Hungry for those wet Parisian streets, the city lights, and cadavres en lambeaux in the pale moonlight? Enter three highly atmospheric, star-studded Crime Noirs, one of which is a stealth classic of Gallic Pulp. Stars Jean Gabin, Jeanne Moreau, Lino Ventura, Marcel Bozzuffi, Gérard Oury, Sandra Milo, and Annie Girardot bring the tales of à sang froid malice and mayhem to life. The films featured are Gilles Grangier’s Speaking of Murder (Le rouge est mis) and Édouard Molinaro’s Back to the Wall (Le dos au mur) and Witness in the City (Un Témoin dans la ville). Beware of French husbands when cucklolded — they show no pity. Bonne chance, victimes!
French Noir Collection
Blu-ray
Kl Studio Classics
1957-59 / B&w / 1:66 widescreen, 1:37 Academy / 265 minutes / Street Date November 29, 2022 / available through Kino Lorber / 49.95
Starring: Jean Gabin, Jeanne Moreau, Lino Ventura, Marcel Bozzuffi, Gérard Oury, Sandra Milo, Annie Girardot, Paul Frankeur,...
French Noir Collection
Blu-ray
Kl Studio Classics
1957-59 / B&w / 1:66 widescreen, 1:37 Academy / 265 minutes / Street Date November 29, 2022 / available through Kino Lorber / 49.95
Starring: Jean Gabin, Jeanne Moreau, Lino Ventura, Marcel Bozzuffi, Gérard Oury, Sandra Milo, Annie Girardot, Paul Frankeur,...
- 11/19/2022
- by Glenn Erickson
- Trailers from Hell
Welcome to a pair of vintage mysteries with George Simenon’s popular Inspector Jules Maigret, a gumshoe who gets the tough cases. Top kick French actor Jean Gabin is the cop who keeps cool, until it’s time to rattle a recalcitrant suspect. In two separate cases, he tracks a serial killer in the heart of Paris, and travels to his hometown to unearth a murder conspiracy.
Maigret Sets a Trap
and
Maigret and the St. Fiacre Case
Blu-ray (separate releases)
Kino Classics
1958, 1959 / B&W /1:37 flat; 1:66 widescreen / 118, 101 min. / Street Date December 5, 2017 / available through Kino Lorber: Trap, St. Fiacre / 29.95 ea.
Starring: Jean Gabin, Annie Girardot, Jean Desailly, Olivier Hussenot, Lucienne Bogaert, Paulette Dubost, Lino Ventura, Dominique Page / Jean Gabin, Michel Auclair, Valentine Tessier, Michel Vitold, Camille Guérini, Gabrielle Fontan, Micheline Luccioni, Jacques Marin, Paul Frankeur, Robert Hirsch.
Cinematography: Louis Page
Film Editor: Henri Taverna
Original Music: Paul Misraki...
Maigret Sets a Trap
and
Maigret and the St. Fiacre Case
Blu-ray (separate releases)
Kino Classics
1958, 1959 / B&W /1:37 flat; 1:66 widescreen / 118, 101 min. / Street Date December 5, 2017 / available through Kino Lorber: Trap, St. Fiacre / 29.95 ea.
Starring: Jean Gabin, Annie Girardot, Jean Desailly, Olivier Hussenot, Lucienne Bogaert, Paulette Dubost, Lino Ventura, Dominique Page / Jean Gabin, Michel Auclair, Valentine Tessier, Michel Vitold, Camille Guérini, Gabrielle Fontan, Micheline Luccioni, Jacques Marin, Paul Frankeur, Robert Hirsch.
Cinematography: Louis Page
Film Editor: Henri Taverna
Original Music: Paul Misraki...
- 12/9/2017
- by Glenn Erickson
- Trailers from Hell
Filtered through her experience as an unequalled comic performer, writer-director Elaine May scores a bulls-eye with this grossly underappreciated gem, fashioned in a style that could be called ‘black comedy lite.’ And that’s the release version mangled by the producer. What might it have been if May had been allowed to finish her director’s cut?
A New Leaf Olive Signature
Blu-ray
Olive Films
1971 / Color / 1:85 widescreen / 102 min. / Street Date December 5, 2017 / available through the Olive Films website / 29.99
Starring: Walter Matthau, Elaine May, Jack Weston, George Rose, James Coco, Doris Roberts, Renée Taylor, William Redfield, David Doyle.
Cinematography: Gayne Rescher
Original Music: Neal Hefti
Written by Elaine May from a story by Jack Ritchie
Produced by Hilliard Elkins, Howard W. Koch, Joseph Manduke
Directed by Elaine May
Olive’s next title up for Signature Collection status is A New Leaf, the directing debut of comedienne-writer Elaine May. It’s certainly a worthy title.
A New Leaf Olive Signature
Blu-ray
Olive Films
1971 / Color / 1:85 widescreen / 102 min. / Street Date December 5, 2017 / available through the Olive Films website / 29.99
Starring: Walter Matthau, Elaine May, Jack Weston, George Rose, James Coco, Doris Roberts, Renée Taylor, William Redfield, David Doyle.
Cinematography: Gayne Rescher
Original Music: Neal Hefti
Written by Elaine May from a story by Jack Ritchie
Produced by Hilliard Elkins, Howard W. Koch, Joseph Manduke
Directed by Elaine May
Olive’s next title up for Signature Collection status is A New Leaf, the directing debut of comedienne-writer Elaine May. It’s certainly a worthy title.
- 12/9/2017
- by Glenn Erickson
- Trailers from Hell
Lana Del Rey is adjusting her tour setlist following the Harvey Weinstein scandal.
The singer told MTV News she’ll “definitely” be retiring her 2012 song “Cola” — which was inspired by the ostracized movie mogul — out of respect for the women who have alleged Weinstein sexually harassed them because that’s “the only right thing to do.”
“When I wrote that song, I suppose I had a Harvey Weinstein/Harry Winston-type of character in mind,” she said. “I envisioned, like, a benevolent, diamond-bestowing-upon-starlets visual, like a Citizen Kane or something. I’m not really sure. I thought it was funny at the time,...
The singer told MTV News she’ll “definitely” be retiring her 2012 song “Cola” — which was inspired by the ostracized movie mogul — out of respect for the women who have alleged Weinstein sexually harassed them because that’s “the only right thing to do.”
“When I wrote that song, I suppose I had a Harvey Weinstein/Harry Winston-type of character in mind,” she said. “I envisioned, like, a benevolent, diamond-bestowing-upon-starlets visual, like a Citizen Kane or something. I’m not really sure. I thought it was funny at the time,...
- 11/1/2017
- by Jeff Nelson
- PEOPLE.com
Welcome to the world of Jean Grémillon, where adult characters work through adult problems without benefit of melodramatic excess. The impressively directed experiences of Micheline Presle’s lady doctor on a storm-swept island opts for a progressive point of view, not sentimentality.
The Love of a Woman
Blu-ray + DVD
Arrow Video USA
1953 / B&W / 1:37 flat full frame / 104 min. / Street Date August 22, 2017 / L’amour d’une femme / Available from Arrow Video 39.95
Starring: Micheline Presle, Massimo Girotti, Gaby Morlay, Paolo Stoppa, Marc Cassot, Marius David, Yvette Etiévant, Roland Lesaffre, Robert Naly, Madeleine Geoffroy.
Cinematography: Louis Page
Film Editor: Louisette Hautecoeur, Marguerite Renoir
Production Design: Robert Clavel
Original Music: Elsa Barraine, Henrie Dutilleux
Written by René Fallet, Jean Grémillon, René Wheeler
Produced by Mario Gabrielli, Pierre Géin
Directed by Jean Grémillon
Film critics that pride themselves on rediscovering older directors haven’t done very well by France’s Jean Grémillon, at least not in this country.
The Love of a Woman
Blu-ray + DVD
Arrow Video USA
1953 / B&W / 1:37 flat full frame / 104 min. / Street Date August 22, 2017 / L’amour d’une femme / Available from Arrow Video 39.95
Starring: Micheline Presle, Massimo Girotti, Gaby Morlay, Paolo Stoppa, Marc Cassot, Marius David, Yvette Etiévant, Roland Lesaffre, Robert Naly, Madeleine Geoffroy.
Cinematography: Louis Page
Film Editor: Louisette Hautecoeur, Marguerite Renoir
Production Design: Robert Clavel
Original Music: Elsa Barraine, Henrie Dutilleux
Written by René Fallet, Jean Grémillon, René Wheeler
Produced by Mario Gabrielli, Pierre Géin
Directed by Jean Grémillon
Film critics that pride themselves on rediscovering older directors haven’t done very well by France’s Jean Grémillon, at least not in this country.
- 9/9/2017
- by Glenn Erickson
- Trailers from Hell
Here we go again folks! As promised (though perhaps a bit later than initially planned), I’m diving back into the world of previous Oscar ceremonies. This time, I have my sights set on the 80th Academy Awards ceremony. You should know the drill by now. I’m going to state what I would have picked in the major eight categories if I had been lucky enough to have been able to vote. In most cases, it deviates from the actual winner. You’ll see how much that was the case this time around, and sit tight, as I do hope to make this a bit more of a consistent thing (excuse the gap again) and really go back as far as I can go. Until then, just enjoy this new one… Alright then, once again here goes nothing ladies and gentlemen…behold my picks for this particular ceremony: Best...
- 8/7/2017
- by Joey Magidson
- Hollywoodnews.com
Everything Donald Trump Has Said About the Lgbtq Community as President Announces Trans Military Ban
President Donald Trump announced in a series of tweets on Wednesday that the government will not allow transgender people to serve in the U.S. military. The move represents Trump’s latest flip-flop on his stance on Lgbtq rights; He promised on the campaign trail to protect and support the Lgbtq community.
The president’s Twitter statement on Wednesday pointed to “tremendous medical costs” and “disruption” as the reasoning behind the decision.
“After consultation with my Generals and military experts, please be advised that the United States Government will not accept or allow Transgender individuals to serve in any capacity in the U.
The president’s Twitter statement on Wednesday pointed to “tremendous medical costs” and “disruption” as the reasoning behind the decision.
“After consultation with my Generals and military experts, please be advised that the United States Government will not accept or allow Transgender individuals to serve in any capacity in the U.
- 7/26/2017
- by Char Adams
- PEOPLE.com
Class-act director John Boorman continues to mix genre grit with European-flavored art cinema, and the result is another winner. Toshiro Mifune and Lee Marvin fight a miniature two-man war when they’re marooned together on the same tiny island. Boorman’s strong direction and Conrad Hall’s knockout cinematography insure a maximum visual impact; it’s great filmmaking all around.
Hell in the Pacific
Blu-ray
Kl Studio Classics
1968 / Color / 2:35 widescreen / 103 min. / Street Date June 27, 2017 / available through Kino Lorber / 29.95
Starring: Lee Marvin, Toshiro Mifune
Cinematography: Conrad Hall
Art Direction: Anthony Pratt, Masao Yamazaki
Film Editor: Thomas Stanford
Original Music: Lalo Schifrin
Written by Alexander Jacobs, Eric Bercovici story by Reuben Bercovitch
Produced by Reuben Bercovitch, Henry G. Saperstein, Selig J. Seligman
Directed by John Boorman
Former TV director and producer John Boorman barely survived a first feature with the Dave Clark Five, imitating Richard Lester’s success with the Beatles.
Hell in the Pacific
Blu-ray
Kl Studio Classics
1968 / Color / 2:35 widescreen / 103 min. / Street Date June 27, 2017 / available through Kino Lorber / 29.95
Starring: Lee Marvin, Toshiro Mifune
Cinematography: Conrad Hall
Art Direction: Anthony Pratt, Masao Yamazaki
Film Editor: Thomas Stanford
Original Music: Lalo Schifrin
Written by Alexander Jacobs, Eric Bercovici story by Reuben Bercovitch
Produced by Reuben Bercovitch, Henry G. Saperstein, Selig J. Seligman
Directed by John Boorman
Former TV director and producer John Boorman barely survived a first feature with the Dave Clark Five, imitating Richard Lester’s success with the Beatles.
