Robert Siodmak’s first film noir is a visually expressive masterpiece in the lush romantic tradition that imposes a dreamlike mood on a nightmarish story. Ella Raines goes to extreme lengths to break the conspiracy that’s sending her boss to Death Row, aided by the Kafka-like indifference of modern Manhattanites. Franchot Tone is the man with the weird hands, but Woody Bredell’s chiaroscuro cinematography is what puts this proto-feminist tale in the top tier.
Phantom Lady
Blu-ray
Arrow Academy
1944 / B&W / 1:37 Academy / 87 min. / Street Date March 5, 2019 / Available from Arrow Video / 39.95
Starring: Franchot Tone, Ella Raines, Alan Curtis, Aurora Miranda, Thomas Gomez, Fay Helm, Elisha Cook Jr., Andrew Tombes, Regis Toomey, Joseph Crehan, Doris Lloyd, Virginia Brissac, Milburn Stone.
Cinematography: Woody Bredell
Film Editor: Arthur Hilton
Written by Bernard C. Schoenfeld, based on the novel by William Irish (Cornell Woolrich)
Produced by Joan Harrison
Directed by Robert Siodmak
1944’s...
Phantom Lady
Blu-ray
Arrow Academy
1944 / B&W / 1:37 Academy / 87 min. / Street Date March 5, 2019 / Available from Arrow Video / 39.95
Starring: Franchot Tone, Ella Raines, Alan Curtis, Aurora Miranda, Thomas Gomez, Fay Helm, Elisha Cook Jr., Andrew Tombes, Regis Toomey, Joseph Crehan, Doris Lloyd, Virginia Brissac, Milburn Stone.
Cinematography: Woody Bredell
Film Editor: Arthur Hilton
Written by Bernard C. Schoenfeld, based on the novel by William Irish (Cornell Woolrich)
Produced by Joan Harrison
Directed by Robert Siodmak
1944’s...
- 3/5/2019
- by Glenn Erickson
- Trailers from Hell
Ildikó Enyedi’s On Body and Soul/ Testről és lélekről won the Golden Bear Award for Best Picture in Competition at the Berlinale as well as the Ecumenical and Fipresci juries’ prizes for best film in the Official Competition and the Berliner Morgenpost Readers’ Award.
Director Enyedi, who lives in both Hungary and Germany, began her career as a conceptual artist and made her premiere at Cannes in 1989 with My Twentieth Century, an marvelous film which won the festival’s Camera d’Or. She has released five feature films since, including On Body and Soul.
Before announcing the winner of the golden statuette, jury president Paul Verhoeven told the audience,
The jury fell in love with this movie not only because of its superior craftsmanship, but because it reminds us of one word we use too easily: compassion.
This is gorgeously told story of love precourses Innaratu’s current hit The Shape of Water.
Director Enyedi, who lives in both Hungary and Germany, began her career as a conceptual artist and made her premiere at Cannes in 1989 with My Twentieth Century, an marvelous film which won the festival’s Camera d’Or. She has released five feature films since, including On Body and Soul.
Before announcing the winner of the golden statuette, jury president Paul Verhoeven told the audience,
The jury fell in love with this movie not only because of its superior craftsmanship, but because it reminds us of one word we use too easily: compassion.
This is gorgeously told story of love precourses Innaratu’s current hit The Shape of Water.
- 12/8/2017
- by Sydney Levine
- Sydney's Buzz
Exclusive: Festival winners sell to Europe, Asia, Australia and South America.
Art-house stalwart The Match Factory has secured a slew of deals on its Berlinale and Efm slate, including on the three films which won awards for the company at the festival.
Aki Kaurismäki’s The Other Side Of Hope, winner of the Silver Bear for best director, sold out in Europe during the Efm and has additionally been snapped up for Japan (Eurospace), Brazil (Imovision), Cis (Russian Report) Hong Kong (Edko), Mexico (Mantarraya) Turkey (Filmarti) and China (Time-in-Portrait).
Deals for other key markets are understood to be in the works while deals for the digitally remastered Kaurismäki Classics collection have been closed for China (Time-in-Portrait) and Hong Kong (Edko).
German comedy Bye Bye Germany, the Berlinale special title starring Moritz Bleibtreu, went to Australia/Nz (Jiff), Brazil (Mares), Bulgaria (Bulgarian Film Vision), China (Time-in-Portait), Cis (Russian Report), Greece (Feelgood), Turkey (Filmarti), Hong Kong (Edko), Hungary (Cirko...
