Manon of the Spring is the sequel to Jean de Florette, released the same year. By no means should Manon be rented without having first seen Jean. By no means, in either case, should one glance at the movie notes on the reverse side of the video box.
Almost nothing can be said safely about Manon without giving away the overall plot or this or that twist or turn. Suffice to explain that Jean concerns an urbanite hunchback who relocates to the Provencal countryside with his wife and daughter, intent on raising rabbits. Manon picks up some years after the Jean conclusion, with the daughter having grown to young womanhood. (More prudish prospective viewers need to know that this will be explicitly evident.)
This is superb movie-making. Other reviewers accurately call it a masterpiece. The story line dominates, not the acting. Even so, Yves Montand continues his excellent performance from Jean, and Daniel Auteuil as the unsightly nephew is more impressive after one sees him clean-cut and sophisticate in something like Un Coeur en Hiver (1992). Emmanuelle Beart and Hipployte Girardot say very little, yet it doesn't detract from their respective essential portrayals. Anyone who becomes a Beart fan is advised to rent Nelly & Monsieur Arnaud (1995).
The two movies, prequel and sequel, work as a team. By virtue of its powerful denouement, however, Manon of the Spring is the standout of the pair. For the same reason, in my opinion, it is one of the very best films of the 1980s.
Almost nothing can be said safely about Manon without giving away the overall plot or this or that twist or turn. Suffice to explain that Jean concerns an urbanite hunchback who relocates to the Provencal countryside with his wife and daughter, intent on raising rabbits. Manon picks up some years after the Jean conclusion, with the daughter having grown to young womanhood. (More prudish prospective viewers need to know that this will be explicitly evident.)
This is superb movie-making. Other reviewers accurately call it a masterpiece. The story line dominates, not the acting. Even so, Yves Montand continues his excellent performance from Jean, and Daniel Auteuil as the unsightly nephew is more impressive after one sees him clean-cut and sophisticate in something like Un Coeur en Hiver (1992). Emmanuelle Beart and Hipployte Girardot say very little, yet it doesn't detract from their respective essential portrayals. Anyone who becomes a Beart fan is advised to rent Nelly & Monsieur Arnaud (1995).
The two movies, prequel and sequel, work as a team. By virtue of its powerful denouement, however, Manon of the Spring is the standout of the pair. For the same reason, in my opinion, it is one of the very best films of the 1980s.