I haven't seen any of Masumura's other films, but, if they are anything like "Giants and Toys," they are extremely strange. Think "Four Hundred Blows" crossed with "Greed is good" American-style capitalism in post-war Japan, and you've got a good idea of what the story is about. Wickedly on-target satire, good performances, and interesting visual ideas (including Warhol-esque shots of ads featuring World Caramel's poster girl) converge in a very good, if surreal, movie. It's not quite good enough to be a classic, but it is unpredictable and enjoyable to watch.