'The Mark of Zorro' and 'Blood and Sand' confirmed Rouben Mamoulian's enduring concern with drama conveyed through movement of characters and camera... The former was a rousing, deliciously ironic swashbuckler; the latter an adaptation of Ibañez's story about a simple country boy whose success as a matador leads him into temptation and towards a violent early death... Rudolph Valentino had scored one of his biggest success with 'Blood and Sand' in 1922, and the same story served as a Tyrone Power vehicle nineteen years later...
Color, and Mamoulian's almost choreographic direction, turned the motion picture into an exquisite melodrama, where all the passes and swirls of the bullring were vividly depicted: The parade of the bullfighters and their entourage, the race of the vicious predator into the arena, the matadors flashing their yellow and pink capes...
Rita Hayworth blood-red lips and scarlet fingernails, contrast the cool colors of her Spanish mansion, and show her off to glittering advantage...
In her sensuous screen Pasadoble with Anthony Quinn, she looks sensational in her rose evening gown, symbolic of the Spanish bullfight flavor...
The arrogant and passionate dance, based on Flamenco dancing that characterizes the man as the matador and the lady as his red cape, is performed with style and surety... The colors, rose and green, are blended to perfection with the amazing prowess of an appealing couple in tune with the balanced perfection of shapes and the sweeping movements of Rita Hayworth...
Quinn is perfect for redoing old Valentino roles... He always demonstrated his grace and remarkable agility on the dance floor... This sequence remains one of the movie's best remembered moments...
Mamoulian begins the film with a 30 minute prologue, establishing the characters ten years before the main narrative...
Juanillo, just a little boy with fire, vigorously illiterate but possessing his father's passion for bullfighting, is seen by night currently taking the bullfighting world by storm... Not least for his exceptional brave and agile style of fighting but also for his age... Juanillo adores the art of bullfighting... Hr runs off to Madrid with his boyhood friends, Manolo, Nacional Pablo and La Pulga...
After winning a certain reputation as a 'flat-footed novillero,' Juan (Tyrone Power) returns years later to Seville to marry his childhood sweetheart, Carmen Espinosa (Linda Darnell - a voluptuous beauty with perfect complexion), and brings her to live in his luxurious home where he has installed his mother (Alla Nazimona) and his sister, Encarnacion (Lynn Bari).
Then he goes on to become the 'first matador in Spain' showing his individual personality by the combination and variations of his passes... Juan brings the bull past his body with the elegance of a premier ballet dancer, making it seem effortless and beautiful...
As his popularity climbs Juan's entourage of hangers-on increases joining his boyhood friends Nacional (John Carradine), Manolo de Palma (Anthony Quinn), La Pulga (Michael Morris), Pablo Gomez (Charles Stevens), Sebastian (William Montague), and his loyal dresser, Garabato (J. Carrol Naish) who left the ring just as he came in to it, 'without a peseta.'
But all is not so perfect in the ranks of Juan's cuadrilla... Nacional is anxious to leave bullfighting for politics, and Manolo, jealous of Juan's success, wants to make his own name in the ring... And then there is the on-going feud Juan has been engaging in with Natalio Curro (Laird Cregar), the famous bullfight critic who had insulted the memory of his father...
When Juan established himself as Spain's most important matador, Curro opportunistically affirms: 'At last Sevilla has a matador. The greatest matador of all history. The first man of the world. The day he was born, there was salt in the air, a great quantity of salt.'
And at one of Juan's 'great afternoon', we are introduced to the stunning Doña Sol des Muire (Rita Hayworth) whose chief passion is bullfighting and, in particular, handsome matadors...
The torrid Spanish beauty had little difficulty, in luring the new risen star away from his home...
Falling under her tempting beauty, Juan begins an affair with her at the expense of both his faithful wife and his career... His skills as a matador go downhill and his bad attitude loses him all his once loyal friends...
'Blood and Sand' is sensitively directed by Mamoulian and might be considered one of the greatest examples of Technicolor film-making... The film won an Oscar for Best Color Cinematography, and was nominated for Best Interior Set Decoration...
Color, and Mamoulian's almost choreographic direction, turned the motion picture into an exquisite melodrama, where all the passes and swirls of the bullring were vividly depicted: The parade of the bullfighters and their entourage, the race of the vicious predator into the arena, the matadors flashing their yellow and pink capes...
Rita Hayworth blood-red lips and scarlet fingernails, contrast the cool colors of her Spanish mansion, and show her off to glittering advantage...
In her sensuous screen Pasadoble with Anthony Quinn, she looks sensational in her rose evening gown, symbolic of the Spanish bullfight flavor...
The arrogant and passionate dance, based on Flamenco dancing that characterizes the man as the matador and the lady as his red cape, is performed with style and surety... The colors, rose and green, are blended to perfection with the amazing prowess of an appealing couple in tune with the balanced perfection of shapes and the sweeping movements of Rita Hayworth...
Quinn is perfect for redoing old Valentino roles... He always demonstrated his grace and remarkable agility on the dance floor... This sequence remains one of the movie's best remembered moments...
Mamoulian begins the film with a 30 minute prologue, establishing the characters ten years before the main narrative...
Juanillo, just a little boy with fire, vigorously illiterate but possessing his father's passion for bullfighting, is seen by night currently taking the bullfighting world by storm... Not least for his exceptional brave and agile style of fighting but also for his age... Juanillo adores the art of bullfighting... Hr runs off to Madrid with his boyhood friends, Manolo, Nacional Pablo and La Pulga...
After winning a certain reputation as a 'flat-footed novillero,' Juan (Tyrone Power) returns years later to Seville to marry his childhood sweetheart, Carmen Espinosa (Linda Darnell - a voluptuous beauty with perfect complexion), and brings her to live in his luxurious home where he has installed his mother (Alla Nazimona) and his sister, Encarnacion (Lynn Bari).
Then he goes on to become the 'first matador in Spain' showing his individual personality by the combination and variations of his passes... Juan brings the bull past his body with the elegance of a premier ballet dancer, making it seem effortless and beautiful...
As his popularity climbs Juan's entourage of hangers-on increases joining his boyhood friends Nacional (John Carradine), Manolo de Palma (Anthony Quinn), La Pulga (Michael Morris), Pablo Gomez (Charles Stevens), Sebastian (William Montague), and his loyal dresser, Garabato (J. Carrol Naish) who left the ring just as he came in to it, 'without a peseta.'
But all is not so perfect in the ranks of Juan's cuadrilla... Nacional is anxious to leave bullfighting for politics, and Manolo, jealous of Juan's success, wants to make his own name in the ring... And then there is the on-going feud Juan has been engaging in with Natalio Curro (Laird Cregar), the famous bullfight critic who had insulted the memory of his father...
When Juan established himself as Spain's most important matador, Curro opportunistically affirms: 'At last Sevilla has a matador. The greatest matador of all history. The first man of the world. The day he was born, there was salt in the air, a great quantity of salt.'
And at one of Juan's 'great afternoon', we are introduced to the stunning Doña Sol des Muire (Rita Hayworth) whose chief passion is bullfighting and, in particular, handsome matadors...
The torrid Spanish beauty had little difficulty, in luring the new risen star away from his home...
Falling under her tempting beauty, Juan begins an affair with her at the expense of both his faithful wife and his career... His skills as a matador go downhill and his bad attitude loses him all his once loyal friends...
'Blood and Sand' is sensitively directed by Mamoulian and might be considered one of the greatest examples of Technicolor film-making... The film won an Oscar for Best Color Cinematography, and was nominated for Best Interior Set Decoration...