Very well-crafted giallo is an obvious precursor to Nicolas Roeg's ingenious and similarly Venetian-set "Don't Look Now". Suspenseful, engrossing and with some skillful visual flourishes--such as the black-veiled killer framed against a snowy landscape--makes it clearly stand from its sleazier counterparts in the genre. Ennio Morricone's delirious score is one of my favorites and nearly impossible to shake from your mind!
Review of Who Saw Her Die?
