List of Movies and Korean Dramas Releasing on Netflix in 2024. ( Photo Credit – IMDb )
In recent years, Netflix has become a trustworthy source for Kdrama fans to binge on exciting shows. In 2023, the streaming giant released Kdramas from various genres: romantic comedy, romantic tragedy, horror, thriller, etc. Recently, the K-Content page revealed Korean Dramas Releasing On Netflix in 2024. The list is quite exciting and will make the Kdrama fans happy.
During the pandemic, many people discovered the world of Korean Dramas. Viewers love these shows for compelling narratives, fantastic music, the feel-good stories and the anticipation of the kiss between most Kdrama lead couples! So take a pen and paper and list the names of the confirmed Korean Dramas Releasing on Netflix in 2024. The platform has yet to reveal its release dates; they’re divided into three yearly quarters.
Korean Dramas Releasing on Netflix in 2024 – Quarter 1
My Name Is Loh Kiwan...
In recent years, Netflix has become a trustworthy source for Kdrama fans to binge on exciting shows. In 2023, the streaming giant released Kdramas from various genres: romantic comedy, romantic tragedy, horror, thriller, etc. Recently, the K-Content page revealed Korean Dramas Releasing On Netflix in 2024. The list is quite exciting and will make the Kdrama fans happy.
During the pandemic, many people discovered the world of Korean Dramas. Viewers love these shows for compelling narratives, fantastic music, the feel-good stories and the anticipation of the kiss between most Kdrama lead couples! So take a pen and paper and list the names of the confirmed Korean Dramas Releasing on Netflix in 2024. The platform has yet to reveal its release dates; they’re divided into three yearly quarters.
Korean Dramas Releasing on Netflix in 2024 – Quarter 1
My Name Is Loh Kiwan...
- 2/7/2024
- by Pooja Darade
- KoiMoi
Lee Hae-young did in 2018 what many thought impossible when he successfully remade Johnnie To's much loved thriller “Drug War” into “Believer”, an accomplished thriller that boasted of a strong starcast, excellent visuals, an impressive score and the final on-screen appearance from the late-great Kim Joo-hyuk. While the story didn't really need a sequel per se, Netflix thought otherwise and here we are in 2023, with “Believer 2” ready to release imminently in the streaming platform.
Synopsis
A crime action film on the nerve-wracking war between Won-ho, who is still pursuing Mr. Lee's organization and the disappeared “Rak” after the bloody fight at Yongsan Station, and Brian, who has reappeared, and a new character “Big Knife.” “Believer 2” follows Won-ho's investigation of looking for “Rak,” who disappeared after Brian's incarceration, while getting to the core of the elusive drug cartel. Baek Jong-yeol, who has already received praise for sophisticated cinematography and...
Synopsis
A crime action film on the nerve-wracking war between Won-ho, who is still pursuing Mr. Lee's organization and the disappeared “Rak” after the bloody fight at Yongsan Station, and Brian, who has reappeared, and a new character “Big Knife.” “Believer 2” follows Won-ho's investigation of looking for “Rak,” who disappeared after Brian's incarceration, while getting to the core of the elusive drug cartel. Baek Jong-yeol, who has already received praise for sophisticated cinematography and...
- 11/4/2023
- by Rhythm Zaveri
- AsianMoviePulse
Following the announcement of the London Korean Film Festival’s (Lkff) upcoming 18th edition which gives special commemoration to the 40th Anniversary of the Korean Academy of Film Arts (Kafa), the festival is delighted to reveal its 2023 programme. At the BFI Southbank, the London Korean Film Festival will host the Opening and Closing ceremonies in celebration of the 140th anniversary of the establishment of diplomatic relations between the UK and Korea.
The Festival runs from 2 November – 16 November 2023 with a programme of 40 films comprising the following strands: Cinema Now, Special Focus : 40th Anniversary of Kafa, Women’s Voices, Special Screenings and Korea Season.
A Normal Family by Hur Jin-ho will open the festival on the 2nd November at BFI Southbank with the director in attendance. The story is based on the celebrated Dutch novel Het Diner (The Dinner) by Herman Koch, which has sold over a million copies. The latest...
The Festival runs from 2 November – 16 November 2023 with a programme of 40 films comprising the following strands: Cinema Now, Special Focus : 40th Anniversary of Kafa, Women’s Voices, Special Screenings and Korea Season.