Art-house stalwart The Match Factory has secured a slew of deals on its Berlinale and Efm slate, including on the three films which won awards for the company at the festival.
Aki Kaurismäki’s The Other Side Of Hope, winner of the Silver Bear for best director, sold out in Europe during the Efm and has additionally been snapped up for Japan (Eurospace), Brazil (Imovision), Cis (Russian Report) Hong Kong (Edko), Mexico (Mantarraya) Turkey (Filmarti) and China (Time-in-Portrait).
Deals for other key markets are understood to be in the works while deals for the digitally remastered Kaurismäki Classics collection have been closed for China (Time-in-Portrait) and Hong Kong (Edko).
German comedy Bye Bye Germany, the Berlinale special title starring Moritz Bleibtreu, went to Australia/Nz (Jiff), Brazil (Mares), Bulgaria (Bulgarian Film Vision), China (Time-in-Portait), Cis (Russian Report), Greece (Feelgood), Turkey (Filmarti), Hong Kong (Edko), Hungary (Cirko...
- 2/24/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Good neighbor policy? Wartime exigencies inspired an intra-hemisphere cultural exchange, with the movies seizing on the new popularity of Latin music. Republic’s contribution gives us the great songs of Ady Barroso and a full soundtrack of his compositions — in a featherweight musical romance, of course.
Brazil
Blu-ray
Olive Films
1944 / B&W / 1:37 flat Academy / 91 min. / Street Date December 6, 2016 / available through the Olive Films website / 29.98
Starring Tito Guízar, Virginia Bruce, Edward Everett Horton, Robert Livingston, Veloz and Yolanda, Fortunio Bonanova, Richard Lane, Frank Puglia, Aurora Miranda, Billy Daniel, Dan Seymour, Roy Rogers.
Cinematography Jack A. Marta
Film Editor Fred Allen
Songs Ary Barroso, Hoagy Carmichael
Written by Frank Gill Jr., Laura Kerr, Richard English
Produced by Robert North
Directed by Joseph Santley
Reviewed by Glenn Erickson
The wartime ‘Good Neighbor Policy’ was a P.R. blitz intended to steer South America toward the U.S. and away from the Axis.
Brazil
Blu-ray
Olive Films
1944 / B&W / 1:37 flat Academy / 91 min. / Street Date December 6, 2016 / available through the Olive Films website / 29.98
Starring Tito Guízar, Virginia Bruce, Edward Everett Horton, Robert Livingston, Veloz and Yolanda, Fortunio Bonanova, Richard Lane, Frank Puglia, Aurora Miranda, Billy Daniel, Dan Seymour, Roy Rogers.
Cinematography Jack A. Marta
Film Editor Fred Allen
Songs Ary Barroso, Hoagy Carmichael
Written by Frank Gill Jr., Laura Kerr, Richard English
Produced by Robert North
Directed by Joseph Santley
Reviewed by Glenn Erickson
The wartime ‘Good Neighbor Policy’ was a P.R. blitz intended to steer South America toward the U.S. and away from the Axis.
- 12/10/2016
- by Glenn Erickson
- Trailers from Hell
Matías Piñeiro on the set of Hermia & HelenaAfter presenting his complete retrospective at Olhar de Cinema in Brazil this past June, I spoke to the Argentine filmmaker about his new film Hermia & Helena a few days before its world premiere as part of the International Competition at the 69th Locarno Film Festival.In Hermia & Helena, Camila, a young Argentine theater director, travels to New York to work on a translation of William Shakespeare’s A Midsummer Night's Dream. With her boyfriend and friends back in Buenos Aires, Camila rethinks old and new relationships. Shot between the two cities, the film is divided into chapters that focus on the different lives Camila experiences, as well as the different people she encounters during her journey.Notebook: Hermia & Helena shares a similar aesthetic with your previous films. At the same time, the overall tone feels much more melancholic now. You have been living...
- 8/5/2016
- MUBI
Venice Production Bridge will incorporate Gap Financing Market and Final Cut events.
The Venice Film Festival (Aug 31 - Sept 10) has revealed the line-ups for its 2016 market events, newly renamed the Venice Production Bridge (Sept 1 - 5).
The Production Bridge will host features, TV, web-series and Vr projects.
