Girl on the Bridge is an absorbing piece of film fiction and, to my mind, an instant classic. From the choice of its stars to the use of a gritty, many shaded black to white spectrum, it is a spellbinding expression of director, Patrice Leconte's, mastery of the art of filmmaking. Every throw of the knife notches up the suspense to an ecstasy of fear on behalf of the characters you come to love. This is an unusual romance that leaves the viewer enlightened and lighthearted without any sacrifice of reality.
The Girl is portrayed by Vanessa Paradis, who, in her person and in her manner, invokes memories of both Brigitte Bardot and Audrey Hepburn, a radiant, sensuous mix that is haunting and captivating. There's rapturous innocence despite her frequent and intense sexual encounters, and some part of her remains pristine throughout the most seemingly perverse scenes. Seduction for her must be emotional and intellectual, not merely sexual, because her body is routinely given, and through her experiences, we realize its satisfactions do not ultimately satisfy.
Although some scenes recall other great pictures of yesteryear, such as The Seventh Veil, Girl makes new, inspired use of beloved film moments to make its own statement: the human spirit deepens and expands to the extent to which it trusts in, and is dedicated to, love. To love is to risk, and in this film of heart thumping suspense, we come face to face with the dangers love entails. Love, like this film, is not for the faint of heart. I, for one, am looking forward to my second time. Many compliments to Patrice Leconte and his wonderful collaborators!
The Girl is portrayed by Vanessa Paradis, who, in her person and in her manner, invokes memories of both Brigitte Bardot and Audrey Hepburn, a radiant, sensuous mix that is haunting and captivating. There's rapturous innocence despite her frequent and intense sexual encounters, and some part of her remains pristine throughout the most seemingly perverse scenes. Seduction for her must be emotional and intellectual, not merely sexual, because her body is routinely given, and through her experiences, we realize its satisfactions do not ultimately satisfy.
Although some scenes recall other great pictures of yesteryear, such as The Seventh Veil, Girl makes new, inspired use of beloved film moments to make its own statement: the human spirit deepens and expands to the extent to which it trusts in, and is dedicated to, love. To love is to risk, and in this film of heart thumping suspense, we come face to face with the dangers love entails. Love, like this film, is not for the faint of heart. I, for one, am looking forward to my second time. Many compliments to Patrice Leconte and his wonderful collaborators!