- 6/27/2017
- by Glenn Erickson
- Trailers from Hell
2017-06-16T07:02:36-07:00Hugh Jackman to Play Stephen Colbert?
Right after Wednesday night’s Late Show finished taping, it was revealed Special Counsel Robert Mueller is investigating Donald Trump for possible obstruction of Justice, Stephen Colbert informed his Thursday audience by way of explaining why he was getting to that explosive story a day late.
Crowd reacts enthusiastically anyway.
“This is a huge moment! This is a historic moment! The President of the United States is presently under criminal investigation! When the movie comes out, this will definitely be in it. And I will definitely be played by Hugh Jackman.”
Read the rest of this article at Page Six.
Stephen Colbert is the host of The Late Show with Stephen Colbert.
Right after Wednesday night’s Late Show finished taping, it was revealed Special Counsel Robert Mueller is investigating Donald Trump for possible obstruction of Justice, Stephen Colbert informed his Thursday audience by way of explaining why he was getting to that explosive story a day late.
Crowd reacts enthusiastically anyway.
“This is a huge moment! This is a historic moment! The President of the United States is presently under criminal investigation! When the movie comes out, this will definitely be in it. And I will definitely be played by Hugh Jackman.”
Read the rest of this article at Page Six.
Stephen Colbert is the host of The Late Show with Stephen Colbert.
- 6/16/2017
- by EG
- Yidio
Lovers of hot-blooded French noir will love this 1958 B&W drama, which swaps violence for a dangerous sexual relationship between a cop and drug addict suspected of a murder. If this is a ‘lazy’ star vehicle for French superstar Jean Gabin, please bring us more — in his paunchy ‘fifties Monsieur Gabin takes on a beauty half his age, and convinces us that he can keep her.
Le désordre et la nuit
All-Region Blu-ray
Pathé (Fr)
1958 / B&W / 1:66 widescreen / 93 min. / Street Date April 1 2017, 2017 /
available through Amazon.fr / Eur 14,99
Starring: Jean Gabin, Danielle Darrieux, Nadja Tiller, Paul Frankeur,
Hazel Scott, Robert Berri, François Chaumette, Louis Ducreux, Jacky Bamboo and his combo,
Harald Wolff, Roger Hanin.
Cinematography: Louis Page
Film Editor: Jacqueline Sadoul
Original Music: Jean Yatove
Written by Michel Audiard, Gilles Grangier, Jacques Robert from his novel
Produced by Lucien Viard
Directed by Gilles Grangier
Sometime in the 1990s Sherman Torgan...
Le désordre et la nuit
All-Region Blu-ray
Pathé (Fr)
1958 / B&W / 1:66 widescreen / 93 min. / Street Date April 1 2017, 2017 /
available through Amazon.fr / Eur 14,99
Starring: Jean Gabin, Danielle Darrieux, Nadja Tiller, Paul Frankeur,
Hazel Scott, Robert Berri, François Chaumette, Louis Ducreux, Jacky Bamboo and his combo,
Harald Wolff, Roger Hanin.
Cinematography: Louis Page
Film Editor: Jacqueline Sadoul
Original Music: Jean Yatove
Written by Michel Audiard, Gilles Grangier, Jacques Robert from his novel
Produced by Lucien Viard
Directed by Gilles Grangier
Sometime in the 1990s Sherman Torgan...
- 6/6/2017
- by Glenn Erickson
- Trailers from Hell
A military coup in the U.S.? General Burt Lancaster’s scheme would be flawless if not for true blue Marine Kirk Douglas, who snitches to the White House. Now Burt’s whole expensive clandestine army might go to waste – Sad! John Frankenheimer and Rod Serling are behind this nifty paranoid conspiracy thriller.
Seven Days in May
Blu-ray
Warner Archive Collection
1964 / B&W / 1:85 widescreen / 118 min. / Street Date May 8, 2017 / available through the WBshop / 21.99
Starring: Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O’Brien, Martin Balsam, Andrew Duggan, John Houseman, Hugh Marlowe, Whit Bissell, George Macready, Richard Anderson, Malcolm Atterbury, William Challee, Colette Jackson, John Larkin, Kent McCord, Tyler McVey, Jack Mullaney, Fredd Wayne, Ferris Webster.
Cinematography: Ellsworth Fredericks
Film Editor: Ferris Webster
Original Music: Jerry Goldsmith
Written by Rod Serling from the book by Fletcher Knebel, Charles W. Bailey II
Produced by Edward Lewis
Directed by John Frankenheimer...
Seven Days in May
Blu-ray
Warner Archive Collection
1964 / B&W / 1:85 widescreen / 118 min. / Street Date May 8, 2017 / available through the WBshop / 21.99
Starring: Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O’Brien, Martin Balsam, Andrew Duggan, John Houseman, Hugh Marlowe, Whit Bissell, George Macready, Richard Anderson, Malcolm Atterbury, William Challee, Colette Jackson, John Larkin, Kent McCord, Tyler McVey, Jack Mullaney, Fredd Wayne, Ferris Webster.
Cinematography: Ellsworth Fredericks
Film Editor: Ferris Webster
Original Music: Jerry Goldsmith
Written by Rod Serling from the book by Fletcher Knebel, Charles W. Bailey II
Produced by Edward Lewis
Directed by John Frankenheimer...
- 5/5/2017
- by Glenn Erickson
- Trailers from Hell
Peter Cushing! Christopher Lee! Each is at the top of his game, playing competing collectors of occult incunabula — the kind that comes with a satanic curse, when the purloined item in question is the Skull Of The infamous, despicable and sharp-toothed Marquis De Sade! Freddie Francis directs up a storm in this amicable Amicus chiller: the mysterious skull-duggery is beautifully shot and edited, giving the horror scenes real Bite.
The Skull
Blu-ray
Kl Studio Classics
1965 / Color / 2:35 widescreen / 83 min. / Street Date March 14, 2017 / available through Kino Lorber / 29.95
Starring: Peter Cushing, Patrick Wymark, Nigel Green, Jill Bennett, Michael Gough, Ceorge Couloris, Christopher Lee.
Cinematography: John Wilcox
Art Direction: Bill Constable
Film Editor: Oswald Hafenrichter
Original Music: Elisabeth Lutyens
Written by Milton Subotsky from a story by Robert Bloch
Produced by Milton Subotsky, Max J. Rosenberg
Directed by Freddie Francis
Nine years ago Legend Films brought us a DVD of this 1965 horror item,...
The Skull
Blu-ray
Kl Studio Classics
1965 / Color / 2:35 widescreen / 83 min. / Street Date March 14, 2017 / available through Kino Lorber / 29.95
Starring: Peter Cushing, Patrick Wymark, Nigel Green, Jill Bennett, Michael Gough, Ceorge Couloris, Christopher Lee.
Cinematography: John Wilcox
Art Direction: Bill Constable
Film Editor: Oswald Hafenrichter
Original Music: Elisabeth Lutyens
Written by Milton Subotsky from a story by Robert Bloch
Produced by Milton Subotsky, Max J. Rosenberg
Directed by Freddie Francis
Nine years ago Legend Films brought us a DVD of this 1965 horror item,...
- 4/1/2017
- by Glenn Erickson
- Trailers from Hell
Love in the Afternoon
Blu-ray
Warner Archive Collection
1957 / B&W / 1:85 widescreen / 130 min. / Street Date February 7, 2017 / available through the WBshop / 21.99
Starring Gary Cooper, Audrey Hepburn, Maurice Chevalier, John McGiver, Van Doude, Lise Bourdin, Louis Jourdan, Betty Schneider.
Cinematography: William C. Mellor
Film Editor: Leonid Azar
Art Direction: Alexandre Trauner
Adapted Music: Franz Waxman
Written by: Billy Wilder, I.A.L. Diamond from a novel by Claude Anet
Produced and Directed by Billy Wilder
A favorite of Billy Wilder-philes, Love in the Afternoon is a strong expression of the ‘romantic-Lubitsch’ vein in Wilder’s work. It’s essentially a return to the early ’30s Lubitsch comedies with Maurice Chevalier, but played in a more bittersweet Viennese register. It’s also Wilder’s first collaboration with the comedy screenwriter I.A.L. Diamond. Together they fashion the predominantly verbal comedy machine that will carry them through three or four big hits, and a few losers that have become classics anyway.
Blu-ray
Warner Archive Collection
1957 / B&W / 1:85 widescreen / 130 min. / Street Date February 7, 2017 / available through the WBshop / 21.99
Starring Gary Cooper, Audrey Hepburn, Maurice Chevalier, John McGiver, Van Doude, Lise Bourdin, Louis Jourdan, Betty Schneider.
Cinematography: William C. Mellor
Film Editor: Leonid Azar
Art Direction: Alexandre Trauner
Adapted Music: Franz Waxman
Written by: Billy Wilder, I.A.L. Diamond from a novel by Claude Anet
Produced and Directed by Billy Wilder
A favorite of Billy Wilder-philes, Love in the Afternoon is a strong expression of the ‘romantic-Lubitsch’ vein in Wilder’s work. It’s essentially a return to the early ’30s Lubitsch comedies with Maurice Chevalier, but played in a more bittersweet Viennese register. It’s also Wilder’s first collaboration with the comedy screenwriter I.A.L. Diamond. Together they fashion the predominantly verbal comedy machine that will carry them through three or four big hits, and a few losers that have become classics anyway.
- 1/31/2017
- by Glenn Erickson
- Trailers from Hell
The Barefoot Contessa
Blu-ray
Twilight Time
1954 / Color / 1:78 widescreen / 130 min. / Street Date December 13, 2016 / Available from the Twilight Time Movies Store 29.95
Starring: Humphrey Bogart, Ava Gardner, Edmond O’Brien, Marius Goring, Rossano Brazzi, Valentina Cortese, Elizabeth Sellars, Warren Stevens, Enzo Staiola, Mari Aldon, Bessie Love.
Cinematography: Jack Cardiff
Original Music: Mario Nascimbene
Written, Produced and Directed by Joseph L. Mankiewicz
As a teenager, many of my first and strongest movie impressions came not from the movies, but from certain critics. I memorized Robin Wood’s analysis before getting a look at Hitchcock’s Psycho. Raymond Durgnat introduced me to Georges Franju and Luis Buñuel, and I first learned to appreciate a number of great movies including The Barefoot Contessa from Richard Corliss, a terrific critic who championed writers over director-auteurs.
The Barefoot Contessa is a classically structured story, in that it could work as a novel; it’s told from several points of view.
Blu-ray
Twilight Time
1954 / Color / 1:78 widescreen / 130 min. / Street Date December 13, 2016 / Available from the Twilight Time Movies Store 29.95
Starring: Humphrey Bogart, Ava Gardner, Edmond O’Brien, Marius Goring, Rossano Brazzi, Valentina Cortese, Elizabeth Sellars, Warren Stevens, Enzo Staiola, Mari Aldon, Bessie Love.
Cinematography: Jack Cardiff
Original Music: Mario Nascimbene
Written, Produced and Directed by Joseph L. Mankiewicz
As a teenager, many of my first and strongest movie impressions came not from the movies, but from certain critics. I memorized Robin Wood’s analysis before getting a look at Hitchcock’s Psycho. Raymond Durgnat introduced me to Georges Franju and Luis Buñuel, and I first learned to appreciate a number of great movies including The Barefoot Contessa from Richard Corliss, a terrific critic who championed writers over director-auteurs.
The Barefoot Contessa is a classically structured story, in that it could work as a novel; it’s told from several points of view.
- 1/6/2017
- by Glenn Erickson
- Trailers from Hell
One of the better-remembered ’80s sci-fi horror thrillers is back in an improved Blu-ray, with a pile of extras. Dennis Quaid gets to act with Max von Sydow Christopher Plummer, Eddie Albert and Kate Capshaw, as they deal with a Cronenberg-like device that can invade human dreams.
Dreamscape
Blu-ray
Scream Factory (Shout! Factory)
1984 / Color /1:85 widescreen / 99 min. / Street Date December 13, 2016 / 29.93
Starring Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt.