Venice’s two-day Gap-Financing Market event (September 2-3, 2016) will host 40 selected European and International projects looking to close their international financing.
The market’s Final Cut strand will award prizes to selected in-the-works projects from Africa and from Iraq, Jordan, Lebanon, Palestine and Syria, while the inaugural Book Adaptation Rights Area will see publishers pitch books ripe for film or TV adaptation.
The European Commission organises two workshops, one on access to finance (Sept 3) and the other on the future of cinemas (Sept 4). The second event, which will be opened by European Commissioner Oettinger, will focus on how cinemas can fully reap the benefits of digital technologies.
Gap Financing...
The Venice Film Festival (Aug 31 - Sept 10) has revealed the line-ups for its 2016 market events, newly renamed the Venice Production Bridge (Sept 1 - 5).
The Production Bridge will host features, TV, web-series and Vr projects.
Venice’s two-day Gap-Financing Market event (September 2-3, 2016) will host 40 selected European and International projects looking to close their international financing.
The market’s Final Cut strand will award prizes to selected in-the-works projects from Africa and from Iraq, Jordan, Lebanon, Palestine and Syria, while the inaugural Book Adaptation Rights Area will see publishers pitch books ripe for film or TV adaptation.
The European Commission organises two workshops, one on access to finance (Sept 3) and the other on the future of cinemas (Sept 4). The second event, which will be opened by European Commissioner Oettinger, will focus on how cinemas can fully reap the benefits of digital technologies.
Gap Financing...
- 7/29/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Every sport’s game needs a great soundtrack to please the ears while the TV screen takes care of your eyes, and FIFA 16‘s no different.
Today, EA’s Worldwide Executive of Music and Marketing, Steve Schnur, has revealed the complete soundtrack for the game that’ll you be playing along to. A wide range of musical genres are included, as Schnur is keen to emphasize:
FIFA has traditionally been gaming’s foremost international showcase for new artists of every genre and with FIFA 16, we’ve once again created a soundtrack that will enable millions of fans worldwide to discover new music they might have never heard otherwise.
Artists like Kygo and Aurora from Norway, X-Wife from Portugal, Bomba Estereo from Colombia, The Very Best from Malawi and the UK, Baiana System from Brazil and Raury from America do more than just enhance a great game. FIFA 16 represents globalized music as its very best.
Today, EA’s Worldwide Executive of Music and Marketing, Steve Schnur, has revealed the complete soundtrack for the game that’ll you be playing along to. A wide range of musical genres are included, as Schnur is keen to emphasize:
FIFA has traditionally been gaming’s foremost international showcase for new artists of every genre and with FIFA 16, we’ve once again created a soundtrack that will enable millions of fans worldwide to discover new music they might have never heard otherwise.
Artists like Kygo and Aurora from Norway, X-Wife from Portugal, Bomba Estereo from Colombia, The Very Best from Malawi and the UK, Baiana System from Brazil and Raury from America do more than just enhance a great game. FIFA 16 represents globalized music as its very best.
- 9/11/2015
- by Joe Pring
- We Got This Covered
The Expendables 3 is debuting this weekend in 40 territories including Russia, the UK, Mexico and Australia — and features a powerhouse ensemble that includes Sylvester Stallone, Arnold Schwarzenegger, Jason Statham, Jet Li, Harrison Ford, Mel Gibson, Wesley Snipes, Antonio Banderas, Dolph Lundgren, Kelsey Grammer and Kellan Lutz.
Together, the cast outweighs the sum of its parts, but the parts are actually quite interesting when looked at in terms of international box-office drawing power, especially in mega markets like China, Korea, Russia, Brazil, and parts of Western Europe. Below, I’ve broken out numbers for some of the individual stars across those markets with a nifty slideshow that covers their last three major titles outside the franchise in these key territories.* The first Expendables film did about $274M worldwide, with $171M from overseas. In an unusual turn of events for a sequel, the franchise’s second film saw its earnings drop in the U.
Together, the cast outweighs the sum of its parts, but the parts are actually quite interesting when looked at in terms of international box-office drawing power, especially in mega markets like China, Korea, Russia, Brazil, and parts of Western Europe. Below, I’ve broken out numbers for some of the individual stars across those markets with a nifty slideshow that covers their last three major titles outside the franchise in these key territories.* The first Expendables film did about $274M worldwide, with $171M from overseas. In an unusual turn of events for a sequel, the franchise’s second film saw its earnings drop in the U.
