After a few quiet weeks of home releases, this Tuesday is shaping up to be a great day for horror & sci-fi fans looking to expand their Blu-ray & DVD collections, because we have some killer titles heading home. Arrow Video is giving Alejandro Jodorowsky’s masterpiece Santa Sangre the 4K treatment with a multi-disc collection, and Severin Films is celebrating two William Girdler classics with their Special Edition releases for Grizzly and Day of the Animals as well. Scream Factory is keeping busy this Tuesday with their Blus for He Knows You’re Alone and Eyes of a Stranger, and if you missed it when it was released earlier this year, you can finally catch up with Son, featuring Andi Mattichak this week, too.
Other Blu-ray & DVD releases for May 18th include Hunted, Amityville Poltergeist, The Seventh Day, and Baxter.
Day of the Animals: Special Edition
Just when you thought it...
Other Blu-ray & DVD releases for May 18th include Hunted, Amityville Poltergeist, The Seventh Day, and Baxter.
Day of the Animals: Special Edition
Just when you thought it...
- 5/17/2021
- by Heather Wixson
- DailyDead
Hello, dear readers! We’re back with a brand-new batch of home media releases for this week, and there’s definitely something for everyone in Tuesday’s Blu-ray and DVD titles. If you missed it when it was released late last year, you can finally catch up with Spell this week, and for those of you who are looking to add some more classic titles to your personal collections, there’s certainly an array of films headed home this week that surely fit that bill.
Kino Lorber is showing some love to Frank Darabont’s Buried Alive this Tuesday, and Code Red is keeping themselves busy with a pair of cult titles headed to Blu as well: Just Before Dawn and The Devil’s Wedding Night. Other notable releases for January 12th include Rituals, Go/Don’t Go, It Cuts Deep, Devilman: Special Edition, and a Double Feature Blu-ray for both Zombieland films.
Kino Lorber is showing some love to Frank Darabont’s Buried Alive this Tuesday, and Code Red is keeping themselves busy with a pair of cult titles headed to Blu as well: Just Before Dawn and The Devil’s Wedding Night. Other notable releases for January 12th include Rituals, Go/Don’t Go, It Cuts Deep, Devilman: Special Edition, and a Double Feature Blu-ray for both Zombieland films.
- 1/12/2021
- by Heather Wixson
- DailyDead
Strangely enough, Pam Grier’s last Blaxploitation feature, 1975’s Sheba, Baby, would be the title to introduce her to a much wider audience thanks to its PG rating. Though undoubtedly adult in theme, it’s a kittenish exercise compared to the violence, gratuitous sex, and shameless taken-for-granted racist and misogynistic antics of earlier efforts. Its classification as the final chapter of Grier’s Blaxploitation days is also sort of a misnomer, since this refers to the last time she’d don her famous persona as an action star in pursuit of a more serious career, heading into Drum (a sequel to the infamous Mandingo), starring opposite Richard Pryor in Greased Lightning, and even a Ray Bradbury adaptation in Something Wicked This Way Comes (1983). But 1975 was one of several sterling years for Grier, headlining three films, though none of them would eventually reach the same iconicity as the prior year’s...
- 3/1/2016
- by Nicholas Bell
- IONCINEMA.com
Following the massive success of Jaws (1975), producers were chomping at the bit to replicate its grosses. Far too many movies to mention here, but suffice it to say that most were stinkers, and none could put a dent box office – wise in the hull of the Orca. However, one little film somehow managed to not only rake in big bucks in its wake, but paid, ahem, ‘homage’ to the soon to be Universal classic. William Girdler’s Bad Bear Bonanza Grizzly (1976) follows it so closely I’m amazed Jaws doesn’t have a big black snout rammed up its grey finned keister. Regardless of its inspiration, Grizzly is a B movie blast.
Released domestically in May of 1976 by Film Ventures International (and internationally by Columbia Pictures), Grizzly brought in a whopping $39,000,000 Us against a $750,000 budget. An amazing performance at the box office, with no help whatsoever from critics who derided the film as derivative,...
Released domestically in May of 1976 by Film Ventures International (and internationally by Columbia Pictures), Grizzly brought in a whopping $39,000,000 Us against a $750,000 budget. An amazing performance at the box office, with no help whatsoever from critics who derided the film as derivative,...
