I've now seen this film three times with a decade or more between viewings, and every time I see it I come away feeling that movies can't get any better than this. People always comment on the Viet Nam scenes, and it's true that they are as powerful and intense as any war scenes ever filmed. The Russian-roulette betting game, in both its up-river and Saigon venues, may be the most riveting, shattering plot device ever invented, as measured by the pounding of the heart.
But it's the 'home front' scenes that stick with me through the years. I think all the steel town scenes are nearly perfect, untoppable. And that very much includes the Eastern Orthodox wedding and its sequel. When anyone tells me they were bored I just shake my head. There's no arguing with short and shallow attention spans. You're either capable of appreciating art or you're not.
I do have a quibble or two. The deer-hunting scenes looked like nowhere I've ever seen in Pennsylvania, or anywhere else East of the Rockies. I think Cimino deliberately picked an ethereal location above the clouds as a contrast to the steel town. When John Cazale and the others get loaded and act like jerks it jars on Michael, because they have brought the stupid distractions of ordinary life to an extraordinary place. This would matter less if the 'genius loci' were not so strongly present in the other home front scenes. I wish he had used the soft, green forested hills of Pennsylvania for the hunting.
And some of the dialogue--Meryl Streep's in particular--wouldn't work on the page, and only first-rate acting by an inspired ensemble--has there ever been a better cast of young actors?--pulls it off. But these are forgivable errors in one of the finest films ever made.
But it's the 'home front' scenes that stick with me through the years. I think all the steel town scenes are nearly perfect, untoppable. And that very much includes the Eastern Orthodox wedding and its sequel. When anyone tells me they were bored I just shake my head. There's no arguing with short and shallow attention spans. You're either capable of appreciating art or you're not.
I do have a quibble or two. The deer-hunting scenes looked like nowhere I've ever seen in Pennsylvania, or anywhere else East of the Rockies. I think Cimino deliberately picked an ethereal location above the clouds as a contrast to the steel town. When John Cazale and the others get loaded and act like jerks it jars on Michael, because they have brought the stupid distractions of ordinary life to an extraordinary place. This would matter less if the 'genius loci' were not so strongly present in the other home front scenes. I wish he had used the soft, green forested hills of Pennsylvania for the hunting.
And some of the dialogue--Meryl Streep's in particular--wouldn't work on the page, and only first-rate acting by an inspired ensemble--has there ever been a better cast of young actors?--pulls it off. But these are forgivable errors in one of the finest films ever made.