8/10
compelling take on King Lear themes
4 November 2002
This is a surprisingly complex film that continues to build and grow right before your eyes. Some of the action and plot mechanism may need to be "accepted" to work, but once you realize that this is not merely an exercise on moral judgements, but a very sly re-working of familiar King Lear themes, the film's power and nuances become evident. For all those who see Kagemusha as a high point, and Ran as a huge failure, they may seek solace in this film, which pushes the trope of the rash old man, who has become so accustomed to getting and doing what he wants, that he cannot and will not accept his extended family's naysaying and interference. A really great film.
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