A Normal Family by Hur Jin-ho will open the festival on the 2nd November at BFI Southbank with the director in attendance. The story is based on the celebrated Dutch novel Het Diner (The Dinner) by Herman Koch, which has sold over a million copies. The latest...
- 10/6/2023
- by Adriana Rosati
- AsianMoviePulse
Quebec festival wrapped on August 9.
Talk To Me, the horror hit from Danny and Michael Philippou which has grossed more than $31m in North America and close to $50m worldwide, has been named best international feature in the 2023 Fantasia audience awards.
In other key awards Lee Sang-yong’s South Korean title The Roundup: No Way Out was named best Asian feature, while Shigeyoshi Tsukahara’s Japanese entry Kurayukaba earned best animated feature, and
Satan Wants You from Steve J. Adams and Sean Horlor took the inaugural Dgc Audience Award for Best Canadian Film (narrative or documentary).
The full list of audience award winners appears below.
Talk To Me, the horror hit from Danny and Michael Philippou which has grossed more than $31m in North America and close to $50m worldwide, has been named best international feature in the 2023 Fantasia audience awards.
In other key awards Lee Sang-yong’s South Korean title The Roundup: No Way Out was named best Asian feature, while Shigeyoshi Tsukahara’s Japanese entry Kurayukaba earned best animated feature, and
Satan Wants You from Steve J. Adams and Sean Horlor took the inaugural Dgc Audience Award for Best Canadian Film (narrative or documentary).
The full list of audience award winners appears below.
- 8/14/2023
- by Jeremy Kay
- ScreenDaily
A couple weeks ago, the Fantasia International Film Festival announced the films that won jury prizes at the 27th edition of the show, which recently came to a close. Yesterday, our own Tyler Nichols shared his list of favorite films from this year’s Fantasia festival. Now Fantasia has unveiled the list of audience award winners, with wins going to films like Talk to Me, The Roundup: No Way Out, Kurayukaba, and Satan Wants You, among others. The full list can be seen below:
Best International Feature
Gold: Talk To Me
Silver: Late Night With The Devil
Bronze: Hundreds Of Beavers
Best Asian Feature
Gold: The Roundup: No Way Out
Silver: River
Bronze: Phantom (South Korea d. Lee Hae-young)
Best Animated Feature
Gold: Kurayukaba
Silver: The Concierge
Bronze: The First Slam Dunk
The Dgc Audience Award for Best Canadian Film (Narrative or Documentary)
Satan Wants You – This year’s...
Best International Feature
Gold: Talk To Me
Silver: Late Night With The Devil
Bronze: Hundreds Of Beavers
Best Asian Feature
Gold: The Roundup: No Way Out
Silver: River
Bronze: Phantom (South Korea d. Lee Hae-young)
Best Animated Feature
Gold: Kurayukaba
Silver: The Concierge
Bronze: The First Slam Dunk
The Dgc Audience Award for Best Canadian Film (Narrative or Documentary)
Satan Wants You – This year’s...
- 8/14/2023
- by Cody Hamman
- JoBlo.com
The 27th edition of the Fantasia International Film Festival is set to commence from July 20 through August 9, 2023, taking place at the Concordia Hall Cinema, with additional screens at the Cinémathèque québécoise and Cinéma du Musée.
After two packed waves of programming, the festival unveils its third wave of programming this morning, bringing exciting world premieres and the announcement of Nicolas Cage as this year’s Cheval Noir Career Achievement Award recipient.
From the press release:
We Are Zombies
The 27th edition of the festival will end on an especially riotous note with the World Premiere of We Are Zombies, the latest from internationally beloved Quebecois cult collective Rkss (Summer Of ’84) – François Simard, Anouk Whissell, and Yoann-Karl Whissell. Based on the comic Les Zombies Qui Ont MANGÉ Le Monde (The Zombies that Ate the World), the film is set in a society where zombies, referred to as “living-impaired,” roam among us...
After two packed waves of programming, the festival unveils its third wave of programming this morning, bringing exciting world premieres and the announcement of Nicolas Cage as this year’s Cheval Noir Career Achievement Award recipient.
