures
Rysher Entertainment presents
a David Kirkpatrick production
Director Keith Samples
Screenwriters Kevin Meyer, Keith Samples
Producers David Kirkpatrick, Tony Amatullo
Executive producer Robert Harling
Director of photography Richard Bowen
Production designer Garreth Stover
Editor Wayne Wahrman
Costume designer Jill Ohanneson
Music William Ross
Music supervisors Randy Gerston, Evyen Klean
Casting Jennifer Shull
Color/stereo
Cast:
Danny Robertson Greg Kinnear
Jennifer Robertson Lauren Holly
Nancy Tellen Joan Cusack
Steve Harris Jay Thomas
Lindsay Hamilton Jill Hennessy
Richard Halstrom Christopher McDonald
Dr. Felber Donald Moffat
Dr. Chin France Nuyen
Nurse Wheeler Marianne Muellerleile
Running time -- 101 minutes
MPAA rating: R...
- 8/22/1997
- The Hollywood Reporter - Movie News
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