Dorine is a real wallflower - a middle-aged, shy, ugly single woman living at home with her mum and working as an editor for a small newspaper, she's a real outsider. After she has killed a colleague by accident in a lonely late night shift, she hides his corpse in her cellar. This "accident" changes her mind, and she starts having fun killing her mobbing colleagues one by one and hiding them all in her dark cellar...
Photographer Cindy Sherman's directional debut has a very nice plot idea, but that's all. The direction is too weak and boring, and the actors - Carol Kane as Dorine and Molly Ringwald, Jeanette Tripplehorn and stunning Barbara Sukowa as her colleagues can't bring their roles to life. The acting is often exaggerated, the dialogues are too ridiculous, Kane is screaming much too often, and Evan Lurie's pseudo avantgarde score sounds like a bland, cheap home keyboard recording. It would have been a nice try to produce this kind of home office version of the "Texas Chainsaw Massacre" in a real comedy or horror style, but his movie doesn't know where to go. Too pointless, too boring, and too much over the top unfortunately.
Photographer Cindy Sherman's directional debut has a very nice plot idea, but that's all. The direction is too weak and boring, and the actors - Carol Kane as Dorine and Molly Ringwald, Jeanette Tripplehorn and stunning Barbara Sukowa as her colleagues can't bring their roles to life. The acting is often exaggerated, the dialogues are too ridiculous, Kane is screaming much too often, and Evan Lurie's pseudo avantgarde score sounds like a bland, cheap home keyboard recording. It would have been a nice try to produce this kind of home office version of the "Texas Chainsaw Massacre" in a real comedy or horror style, but his movie doesn't know where to go. Too pointless, too boring, and too much over the top unfortunately.