From the press release:
We Are Zombies
The 27th edition of the festival will end on an especially riotous note with the World Premiere of We Are Zombies, the latest from internationally beloved Quebecois cult collective Rkss (Summer Of ’84) – François Simard, Anouk Whissell, and Yoann-Karl Whissell. Based on the comic Les Zombies Qui Ont MANGÉ Le Monde (The Zombies that Ate the World), the film is set in a society where zombies, referred to as “living-impaired,” roam among us...
- 7/6/2023
- by Meagan Navarro
- bloody-disgusting.com
Nyaff unveils first wave of features from China, Hong Kong, Japan and beyond.
The New York Asian Film Festival (Nyaff) has unveiled the first wave of features for its 22nd edition and announced that Japanese actor Ryohei Suzuki will receive the Screen International Rising Star award.
Nyaff will run from July 14-30 at the city’s Film at Lincoln Center, with a programme of more than 60 titles, and Suzuki will be presented with the award recognising emerging talent from East Asia on July 15.
Suzuki has been acting on screen for more than 15 years, with a string of roles in Japanese...
The New York Asian Film Festival (Nyaff) has unveiled the first wave of features for its 22nd edition and announced that Japanese actor Ryohei Suzuki will receive the Screen International Rising Star award.
Nyaff will run from July 14-30 at the city’s Film at Lincoln Center, with a programme of more than 60 titles, and Suzuki will be presented with the award recognising emerging talent from East Asia on July 15.
Suzuki has been acting on screen for more than 15 years, with a string of roles in Japanese...
- 6/15/2023
- by Michael Rosser
- ScreenDaily
by Eleo Billet
After “Believer,” Lee Hae-young returns with a patriotic historical film about Korea's liberation movement in the 1930s. A spin-off of some sort to “The Age of Shadows”, the director mixes his inspirations between film noir, action flick, and “The Handmaiden” through its combative lesbian heroines.
Korea, 1933. The country has been under Japanese rule for more than twenty years. However, organized groups of Koreans are resisting colonization and risking their lives for the independence of their homeland. Park Cha-kyung, an employee in the communication department, is one of their members. She is a Phantom. The spy, with her unit, prepare the assassination of the new Japanese resident-general on his arrival in Seoul for his taking office. Unfortunately, the activist Yoon Nan-young, in charge of assassinating the high-ranking official, misses her target and is hunted down. She dies of several bullets, in the arms of Cha-kyung. Covered in blood,...
After “Believer,” Lee Hae-young returns with a patriotic historical film about Korea's liberation movement in the 1930s. A spin-off of some sort to “The Age of Shadows”, the director mixes his inspirations between film noir, action flick, and “The Handmaiden” through its combative lesbian heroines.
Korea, 1933. The country has been under Japanese rule for more than twenty years. However, organized groups of Koreans are resisting colonization and risking their lives for the independence of their homeland. Park Cha-kyung, an employee in the communication department, is one of their members. She is a Phantom. The spy, with her unit, prepare the assassination of the new Japanese resident-general on his arrival in Seoul for his taking office. Unfortunately, the activist Yoon Nan-young, in charge of assassinating the high-ranking official, misses her target and is hunted down. She dies of several bullets, in the arms of Cha-kyung. Covered in blood,...
- 4/23/2023
- by Guest Writer
- AsianMoviePulse
Johnnie To, Watanabe Hirobumi and Jang Sun-woo set to attend.
The Far East Film Festival (Feff), held in the Italian town of Udine, has revealed the full line-up for its landmark 25th edition, which is set to include appearances from filmmakers Johnnie To, Watanabe Hirobumi and Jang Sun-woo.
Running April 21-29, the festival will open with a double bill: He Shuming’s Ajoomma, the first co-production between Singapore and South Korea; and black comedy Bad Education by Taiwan’s Giddens Ko. It will close with Zhang Yimou’s Chinese blockbuster Full River Red.
The festival will screen 78 Asian films from 14 countries,...
The Far East Film Festival (Feff), held in the Italian town of Udine, has revealed the full line-up for its landmark 25th edition, which is set to include appearances from filmmakers Johnnie To, Watanabe Hirobumi and Jang Sun-woo.
Running April 21-29, the festival will open with a double bill: He Shuming’s Ajoomma, the first co-production between Singapore and South Korea; and black comedy Bad Education by Taiwan’s Giddens Ko. It will close with Zhang Yimou’s Chinese blockbuster Full River Red.
The festival will screen 78 Asian films from 14 countries,...