- 8/16/2014
- by Nancy Tartaglione
- Deadline
A Wolf At The Door, licensed internationally by Mundial, has taken the Knight Grand Jury Prize at the 31st Miami International Film Festival (16).
In the documentary competition there was a tie for the Knight Grand Jury Prize between Finding Vivian Maier and The Overnighters.
Fading Gigolo and The Mountain prevailed in the Lexus Audience Awards for feature narrative and dovumentary.
“We are humbled by the community’s overwhelming response to this year’s film festival,” said Mdc president Dr Eduardo J. Padrón. “It serves to strengthen the college’s commitment to providing quality cultural arts programming for all to enjoy.”
“We hoped that this year’s Festival would provide memories to treasure and it has absolutely delivered,” said Miff executive director Jaie Laplante. “From the magic of Hollywood glamor on opening night to the many superb films and engaging filmmakers that we enjoyed in the nine days that followed, Miff 2014 has inspired and enraptured.”
The festival...
In the documentary competition there was a tie for the Knight Grand Jury Prize between Finding Vivian Maier and The Overnighters.
Fading Gigolo and The Mountain prevailed in the Lexus Audience Awards for feature narrative and dovumentary.
“We are humbled by the community’s overwhelming response to this year’s film festival,” said Mdc president Dr Eduardo J. Padrón. “It serves to strengthen the college’s commitment to providing quality cultural arts programming for all to enjoy.”
“We hoped that this year’s Festival would provide memories to treasure and it has absolutely delivered,” said Miff executive director Jaie Laplante. “From the magic of Hollywood glamor on opening night to the many superb films and engaging filmmakers that we enjoyed in the nine days that followed, Miff 2014 has inspired and enraptured.”
The festival...
- 3/16/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Efm: Brisk business for Beta Cinema; Pandastorm buys five.
Beta Cinema’s two Competition titles – Dietrich Brüggemann’s Stations Of The Cross and Edward Berger’s Jack – were the Munich-based sales company’s top-selling titles at this year’s European Film Market (Efm).
Stations Of The Cross has been sold to France (Memento), Italy (Satine Film), Spain (Caramel), Poland (Aurora), Benelux (Wild Bunch), Portugal (Vendetta Films), Greece (7 Films), Scandinavia and the Baltic States (Nonstop), Ex-Yugoslavia (Discovery) and Hungary (Circo).
As reported by ScreenDaily yesterday, the UK (Arrow) has also taken the drama, which had been the top-rated film of the Screen jury before Richard Linklater’s Boyhood was screened.
Further interest has been shown from the Us and Australia for the Ufa Fiction production, which received the Silver Bear for Best Script and the Ecumenical Jury’s prize for the best film in the Competition..
Jack has been acquired for France (Diaphana), Japan (Showgate), Norway (Europa...
Beta Cinema’s two Competition titles – Dietrich Brüggemann’s Stations Of The Cross and Edward Berger’s Jack – were the Munich-based sales company’s top-selling titles at this year’s European Film Market (Efm).
Stations Of The Cross has been sold to France (Memento), Italy (Satine Film), Spain (Caramel), Poland (Aurora), Benelux (Wild Bunch), Portugal (Vendetta Films), Greece (7 Films), Scandinavia and the Baltic States (Nonstop), Ex-Yugoslavia (Discovery) and Hungary (Circo).
As reported by ScreenDaily yesterday, the UK (Arrow) has also taken the drama, which had been the top-rated film of the Screen jury before Richard Linklater’s Boyhood was screened.
Further interest has been shown from the Us and Australia for the Ufa Fiction production, which received the Silver Bear for Best Script and the Ecumenical Jury’s prize for the best film in the Competition..
Jack has been acquired for France (Diaphana), Japan (Showgate), Norway (Europa...
- 2/19/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The following is a list of all comic books, graphic novels and specialty items that will be available this week and shipped to comic book stores who have placed orders for them.
