NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
“Sapph-o-rama” highlights lesbian cinema with films by Chantal Akerman, Nicholas Ray, Ulrike Ottinger, and more; a 4K restoration of The Pianist and The Third Man on 35mm continue; A Hard Day’s Night plays on Sunday.
Museum of the Moving Image
A retrospective of snubbed performances brings films by Cassavetes, Jonathan Demme, and more; The Gods of Times Square and a print of Prince’s vastly underrated Under the Cherry Moon both play on Sunday.
Metrograph
The series “Dreamlike Visions” puts modern master Alain Gomis front-and-center.
Roxy Cinema
Carpenter’s Christine, Almodóvar’s Tie Me Up! Tie Me Down!, and Secretary all play on 35mm.
Museum of Modern Art
As the massive run of Luis Buñuel’s Mexican films continues, a retrospective of Finnish filmmaker Ilkka Järvi-Laturi begins.
IFC Center
A Dario Argento series continues; Audition, Basket Case 3,...
Film Forum
“Sapph-o-rama” highlights lesbian cinema with films by Chantal Akerman, Nicholas Ray, Ulrike Ottinger, and more; a 4K restoration of The Pianist and The Third Man on 35mm continue; A Hard Day’s Night plays on Sunday.
Museum of the Moving Image
A retrospective of snubbed performances brings films by Cassavetes, Jonathan Demme, and more; The Gods of Times Square and a print of Prince’s vastly underrated Under the Cherry Moon both play on Sunday.
Metrograph
The series “Dreamlike Visions” puts modern master Alain Gomis front-and-center.
Roxy Cinema
Carpenter’s Christine, Almodóvar’s Tie Me Up! Tie Me Down!, and Secretary all play on 35mm.
Museum of Modern Art
As the massive run of Luis Buñuel’s Mexican films continues, a retrospective of Finnish filmmaker Ilkka Järvi-Laturi begins.
IFC Center
A Dario Argento series continues; Audition, Basket Case 3,...
- 2/9/2024
- by Nick Newman
- The Film Stage
The inarguably true cliché about Jean-Luc Godard was that the late filmmaker, who died this week at the age of 91, was a rule-breaker, an artist whose style changed the course of film history by revealing the medium for everything it had already been and pointing to the future of what it could eventually be. Obviously, his body of work has been influential — but that’s an understatement.
And not only for his extensive, time- and media-spanning filmography, ranging from his cucumber-cool debut, Breathless, to the didactic political experiments of the 1960s and 1970s,...
And not only for his extensive, time- and media-spanning filmography, ranging from his cucumber-cool debut, Breathless, to the didactic political experiments of the 1960s and 1970s,...
- 9/14/2022
- by K. Austin Collins
- Rollingstone.com
While he may not be as well-known today as Alfred Hitchcock or Billy Wilder, director Nicholas Ray had a fantastic run during the '50s working across a range of genres from film noir ("In a Lonely Place") to war saga ("Flying Leathernecks"), coming-of-age teen angst ("Rebel Without a Cause") to westerns, the strangest of which is undoubtedly "Johnny Guitar." Shot in gaudy Trucolor, it stands apart from other studio westerns of the day, maybe because it isn't really a western at all -- It's more like a twisted gothic psychodrama that just happens to be set in the Old West.
Although the title refers to Sterling Hayden's nonchalant protagonist, Mr. Guitar takes a back seat for much of the movie, just one of many of Ray's subversive twists to the standard western formula. Instead, the main focus is the bitter rivalry between Vienna (Joan Crawford), a steely saloon keeper,...
Although the title refers to Sterling Hayden's nonchalant protagonist, Mr. Guitar takes a back seat for much of the movie, just one of many of Ray's subversive twists to the standard western formula. Instead, the main focus is the bitter rivalry between Vienna (Joan Crawford), a steely saloon keeper,...
- 9/5/2022
- by Lee Adams
- Slash Film
NYC Weekend Watch is our weekly round-up of repertory offerings.