Cinematography Brian Tufano
Film Editor Richard Halsey
Original Music Maurice Jarre
Written by David Loughery, Chuck Russell, Joseph Ruben
Produced by Bruce John Curtis
Directed by Joseph Ruben
Reviewed by Glenn Erickson
I have a previous Blu-ray of 1984’s Dreamscape but this edition is a big improvement, both in the transfer and its extras. Dreamscape is a commercially successful thriller that places a superior star cast in a science fantasy with plenty of potential.
Dreamscape
Blu-ray
Scream Factory (Shout! Factory)
1984 / Color /1:85 widescreen / 99 min. / Street Date December 13, 2016 / 29.93
Starring Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt.
Cinematography Brian Tufano
Film Editor Richard Halsey
Original Music Maurice Jarre
Written by David Loughery, Chuck Russell, Joseph Ruben
Produced by Bruce John Curtis
Directed by Joseph Ruben
Reviewed by Glenn Erickson
I have a previous Blu-ray of 1984’s Dreamscape but this edition is a big improvement, both in the transfer and its extras. Dreamscape is a commercially successful thriller that places a superior star cast in a science fantasy with plenty of potential.
- 12/19/2016
- by Glenn Erickson
- Trailers from Hell
World War, a solemn vow, and a promise betrayed lead to a ‘night of the living war dead’ – all cooked up by the director of Napoleon, Abel Gance. The early, famed pacifist fantasy is back in near-perfect condition and restored to its full length. It’s a reworking, not a remake, of Gance’s 1919 silent classic.
J’accuse
Blu-ray
Olive Films
1938 / B&W / 1:37 flat full frame / 120 min. / That They May Live; J’accuse: Fresque tragique des temps modernes vue et Réalisée par Abel Gance / Street Date November 15, 2016 / available through the Olive Films website / 29.98
Starring Victor Francen, Line Noro, Marie Lou, Jean-Max, Paul Amiot, Jean-Louis Barrault, Marcel Delaitre, Renée Devillers, Romuald Joubé, André Nox, Georges Rollin, Georges Saillard.
Cinematography Roger Hubert
Film Editor Madeleine Crétoile
Original Music Henri Verdun
Written by Abel Gance, Steve Passeur
Produced & Directed by Abel Gance
Reviewed by Glenn Erickson
Around 1973, UCLA film school professor Bob Epstein...
J’accuse
Blu-ray
Olive Films
1938 / B&W / 1:37 flat full frame / 120 min. / That They May Live; J’accuse: Fresque tragique des temps modernes vue et Réalisée par Abel Gance / Street Date November 15, 2016 / available through the Olive Films website / 29.98
Starring Victor Francen, Line Noro, Marie Lou, Jean-Max, Paul Amiot, Jean-Louis Barrault, Marcel Delaitre, Renée Devillers, Romuald Joubé, André Nox, Georges Rollin, Georges Saillard.
Cinematography Roger Hubert
Film Editor Madeleine Crétoile
Original Music Henri Verdun
Written by Abel Gance, Steve Passeur
Produced & Directed by Abel Gance
Reviewed by Glenn Erickson
Around 1973, UCLA film school professor Bob Epstein...
- 11/19/2016
- by Glenn Erickson
- Trailers from Hell
Fans that lament Orson Welles' many career frustrations will flip over this Spanish-filmed masterpiece. Not well distributed when new and Mia for decades, its serious audio problems have now mostly been cleared up. It's great -- right up there with Kane and Touch of Evil, and it features what is probably Welles' best acting. Chimes at Midnight Blu-ray The Criterion Collection 830 1966 / B&W / 1:66 widescreen / 116 min. / available through The Criterion Collection / Falstaff, Campanadas a medianoche / Street Date August 30, 2016 / 39.95 Starring Orson Welles, Keith Baxter, Jeanne Moreau, Margaret Rutherford, John Gielgud, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Tony Beckley, Alan Webb, José Nieto, Fernando Rey, Beatrice Welles, Ralph Richardson. Cinematography Edmond Richard Film Editor Fritz Mueller Original Music Angelo Francesco Lavagnino Produced by Alessandro Tasca Directed by Orson Welles
Reviewed by Glenn Erickson
It's even better than I remembered. Sometime during film school I went with UCLA friends Clark...
Reviewed by Glenn Erickson
It's even better than I remembered. Sometime during film school I went with UCLA friends Clark...
- 8/26/2016
- by Glenn Erickson
- Trailers from Hell
Japanese art filmmaking writ large by director Hiroshi Teshigahara: a strange allegorical fantasy about a man imprisoned in a sand pit, and compelled to make a primitive living with the woman who lives there. Perhaps it's about marriage... Woman in the Dunes Blu-ray The Criterion Collection 394 1964 / B&W / 1:33 full frame / 148 min. / Suna no onna / available through The Criterion Collection / Street Date August 23, 2016 / 39.95 Starring Eiji Okada, Kyoko Kishida, Hiroko Ito Production Design Totetsu Hirakawa, Masao Yamazaki Produced by Tadashi Oono, Iichi Ichikawa Cinematography Hiroshi Segawa Film Editor Fuzako Shuzui Original Music Toru Takemitsu Written by Kobo Abe Directed by Hiroshi Teshigahara
Reviewed by Glenn Erickson
In the 1960s the public interest in art cinema reached out beyond France and Italy, finally giving an opening for more exotic fare from Japan. Director Hiroshi Teshigahara earned his moment in the spotlight with 1964's Woman in the Dunes, an adaptation of a book by Kobo Abe.
Reviewed by Glenn Erickson
In the 1960s the public interest in art cinema reached out beyond France and Italy, finally giving an opening for more exotic fare from Japan. Director Hiroshi Teshigahara earned his moment in the spotlight with 1964's Woman in the Dunes, an adaptation of a book by Kobo Abe.
- 8/9/2016
- by Glenn Erickson
- Trailers from Hell
Criterion's special edition of Stanley Kubrick's doomsday comedy is more powerful than ever in a 4K remaster; and it even comes with a top-secret mission profile package and a partial-contents survival kit. A Kubrick fan can have a pretty good weekend in Vegas with all that stuff. Dr. Strangelove Or: How I Learned To Stop Worrying and Love The Bomb Blu-ray The Criterion Collection 821 1964 / B&W / 1:66 widescreen / 95 min. / available through The Criterion Collection / Street Date June 28, 2016 / 39.95 Starring Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, Peter Bull, James Earl Jones, Tracy Reed Cinematography Gilbert Taylor Production Designer Ken Adam Art Direction Peter Murton Film Editor Anthony Harvey Original Music Laurie Johnson Written by Stanley Kubrick, Terry Southern, Peter George from his book Red Alert Produced by Stanley Kubrick, Leon Minoff Directed by Stanley Kubrick
Reviewed by Glenn Erickson
When I heard that Criterion was putting out a Blu-ray of Dr. Strangelove, Or: How I Learned To Stop Worrying and Love The Bomb I thought that there already was a disc out there from The Collection. Nope, Sony released a Blu-ray in 2009, and back around 2000, a DVD. I was thinking of a deluxe laserdisc from Criterion sometime in the early 1990s. I remember being impressed by its extras, which included documentary materials about the Bomb in the Cold War years. Potential new fans of Kubrick's wickedly funny movie are being born every year, which leaves those of us for whom Strangelove was an important part of growing up having to remind ourselves just how good it still is. I remember recording the soundtrack off TV in high school and memorizing all of the dialogue; this has to be the most quotable movie of its decade. I also can remember my father's reaction when we watched it together on network TV, ABC, I think. An Air Force lifer who wouldn't discuss politics (or much of anything), the Old Sarge had little use for 'defeatist' movies like On the Beach. But he thought the premise of Seven Days in May wasn't really farfetched, having worked with Hap Arnold and Curtis LeMay. He shook his head after seeing Dr. Strangelove but I could tell that he found it very funny. It's too bad the two of us couldn't have gotten our senses of humor more in sync -- as soon as I wore my hair long, I think he stopped trusting me. I believe that Dr. Strangelove is one of few movies that 'made a difference' in that it redirected American public opinion about a major life issue. From that point forward only the ignorant and Shoot First fanatics talked about nuclear war as win-able, at least not until the neo-con Millennium. 1963 audiences had little use for suspect 'pacifist' movies that ended in masochistic doom, like On the Beach. The nuclear crisis was such a hot topic that that the low-key English science fiction film The Day the Earth Caught Fire was a surprise hit. Strangelove is more realistic than the straight atom nightmare movies. We're told that when Ronald Reagan was briefed at the start of his first term in office, he asked where the White House elevator to the War Room was. He figured it was there because he saw it in the movie. The decision to opt for broad comedy was Kubrick's inspired stroke. Dr. Strangelove may be the first hit film that was a bona-fide black comedy; I don't recall anybody even using the expression before it came out. It's not a crazy comedy where anything funny is okay. The backbone of the story remains 100% serious, while the jokes relentlessly demolish the death-cult logic of our Nuclear Deterrent. Kubrick and Terry Southern populate Peter George's credible cold-sweat crisis with insane caricatures given ridiculous names. The scary part is that, no matter how stupid they behave, none are really that exaggerated. Peter Sellers serves triple duty in a trio of characterizations, effectively outdoing previous champion film chameleon Alec Guinness. George C. Scott steals the show as an infantile Air Force General who acts like a Looney Tunes cartoon character. And the rest of the inspired cast nails their highly original quasi-comic characters. Every joke is a gallows joke; we're never allowed to forget that we all have an atomic noose around our necks. I almost envy the dead viewers still unfamiliar with Dr. Strangelove, as seeing it for the first time was a mind-opening experience. Jack D. Ripper (Sterling Hayden), the commander of Burpelson Air Force Base, orders a flight of B-52s to attack Russia. He then seals off Burpelson to prevent a recall of the planes. Exchange officer Group Captain Lionel Mandrake (Peter Sellers) tries to talk him into divulging the recall code. Holding court in the War Room, President Merkin Muffley (Peter Sellers) is horrified to discover that such a Snafu is even possible. He orders General Buck Turgidson (George C. Scott) to take Burpelson Air Base by force and recall the planes, and gets on the hotline with the Soviet Premier. Up in the lead B-52, Major 'King' Kong (Slim Pickens) receives Ripper's orders, coded 'Wing Attack Plan R.' He urges his crew to avoid Russian defenses and reach their primary target, while Turgidson tries to talk Muffley into launching an all-out attack. Advising in the War Room is ex-Nazi scientist Dr. Strangelove, a grinning theoretician already fantasizing about the sexual recreation for the ruling elite in the VIP bomb shelters, where America's chosen high officials will be living for the next 93 years. Dr. Strangelove divides its time between three main locations, each with its own deadly serious function and each overlaid with a different comedic tone. In his locked executive office in the Alaskan Air Force Base, the sexually obsessed American General Ripper faces off with a veddy proper English officer in a farcical one-act. Beady-eyed and intense in his anti-Communist convictions, Sterling Hayden contrasts beautifully with Seller's genial Group Captain, who can't fathom the depth of his commanding officer's madness. The action in the B-52 is a throwback to those gung-ho WW2 action films in which a racially and ethnically diverse attack team uses brains and guts to barrel through their suicide mission. Even though their pilot is a cowboy clown (Slim Pickens doing his only characterization, Slim Pickens) they're an admirable bunch, seemingly the only humans capable of doing anything without red tape or Coca-Cola machines getting in their way. The horror is that our heroes' mission is totally against every moral precept ever imagined. The docu feeling in the B-52 is further amplified by the gritty newsreel-like footage of the taking of Burpelson Afb, with American troops fighting American troops. In 1964 these were traumatic, subversive scenes. U.S. troops on film are supposed to fight for freedom and righteousness, not kill each other. Kubrick has the audacity to place in the middle of it all a big sign that reads, 'Peace is our Profession.' The grainy authenticity of these scenes would come back to haunt us when similar footage started being seen nightly on television, fresh from Vietnam. The center of activities is the War Room, a Camelot-like round table of Death located in the basement of the White House. The rational President Merkin Muffley trips over an ideological roadblock in the form of Buck Turgidson, a gum-chewing military nutcase itching to go to war and overjoyed that Jack Ripper has 'exceeded his authority.' The President is hardly in charge of foreign policy, and none of fifty advisors come to his aid with any original thinking. An amateur among experts, Muffley must be shepherded through protocol by an assistant. Here's where Southern and Kubrick make their biggest points, basically asserting that a showdown with the Russkies is inevitable because the American stance is a military one -- Sac just wants the peacenik in the Oval Office to