Chaplin plays the part of David, the lowly assistant to the oafish stage hand Goliath, and as is to be expected, everything goes wrong in the most hilarious ways. Being an early short Chaplin comedy, a good portion of the comedy is slapstick, with such elaborately acted scenes as the one with the stage pillar prop that just would not seem to stand up.
Poor David works like a slave for the lazy Goliath, but at first, he just keeps messing things up - he just can't seem to do anything right. But later, when he starts working really hard and doing things right, his boss always walks in just as he sits down to rest, and he gets into trouble for loafing on the job, and Goliath, who spends most of his time sleeping, gets all of the credit for David's work.
Not only does this film satirize the falsity of film and stage, but it also goes into actual filming, in the surprisingly effective pie throwing scene. Eventually, all of the workers go on strike, leaving only David and Goliath on stage and, as is common in Chaplin's films, he ends up the victor as a result of some inadvertent events concerning a trap door and a lot of guys fighting. The ending of this film is unusually violent for a generally light Chaplin comedy, but the comedic value is never diminished.
Poor David works like a slave for the lazy Goliath, but at first, he just keeps messing things up - he just can't seem to do anything right. But later, when he starts working really hard and doing things right, his boss always walks in just as he sits down to rest, and he gets into trouble for loafing on the job, and Goliath, who spends most of his time sleeping, gets all of the credit for David's work.
Not only does this film satirize the falsity of film and stage, but it also goes into actual filming, in the surprisingly effective pie throwing scene. Eventually, all of the workers go on strike, leaving only David and Goliath on stage and, as is common in Chaplin's films, he ends up the victor as a result of some inadvertent events concerning a trap door and a lot of guys fighting. The ending of this film is unusually violent for a generally light Chaplin comedy, but the comedic value is never diminished.