This is near-blasphemy, but I would love "Singin' in the Rain" even more than I do if it were a non-musical, or, more to the point, a musical with different music. Gene Kelly's talent is incontrovertible, and sequences such as the lengthy "Broadway Rhythm" number underscore his (and Stanley Donen's) remarkable vision and talent.
They also hold up this snappy, bright, FUNNY comedy.
Which is not to say that all of the musical portions are not entertaining adjuncts to the film; the "Beautiful Girls" fashion show is hysterically camp, and of course, Kelly's solo "Singin' in the Rain" is charming, romantic and joyous. However, the screenplay is so solid on its own, the lesser moments ("Good Morning," "You Were Meant for Me") seem to drag on forever.
Kelly is movie star handsome here, befitting his role as silent screen lover, Don Lockwood. Donald O'Connor is fine as the ubiquitous funny man sidekick, while Debbie Reynolds displays a nice, sassy touch, especially in her first scene. "Here we are, Sunset and Camden," she trills, having just deflated the ego of one of Hollywood's most notorious wolves. She's a much more interesting romantic foil than most of the colorless ingenues which grace male-dominated musicals.
But the real scene-stealer is the extraordinary Jean Hagen, as shrill-voiced screen queen Lina LaMont. It is such a bravura performance, she simply blows the competition off the screen. Never once does she break character. Her slow burns and takes as she reacts to other characters' comments and actions are almost as funny as her (numerous) quotable lines. "I...can...SEEWWWW." "People?! I ain't PEOPLE! I'm a...'shining, shimmering star in the Hollywood firmament.' See? Sez so, right there!" "I CAN'T make LOVE to a BUSH!" "Gee, this wig weighs a ton! What kinda dope would wear a thing like this?" And, her ultimate manifesto: "We're so thrilled you enjoyed 'The Dancing Cavalier,' our first musi-cale picture, togither. If we bring a little joy inta ya humdrum lives, it makes us feel all our hard work ain't been in vain for nothin'."
There are countless comic gems in this film: gossip monger Dora Bailey's breathless account of a movie premiere; Lina's hopeless voice lessons; Lina attempting to "sing"; Don and Lina fighting as they act out a tender, silent movie love scene; and, most famously, the disastrous sneak preview of Don and Lina's first talking picture.
This is one musical that can stand on its own merits as a fine example of Hollywood comedy at its best.
They also hold up this snappy, bright, FUNNY comedy.
Which is not to say that all of the musical portions are not entertaining adjuncts to the film; the "Beautiful Girls" fashion show is hysterically camp, and of course, Kelly's solo "Singin' in the Rain" is charming, romantic and joyous. However, the screenplay is so solid on its own, the lesser moments ("Good Morning," "You Were Meant for Me") seem to drag on forever.
Kelly is movie star handsome here, befitting his role as silent screen lover, Don Lockwood. Donald O'Connor is fine as the ubiquitous funny man sidekick, while Debbie Reynolds displays a nice, sassy touch, especially in her first scene. "Here we are, Sunset and Camden," she trills, having just deflated the ego of one of Hollywood's most notorious wolves. She's a much more interesting romantic foil than most of the colorless ingenues which grace male-dominated musicals.
But the real scene-stealer is the extraordinary Jean Hagen, as shrill-voiced screen queen Lina LaMont. It is such a bravura performance, she simply blows the competition off the screen. Never once does she break character. Her slow burns and takes as she reacts to other characters' comments and actions are almost as funny as her (numerous) quotable lines. "I...can...SEEWWWW." "People?! I ain't PEOPLE! I'm a...'shining, shimmering star in the Hollywood firmament.' See? Sez so, right there!" "I CAN'T make LOVE to a BUSH!" "Gee, this wig weighs a ton! What kinda dope would wear a thing like this?" And, her ultimate manifesto: "We're so thrilled you enjoyed 'The Dancing Cavalier,' our first musi-cale picture, togither. If we bring a little joy inta ya humdrum lives, it makes us feel all our hard work ain't been in vain for nothin'."
There are countless comic gems in this film: gossip monger Dora Bailey's breathless account of a movie premiere; Lina's hopeless voice lessons; Lina attempting to "sing"; Don and Lina fighting as they act out a tender, silent movie love scene; and, most famously, the disastrous sneak preview of Don and Lina's first talking picture.
This is one musical that can stand on its own merits as a fine example of Hollywood comedy at its best.