6/10
A war movie without a soul or a sympathetic character.
16 March 2002
Warning: Spoilers
Andy McDowell can't seem to portray sympathetic characters. In "Four weddings and a funeral" I wanted Hugh to dump her. In "Sex, lies and videotapes" I knew she was frigid before they told us. It has something to do with those intense brown eyes being too close together, and her pent up, whiny angst. Now she plays a woman so obsessed with finding her (given up for dead famous war correspondent) husband that she roars off to a war zone without a backward look at her children. She then allows her husband's fame to sucker 3 other reporters into acting as protectors and guides, and when one of them gets killed she watches silently as another reporter apologizes for the death. She doesn't have a clue that her irresponsibility is the root of his death. This is supposed to be a love story but how can one tolerate a love from a mother who never shows any concern for the consequences to her children and those around her? Who needs another soul-less war movie these days anyway. They have so ground into the dirt the images of hell that they appear dispassionate. The hell of war is the damage it does to the human soul not just the damage it does to the body. When you show only the latter you're showing off technique and side stepping creative bravery.
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