Aam Markosia
Christopher Marlowe And The Bards Of Nemeton Gn, $18.99
Accent UK
Missing Have You Seen The Invisible Man (One Shot), $5.00
Action Lab Entertainment
Fracture #1 (Of 4)(Cover A Chad Cicconi), $2.99
Fracture #1 (Of 4)(Cover B Jamal Igle), $2.99
Skyward Volume 1 Into The Woods Tp, $8.99
Adhouse Books
B Plus F Hc, $19.95
Altus Press
Doc Savage The New Adventures Volume 6 The Miracle Menace Sc, $24.95
Amigo Comics
Rogues #6, $3.99
Westwood Witches #4 (Of 4), $3.99
Amryl Entertainment
Cavewoman Labyrinth (One Shot), $3.75
Cavewoman Labyrinth (One Shot)(Devon Massey Special Edition), Ar
Cavewoman Labyrinth (One Shot)(Budd Root Special Edition), Ar
Arcana Studio
Steam Engines Of Oz Volume 2 The Geared Leviathan #2, $3.99
Archie Comics
Afterlife With Archie #3 (Francesco Francavilla Regular Cover), $2.99
Afterlife With Archie #3 (Tim Seeley Variant Cover), $2.99
Archie #651 (Dan...
Aam Markosia
Christopher Marlowe And The Bards Of Nemeton Gn, $18.99
Accent UK
Missing Have You Seen The Invisible Man (One Shot), $5.00
Action Lab Entertainment
Fracture #1 (Of 4)(Cover A Chad Cicconi), $2.99
Fracture #1 (Of 4)(Cover B Jamal Igle), $2.99
Skyward Volume 1 Into The Woods Tp, $8.99
Adhouse Books
B Plus F Hc, $19.95
Altus Press
Doc Savage The New Adventures Volume 6 The Miracle Menace Sc, $24.95
Amigo Comics
Rogues #6, $3.99
Westwood Witches #4 (Of 4), $3.99
Amryl Entertainment
Cavewoman Labyrinth (One Shot), $3.75
Cavewoman Labyrinth (One Shot)(Devon Massey Special Edition), Ar
Cavewoman Labyrinth (One Shot)(Budd Root Special Edition), Ar
Arcana Studio
Steam Engines Of Oz Volume 2 The Geared Leviathan #2, $3.99
Archie Comics
Afterlife With Archie #3 (Francesco Francavilla Regular Cover), $2.99
Afterlife With Archie #3 (Tim Seeley Variant Cover), $2.99
Archie #651 (Dan...
- 1/6/2014
- by Adam B.
- GeekRest
As I mentioned in the preface to the first part of my Wavelengths preview (the one focusing on the short films), there are significant changes afoot in 2012. Until last year, the festival had a section known as Visions, which was the primary home for formally challenging cinema that nevertheless conformed to the basic tenets of arthouse and/or “festival” cinema (actors, scripting, 70+minute running time, and, once upon a time, 35mm presentation). This year, Wavelengths is both its former self, and it also contains the sort of work that Visions most likely would have housed. While in some respects this can seem to result in a kind of split personality for the section, it also means that Wavelengths, which has often been described as a sort of “festival within the festival,” has moved front and center. Films that would’ve occupied single slots in the older avant-Wavelengths model, like the...
- 9/12/2012
- MUBI
The Three Caballeros
Directed by Norman Ferguson
Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero
Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...
Directed by Norman Ferguson
Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero
Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...
- 8/11/2012
- by Josh Spiegel
- SoundOnSight
President Obama paid his respects - and offered a shoulder to cry on - at Dover Air Force Base Tuesday as he consoled families of the 30 U.S. troops whose remains were brought home from Afghanistan. "I told him, I want you to give me my grandson back. I want him alive," Madeline Bernice Strange tells People. Her grandson, Navy Seal Michael Strange, 25, was among the servicemen killed Aug. 6 when their Chinook helicopter was shot down in eastern Afghanistan - the single deadliest loss in the decade-long war there. "I told the President we never should've been there" in Afghanistan,...
- 8/10/2011
- by Sandra Sobieraj Westfall and Susan Keating
- PEOPLE.com
Ogilvy Ecd Ramos says, let's put the B in Bric.
Brazilian creative Anselmo Ramos left his homeland to work in Europe and the U.S. for 12 years. When he returned four years ago, he says, it was to a different country. “My parents had always said to me, one day Brazil will be one of the world’s top countries, and it always seemed so unlikely. Now it’s true.”
Ramos, an executive creative director at Ogilvy Brazil in Sao Paulo, didn’t let the shock interfere with his work. Last year, he and the agency won 10 Cannes Lions and he’s already got five this year. Ramos had a hand in the popular Burger King Whopper Face campaign, which took "Have it Your Way" to a new place, putting customers’ faces on the wrappers of their sandwich minutes after they had ordered. This year, the agency has won and...