get out of their way. The comedy is all over the place, and it's a miracle that it works. The stand-up humor on the hot line to Moscow is very much like a Bob Newhart routine. At Burpelson, it's the Goon Show all over again. Sellers' Mandrake cannot sway General Ripper, and the moronic Major Bat Guano (Keenan Wynn) suspects the Raf officer of being a 'deviated prevert.' Up in the bomber, Mad Magazine craziness is grafted onto combat realism. Previous looks at the Air Force's flying deterrent were enlistment booster films like Strategic Air Command. Kubrick drove his English craftsmen to fake the entire bomber interior right down to the switches and gauges. The aerial combat is more realistic than that in escapist films, even with inadequate models used for exteriors of the jet bomber in flight. Dr. Strangelove maintains a nervous tension between absurd comedy and morbid unease. Kubrick's main career themes -- sexual madness, treacherous technology and the folly of human planning -- come into strong relief. We're motivated to root for the fliers that are going to destroy the world. Then we fret over the President's pitiful lack of control. Dour, glowering Russian Ambassador De Sadesky (Peter Bull) informs the War Room about his country's solution to the costly Arms Race, the dreaded Doomsday Machine. Security advisor Dr. Strangelove enters the film in the last act to serve as sort of an angel of Death. Based loosely on Rand-corporation experts that calculated eventualities in nuclear war scenarios, Sellers' vision of Strangelove is a throwback to German Expressionism. A Mabuse in a wheelchair, he's black-gloved like the brilliant but mad Rotwang of Metropolis. Strangelove enters like the specter of Death itself; his grin looks like a skull. Contemplating 'megadeaths' gives him sexual pleasure. The detonation of the first bomb seems to liberate Strangelove, and he finds he can walk again. The character is straight from the Siegfried Kracauer playbook. The evil of nuclear war has restored the representative of apocalyptic Nazi vengeance to full power. Twenty years after his death, we all get to join Hitler in his suicide bunker. First-time viewers are usually floored by the audacious Dr. Strangelove. Only the truly uninformed will not recognize baritone James Earl Jones as one of Major Kong's flight crew. Those going back for a repeated peek will derive added enjoyment from Kubrick's deft juggling of his several visual styles and his avoidance of anything that might deflate tension: we hear about the recall code being issued but are spared any view of the responsible military personnel that must have sent it. Some of the best fun is finding details in designer Ken Adam's impressive War Room, such as the pies already laid out in preparation for the aborted pie-fight finale. Even better is watching the War room extras as they strain to maintain straight faces no matter how funny Sellers and Scott get; that contrast is what makes the comedy so brilliant. Watch Peter Bull carefully. In one extended take he starts to smile at Sellers, more than once. He catches himself and then is clearly on the verge of cracking up, forcing Kubrick to cut away. The Criterion Collection's Blu-ray of Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb is the expected sterling transfer of this Kubrick classic, a 4K digital transfer. I put it up against Sony's old Blu-ray and the difference is not so great as to recommend that a trade-up is necessary. However, it looks extremely good. The Kubrick faithful out there will be thinking, 'I must not allow a disc shelf gap.' The HD picture makes quite a bit of difference in understanding Kubrick's photographic strategy. Not only do the hand-held Burpelson combat sequences approximate the look of documentary footage, a more contrasty and grainy film stock has been used. Switching "film looks" later became a fad for directors looking to be viewed as artists. The idea perhaps reached its zenith in Oliver Stone's Natural Born Killers. Back in 1964 the effect of imitating a news film look was quite stunning -- audiences reacted to the combat scenes as if they were real. I'm glad that we're finally beyond the frustrating early DVD years, when someone (at Warner Home Video?) claimed that Stanley Kubrick insisted that his films be shown at the old 1:33 aspect ratio for TV and disc. Even if they wangled a note from Kubrick to that effect, I still believe that the aspect ratio games were played because Kubrick was too busy to oversee new masters of his films, and Whv wanted to market them in a hurry at a minimum of cost. That's all old news now, but there was also the interesting aspect ratio question concerning Strangelove. At least one disc iteration -- Criterion's laserdisc, I'm fairly sure -- was released in a completely un-original dual-ratio scan. Kubrick apparently said that he preferred to see the War Room scenes at a full-frame 1:37, and so this one transfer of the film popped back and forth between ratios. I've never heard of anything like this before or after. Criterion's British 1:66 framing for this disc is correct, even though the film was probably screened at 1:85 for many of its American play dates. Criterion's new extras begin with interview featurettes with well-chosen spokespeople, like scholars Mick Broderick and Rodney Hill. Kubrick archivist Richard Daniels' piece is quite good, as is an examination of the film's visuals by two of the original camera crew. The son of author Peter George gives an excellent account of his father's life and the adaptation of his novel Red Alert. George reportedly liked the notion of turning his story into a black comedy, especially when his original narrative was changed very little. The stroke of genius was deciding that the entire subject could best be approached as a sick joke. Other extras are repeated from Sony's DVD disc of 2004. A making-of docu interviews several surviving technicians and actors, and a primer on the Cold War atom standoff goes deep into detail. The featurettes have input from Robert McNamara, Spike Lee and Bob Woodward. Critics Roger Ebert and Alexander Walker are also represented. Docu pieces on Peter Sellers and Kubrick appear to suffer from legal restraints disallowing the use of clips from non-Columbia sources. The Peter Sellers show features several choice film clips from the 'fifties, including Sellers' almost perfect take on a William Conrad-like hired killer. We're shown some stills from the legendary The Goon Show, which is not mentioned by name. A Stanley Kubrick career piece that uses UA, MGM and Universal trailers covers a lot of territory a bit too quickly. It does have some nice interview input from Kubrick's partner James B. Harris. Harris has since given terrific interviews on Criterion discs for Kubrick's The Killing and Paths of Glory. Criterion's Curtis Tsui produced those discs as well as this one. An entertaining extra is a pair of vintage 'split screen' fake interviews with Sellers and Scott intended for publicity use. Each actor projects his chosen PR image. They're charming, especially when Sellers takes us on a lightning tour of regional English accents. I wonder if those distinctions have faded, 52 years later? As a pleasant surprise, Curtis Tsui has overseen the creation of a collectable, highly amusing substitute for a standard disc insert booklet. Inside an authentic-looking 'Wing Attack Plan R' envelope, David Bromwich's insert essay is printed in the form of classified orders on two sheets of loose-leaf paper. Terry Southern's hilariously profane 1994 essay on the movie comes in the form of a Playboy parody, illustrated with photos of Tracy Reed as 'Miss Foreign Affairs.' Finally, the disc credits and details are printed in a genuine miniature Russian Phrase Book and Holy Bible, a little bigger than one-inch square. It indeed offers some phrases that I'll have to try on my multi-lingual daughter, like "Where is the toilet?" But the cover Lies, as there's no Bible in there that I could find. Also, no nine packs of chewing gum and no issue of prophylactics. On a scale of Excellent, Good, Fair, and Poor, Dr. Strangelove Blu-ray rates: Movie: Excellent Video: Excellent Sound: Excellent uncompressed monaural + alternate 5.1 surround soundtrack, presented in DTS-hd Master Audio Supplements: (from Criterion stats): New interviews with Stanley Kubrick scholars Mick Broderick and Rodney Hill; archivist Richard Daniels; cinematographer and camera innovator Joe Dunton; camera operator Kelvin Pike; and David George, son of Peter George, on whose novel Red Alert the film is based. Excerpts from a 1966 audio interview with Kubrick, conducted by physicist and author Jeremy Bernstein; Four short documentaries about the making of the film, the sociopolitical climate of the period, the work of actor Peter Sellers, and the artistry of Kubrick. Promotional interviews from 1963 with Sellers and actor George C. Scott; excerpt from a 1980 interview with Sellers from NBC's Today show; Trailers; insert essay by scholar David Bromwich and a 1994 article by screenwriter Terry Southern on the making of the film. Deaf and Hearing-impaired Friendly? Yes; Subtitles: English Packaging: Keep case Reviewed: June 7, 2016 (5136love)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
Reviewed by Glenn Erickson
When I heard that Criterion was putting out a Blu-ray of Dr. Strangelove, Or: How I Learned To Stop Worrying and Love The Bomb I thought that there already was a disc out there from The Collection. Nope, Sony released a Blu-ray in 2009, and back around 2000, a DVD. I was thinking of a deluxe laserdisc from Criterion sometime in the early 1990s. I remember being impressed by its extras, which included documentary materials about the Bomb in the Cold War years. Potential new fans of Kubrick's wickedly funny movie are being born every year, which leaves those of us for whom Strangelove was an important part of growing up having to remind ourselves just how good it still is. I remember recording the soundtrack off TV in high school and memorizing all of the dialogue; this has to be the most quotable movie of its decade. I also can remember my father's reaction when we watched it together on network TV, ABC, I think. An Air Force lifer who wouldn't discuss politics (or much of anything), the Old Sarge had little use for 'defeatist' movies like On the Beach. But he thought the premise of Seven Days in May wasn't really farfetched, having worked with Hap Arnold and Curtis LeMay. He shook his head after seeing Dr. Strangelove but I could tell that he found it very funny. It's too bad the two of us couldn't have gotten our senses of humor more in sync -- as soon as I wore my hair long, I think he stopped trusting me. I believe that Dr. Strangelove is one of few movies that 'made a difference' in that it redirected American public opinion about a major life issue. From that point forward only the ignorant and Shoot First fanatics talked about nuclear war as win-able, at least not until the neo-con Millennium. 1963 audiences had little use for suspect 'pacifist' movies that ended in masochistic doom, like On the Beach. The nuclear crisis was such a hot topic that that the low-key English science fiction film The Day the Earth Caught Fire was a surprise hit. Strangelove is more realistic than the straight atom nightmare movies. We're told that when Ronald Reagan was briefed at the start of his first term in office, he asked where the White House elevator to the War Room was. He figured it was there because he saw it in the movie. The decision to opt for broad comedy was Kubrick's inspired stroke. Dr. Strangelove may be the first hit film that was a bona-fide black comedy; I don't recall anybody even using the expression before it came out. It's not a crazy comedy where anything funny is okay. The backbone of the story remains 100% serious, while the jokes relentlessly demolish the death-cult logic of our Nuclear Deterrent. Kubrick and Terry Southern populate Peter George's credible cold-sweat crisis with insane caricatures given ridiculous names. The scary part is that, no matter how stupid they behave, none are really that exaggerated. Peter Sellers serves triple duty in a trio of characterizations, effectively outdoing previous champion film chameleon Alec Guinness. George C. Scott steals the show as an infantile Air Force General who acts like a Looney Tunes cartoon character. And the rest of the inspired cast nails their highly original quasi-comic characters. Every joke is a gallows joke; we're never allowed to forget that we all have an atomic noose around our necks. I almost envy the dead viewers still unfamiliar with Dr. Strangelove, as seeing it for the first time was a mind-opening experience. Jack D. Ripper (Sterling Hayden), the commander of Burpelson Air Force Base, orders a flight of B-52s to attack Russia. He then seals off Burpelson to prevent a recall of the planes. Exchange officer Group Captain Lionel Mandrake (Peter Sellers) tries to talk him into divulging the recall code. Holding court in the War Room, President Merkin Muffley (Peter Sellers) is horrified to discover that such a Snafu is even possible. He orders General Buck Turgidson (George C. Scott) to take Burpelson Air Base by force and recall the planes, and gets on the hotline with the Soviet