8/10
Less ideals and more real.
11 August 2001
This light hearted travelogue managed to illuminate racism, HIV, aging, death, passion, commitment and fear with a gentle seductive light. It has less ideals than American films like it. Therefore, it seemed much more real, mostly. One big issue, homophobia, is treated most strangely as an anachronism. Felix makes out with his various men in public with fearless abandon, while he seems intensely aware of his Arab-ness. I can allow for the common American notion that Europeans are easier about public displays, but this aspect of the film did seem less real and more idealized. The French countryside is also portrayed in a very real way. Highways and power plants everywhere. Yet, the natural lighting and choice of shots conveyed the persisting charm of France. I was reminded of Eric Rohmer films, like "Autumn Tale". Sami Bouajila, as Felix, has camera chemistry and acts well. The supporting cast is evenly talented. I was thrilled to see Patachou, whom we haven't seen often enough here in the States. I think this film will be remembered as a very good movie with universal appeal, not a gay snapshot, like many of its American cousins.
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