Shock Corridor is one of Samuel Fuller's wildest works, a deeply personal examination of insanity by the premier exponant of 50's and 60's Pulp Cinema. I prefer "The Naked Kiss", but "Shock Corridor" certainly stands as a unique and memorable work. It is silly, no downright ludicrous at times, as seen today, but this must have been strong stuff when it came out in 1963. It boldly takes on such topics as incest, racism and cold war paranoia. Not sensitively, mind you, yet quite boldly!
Every scene in this movie seems to be played at fever pitch, and I have to say I believe its been over-rated critically, due to the auteur theory run amok, but I do admire Fuller's gutsiness and directorial skill. If only his skills as a scenarist and dialogue writer were commensurate! He did, however, certainly know how to pull an intense performance out of an actor. Breck and Towers are rather ridiculously intense at times, as a matter of fact, though forgivably so, as they are instruments of their director and express his style perfectly. Hari Rhodes, who people of my generation may remember from the tv series, "Daktari", gives a terrific supporting performance, as does the memorable Larry Tucker, who later became a Hollywood screenwriter and producer.
Every scene in this movie seems to be played at fever pitch, and I have to say I believe its been over-rated critically, due to the auteur theory run amok, but I do admire Fuller's gutsiness and directorial skill. If only his skills as a scenarist and dialogue writer were commensurate! He did, however, certainly know how to pull an intense performance out of an actor. Breck and Towers are rather ridiculously intense at times, as a matter of fact, though forgivably so, as they are instruments of their director and express his style perfectly. Hari Rhodes, who people of my generation may remember from the tv series, "Daktari", gives a terrific supporting performance, as does the memorable Larry Tucker, who later became a Hollywood screenwriter and producer.