Premier. Up in the lead B-52, Major 'King' Kong (Slim Pickens) receives Ripper's orders, coded 'Wing Attack Plan R.' He urges his crew to avoid Russian defenses and reach their primary target, while Turgidson tries to talk Muffley into launching an all-out attack. Advising in the War Room is ex-Nazi scientist Dr. Strangelove, a grinning theoretician already fantasizing about the sexual recreation for the ruling elite in the VIP bomb shelters, where America's chosen high officials will be living for the next 93 years. Dr. Strangelove divides its time between three main locations, each with its own deadly serious function and each overlaid with a different comedic tone. In his locked executive office in the Alaskan Air Force Base, the sexually obsessed American General Ripper faces off with a veddy proper English officer in a farcical one-act. Beady-eyed and intense in his anti-Communist convictions, Sterling Hayden contrasts beautifully with Seller's genial Group Captain, who can't fathom the depth of his commanding officer's madness. The action in the B-52 is a throwback to those gung-ho WW2 action films in which a racially and ethnically diverse attack team uses brains and guts to barrel through their suicide mission. Even though their pilot is a cowboy clown (Slim Pickens doing his only characterization, Slim Pickens) they're an admirable bunch, seemingly the only humans capable of doing anything without red tape or Coca-Cola machines getting in their way. The horror is that our heroes' mission is totally against every moral precept ever imagined. The docu feeling in the B-52 is further amplified by the gritty newsreel-like footage of the taking of Burpelson Afb, with American troops fighting American troops. In 1964 these were traumatic, subversive scenes. U.S. troops on film are supposed to fight for freedom and righteousness, not kill each other. Kubrick has the audacity to place in the middle of it all a big sign that reads, 'Peace is our Profession.' The grainy authenticity of these scenes would come back to haunt us when similar footage started being seen nightly on television, fresh from Vietnam. The center of activities is the War Room, a Camelot-like round table of Death located in the basement of the White House. The rational President Merkin Muffley trips over an ideological roadblock in the form of Buck Turgidson, a gum-chewing military nutcase itching to go to war and overjoyed that Jack Ripper has 'exceeded his authority.' The President is hardly in charge of foreign policy, and none of fifty advisors come to his aid with any original thinking. An amateur among experts, Muffley must be shepherded through protocol by an assistant. Here's where Southern and Kubrick make their biggest points, basically asserting that a showdown with the Russkies is inevitable because the American stance is a military one -- Sac just wants the peacenik in the Oval Office to get out of their way. The comedy is all over the place, and it's a miracle that it works. The stand-up humor on the hot line to Moscow is very much like a Bob Newhart routine. At Burpelson, it's the Goon Show all over again. Sellers' Mandrake cannot sway General Ripper, and the moronic Major Bat Guano (Keenan Wynn) suspects the Raf officer of being a 'deviated prevert.' Up in the bomber, Mad Magazine craziness is grafted onto combat realism. Previous looks at the Air Force's flying deterrent were enlistment booster films like Strategic Air Command. Kubrick drove his English craftsmen to fake the entire bomber interior right down to the switches and gauges. The aerial combat is more realistic than that in escapist films, even with inadequate models used for exteriors of the jet bomber in flight. Dr. Strangelove maintains a nervous tension between absurd comedy and morbid unease. Kubrick's main career themes -- sexual madness, treacherous technology and the folly of human planning -- come into strong relief. We're motivated to root for the fliers that are going to destroy the world. Then we fret over the President's pitiful lack of control. Dour, glowering Russian Ambassador De Sadesky (Peter Bull) informs the War Room about his country's solution to the costly Arms Race, the dreaded Doomsday Machine. Security advisor Dr. Strangelove enters the film in the last act to serve as sort of an angel of Death. Based loosely on Rand-corporation experts that calculated eventualities in nuclear war scenarios, Sellers' vision of Strangelove is a throwback to German Expressionism. A Mabuse in a wheelchair, he's black-gloved like the brilliant but mad Rotwang of Metropolis. Strangelove enters like the specter of Death itself; his grin looks like a skull. Contemplating 'megadeaths' gives him sexual pleasure. The detonation of the first bomb seems to liberate Strangelove, and he finds he can walk again. The character is straight from the Siegfried Kracauer playbook. The evil of nuclear war has restored the representative of apocalyptic Nazi vengeance to full power. Twenty years after his death, we all get to join Hitler in his suicide bunker. First-time viewers are usually floored by the audacious Dr. Strangelove. Only the truly uninformed will not recognize baritone James Earl Jones as one of Major Kong's flight crew. Those going back for a repeated peek will derive added enjoyment from Kubrick's deft juggling of his several visual styles and his avoidance of anything that might deflate tension: we hear about the recall code being issued but are spared any view of the responsible military personnel that must have sent it. Some of the best fun is finding details in designer Ken Adam's impressive War Room, such as the pies already laid out in preparation for the aborted pie-fight finale. Even better is watching the War room extras as they strain to maintain straight faces no matter how funny Sellers and Scott get; that contrast is what makes the comedy so brilliant. Watch Peter Bull carefully. In one extended take he starts to smile at Sellers, more than once. He catches himself and then is clearly on the verge of cracking up, forcing Kubrick to cut away. The Criterion Collection's Blu-ray of Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb is the expected sterling transfer of this Kubrick classic, a 4K digital transfer. I put it up against Sony's old Blu-ray and the difference is not so great as to recommend that a trade-up is necessary. However, it looks extremely good. The Kubrick faithful out there will be thinking, 'I must not allow a disc shelf gap.' The HD picture makes quite a bit of difference in understanding Kubrick's photographic strategy. Not only do the hand-held Burpelson combat sequences approximate the look of documentary footage, a more contrasty and grainy film stock has been used. Switching "film looks" later became a fad for directors looking to be viewed as artists. The idea perhaps reached its zenith in Oliver Stone's Natural Born Killers. Back in 1964 the effect of imitating a news film look was quite stunning -- audiences reacted to the combat scenes as if they were real. I'm glad that we're finally beyond the frustrating early DVD years, when someone (at Warner Home Video?) claimed that Stanley Kubrick insisted that his films be shown at the old 1:33 aspect ratio for TV and disc. Even if they wangled a note from Kubrick to that effect, I still believe that the aspect ratio games were played because Kubrick was too busy to oversee new masters of his films, and Whv wanted to market them in a hurry at a minimum of cost. That's all old news now, but there was also the interesting aspect ratio question concerning Strangelove. At least one disc iteration -- Criterion's laserdisc, I'm fairly sure -- was released in a completely un-original dual-ratio scan. Kubrick apparently said that he preferred to see the War Room scenes at a full-frame 1:37, and so this one transfer of the film popped back and forth between ratios. I've never heard of anything like this before or after. Criterion's British 1:66 framing for this disc is correct, even though the film was probably screened at 1:85 for many of its American play dates. Criterion's new extras begin with interview featurettes with well-chosen spokespeople, like scholars Mick Broderick and Rodney Hill. Kubrick archivist Richard Daniels' piece is quite good, as is an examination of the film's visuals by two of the original camera crew. The son of author Peter George gives an excellent account of his father's life and the adaptation of his novel Red Alert. George reportedly liked the notion of turning his story into a black comedy, especially when his original narrative was changed very little. The stroke of genius was deciding that the entire subject could best be approached as a sick joke. Other extras are repeated from Sony's DVD disc of 2004. A making-of docu interviews several surviving technicians and actors, and a primer on the Cold War atom standoff goes deep into detail. The featurettes have input from Robert McNamara, Spike Lee and Bob Woodward. Critics Roger Ebert and Alexander Walker are also represented. Docu pieces on Peter Sellers and Kubrick appear to suffer from legal restraints disallowing the use of clips from non-Columbia sources. The Peter Sellers show features several choice film clips from the 'fifties, including Sellers' almost perfect take on a William Conrad-like hired killer. We're shown some stills from the legendary The Goon Show, which is not mentioned by name. A Stanley Kubrick career piece that uses UA, MGM and Universal trailers covers a lot of territory a bit too quickly. It does have some nice interview input from Kubrick's partner James B. Harris. Harris has since given terrific interviews on Criterion discs for Kubrick's The Killing and Paths of Glory. Criterion's Curtis Tsui produced those discs as well as this one. An entertaining extra is a pair of vintage 'split screen' fake interviews with Sellers and Scott intended for publicity use. Each actor projects his chosen PR image. They're charming, especially when Sellers takes us on a lightning tour of regional English accents. I wonder if those distinctions have faded, 52 years later? As a pleasant surprise, Curtis Tsui has overseen the creation of a collectable, highly amusing substitute for a standard disc insert booklet. Inside an authentic-looking 'Wing Attack Plan R' envelope, David Bromwich's insert essay is printed in the form of classified orders on two sheets of loose-leaf paper. Terry Southern's hilariously profane 1994 essay on the movie comes in the form of a Playboy parody, illustrated with photos of Tracy Reed as 'Miss Foreign Affairs.' Finally, the disc credits and details are printed in a genuine miniature Russian Phrase Book and Holy Bible, a little bigger than one-inch square. It indeed offers some phrases that I'll have to try on my multi-lingual daughter, like "Where is the toilet?" But the cover Lies, as there's no Bible in there that I could find. Also, no nine packs of chewing gum and no issue of prophylactics. On a scale of Excellent, Good, Fair, and Poor, Dr. Strangelove Blu-ray rates: Movie: Excellent Video: Excellent Sound: Excellent uncompressed monaural + alternate 5.1 surround soundtrack, presented in DTS-hd Master Audio Supplements: (from Criterion stats): New interviews with Stanley Kubrick scholars Mick Broderick and Rodney Hill; archivist Richard Daniels; cinematographer and camera innovator Joe Dunton; camera operator Kelvin Pike; and David George, son of Peter George, on whose novel Red Alert the film is based. Excerpts from a 1966 audio interview with Kubrick, conducted by physicist and author Jeremy Bernstein; Four short documentaries about the making of the film, the sociopolitical climate of the period, the work of actor Peter Sellers, and the artistry of Kubrick. Promotional interviews from 1963 with Sellers and actor George C. Scott; excerpt from a 1980 interview with Sellers from NBC's Today show; Trailers; insert essay by scholar David Bromwich and a 1994 article by screenwriter Terry Southern on the making of the film. Deaf and Hearing-impaired Friendly? Yes; Subtitles: English Packaging: Keep case Reviewed: June 7, 2016 (5136love)
Visit DVD Savant's Main Column Page Glenn Erickson answers most reader mail: dvdsavant@mindspring.com
Text © Copyright 2016 Glenn Erickson...
- 6/11/2016
- by Glenn Erickson
- Trailers from Hell
Luis Buñuel's most direct film about revolutionary politics brandishes few if any surreal touches in its clash between French star Gérard Philipe and the Mexican legend María Félix. Borrowing the climax of the opera Tosca, it's an intelligent study of how not to effect change in a corrupt political regime. La fièvre monte à El Pao Region A+B Blu-ray + Pal DVD Pathé (Fr) 1959 / B&W / 1:37 flat (should be 1:66 widescreen) / 96 min. / Los Ambiciosos; "Fever Mounts at El Pao" / Street Date December 4, 2013 / available at Amazon France / Eur 26,27 Starring Gérard Philipe, María Félix, Jean Servais, M.A. Soler, Raúl Dantés, Domingo Soler, Víctor Junco, Roberto Cañedo, Enrique Lucero, Pilar Pellicer, David Reynoso, Andrés Soler. Cinematography Gabriel Figueroa Assistant Director Juan Luis Buñuel Original Music Paul Misraki Written by Luis Buñuel, Luis Alcoriza, Charles Dorat, Louis Sapin from a novel by Henri Castillou Produced by Jacques Bar, Óscar Dancigers, Gregorio Walerstein...
