A gut-wrenching and impressive hide-and-seek thriller that uses the bloody battle of Stalingrad (during the second World War) as the clever disguise here for a real battle of courage and determination. The film follows a young and highly talented Russian sniper from the Urals, Vassili Zaitsev (Jude Law - "eXistenZ", "The Talented Mr. Ripley"), who gains national fame from the help of Danilov (Joesph Fiennes - "Shakespeare in Love"), a propoganda officer and his true love and fellow sniper, Tania (Rachael Weisz), who is also flirting with Danilov.
However, the Germans have an ace sniper of their own in Erwin Koning (Ed Harris - "Pollock"), a seasoned and out-spoken Major who comes to Stalingrad only to pick off Vassili. And before Koning leaves, his superior officer asks how he'll find Vassili. Koning says, " I'll fix it so he finds me."
The love triangle that director Jean-Jacques Annaud and co-writer Alain Godard put in the story shows that the pair took a chance and I'll give them credit for doing it. Plus, the love scene that Law and Weisz have is one of the strangest (no offense to either one) that I've seen.
The film's best moments come when Vassili tries to catch Koning off guard, but the problem is Koning is aware of what Vassili is capable of. I won't say how it's done, but the final confrontation is a genuine nail-bitter.
All of the performances here are powerhouse and that includes Bob Hoskins as Nikita Kruschev, a snarling and impatient man and Ron Perlman, who portrays Koulikov, a lieutenant whose teeth are all metal and serves as a guide for Vassili.
Robert Frassie ("Ronin") handles the movie's photography with care and the appearrence of Stalingrad itself reminded me heavily of the war-torn cities shown in Spielsburg's "Saving Private Ryan" and Kubrick's "Full Metal Jacket". Also, James Horner conducts a tender and extremely mournful score that leaves a quiet yet important reminder of how awful war is.
"ENEMY AT THE GATES" is an extrodinary work of raw skill and imagination.
However, the Germans have an ace sniper of their own in Erwin Koning (Ed Harris - "Pollock"), a seasoned and out-spoken Major who comes to Stalingrad only to pick off Vassili. And before Koning leaves, his superior officer asks how he'll find Vassili. Koning says, " I'll fix it so he finds me."
The love triangle that director Jean-Jacques Annaud and co-writer Alain Godard put in the story shows that the pair took a chance and I'll give them credit for doing it. Plus, the love scene that Law and Weisz have is one of the strangest (no offense to either one) that I've seen.
The film's best moments come when Vassili tries to catch Koning off guard, but the problem is Koning is aware of what Vassili is capable of. I won't say how it's done, but the final confrontation is a genuine nail-bitter.
All of the performances here are powerhouse and that includes Bob Hoskins as Nikita Kruschev, a snarling and impatient man and Ron Perlman, who portrays Koulikov, a lieutenant whose teeth are all metal and serves as a guide for Vassili.
Robert Frassie ("Ronin") handles the movie's photography with care and the appearrence of Stalingrad itself reminded me heavily of the war-torn cities shown in Spielsburg's "Saving Private Ryan" and Kubrick's "Full Metal Jacket". Also, James Horner conducts a tender and extremely mournful score that leaves a quiet yet important reminder of how awful war is.
"ENEMY AT THE GATES" is an extrodinary work of raw skill and imagination.