- 9/19/2015
- by Scott Drebit
- DailyDead
Writer Lee Gambin calls them Natural Horror films, other writers call them Revenge of Nature or Nature Run Amok films and writer Charles Derry considers them a type of Apocalyptic Cinema.
Of course we’re speaking of one of the great horror subgenres for which we’ll employ writer Kim Newman’s tag: The Revolt of Nature.
Since the end of the 1990s, lovers of animal attack films have been subjected to copious amounts of uninspired Nu Image, Syfy Channel and Syfy Channel-like dreck like Silent Predators (1999), Maneater (2007) Croc (2007), Grizzly Rage (2007) and a stunning amount of terrible shark attack films to name a few that barely scratch the surface of a massive list.
These movies fail miserably to capture the intensity of the unforgettable films they are imitating and the recent wave seems to carry with it the intent of giving the Revolt of Nature horror film a bad name.
Of course we’re speaking of one of the great horror subgenres for which we’ll employ writer Kim Newman’s tag: The Revolt of Nature.
Since the end of the 1990s, lovers of animal attack films have been subjected to copious amounts of uninspired Nu Image, Syfy Channel and Syfy Channel-like dreck like Silent Predators (1999), Maneater (2007) Croc (2007), Grizzly Rage (2007) and a stunning amount of terrible shark attack films to name a few that barely scratch the surface of a massive list.
These movies fail miserably to capture the intensity of the unforgettable films they are imitating and the recent wave seems to carry with it the intent of giving the Revolt of Nature horror film a bad name.
- 10/27/2013
- by Terek Puckett
- SoundOnSight
Never Fear, Pam Grier Is Here! Pam Grier started her career in a number of women-in-prison films which lead to a fruitful stint of starring roles in Blaxploitation cinema. Grier created an intelligent, sensual, and tough on-screen persona with her starring roles, the likes to which few actresses are comparable. She has since gone from Blaxploitation to a forty-year career spanning film and television. She has worked with such great filmmakers as John Carpenter, Tim Burton, Jack Hill, and Quentin Tarantino – whose own film Jackie Brown is a love letter to both Grier and Blaxploitation cinema. Here is a look at the top five films of Grier’s early seventies work:
# 5 Black Mama, White Mama 1973
Written by H.R. Christian, Joe Viola, and Jonathan Demme
Directed by Eddie Romero
“A terrorist and a hooker…you two should have a lot to talk about.”
This is a women-in-prison film (Wip) aimed at a racially diverse audience.
# 5 Black Mama, White Mama 1973
Written by H.R. Christian, Joe Viola, and Jonathan Demme
Directed by Eddie Romero
“A terrorist and a hooker…you two should have a lot to talk about.”
This is a women-in-prison film (Wip) aimed at a racially diverse audience.
- 11/27/2012
- by Gregory Day
- SoundOnSight
In 1983 David Sheldon was busy shooting Grizzly 2: The Predator, aka Predator: The Concert. Grizzly 2 boasted early performances by George Clooney, Laura Dern, and the Internet's current golden boy, Charlie Sheen, who plays a hiker who serves as the bear's first victim.
The film would later become somewhat of an urban legend as far as horror movies go due to the fact that it was never completed. Supposedly the film was released as a TV movie, but no official release has ever been made theatrically or on home video. Here's the synopsis:
All hell breaks loose when a giant Grizzly, reacting to the slaughter of Grizzlies by poachers, attacks at a massive big-band rock concert in the National Park.
Rumors abound as to what the actual reason for the film's incomplete nature was. From misappropriation of budget to bankruptcy lawsuits, faulty animatronics, and even an issue over the rights to the Grizzly title itself.
The film would later become somewhat of an urban legend as far as horror movies go due to the fact that it was never completed. Supposedly the film was released as a TV movie, but no official release has ever been made theatrically or on home video. Here's the synopsis:
All hell breaks loose when a giant Grizzly, reacting to the slaughter of Grizzlies by poachers, attacks at a massive big-band rock concert in the National Park.
Rumors abound as to what the actual reason for the film's incomplete nature was. From misappropriation of budget to bankruptcy lawsuits, faulty animatronics, and even an issue over the rights to the Grizzly title itself.
- 3/3/2011
- by Jon Condit
- DreadCentral.com
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