- 4/6/2023
- by Michael Rosser
- ScreenDaily
Italy’s Far East Film Festival unveiled a power-packed lineup Wednesday for its 25th anniversary edition. The largest cinema event in Europe specializing in popular moviemaking from Asia, Feff will open April 21 with an inspired double bill, He Shuming’s hit Korea-Singapore co-production Ajoomma followed by first-time Taiwanese director Kai Ko’s black comedy Bad Education. And on April 29, the curtain will come down on the festival with the Italy premiere of legendary Chinese director Zhang Yimou’s latest blockbuster, Full River Red. Between those dates, the festival will screen 78 Asian films from 14 countries, including nine world premieres.
The organizers of Feff, founded in 1999 in the picturesque northern Italian city of Udine by festival pioneers Sabrina Baracetti and Thomas Bertacche, say the 2023 selection “aims to showcase the immense complexity of Asia more than ever before.” The lineup indeed presents a compelling snapshot of a wildly diverse content’s commercial cinema in flux.
The organizers of Feff, founded in 1999 in the picturesque northern Italian city of Udine by festival pioneers Sabrina Baracetti and Thomas Bertacche, say the 2023 selection “aims to showcase the immense complexity of Asia more than ever before.” The lineup indeed presents a compelling snapshot of a wildly diverse content’s commercial cinema in flux.
- 4/6/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The Far East Film Festival in Italy’s Udine will open with a double bill of He Shuming’s “Ajoomma” and Kai Ko’s “Bad Education.” It will close with Zhang Yimou’s blockbuster period epic “Full River Red.”
In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29.
Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”
They point to the impact of Covid, politics and emigration from Hong Kong, and the recent resurgence of Cantonese-language cinema.
Similarly, Udine’s organizers note the recent box office struggles of South Korean cinema,...
In between, the festival will showcase a stunning 78-title array of commercial and art-house films from across East Asia. Operating according to a motto of diversity –implying cultural asymmetries and artistic multiplicities – the 25th edition of the festival will run April 21-29.
Organizers say that their selection “shows in real time how the cinemas of East and Southeast Asia have re-emerged from the gruelling period of the pandemic, not all in the same way and not all with the same results.”
They point to the impact of Covid, politics and emigration from Hong Kong, and the recent resurgence of Cantonese-language cinema.
Similarly, Udine’s organizers note the recent box office struggles of South Korean cinema,...
- 4/5/2023
- by Patrick Frater
- Variety Film + TV
by Eleo Billet
After “Believer,” Lee Hae-young returns with a patriotic historical film about Korea's liberation movement in the 1930s. A spin-off of some sort to “The Age of Shadows”, the director mixes his inspirations between film noir, action flick, and “The Handmaiden” through its combative lesbian heroines.
Korea, 1933. The country has been under Japanese rule for more than twenty years. However, organized groups of Koreans are resisting colonization and risking their lives for the independence of their homeland. Park Cha-kyung, an employee in the communication department, is one of their members. She is a Phantom. The spy, with her unit, prepare the assassination of the new Japanese resident-general on his arrival in Seoul for his taking office. Unfortunately, the activist Yoon Nan-young, in charge of assassinating the high-ranking official, misses her target and is hunted down. She dies of several bullets, in the arms of Cha-kyung. Covered in blood,...
After “Believer,” Lee Hae-young returns with a patriotic historical film about Korea's liberation movement in the 1930s. A spin-off of some sort to “The Age of Shadows”, the director mixes his inspirations between film noir, action flick, and “The Handmaiden” through its combative lesbian heroines.
Korea, 1933. The country has been under Japanese rule for more than twenty years. However, organized groups of Koreans are resisting colonization and risking their lives for the independence of their homeland. Park Cha-kyung, an employee in the communication department, is one of their members. She is a Phantom. The spy, with her unit, prepare the assassination of the new Japanese resident-general on his arrival in Seoul for his taking office. Unfortunately, the activist Yoon Nan-young, in charge of assassinating the high-ranking official, misses her target and is hunted down. She dies of several bullets, in the arms of Cha-kyung. Covered in blood,...
- 4/3/2023
- by Guest Writer
- AsianMoviePulse
Despite being a remake of Johnnie To classic “Drug War”, Lee Hae-young’s stylish crime thriller “Believer” did just enough to have its own identity and prove to be a success story at the box office. Now, the director is ready with his follow-up, yet another ensemble thriller but this time set in occupied Korea.
