This film, like its director, was years ahead of its time. Before Mississippi Burning, Cry Freedom, and Rosewood solidified the cliches of the racism genre, Louis Malle delivered this authentic, effortless look at Vietnamese fisherman working off the gulf coast of Texas. No house burnings and lynchings need apply. Malle and his writer Alice Arlen pay such close attention to detail that the film pants with life in the hot Texas sun. The actors scarcely seem to be acting at all. It takes skill and courage to film an incendiary subject like this won with a level head and a compassion for all involved. Despite its route cinematic ending, this film's catch is bountiful.
