I've watched this masterpiece by Almodovar four times. Each time I unearth new sequences of pure unadulterated truth, beauty, and genius. It is just a totally compelling and amazingly insightful comedy-tragedy that works on so many levels.
Cecilia Roth is an Almodovar favorite, and there's no mystery as to why this is the case. She can express tragedy, wisdom, and an appreciation of dark humor only with her eyes and facial positioning, and express all three vividly at the same time. Her voice also is as commanding of respect as it is sexy and fragile.
Almodovar eye for visual poems of incongruity reaches a new pinnacle in this masterpiece. First, there is the haunting by-play of darkness and light preceding Roth coming to the rescue of El Agreado. Much later, we are treated to the brightness of the upscale restaurant Roth where Roth waits for her ex-husband Lola juxtaposed with a merciless exploration of the vast dark despair of Lola's eyes. Between these bookend-style frames, the profound dualities abound.
If you see one foreign language film per year, make this your next one.
Cecilia Roth is an Almodovar favorite, and there's no mystery as to why this is the case. She can express tragedy, wisdom, and an appreciation of dark humor only with her eyes and facial positioning, and express all three vividly at the same time. Her voice also is as commanding of respect as it is sexy and fragile.
Almodovar eye for visual poems of incongruity reaches a new pinnacle in this masterpiece. First, there is the haunting by-play of darkness and light preceding Roth coming to the rescue of El Agreado. Much later, we are treated to the brightness of the upscale restaurant Roth where Roth waits for her ex-husband Lola juxtaposed with a merciless exploration of the vast dark despair of Lola's eyes. Between these bookend-style frames, the profound dualities abound.
If you see one foreign language film per year, make this your next one.