Synopsis
In 1933, when Korea was under Japanese occupation, five people in Gyeongseong are suspected to be “Phantom” spies of the anti-Japanese organization. The five suspects are Junji Murayama, Park Cha-kyung, Yuriko, Baek-ho, and Section Chief Cheon. The Japanese security forces, led by Kaito, work to find the Phantom spies. The 5 suspects are then entrapped in a sting operation and are locked up in a remote hotel. Each of the 5 suspects try to prove that they are not a Phantom spy. They struggle to escape from their imprisonment.
The eclectic cast-list is headed by the multi-faceted Sol Kyung-gu,...
Synopsis
In 1933, when Korea was under Japanese occupation, five people in Gyeongseong are suspected to be “Phantom” spies of the anti-Japanese organization. The five suspects are Junji Murayama, Park Cha-kyung, Yuriko, Baek-ho, and Section Chief Cheon. The Japanese security forces, led by Kaito, work to find the Phantom spies. The 5 suspects are then entrapped in a sting operation and are locked up in a remote hotel. Each of the 5 suspects try to prove that they are not a Phantom spy. They struggle to escape from their imprisonment.
The eclectic cast-list is headed by the multi-faceted Sol Kyung-gu,...
- 12/15/2022
- by Rhythm Zaveri
- AsianMoviePulse
Of contemporary Korean filmmakers, Hong Sang-soo is as prolific as he is accomplished. Over the last 25 years, he completed over 30 features and shorts, and in recent years, he has gleaned prizes with almost each and every one of them. In Berlinale 2020, he famously won the Silver Bear for Best Directing in “The Woman Who Ran”; earlier this year, he took home the Silver Bear Grand Jury Prize for “The Novelist’s Film” (2022). Now, at Toronto International Film Festival, he premieres his latest work: “Walk Up,” or alternatively called “Top”.
“Walk Up“ is screening at Thessaloniki International Film Festival
Like much of Hong Sang-soo’s recent filmography, “Walk Up” underscores a black-and-white drama at the dinner table. The famous and ever-bemused Byungsoo (Kwon Hae-hyo) engages with three notable women in a single building. He first beseeches elegant interior designer Ms. Kim (Lee Hae-young) to take on his alienated daughter (Park Mi-so) as an apprentice.
“Walk Up“ is screening at Thessaloniki International Film Festival
Like much of Hong Sang-soo’s recent filmography, “Walk Up” underscores a black-and-white drama at the dinner table. The famous and ever-bemused Byungsoo (Kwon Hae-hyo) engages with three notable women in a single building. He first beseeches elegant interior designer Ms. Kim (Lee Hae-young) to take on his alienated daughter (Park Mi-so) as an apprentice.
- 11/10/2022
- by Grace Han
- AsianMoviePulse
Cj Enm, which includes Korea’s largest film producer and distributor, is using the Asian Contents & Film Market this week to launch a handful of new titles while basking in its recent box office and festival successes.
“The Boys” gets its premiere as a special screening withing the Busan International Film Festival’s expanded Korean Cinema Today section. This crime drama delves into the lives of three teenage boys, falsely accused and jailed for a brutal robbery-murder case. Fifteen years later, they seek a retrial in a bid to prove their innocence.
The veteran cast line-up includes Seol Kyung Gu (“Kingmaker”), Yu Jun Sang (“Along With The Gods: Two Worlds”), Jin Kyung (“Beasts Clawing At Straws”), Heo Sung Tae and Yeom Hye Ran (“Special Delivery”). “The Boys” was directed by Chung Ji Young, whose notable works include “National Security” and “Black Money.”
History has proven freedom comes at a price.
“The Boys” gets its premiere as a special screening withing the Busan International Film Festival’s expanded Korean Cinema Today section. This crime drama delves into the lives of three teenage boys, falsely accused and jailed for a brutal robbery-murder case. Fifteen years later, they seek a retrial in a bid to prove their innocence.
The veteran cast line-up includes Seol Kyung Gu (“Kingmaker”), Yu Jun Sang (“Along With The Gods: Two Worlds”), Jin Kyung (“Beasts Clawing At Straws”), Heo Sung Tae and Yeom Hye Ran (“Special Delivery”). “The Boys” was directed by Chung Ji Young, whose notable works include “National Security” and “Black Money.”