- 5/21/2016
- by Glenn Erickson
- Trailers from Hell
Cad, bounder, dastard... look those words up in an old casting directory and you'll probably find a picture of George Sanders. Albert Lewin's best movie is a class-act period piece with terrific acting from Sanders, Angela Lansbury, Ann Dvorak, John Carradine, Warren William and many more, and a powerful '40s picture that most people haven't discovered, now handsomely restored. The Private Affairs of Bel Ami Blu-ray Olive Films 1947 / B&W / 1:37 flat Academy / 112 min. / Street Date May 24, 2016 / available through the Olive Films website / 29.95 Starring George Sanders, Angela Lansbury, Ann Dvorak, John Carradine, Warren William, Susan Douglas, Albert Bassermann, Frances Dee, Marie Wilson, Katherine Emery, Richard Fraser. Cinematography Russell Metty Film Editor Joseph Albrecht Original Music Darius Milhaud Assistant Director Robert Aldrich Production Design Gordon Wiles Written by from the novel by Guy de Maupassant Produced by David L. Loew Written Directed by Albert Lewin
Reviewed by Glenn Erickson...
Reviewed by Glenn Erickson...
- 5/14/2016
- by Glenn Erickson
- Trailers from Hell
Is satire obsolete? Our appalling present political reality has surpassed some of the wildest jokes in director Joe Dante's 'exaggerated, outrageous' 1997 cable movie. An immigration squabble snowballs until a renegade state governor closes his border and threatens to secede from the Union. It's a 'political idiocy' version of It's a Mad, Mad, Mad, Mad World ... and nineteen years later, we're stuck living it. The Second Civil War DVD (2005) HBO Video 1997 / Color / 1:78 widescreen / 96 min. / Street Date August 30, 2005 / 14.98 Starring Beau Bridges, Joanna Cassidy, Phil Hartman, James Earl Jones, James Coburn, Dan Hedaya, Elizabeth Peña, Denis Leary, Ron Perlman, Kevin Dunn, Brian Keith, Kevin McCarthy, Dick Miller, William Schallert, Catherine Lloyd Burns, Jerry Hardin, Roger Corman, Rance Howard, Robert Picardo, Alexandra Wilson, Belinda Belaski, Jennifer Carlson, Sean Lawlor. Cinematography Mac Ahlberg Film Editor Marshall Harvey Original Music Hummie Mann Written by Martyn Burke Produced by Guy Riedel Directed by Joe Dante...
- 4/23/2016
- by Glenn Erickson
- Trailers from Hell
Auteur Harold 'P.' Warren puts the Pee back in showmanship! After seeing this frightless Texan fright show you'll want to nominate Ed Wood for a posthumous Oscar. It's popular beyond all comprehension. The intrepid disc producers provide great extras, but can't quite make us understand Why it is the Landmark Lemon of all time. "Manos" the Hands of Fate Blu-ray Synapse Special Edition 1966 / Color / 1:33 flat / 74 min. / Street Date October 13, 2015 / 24.95 Starring Tom Neyman, John Reynolds, Diane Adelson, Harold P. Warren, Jackey Neyman, William Bryan Jennings. Cinematography attempted by Robert Guidry Film randomly assembled by Ernie Smith, James Sullivan This original Music is, ah, really original! Russ Huddleston, Robert Smith Jr. Evidence confirms that "Manos" was Produced Written and Directed by Harold P. Warren
Reviewed by Glenn Erickson
Ah joy! Finally -- a movie that invites all the cheap-shot insults that Savant must normally stifle. What follows is all in good fun.
Reviewed by Glenn Erickson
Ah joy! Finally -- a movie that invites all the cheap-shot insults that Savant must normally stifle. What follows is all in good fun.
- 4/2/2016
- by Glenn Erickson
- Trailers from Hell
Robert Wise's taut noir suspenser about the Mafia takeover of a small city is like an underworld Invasion of the Body Snatchers. John Forsythe's newsman slowly realizes that gambling corruption has infiltrated the business district, city hall, and even his close associates; he's expected to become a crook too, or else. Great docudrama style aided by a special deep-focus lens; Estes Kefauver makes a personal appearance touting the crime-busting Washington committee that inspired the picture. The Captive City Blu-ray Kl Studio Classics 1952 / B&W / 1:33 flat full frame / 91 min. Street Date January 5, 2016 / available through Kino Lorber / 29.95 Starring John Forsythe, Joan Camden, Marjorie Crossland, Victor Sutherland, Ray Teal, Martin Milner, Geraldine Hall, Hal K. Dawson, Paul Brinegar, Estes Kefauver, Victor Romito. Cinematography Lee Garmes Film Editor Robert Swink Original Music Jerome Moross Written by Alvin M. Josephy Jr., Karl Kamb Produced by Theron Warth Directed by Robert Wise
Reviewed...
Reviewed...
- 1/4/2016
- by Glenn Erickson
- Trailers from Hell
Stop! Don't touch that dial... if you like your atom-age propaganda straight up, MGM has the movie for you, an expensive 1946 docu-drama that became 'the official story' for the making of the bomb. The huge cast includes Brian Donlevy, Robert Walker, Tom Drake, Audrey Totter, Hume Cronyn, Hurd Hatfield, and Joseph Calleia. How trustworthy is the movie? It begins by showing footage of a time capsule being buried -- that supposedly contains the film we are watching. Think about that. Mom, Apple Pie, the Flag and God are enlisted to argume that we should stop worrying and love the fact that bombs are just peachy-keen dandy. The Beginning or the End DVD-r The Warner Archive Collection 1947 / B&W / 1:37 flat Academy / 112 min. / Street Date September 22, 2015 / available through the WBshop / 21.99 Starring Brian Donlevy, Robert Walker, Tom Drake, Beverly Tyler, Audrey Totter, Hume Cronyn, Hurd Hatfield, Joseph Calleia, Godfrey Tearle, Victor Francen,...
- 1/4/2016
- by Glenn Erickson
- Trailers from Hell
A water main break at a movie theater can wreak havoc on a film festival!
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, was supposed to start Sunday April 19th at the Tivoli Theatre. But the organizers had to reschedule when the Tivoli had to shut down because of the water disaster. The show will go on, but the schedule has been changed.
The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis...
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, was supposed to start Sunday April 19th at the Tivoli Theatre. But the organizers had to reschedule when the Tivoli had to shut down because of the water disaster. The show will go on, but the schedule has been changed.
The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis...
- 4/20/2015
- by Tom Stockman
- WeAreMovieGeeks.com
This Sunday! – Come get your Q on, St. Louis!
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, runs April 19-23 at the Tivoli Theatre. The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut...
The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, runs April 19-23 at the Tivoli Theatre. The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut...
- 4/17/2015
- by Tom Stockman
- WeAreMovieGeeks.com
Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 36 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. Header Photo: A Dude Made Fake […]
The post Page 2: Indiana Jones, Mad Men, Breaking Bad, Tarantino, Citizen Kane, Jurassic Park, Big Lebowski, Star Wars, Battlestar, Terminator, Labyrinth appeared first on /Film.
The post Page 2: Indiana Jones, Mad Men, Breaking Bad, Tarantino, Citizen Kane, Jurassic Park, Big Lebowski, Star Wars, Battlestar, Terminator, Labyrinth appeared first on /Film.
- 4/3/2015
- by Peter Sciretta
- Slash Film
Come get your Q on, St. Louis! The Eighth Annual QFest St. Louis, presented by Cinema St. Louis, runs April 19-23 at the Tivoli Theatre. The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 23 films – 11 features (six narratives and five documentaries) and 12 short subjects. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to illustrate the diversity of the Lgbtq community and to explore the complexities of living an alternative lifestyle.
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut from HBO...
Highlights include the St. Louis premieres of two biographical documentaries on Olympic diver Greg Louganis (“Back on Board”) and former Hollywood heartthrob Tab Hunter (“Tab Hunter Confidential”). Other prominent films include the latest from avant-garde queer filmmaker Bruce la Bruce (“Gerontophilia”) and lesbian-themed films starring Geraldine Chaplin (“Sand Dollars”) and the directorial debut from HBO...
- 3/13/2015
- by Tom Stockman
- WeAreMovieGeeks.com
Translators introduction: This article by Mireille Latil Le Dantec, the second of two parts, was originally published in issue 40 of Cinématographe, September 1978. The previous issue of the magazine had included a dossier on "La qualité française" and a book of a never-shot script by Jean Grémillon (Le Printemps de la Liberté or The Spring of Freedom) had recently been published. The time was ripe for a re-evaluation of Grémillon's films and a resuscitation of his undervalued career. As this re-evaluation appears to still be happening nearly 40 years later—Grémillon's films have only recently seen DVD releases and a 35mm retrospective begins this week at Museum of the Moving Image in Queens—this article and its follow-up gives us an important view of a French perspective on Grémillon's work by a very perceptive critic doing the initial heavy-lifting in bringing the proper attention to the filmmaker's work.
Passion...
Passion...
- 12/11/2014
- by Ted Fendt
- MUBI
Sarah Jessica Parker is putting her shoes on stairs that don't belong there.
Sarah Jessica Parker recently shamelessly promoted her eponymous shoe line using Carrie Bradshaw’s famed Sex and the City stoop. Cute, right?
Only one problem. That staircase is not a fake set — people actually live there and they are over Satc tributes.
Those famous stairs from the hit tv show now come with a sign directed at tourists who visit 66 Perry St. to pay tribute to the iconic TV character. In order to detour the visitors from climbing the residents’ front steps, a chain has been installed along with a sign that reads, "Do Not go on staircase please."
In order to detour the tourists, a sign on the stairs reads, "Do Not go on staircase please."
The President of the Perry Street Association, Gerald Banu, told Page Six, "The situation with 'Satc' visitors is still very intense. People who live...
Sarah Jessica Parker recently shamelessly promoted her eponymous shoe line using Carrie Bradshaw’s famed Sex and the City stoop. Cute, right?
Only one problem. That staircase is not a fake set — people actually live there and they are over Satc tributes.
Those famous stairs from the hit tv show now come with a sign directed at tourists who visit 66 Perry St. to pay tribute to the iconic TV character. In order to detour the visitors from climbing the residents’ front steps, a chain has been installed along with a sign that reads, "Do Not go on staircase please."
In order to detour the tourists, a sign on the stairs reads, "Do Not go on staircase please."
The President of the Perry Street Association, Gerald Banu, told Page Six, "The situation with 'Satc' visitors is still very intense. People who live...
- 10/21/2014
- Entertainment Tonight
[As you probably already know, starting on Thursday, August 21, Fxx is running the Every Simpsons Ever Marathon, running through all 552 episodes of "The Simpsons," plus "The Simpsons Movie." To aid in your viewing process, Team HitFix is selecting our favorite episodes from each day, plus an episode or two that you can skip and use as a bathroom or nap break.] Day 7 of Fxx's Every Simpsons Ever Marathon goes from "Simpsons Tall Tales" (the end of Season 12) through to "The President Wore Pearls" (the beginning of Season 15). I must admit: The "Simpsons" fans on Team HitFix are beginning to drop like flies. Josh Lasser's fandom carried through the Tomacco episode, but no further. David Lewis wrote a blurb here for "Simpsons Tall Tales," the episode he says ended his active support of the show. Fortunately, Sepinwall and I had a pair of favorites apiece and Katie Hasty also had a preferred episode, so we've got some recommendations for you, plus a couple episodes you can avoid. [And while I only wrote up two episodes I love, there are at least 10 more that I'll be happy to rewatch if I'm around and another 10 more that I'd enjoy having on in the background. Possibly more. This may be the worst period for "The Simpsons" thus far, but I'll always maintain that middling-to-poor "Simpsons" is still more rewatchable than nearly anything else on TV.] Check out our recommendations for Day 7 and chime in with your own favorites... Katie Hasty Recommends: "She Of Little Faith" (3 a.m.) Episode #275 Why...
- 8/27/2014
- by Daniel Fienberg, Alan Sepinwall, Dave Lewis and Katie Hasty
- Hitfix
Bac Films
Circa 1988, the Paris-based company created by Jean Labadie is a company of many hats. The French Distribution and International Sales Co. Bac Films is an indie outfitter that counts Frédéric Jardin’s Sleepless Night, Nicolas Provost’s The Invader, Bruno Forzani and Hélène Cattet’s The Strange Colour Of Your Body’s Tears and the sublime Michel Franco’s After Lucia (2012 Cannes) as their recent slate. Head of Sales Gilles Sousa will be once again repping Baltasar Kormákur’s latest (they worked with him on The Deep).
