I agree with the first comment, that I expected a poor picture and discovered a highly entertaining light comedy. Yeah, perhaps Marion Davies was typically too old to be playing what the reviewers called another "eye-batting ingenue," but she's not batting her eyes here. The entire concept of a woman succeeding based on her hard work, talent, and merit is taken quite seriously for a "silly comedy." This concept has been used time and time again, particularly with Laura La Plante in the English THE CHURCH MOUSE (35), and the earlier Warner BEAUTY AND THE BOSS, with Marian Marsh. La Plante was splendid, Marsh a bit inexperienced to carry off the entire chore, but Marion Davies plays with professional elan, and as usual, she is surrounded by folks who see to it that your time is never wasted - Patsy Kelly, Louise Fazenda, Frank McHugh, Allen Jenkins, and Barton MacLane. Bob Montgomerey was borrowed from MGM, and although he's certainly at home in such material, he doesn't seem to be enjoying the ride as much as the rest of the cast. Davies made four films at Warners, and although Jack Warner claimed they all made (highly suspect) profits, they were certainly lavish affairs. EVE was the final appearance, and although it was not PEG O' MY HEART or SHOW PEOPLE or WHEN KNIGHTHOOD WAS IN FLOWER, it is by no means a poor film, in fact, I would stack it against any later 30s film starring one of her contemporaries, say, Norma, Dolores, Janet, or Joan.
Review of Ever Since Eve
