Worse than the typical afternoon dramas shown on America's Lifetime Network, this makes one suspect Irene Jacob is nothing without Kieslowski. How did the winner of the Cannes prize for 'Veronique' get anywhere near this pathetic script? Both Emmanuelle Beart and Jacob should stick with French scripts that draw upon their prodigious acting talent, rather than exploit them as female 'scenery.' English is not the medium for Irene to accomplish this, as all her ability apparently is funneled into pronouncing the words correctly. Unforgivable.
