Ruben Ostlund presents Cannes hit Force Majeure [pictured] as a gala screening; Jens Lien previews TV series Viva Hate.
Gothenburg’s Way Out West wrapped its fourth film edition on Saturday with a record-breaking 27,000 in attendance and 42 films, including a gala premiere of local Ruben Östlund’s Force Majeure and Nordic premieres of Richard Linklater’s Boyhood and Alex Gibney’s Finding Fela.
Running alongside the Way Out West music festival, now in its ninth year, additional film programming catered to the music fanbase by screening world premieres of Swedish actress Alexandra Dahlström’s All We Have is Now, documenting Stockholm-based rock band Vulkano; and Liza Minou Morberg’s Alone Together that follows three women on a journey to Way Out West.
Other music-oriented films included Eric Green’s guitar documentary Beautiful Noise, Nick Cave doc 20,000 Days on Earth, Tom Berninger’s depiction of his brother on tour with The National in Mistaken for Strangers, and [link=tt...
Gothenburg’s Way Out West wrapped its fourth film edition on Saturday with a record-breaking 27,000 in attendance and 42 films, including a gala premiere of local Ruben Östlund’s Force Majeure and Nordic premieres of Richard Linklater’s Boyhood and Alex Gibney’s Finding Fela.
Running alongside the Way Out West music festival, now in its ninth year, additional film programming catered to the music fanbase by screening world premieres of Swedish actress Alexandra Dahlström’s All We Have is Now, documenting Stockholm-based rock band Vulkano; and Liza Minou Morberg’s Alone Together that follows three women on a journey to Way Out West.
Other music-oriented films included Eric Green’s guitar documentary Beautiful Noise, Nick Cave doc 20,000 Days on Earth, Tom Berninger’s depiction of his brother on tour with The National in Mistaken for Strangers, and [link=tt...
- 8/11/2014
- ScreenDaily
Ruben Ostlund presents Cannes hit Force Majeure [pictured] as a gala screening; Jens Lien previews TV series Viva Hate.
Gothenburg’s Way Out West wrapped its fourth film edition on Saturday with a record-breaking 27,000 in attendance,42 films, including a gala premiere of local Ruben Östlund’s Force Majeure and Nordic premieres of Richard Linklater’s Boyhood and Alex Gibney’s Finding Fela.
Running alongside the Way Out West music festival, now in its ninth year, additional film programming catered to the music fanbase by screening world premieres of Swedish actress Alexandra Dahlström’s All We Have is Now, documenting Stockholm-based rock band Vulkano; and Liza Minou Morberg’s Alone Together that follows three women on a journey to Way Out West.
Other music-oriented films included Eric Green’s guitar documentary Beautiful Noise, Nick Cave doc 20,000 Days on Earth, Tom Berninger’s depiction of his brother on tour with The National in Mistaken for Strangers, and [link=tt...
Gothenburg’s Way Out West wrapped its fourth film edition on Saturday with a record-breaking 27,000 in attendance,42 films, including a gala premiere of local Ruben Östlund’s Force Majeure and Nordic premieres of Richard Linklater’s Boyhood and Alex Gibney’s Finding Fela.
Running alongside the Way Out West music festival, now in its ninth year, additional film programming catered to the music fanbase by screening world premieres of Swedish actress Alexandra Dahlström’s All We Have is Now, documenting Stockholm-based rock band Vulkano; and Liza Minou Morberg’s Alone Together that follows three women on a journey to Way Out West.
Other music-oriented films included Eric Green’s guitar documentary Beautiful Noise, Nick Cave doc 20,000 Days on Earth, Tom Berninger’s depiction of his brother on tour with The National in Mistaken for Strangers, and [link=tt...
- 8/11/2014
- ScreenDaily
Mia (Ruth Vega Fernandez) is on the traditional track: successful architecture career, a wonderful apartment in the city, and she’s engaged to her boyfriend of many years, Tim (Joakim Nätterqvist). Mia and Tim travel to celebrate the 60th birthday and engagement of Mia’s father, Lasse (Krister Henriksson) to Elisabeth (Lena Endre). Mia’s younger brother, Oskar (Tom Ljungman), introduces her to Elisabeth’s daughter, Frida (Liv Mjönes). The idea is for everyone to get along like one big happy family. As with so many Scandinavian films I’ve seen recently there is so much beauty in Kiss Me – from the actors themselves to the lighting as well as the Swedish countryside. Writer and director Alexandra-Therese Keining captures one of the most intimate love stories I’ve seen in years. There is nothing trite or syrupy about Mia and Frida as we witness the evolution of their relationship. Keining...
- 10/12/2012
- by Caitlyn Collins
- SmellsLikeScreenSpirit
Goran (Gustaf Skarsgaard) and Sven (Torkel Petersson) are ready to settle down. They’ve just moved into a house in the Swedish suburbs, and they’ve been approved to adopt a baby. Behind the forced smiles at the neighborhood block party are discomfort, disapproval and outright hostility at their unexpected lifestyle, but the happy couple blissfully ignore that as they anticipate starting a family.
Finally, they receive the news they’ve been waiting for: Patrik, age 1.5, is in need of a new home. When Patrik (Thomas Ljungman) arrives, however, they realize there was a typo in the paperwork, and he’s actually 15 — and a homophobic delinquent to boot.
What looks on paper like the perfect setup for a farce is actually the makings of a sweet drama about love — between two men and for a boy they hardly know. The central conflict lies not between the new dads and Patrik but between Goran and Sven.
Finally, they receive the news they’ve been waiting for: Patrik, age 1.5, is in need of a new home. When Patrik (Thomas Ljungman) arrives, however, they realize there was a typo in the paperwork, and he’s actually 15 — and a homophobic delinquent to boot.
What looks on paper like the perfect setup for a farce is actually the makings of a sweet drama about love — between two men and for a boy they hardly know. The central conflict lies not between the new dads and Patrik but between Goran and Sven.
- 8/7/2010
- Moving Pictures Magazine
Every year, it seems as if there’s only one small gay indie movie that breaks out of the pack and becomes the movie everyone talks about: Eating Out in 2004, Mysterious Skin in 2005, Another Gay Movie in 2006, Shelter in 2007, and Were the World Mine in 2008.
These are all pretty good movies, even if I didn’t always agree that they were the ones that most deserved to break out. (Last year, I liked Ciao more than Were the World Mine. And I liked Quinceañera more than either Shelter or Another Gay Movie.)
But I have a feeling that this year’s gay indie break-out movie will be Patrik, Age 1.5 – a Swedish film released last year in other countries, but only now being seen here in the U.S.
If it doesn’t break out, something’s truly not right in the world. It’s a flat-out wonderful movie.
In the film,...
These are all pretty good movies, even if I didn’t always agree that they were the ones that most deserved to break out. (Last year, I liked Ciao more than Were the World Mine. And I liked Quinceañera more than either Shelter or Another Gay Movie.)
But I have a feeling that this year’s gay indie break-out movie will be Patrik, Age 1.5 – a Swedish film released last year in other countries, but only now being seen here in the U.S.
If it doesn’t break out, something’s truly not right in the world. It’s a flat-out wonderful movie.
In the film,...
- 9/15/2009
- by Brent Hartinger
- The Backlot
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.