Croisette 2014 Offerings:
Bac Films populate three sections this year. They’ve got Thomas Cailley’s Love at First Fight (aka Fighters) in the Directors’ Fortnight (see pic above), Un Certain Regard selected Philippe Lacôte’s Run and Pablo Fendrik’s El Ardor (starring Gael Garcia Bernal) gets Special Screening status. We’ve been highly anticipating the Gael Garcia Bernal starrer – he...
Circa 1988, the Paris-based company created by Jean Labadie is a company of many hats. The French Distribution and International Sales Co. Bac Films is an indie outfitter that counts Frédéric Jardin’s Sleepless Night, Nicolas Provost’s The Invader, Bruno Forzani and Hélène Cattet’s The Strange Colour Of Your Body’s Tears and the sublime Michel Franco’s After Lucia (2012 Cannes) as their recent slate. Head of Sales Gilles Sousa will be once again repping Baltasar Kormákur’s latest (they worked with him on The Deep).
Croisette 2014 Offerings:
Bac Films populate three sections this year. They’ve got Thomas Cailley’s Love at First Fight (aka Fighters) in the Directors’ Fortnight (see pic above), Un Certain Regard selected Philippe Lacôte’s Run and Pablo Fendrik’s El Ardor (starring Gael Garcia Bernal) gets Special Screening status. We’ve been highly anticipating the Gael Garcia Bernal starrer – he...
- 5/31/2014
- by Eric Lavallee
- IONCINEMA.com
Photo: AMPAS Oscar Musts: Predictions | Nominees | Presenters | Printable Ballot It's that time of year again and I welcome you to the 2014 Oscars Live Blog with up-to-the-minute live winners, commentary, red carpet coverage and overall merriment. We are kicking this thing off around 3:30-4 Pm Pst or so and carrying on until 9 Pm Pst or whenever this thing ends, which means you better have food, water and perhaps a tasty beverage or two because it's going to be a long night. I've already posted my predictions and have collated the reader polls into one, easy-to-read place along with my predictions as well as my Oscar-blogging co-hort and podcast partner Laremy Legel. You can find all three, one after another with the differences highlights right here. As far as my predicting prowess is concerned, the last two years I've ended the night getting 19 out of 24 correct, I really want to at least get 20 this year.
- 3/2/2014
- by Brad Brevet
- Rope of Silicon
Pre-credit sequence. The division of tribes has been made by the quality the players most rely upon in life, whatever that means. The Brains Tribe has an average Iq of 130 which is, honestly, not all that impressive. I mean, they're smart, but they're not Geena Davis smart. Spencer tied for first in the World Open Chess Championship and says he's both diabolical and a genius. If you say so! David is the President of the Marlins, which means that if there's a challenge that requires salary dumping, he's going to be hard to top. Kass is a lawyer who boasts about being undefeated, which is the kind of thing John Grisham characters boast about, that and smart older secretaries who have forgotten more law than most of us will ever know. On to the Beauty Tribe, whose beauty can't be measured numerically. But Morgan was an NFL cheerleader and she's...
- 2/27/2014
- by Daniel Fienberg
- Hitfix
The Oscars are uncomfortably close. We’re less than three weeks away from the big moment where Judi Dench will (hopefully) cackle menacingly as her Notes on a Scandal costar Cate Blanchett picks up a second statue. “You’re a vampire!” Cate will holler from the stage. And I’ll jump into the TV.
The point is it’s time to think about actresses in a big way. Today’s topic: the 10 greatest losing Best Actress nominees of the past 10 years. Forget “winning performances” like Sandra Bullock in The Blind Side or Reese Witherspoon in Walk the Line. These are the runners-up whose work also deserved formal, fabulous recognition. (Keep in mind I’m not necessarily saying these actresses should’ve won, but I will tell you who they were up against.)
10. Annette Bening, The Kids are All Right
Lost to: Natalie Portman in Black Swan
Natalie Portman’s win...
The point is it’s time to think about actresses in a big way. Today’s topic: the 10 greatest losing Best Actress nominees of the past 10 years. Forget “winning performances” like Sandra Bullock in The Blind Side or Reese Witherspoon in Walk the Line. These are the runners-up whose work also deserved formal, fabulous recognition. (Keep in mind I’m not necessarily saying these actresses should’ve won, but I will tell you who they were up against.)
10. Annette Bening, The Kids are All Right
Lost to: Natalie Portman in Black Swan
Natalie Portman’s win...
- 2/10/2014
- by Louis Virtel
- The Backlot
"Veep" star Julia Louis-Dreyfus took home her fourth career win, and her second for her HBO comedy, at the 2013 Primetime Emmy Awards on Sunday (Sept. 22), while "Breaking Bad" actress Anna Gunn earned her first award ever for her final season as Skylar White.
The complete winners list below:
Outstanding DRAMABreaking BadDownton Abbey Game of Thrones Homeland House of Cards Mad Men
Outstanding Actress In A Drama Connie Britton, Nashville Claire Danes, Homeland Michelle Dockery, Downton Abbey Vera Farmiga, Bates Motel Elisabeth Moss, Mad Men Kerry Washington, Scandal Robin Wright, House of Cards
Outstanding Actor In A Drama Hugh Bonneville, Downton Abbey Bryan Cranston, Breaking Bad Jeff Daniels, The Newsroom Jon Hamm, Mad Men Damian Lewis, Homeland Kevin Spacey, House of Cards
Outstanding Supporting Actress In A Drama Anna Gunn, Breaking Bad Maggie Smith, Downton Abbey Emilia Clarke, Game of Thrones Christine Baranski, The Good Wife Morena Baccarin, Homeland Christina Hendricks,...
The complete winners list below:
Outstanding DRAMABreaking BadDownton Abbey Game of Thrones Homeland House of Cards Mad Men
Outstanding Actress In A Drama Connie Britton, Nashville Claire Danes, Homeland Michelle Dockery, Downton Abbey Vera Farmiga, Bates Motel Elisabeth Moss, Mad Men Kerry Washington, Scandal Robin Wright, House of Cards
Outstanding Actor In A Drama Hugh Bonneville, Downton Abbey Bryan Cranston, Breaking Bad Jeff Daniels, The Newsroom Jon Hamm, Mad Men Damian Lewis, Homeland Kevin Spacey, House of Cards
Outstanding Supporting Actress In A Drama Anna Gunn, Breaking Bad Maggie Smith, Downton Abbey Emilia Clarke, Game of Thrones Christine Baranski, The Good Wife Morena Baccarin, Homeland Christina Hendricks,...
- 9/23/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
by Brett White
IGN caught up with Chris Pratt on the set of "Parks and Recreation" where, after discussing the upcoming sixth season of the downright fantastic NBC sitcom, the conversation turned towards "Guardians of the Galaxy." Aubrey Plaza, who plays Pratt's wife April Ludgate, was also present, resulting in some fantastic dry interactions between the pair—including one where Pratt admitted to having some extraterrestrial relations.
Plaza: Do you get to have sex with an alien?
Pratt: Yes.
Plaza: What!?
Pratt: A couple.
Plaza: Cool. Have you shot those scenes yet?
Pratt: I can’t get too much into what we’ve shot.
Plaza: All right. Will you show me later?
Pratt: Yeah, I’ll show you.
Plaza also revealed that playing the lead in a big budget Marvel movie hasn't gone to Pratt's affable head. "Yeah, he is a total diva," teased Plaza. "He's just ordering everyone around.
IGN caught up with Chris Pratt on the set of "Parks and Recreation" where, after discussing the upcoming sixth season of the downright fantastic NBC sitcom, the conversation turned towards "Guardians of the Galaxy." Aubrey Plaza, who plays Pratt's wife April Ludgate, was also present, resulting in some fantastic dry interactions between the pair—including one where Pratt admitted to having some extraterrestrial relations.
Plaza: Do you get to have sex with an alien?
Pratt: Yes.
Plaza: What!?
Pratt: A couple.
Plaza: Cool. Have you shot those scenes yet?
Pratt: I can’t get too much into what we’ve shot.
Plaza: All right. Will you show me later?
Pratt: Yeah, I’ll show you.
Plaza also revealed that playing the lead in a big budget Marvel movie hasn't gone to Pratt's affable head. "Yeah, he is a total diva," teased Plaza. "He's just ordering everyone around.
- 8/30/2013
- by Splash Page Team
- MTV Splash Page
Birthday shoutouts go to Paul Wesley (above), who is 31, Edie McClurg is 62, Woody Harrelson is 52, Philip Seymour Hoffman is 46, and Daniel Radcliffe is 24.
Sexting is one thing, but … “Carlos Danger?” I’m sorry, that’s unforgivable.
Flowers in the Attic and its sequels had a profound impact on me growing up (for starters, i’ve never eaten a powdered doughnut), and now comes word that Lifetime is preparing a TV movie adaptation, starring Heather Graham and Ellen Burstyn. Does anyone else remember the 80′s feature version, with Kristy Swanson and Louise Fletcher?
Ken Cuccinelli’s war on oral sex.
And here’s John Fugelsang‘s take.
The Muppets welcome the new royal baby.
The CW has released the first pic of Lindsey Gort as Samantha Jones on The Carrie Diaries. Yep … I can see it.
Below you can see Robbie Rogers talk about his … fashion line?
Ricky Martin performs onstage...
Sexting is one thing, but … “Carlos Danger?” I’m sorry, that’s unforgivable.
Flowers in the Attic and its sequels had a profound impact on me growing up (for starters, i’ve never eaten a powdered doughnut), and now comes word that Lifetime is preparing a TV movie adaptation, starring Heather Graham and Ellen Burstyn. Does anyone else remember the 80′s feature version, with Kristy Swanson and Louise Fletcher?
Ken Cuccinelli’s war on oral sex.
And here’s John Fugelsang‘s take.
The Muppets welcome the new royal baby.
The CW has released the first pic of Lindsey Gort as Samantha Jones on The Carrie Diaries. Yep … I can see it.
Below you can see Robbie Rogers talk about his … fashion line?
Ricky Martin performs onstage...
- 7/23/2013
- by snicks
- The Backlot
My, those Cinema St. Louis guys are tres occupé! Hot off the heels of their Q-Fest (the St. Louis Gay and Lesbian Film Festival), the Classic French Film Festival starts up this week at the same location. Discover the French culture! The Classic French Film Festival is sponsored by TV5MONDE USA , the French channel in the Us. I’ve never watched it but I’m sure it’s very French!
A downloadable Pdf of the fest’s program can be found Here
http://www.cinemastlouis.org/sites/default/files/downloads/2013/fffest2013_3lores.pdf
The Cinema St. Louis page about the event is Here
http://www.cinemastlouis.org/classic-french-film-festival
All films will be shown in the Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave.
$12 general admission, $10 for students and Cinema St. Louis members, free for Webster U. students
This is the Fifth Annual Classic French Film Festival,...
A downloadable Pdf of the fest’s program can be found Here
http://www.cinemastlouis.org/sites/default/files/downloads/2013/fffest2013_3lores.pdf
The Cinema St. Louis page about the event is Here
http://www.cinemastlouis.org/classic-french-film-festival
All films will be shown in the Winifred Moore Auditorium, Webster University’s Webster Hall, 470 E. Lockwood Ave.
$12 general admission, $10 for students and Cinema St. Louis members, free for Webster U. students
This is the Fifth Annual Classic French Film Festival,...
- 6/10/2013
- by Tom Stockman
- WeAreMovieGeeks.com
I’m super-excited about this year’s Q-Fest….and I’m not even gay!
