I find it inconceivable that Ringo Lam failed to make it in Hollywood. He's just as powerful a director as John Woo, and in some ways, moreso. His worldview is a depressing and downbeat one and the pressure on him to provide his sole Hollywood film to date, Jean-Claude Van Damme's _Maximum Risk_ with a happy ending, may have deprived American audiences of a great talent.
The proof of this statement lies in the films which Lam has made since returning to Hong Kong: _Full Alert_, _The Suspect_, and this, _Victim_. Starring the intense Lau Ching Wan, an actor who may one day give Chow Yun-Fat a run for his money, this is an offbeat mixture of horror and crime film. That the combination works so well is testament to Lam's direction and screenplay. Wan's character is a former employee of the national mint, whose lost his job and is kidnapped one day by a group of criminals who leave him, hanging by his heels, in a deserted hotel, haunted by the ghosts of the former owners, victims of a murder-suicide. Wan uses this background as a sort of cover as he seemingly becomes possessed and acts strangely. His girlfriend and the cop on the case don't know what to make of his actions--sudden, irrational outbursts, digging in the garden late at night, leading the police on high-speed car chases. When the answer comes, it's as much a surprise to us as to the other characters and the final 30-45 minutes of the film are unrelentingly grim and downbeat, with a nihilistic finale, similar to that of _Full Alert_.
Lam is still a director to be reckoned with and he's still adding gems to a resume that already contains such classics as _City on Fire_ and _Full Contact_. Perhaps he'll get his second chance at a Hollywood career--lord knows, he deserves it!
The proof of this statement lies in the films which Lam has made since returning to Hong Kong: _Full Alert_, _The Suspect_, and this, _Victim_. Starring the intense Lau Ching Wan, an actor who may one day give Chow Yun-Fat a run for his money, this is an offbeat mixture of horror and crime film. That the combination works so well is testament to Lam's direction and screenplay. Wan's character is a former employee of the national mint, whose lost his job and is kidnapped one day by a group of criminals who leave him, hanging by his heels, in a deserted hotel, haunted by the ghosts of the former owners, victims of a murder-suicide. Wan uses this background as a sort of cover as he seemingly becomes possessed and acts strangely. His girlfriend and the cop on the case don't know what to make of his actions--sudden, irrational outbursts, digging in the garden late at night, leading the police on high-speed car chases. When the answer comes, it's as much a surprise to us as to the other characters and the final 30-45 minutes of the film are unrelentingly grim and downbeat, with a nihilistic finale, similar to that of _Full Alert_.
Lam is still a director to be reckoned with and he's still adding gems to a resume that already contains such classics as _City on Fire_ and _Full Contact_. Perhaps he'll get his second chance at a Hollywood career--lord knows, he deserves it!