An overwrought, over-intellectuallised, strikingly photographed and acted guilt-fest.
19 March 2000
Raf Vallone manages to sustain quite a lot of credibility as an embittered WW2 veteran, who returns to his poor village, bent on avenging his brother's betrayal to the Nazis. But this stark, self-consciously directed, emotionally turbulent parable is so redolent with tortured, pretentious symbolism, and overbearing messages of guilt that it's difficult to enjoy the striking b/w photography and Tuscan locations.
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