There are a pair of must-see gay-themed films making their St. Louis debuts; I Am Divine, a documentary about the late crossdresser and John Waters frequent star, and James Franco’s Interior Leather Bar, a high-concept recreation of scenes that were cut from William Friedkin’s notorious 1980 gay serial killer movie Cruising. Divine was one of the biggest, most outrageous, and proudly different gay cultural icons the world has known and the new documentary about the performer I Am Divine plays at Q-fest this Friday night at 7pm. A high (or low) point in Divine’s career was John Waters 1972’s masterpiece Pink Flamingos where he/she competes for the title of “filthiest person alive” by eating fresh dog poop. With antics like that, it’s no surprise that the emerging punk scene adopted his visage on t-shirts.
There are a pair of must-see gay-themed films making their St. Louis debuts; I Am Divine, a documentary about the late crossdresser and John Waters frequent star, and James Franco’s Interior Leather Bar, a high-concept recreation of scenes that were cut from William Friedkin’s notorious 1980 gay serial killer movie Cruising. Divine was one of the biggest, most outrageous, and proudly different gay cultural icons the world has known and the new documentary about the performer I Am Divine plays at Q-fest this Friday night at 7pm. A high (or low) point in Divine’s career was John Waters 1972’s masterpiece Pink Flamingos where he/she competes for the title of “filthiest person alive” by eating fresh dog poop. With antics like that, it’s no surprise that the emerging punk scene adopted his visage on t-shirts.
- 6/3/2013
- by Tom Stockman
- WeAreMovieGeeks.com
After a week of stars, filmmakers, and worldwide media coverage on the Croisette, the 2013 Cannes Film Festival came to an end today. The Palme d’Or went to Blue Is The Warmest Color from director Abdellatif Kechiche, best director award went to Amat Escalante for Heli, while the Jury Grand Prix went to the Coen Bros. for Inside Llewyn Davis.
The Closing Ceremony of the 66th Festival de Cannes took place at the Grand Théâtre Lumière where the Jury, presided over by Steven Spielberg, revealed the award winners.
Audrey Tautou hosted Uma Thurman on the stage to award the Palme d’or to the best film among the 20 in Competition. Taking place May 15 – 26, director Baz Luhrmann’s The Great Gatsby kicked off the 66th Festival in the Grand Théâtre Lumière of the Palais des Festivals, out of Competition in the Official Selection.
With films such as Inside Llewyn Davis scheduled...
The Closing Ceremony of the 66th Festival de Cannes took place at the Grand Théâtre Lumière where the Jury, presided over by Steven Spielberg, revealed the award winners.
Audrey Tautou hosted Uma Thurman on the stage to award the Palme d’or to the best film among the 20 in Competition. Taking place May 15 – 26, director Baz Luhrmann’s The Great Gatsby kicked off the 66th Festival in the Grand Théâtre Lumière of the Palais des Festivals, out of Competition in the Official Selection.
With films such as Inside Llewyn Davis scheduled...
- 5/27/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Bryan Singer has sent fans a new photo from the set of X-Men: Days of Future Past via his Twitter, giving us our first look at Kitty Pryde.
Kitty Pryde was portrayed by three different actresses throughout the X-Men film franchise. Sumela Kay starred in the 2000 original, Katie Stuart had a brief cameo as Pryde in the 2003 sequel while Ellen Page portrayed Kitty Pryde as a far more used character in the third film, X-Men: The Last Stand. Page will return to reprise her role again for the upcoming sequel to Matthew Vaughn’s X-Men: First Class.
Hello, Kitty @ellenpage #XMen #DaysofFuturePast twitter.com/BryanSinger/st…
— Bryan Singer (@BryanSinger) May 3, 2013
Based on the classic “Days of Future Past” comic book storyline written by Chris Claremont, the plot for the film will involving time travel and an alternate future in which mutants are hunted down by robotic Sentinels and placed in internment camps.
Kitty Pryde was portrayed by three different actresses throughout the X-Men film franchise. Sumela Kay starred in the 2000 original, Katie Stuart had a brief cameo as Pryde in the 2003 sequel while Ellen Page portrayed Kitty Pryde as a far more used character in the third film, X-Men: The Last Stand. Page will return to reprise her role again for the upcoming sequel to Matthew Vaughn’s X-Men: First Class.
Hello, Kitty @ellenpage #XMen #DaysofFuturePast twitter.com/BryanSinger/st…
— Bryan Singer (@BryanSinger) May 3, 2013
Based on the classic “Days of Future Past” comic book storyline written by Chris Claremont, the plot for the film will involving time travel and an alternate future in which mutants are hunted down by robotic Sentinels and placed in internment camps.
- 5/6/2013
- by Adam B.
- GeekRest
Here at MTV Splash Page, we like "Iron Man 3" a lot. Like, a lot a lot. We've been hyped for the project since long before the movie was even announced and have continued to be big supporters in the years since. With the Marvel film finally making its way to the big screen next Friday, we decided to take a look back at our coverage of the film since we first reported on it way back in 2008.
Yes, 2008, two years before the release of "Iron Man 2" in 2010. Even in the early days people were talking about the Mandarin being this movie's villain, and about how the story will act as a sequel to "The Avengers." It's interesting how many of the initial rumors and reports ended up coming true, and it might surprise you how much was known about the movie ahead of time.
Check out our timeline of coverage after the jump!
Yes, 2008, two years before the release of "Iron Man 2" in 2010. Even in the early days people were talking about the Mandarin being this movie's villain, and about how the story will act as a sequel to "The Avengers." It's interesting how many of the initial rumors and reports ended up coming true, and it might surprise you how much was known about the movie ahead of time.
Check out our timeline of coverage after the jump!
- 4/29/2013
- by Terri Schwartz
- MTV Splash Page
Young love is in the air, as it sounds like Madonna's 16-year-old daughter Lourdes Leon is dating "Homeland" star Timothee Chalamet. The pair met at school, Page Six reports. Both attend the La Guardia High School of Music & Art & Performing Arts, which inspired the 1980 movie "Fame."
At 17 years old, Chalamet is set to graduate as a member of the class of 2013, while Lourdes, a reported drama student, will finish school next year.
A source tells Us Weekly the couple have not been dating long, "but yes, they are teenagers being teenagers so I guess you can call it that." That doesn't make them exclusive, though. The source adds, "Lola certainly likes her boys just like her mother! I'm not sure he's the only boy in her life." Another insider says she's "boy crazy," and loves to flirt.
High school romance is a complicated thing.
At 17 years old, Chalamet is set to graduate as a member of the class of 2013, while Lourdes, a reported drama student, will finish school next year.
A source tells Us Weekly the couple have not been dating long, "but yes, they are teenagers being teenagers so I guess you can call it that." That doesn't make them exclusive, though. The source adds, "Lola certainly likes her boys just like her mother! I'm not sure he's the only boy in her life." Another insider says she's "boy crazy," and loves to flirt.
High school romance is a complicated thing.
- 4/5/2013
- by editorial@zap2it.com
- Pop2it
This post combines two earlier pieces that I wrote about Psycho: one published on June 16, 2010, to mark the film’s 50th anniversary, the other as an essay for EW University.
Eyes. Drains. Stuffed birds. Windshield wipers. $40,000. Marion Crane. The Bates Motel. Norman Bates. Mrs. Bates. “She isn’t quite herself today.” A toilet. A study. A stutter. A private trap. A peephole. A kitchen knife. Skree skree skree skree! “Mother, oh God — blood, Mother, blood!” A car. A swamp. The Bates house. A detective. A crane shot. A creased bed. A sister. A boyfriend. A detective. An attic. A cellar.
Eyes. Drains. Stuffed birds. Windshield wipers. $40,000. Marion Crane. The Bates Motel. Norman Bates. Mrs. Bates. “She isn’t quite herself today.” A toilet. A study. A stutter. A private trap. A peephole. A kitchen knife. Skree skree skree skree! “Mother, oh God — blood, Mother, blood!” A car. A swamp. The Bates house. A detective. A crane shot. A creased bed. A sister. A boyfriend. A detective. An attic. A cellar.
- 11/24/2012
- by Owen Gleiberman
- EW - Inside Movies
Further evidence Jay-z and Beyonce are hip-hop royalty: The couple will host Barack Obama at Jay's own 40/40 Club.
The president is stopping by for a dinner, where Page Six reports he'll be joined by 100 friends who will have each paid $40,000 for the honor.
The couple's friendship with Obama goes all the way back to the president's inauguration. Jay-z and Beyonce performed at a tribute concert honoring the newly elected commander-in-chief on the night before Obama took his oath of office.
Just one week ago, the president appeared in a video clip which opened Jay-z's set at the Made In America festival in Philadelphia. Obama implored the crowd to vote and said he is a fan of the rapper's music.
Beyonce has also been involved with the Obama campaign. After a letter Beyonce posted on her blog went viral, the campaign tapped her to read the note -- an appreciation...
The president is stopping by for a dinner, where Page Six reports he'll be joined by 100 friends who will have each paid $40,000 for the honor.
The couple's friendship with Obama goes all the way back to the president's inauguration. Jay-z and Beyonce performed at a tribute concert honoring the newly elected commander-in-chief on the night before Obama took his oath of office.
Just one week ago, the president appeared in a video clip which opened Jay-z's set at the Made In America festival in Philadelphia. Obama implored the crowd to vote and said he is a fan of the rapper's music.
Beyonce has also been involved with the Obama campaign. After a letter Beyonce posted on her blog went viral, the campaign tapped her to read the note -- an appreciation...
- 9/11/2012
- by The Huffington Post
- Huffington Post
We’re back with our largest Indie Spotlight to date. Today’s feature contains over a dozen indie horror items, including details on The Other Side and your chance to win a copy of City Under the Moon:
The Other Side: We’re sent dozens of short films to check out each month, but The Other Side really stands out from the pack. This short horror film is directed by The Santoro Brothers and it is apparent that they are skilled directors who are also true fans of the genre. The Other Side will be hitting the festival/convention circuit shortly, and we expect it to play really well with slasher and home invasion horror fans.
Synopsis: “When a fresh faced nanny arrives at her new job on a creaky farm in the English countryside, she is instantly caught up in the turbulent relationship of her employers. James is struggling...
The Other Side: We’re sent dozens of short films to check out each month, but The Other Side really stands out from the pack. This short horror film is directed by The Santoro Brothers and it is apparent that they are skilled directors who are also true fans of the genre. The Other Side will be hitting the festival/convention circuit shortly, and we expect it to play really well with slasher and home invasion horror fans.
Synopsis: “When a fresh faced nanny arrives at her new job on a creaky farm in the English countryside, she is instantly caught up in the turbulent relationship of her employers. James is struggling...
- 8/12/2012
- by Jonathan James
- DailyDead
Updated: To promote the upcoming seventh season of Dexter, Showtime is rolling out a series of meme-inspired ads at Comic-Con. The you-either-get-it-or-you-don’t ad style uses a classic blood-spattered smiling Dex with jaunty messages reminiscent of fan-created online memes often posted in blogs and comment boards. In fact, Showtime will have memes promoting several shows at the San Diego fan event (I’m curious to see the Homeland ones, too). The network’s ads will be on shuttle buses, lobby banners and the badge lanyards worn by every Sdcc attendee.
The Dexter panel is Thursday, July 12 at 6 p.m. and...
The Dexter panel is Thursday, July 12 at 6 p.m. and...
- 7/5/2012
- by James Hibberd
- EW - Inside TV
As I Said Last Week And The Week Before And The Week Before That – Warning: I’m assuming that people reading this have seen the movie and thus will be fine with my discussing elements of the plot. If you’re one of those who haven’t watched the movie, do yourself a favor and Don’T Read This. See the movie instead and have your own experience with it. Trust me. You’ll be glad you did. If you need a plot synopsis, imdb has a good one here.
This is the fourth and final installment in my examination of the classic Warner Bros. film, Casablanca. Not that I couldn’t go on (and on and on) about it further but I figure there are limits to the patience of all of you out there and I thank you for indulging me thus far in looking at one of my own favorite films.
This is the fourth and final installment in my examination of the classic Warner Bros. film, Casablanca. Not that I couldn’t go on (and on and on) about it further but I figure there are limits to the patience of all of you out there and I thank you for indulging me thus far in looking at one of my own favorite films.
- 4/8/2012
- by John Ostrander
- Comicmix.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.