Brazilian creative Anselmo Ramos left his homeland to work in Europe and the U.S. for 12 years. When he returned four years ago, he says, it was to a different country. “My parents had always said to me, one day Brazil will be one of the world’s top countries, and it always seemed so unlikely. Now it’s true.”
Ramos, an executive creative director at Ogilvy Brazil in Sao Paulo, didn’t let the shock interfere with his work. Last year, he and the agency won 10 Cannes Lions and he’s already got five this year. Ramos had a hand in the popular Burger King Whopper Face campaign, which took "Have it Your Way" to a new place, putting customers’ faces on the wrappers of their sandwich minutes after they had ordered. This year, the agency has won and...
- 6/22/2011
- by Teressa Iezzi
- Fast Company
A Work In Progress: Halls and the lobby of Loews remained bare and quiet until Monday when the final day approaches and buyers began congregating in final deals. Surprisingly to all multiple sales had already been made by day 2 and sales for some, if not all were better than expected even if prices were lower. At the Thursday evening European Film Promotion reception, where all friends in the biz meet with welcoming smiles, Marcus Hu of Strand said he was already packing up to go as he had made his purchases..they were already screening Monday, Tuesday and Wednesday before AFM began he said. One sales agent remarked that Toronto was the zero level and AFM looked like level 1 had been reached. One sales agent said only theatrical films were selling. Jonathan Wolf says AFM has are 10% fewer sellers (369 vs. 412 in 2008) but 4% more buyers with 13 new buyers from South Korea,...
- 11/7/2009
- by Sydney@SydneysBuzz.com (Sydney)
- Sydney's Buzz
Issue #85
December 2008
As is my tradition, allow me to first point out how incredibly badass the art is for the latest issue of Rue Morgue. Another spectacular piece by Ghoulish Gary Pullin!
Just in time for Christmas, Rue Morgue takes the time to look at the career of Coffin Joe, Brazil’s eminent grave robbing psychopath. All right, Christmas and Coffin Joe have nothing to do with one another, but I had you wondering for a minute there, didn’t I?
Due in no small part to the completion of Embodiment of Evil, which recently premiered in Brazil to overwhelmingly positive reviews, Scott Gabbey and Paolo Zelati sat down with the 72-year old filmmaker to discuss his history and why it took three decades to finally see a conclusion to the trilogy that began with At Midnight I’ll Take Your Soul. The resulting interview is excellent and gives great...
December 2008
As is my tradition, allow me to first point out how incredibly badass the art is for the latest issue of Rue Morgue. Another spectacular piece by Ghoulish Gary Pullin!
Just in time for Christmas, Rue Morgue takes the time to look at the career of Coffin Joe, Brazil’s eminent grave robbing psychopath. All right, Christmas and Coffin Joe have nothing to do with one another, but I had you wondering for a minute there, didn’t I?
Due in no small part to the completion of Embodiment of Evil, which recently premiered in Brazil to overwhelmingly positive reviews, Scott Gabbey and Paolo Zelati sat down with the 72-year old filmmaker to discuss his history and why it took three decades to finally see a conclusion to the trilogy that began with At Midnight I’ll Take Your Soul. The resulting interview is excellent and gives great...
- 12/15/2008
- by Johnny Butane
- DreadCentral.com
- Like the Sundacne lab experience and what the Rotterdam film festival does for burgeoning filmmakers with CineMart, the Berlinale Co-production Market (a 3-day event that takes place between the 10th-12th of Feb) is (as this year proves) an important manner in which to find production dollars for international film projects by high-caliber directors and new filmmakers. Take a look at this year's list (you'll find some familiar names) below - 35 were chosen out of almost 400 projects. Projects for the Berlinale Co-Production Market 2008 (listed alphabetically by production company) The Hecatomb (Director: Andrei Zvyagintsev), A-One Films, Russia/MacT, France Carpet Boy (Director: Deepa Mehta), Arsam & Lucid Pictures, France/UK The Last Mission (Director: Agnieszka Holland), Bow and Axe Entertainment, Poland Blanco (Director: Christophe Van Rompaey), Cccp, Belgium The Visitor (Director: Aaron Woodley), Creative Engine Pictures, Canada The Famous and the Dead (Director: Esmir Filho), Dezenove Som e Imagens, Brazil Lake
- 1/15/2008
- IONCINEMA.com
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