History has proven freedom comes at a price.
- 10/7/2022
- by Rebecca Souw
- Variety Film + TV
Of contemporary Korean filmmakers, Hong Sang-soo is as prolific as he is accomplished. Over the last 25 years, he completed over 30 features and shorts, and in recent years, he has gleaned prizes with almost each and every one of them. In Berlinale 2020, he famously won the Silver Bear for Best Directing in “The Woman Who Ran”; earlier this year, he took home the Silver Bear Grand Jury Prize for “The Novelist’s Film” (2022). Now, at Toronto International Film Festival, he premieres his latest work: “Walk Up,” or alternatively called “Top”.
Walk Up is screening at Toronto International Film Festival
Like much of Hong Sang-soo’s recent filmography, “Walk Up” underscores a black-and-white drama at the dinner table. The famous and ever-bemused Byungsoo (Kwon Hae-hyo) engages with three notable women in a single building. He first beseeches elegant interior designer Ms. Kim (Lee Hae-young) to take on his alienated daughter (Park Mi-so) as an apprentice.
Walk Up is screening at Toronto International Film Festival
Like much of Hong Sang-soo’s recent filmography, “Walk Up” underscores a black-and-white drama at the dinner table. The famous and ever-bemused Byungsoo (Kwon Hae-hyo) engages with three notable women in a single building. He first beseeches elegant interior designer Ms. Kim (Lee Hae-young) to take on his alienated daughter (Park Mi-so) as an apprentice.
- 9/17/2022
- by Grace Han
- AsianMoviePulse
Netflix has given a green light to “Believer 2,” a sequel to the 2018 hit crime action film “Believer.”
While the first film clocked up 5.06 million spectators and amassed a gross box office of 33.6 million in its theatrical career, the sequel will play only online.
The company said that the film will be directed by Baek Jong-yeol, who previously directed “The Beauty Inside,” a 2015 hit fantasy romance in which a person takes on a different physical appearance every day. The choice of Baek is expected to give the new film a different esthetic compared with the original “Believer.”
The confirmed cast includes the return of lead performers Cho Jin-woong and Cha Seung-won, as well as actress Han Hyo-joo, Oh Seung-hoon, Kim Dong-young and Lee Joo-young.
The first film, written and directed by Lee Hae Young (“The Silenced”) saw a determined cop team up with a gang member in order to catch Mr.
While the first film clocked up 5.06 million spectators and amassed a gross box office of 33.6 million in its theatrical career, the sequel will play only online.
The company said that the film will be directed by Baek Jong-yeol, who previously directed “The Beauty Inside,” a 2015 hit fantasy romance in which a person takes on a different physical appearance every day. The choice of Baek is expected to give the new film a different esthetic compared with the original “Believer.”
The confirmed cast includes the return of lead performers Cho Jin-woong and Cha Seung-won, as well as actress Han Hyo-joo, Oh Seung-hoon, Kim Dong-young and Lee Joo-young.
The first film, written and directed by Lee Hae Young (“The Silenced”) saw a determined cop team up with a gang member in order to catch Mr.
- 6/20/2022
- by Patrick Frater
- Variety Film + TV
Since he was young, Oh Dong-gu (Ryu Deok-hwan) wished to become a woman, trying on his mother’s clothes and lipstick, aspiring to resemble his idol, Madonna. Now a high schooler, he lives with his alcoholic father (Kim Yoon-seok) and does odd jobs such as carrying sacks of salt at the Incheon port to collect money for a gender reassignment surgery, so he can confess to his Japanese language teacher (Tsuyoshi Kusanagi). Inspired by his best friend, he joins the school’s sirreum team for an upcoming tournament. Realizing his talent for traditional wrestling, he hopes to win the top prize and realize his dream.
“Like a Virgin” is screening at Hong Kong Arts Centre
Lee Hae-jun and Lee Hae-young tackle very serious topics such as parental abuse and homophobia in very funny and visually inventive ways. That is not to say that they make light of any of them.
“Like a Virgin” is screening at Hong Kong Arts Centre
Lee Hae-jun and Lee Hae-young tackle very serious topics such as parental abuse and homophobia in very funny and visually inventive ways. That is not to say that they make light of any of them.
- 11/24/2021
- by Martin Lukanov
- AsianMoviePulse
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