Chances are, I probably would have been disappointed if I thought this was going to be an action packed slam bang ride like HARD-BOILED. I knew ahead of time that BALLISTIC KISS was refered to as an "arty" action film. Donnie Yen is one of the best movie martial artists out there. I had no idea that he had such a cinematic eye though. After seeing SHANGHAI AFFAIRS and LEGEND OF
THE WOLF, I noticed his real passion for film making, so I could only imagine what BALLISTIC KISS was gonna be like. From the beginning of the movie, it was obvious that this wasn't a typical HK production. The intro to the movie was like an american noir film with the way the lighting and camera shots were used when Donnie Yen is talking to the radio show host. The cinematography was of particular note. Donnie used a lot of blues and reds. Everything was shown as being gloomy. Wong Kai-Fai was a great collaborator with Yen. Many things about this film are unconventional. The action for instance is shot with neo noirism , and the editing works. Some people may find the editing to be too choppy/fast, but it worked for what Yen was trying ot present. Even the undercranking (Which I normally disapprove of) was appropriate. I didn't even mind that guns in the film shot more bullets than they really do. The editing and sense of action made the movie look sureal. BALLISTIC KISS is kind of like a combination between what John Woo and Wong Kar-Wai would do. The story is also something. This isn't about a killer trying to go straight. In this movie, Donnie's character of Cat Lee has no sense of redemption. He just wants revenge against his partner who betrayed him, and if he dies while doing it, so be it. The only thing that would probably save him from that fate is his attraction for a cop played by Annie Wu. While Cat thinks about her and how wonderful things would be if they were together, he doesn't have an optimistic view of the future. One of his sayings is "No one is innocent." He thinks the world won't get better, and his sense of peace only exists in his mind. But the gloomyness of the film is not what the theme is. It doesn't mean that the rest of us have nothing to look forward too. In fact, it tells us the opposite. The lives these people lead are not the lives we have to leave. Even though it also expresses a common theme of "even trusted friends are capable of betrayal," there's no reason to be sad from seeing this movie. Bey Logan (Who I've had the honor to meet.) wrote a great script. Many people hate this film. But the strange thing is that the reasons for why people hate it are the reasons why I like it. It's self-indulgent, the editing is sureal, like I said: it's unconventional. This movie is definitely not for everyone, but if you're an "arty" type person with an open mind, you may like it. It's not fully arty though. There's a good combination of mainstream film making to go along with it. This is Donnie Yen's best performance. He gives of a great sense of a tragic hero without having to go over the top. Annie Wu plays off him very nicely. The relationship that develops between them is more like mutual respect than "deep romance." But there's still romance there nontheless. While Donnie Yen's best martial art performance is in IN THE LINE OF DUTY IV, his best film overall is BALLISTIC KISS.
10 out of 10
THE WOLF, I noticed his real passion for film making, so I could only imagine what BALLISTIC KISS was gonna be like. From the beginning of the movie, it was obvious that this wasn't a typical HK production. The intro to the movie was like an american noir film with the way the lighting and camera shots were used when Donnie Yen is talking to the radio show host. The cinematography was of particular note. Donnie used a lot of blues and reds. Everything was shown as being gloomy. Wong Kai-Fai was a great collaborator with Yen. Many things about this film are unconventional. The action for instance is shot with neo noirism , and the editing works. Some people may find the editing to be too choppy/fast, but it worked for what Yen was trying ot present. Even the undercranking (Which I normally disapprove of) was appropriate. I didn't even mind that guns in the film shot more bullets than they really do. The editing and sense of action made the movie look sureal. BALLISTIC KISS is kind of like a combination between what John Woo and Wong Kar-Wai would do. The story is also something. This isn't about a killer trying to go straight. In this movie, Donnie's character of Cat Lee has no sense of redemption. He just wants revenge against his partner who betrayed him, and if he dies while doing it, so be it. The only thing that would probably save him from that fate is his attraction for a cop played by Annie Wu. While Cat thinks about her and how wonderful things would be if they were together, he doesn't have an optimistic view of the future. One of his sayings is "No one is innocent." He thinks the world won't get better, and his sense of peace only exists in his mind. But the gloomyness of the film is not what the theme is. It doesn't mean that the rest of us have nothing to look forward too. In fact, it tells us the opposite. The lives these people lead are not the lives we have to leave. Even though it also expresses a common theme of "even trusted friends are capable of betrayal," there's no reason to be sad from seeing this movie. Bey Logan (Who I've had the honor to meet.) wrote a great script. Many people hate this film. But the strange thing is that the reasons for why people hate it are the reasons why I like it. It's self-indulgent, the editing is sureal, like I said: it's unconventional. This movie is definitely not for everyone, but if you're an "arty" type person with an open mind, you may like it. It's not fully arty though. There's a good combination of mainstream film making to go along with it. This is Donnie Yen's best performance. He gives of a great sense of a tragic hero without having to go over the top. Annie Wu plays off him very nicely. The relationship that develops between them is more like mutual respect than "deep romance." But there's still romance there nontheless. While Donnie Yen's best martial art performance is in IN THE LINE OF DUTY IV, his best film overall is BALLISTIC KISS.
10 out of 10