A Walt Disney SILLY SYMPHONY Cartoon Short.
Worried about having enough food to feed her family come Wintertime, THE WISE LITTLE HEN decides to plant a field of corn. Her idle friends, Peter Pig & Donald Duck, decline to help with the planting or the harvesting - leaving the little chicken to plan her sweet revenge...
This is a very fine adaptation of the childhood story, with a strong, self-reliant title character (voiced by Florence Gill). But the reason this is a landmark cartoon is because it was the debut of the irascible, anti-social, temperamental, infuriating & utterly lovable Duck, a character so strong he would soon eclipse Mickey Mouse himself. With voice courtesy of the inimitable Clarence Nash, Donald would become one of the world's most popular personalities & a source of never-ending fascination for those who study anti-social behavior and its consequences.
Fate would not be so kind to Peter Pig. Although his debut was just as conspicuous as the Duck's, he lacked that certain intangible quality which would set him apart from the common swine. Hollywood can be a cruel place & Peter's attempts to build a movie career - he worked for a while as Porky Pig's stunt double - proved a failure. When last heard of, Peter Pig was living in a small apartment over a garage in Pomona, California.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
Worried about having enough food to feed her family come Wintertime, THE WISE LITTLE HEN decides to plant a field of corn. Her idle friends, Peter Pig & Donald Duck, decline to help with the planting or the harvesting - leaving the little chicken to plan her sweet revenge...
This is a very fine adaptation of the childhood story, with a strong, self-reliant title character (voiced by Florence Gill). But the reason this is a landmark cartoon is because it was the debut of the irascible, anti-social, temperamental, infuriating & utterly lovable Duck, a character so strong he would soon eclipse Mickey Mouse himself. With voice courtesy of the inimitable Clarence Nash, Donald would become one of the world's most popular personalities & a source of never-ending fascination for those who study anti-social behavior and its consequences.
Fate would not be so kind to Peter Pig. Although his debut was just as conspicuous as the Duck's, he lacked that certain intangible quality which would set him apart from the common swine. Hollywood can be a cruel place & Peter's attempts to build a movie career - he worked for a while as Porky Pig's stunt double - proved a failure. When last heard of, Peter Pig was living in a small apartment over a garage in Pomona, California.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.