Bam
“Working Class Musicals” examines the most lavish expressions from a ground level, featuring Cherbourg, Chantal Akerman, West Side Story x2, and more.
Roxy Cinema
The series “Woman as Witch” offers 35mm prints of Johnny Guitar, Jennifer’s Body, and Woman in the Dunes.
Film Forum
“Loving Highsmith” begins with Purple Noon, Strangers on a Train, and The American Friend; Alain Resnias’ The War Is Over continues and Carnal Knowledge, restored, begins a run.
Japan Society
Kihachi Okamoto’s Kill! plays on 35mm this Friday.
Film at Lincoln Center
As the Three Colors: Red restoration continues, The Wiz has a free outdoor screening this Friday on Governor’s Island.
Paris Theater
Kurosawa’s Ran plays exclusively through the weekend.
Museum of the Moving Image
Streets of Fire, Licorice Pizza, Tron and Sleeping Beauty play on 70mm this weekend, while a series of zombie films screen.
Bam
“Working Class Musicals” examines the most lavish expressions from a ground level, featuring Cherbourg, Chantal Akerman, West Side Story x2, and more.
Roxy Cinema
The series “Woman as Witch” offers 35mm prints of Johnny Guitar, Jennifer’s Body, and Woman in the Dunes.
Film Forum
“Loving Highsmith” begins with Purple Noon, Strangers on a Train, and The American Friend; Alain Resnias’ The War Is Over continues and Carnal Knowledge, restored, begins a run.
Japan Society
Kihachi Okamoto’s Kill! plays on 35mm this Friday.
Film at Lincoln Center
As the Three Colors: Red restoration continues, The Wiz has a free outdoor screening this Friday on Governor’s Island.
Paris Theater
Kurosawa’s Ran plays exclusively through the weekend.
Museum of the Moving Image
Streets of Fire, Licorice Pizza, Tron and Sleeping Beauty play on 70mm this weekend, while a series of zombie films screen.
- 9/1/2022
- by Nick Newman
- The Film Stage
“Stick close to me puss. You’re bringing me good luck.”
1958. American actor Robert Taylor with Cyd Charisse on the set of Party Girl, a film by Nicholas Ray.
Cyd Charisse in Nicholas Ray’s Party Girl (1958) will be available on Blu-ray November 30th from Warner Archive
When maverick director Nicholas Ray turns his talents to a gangster movie, a familiar genre becomes startling and new. Under the auspices of long-time M-g-m musical producer Joe Pasternak, and with the added gloss of the CinemaScope widescreen and Metrocolor, the auteur created a cult classic. Set in 1930s Chicago, Party Girl follows a bum-legged mouthpiece for the mob (Robert Taylor) and a gorgeous, wised-up vamp (Cyd Charisse) who fall in love, try to go straight… and head straight for trouble. Ray deepens the drama and heightens the violence with filmmaking artistry that has given Party Girl cult status: a screen painted in sinister ebony and blood red,...
1958. American actor Robert Taylor with Cyd Charisse on the set of Party Girl, a film by Nicholas Ray.
Cyd Charisse in Nicholas Ray’s Party Girl (1958) will be available on Blu-ray November 30th from Warner Archive
When maverick director Nicholas Ray turns his talents to a gangster movie, a familiar genre becomes startling and new. Under the auspices of long-time M-g-m musical producer Joe Pasternak, and with the added gloss of the CinemaScope widescreen and Metrocolor, the auteur created a cult classic. Set in 1930s Chicago, Party Girl follows a bum-legged mouthpiece for the mob (Robert Taylor) and a gorgeous, wised-up vamp (Cyd Charisse) who fall in love, try to go straight… and head straight for trouble. Ray deepens the drama and heightens the violence with filmmaking artistry that has given Party Girl cult status: a screen painted in sinister ebony and blood red,...
- 11/15/2021
- by Tom Stockman
- WeAreMovieGeeks.com
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