This is, without a doubt, the best Muppet movie in a *long* time. And the Muppets are back to zany form with parodies, such as "Moulin Scrooge", taking place in their classic Muppet Theater. Most of the newer Muppets are nowhere to be found, while older favorites have returned, and Fozzie has been brought back to the foreground. Welcome back!
The plot, basically a Muppet version of "It's a Wonderful Life" (I guess we can get used to Muppet versions of classics now, since the more original "Muppets from Space" failed), pits Kermit and the gang against a corporate shark who intends to turn their theater into a nightclub. All is fine until everybody's favorite bear fails to get their money to the bank on time. Now, the theater is gone, everyone is out of work, and Kermit is despondent. Time for a little Divine intervention.
The strange thing about this movie is that it maintains a "G" rating, but just barely. The Muppets have always had bizarre and sometimes risque humor (Gonzo's chicken fetish has always been, well, odd), but the ante is upped in this outing, with Scooter cage dancing and Pepe being promised a special bonus as a woman focuses his eyes on her chest. (No cleavage, though. Either you know what she's talking about, or you don't.) It goes a little too far, but just a little, and not enough to destroy the film.
The other problem, really, is that the director seemed more intent on making a feature film than one for television. Many of the segues into commercials feel forced, like they suddenly hit the time limit and had to end the scene prematurely with artificial suspense, or perhaps they wanted to cut to another scene directly but time wouldn't allow. Whatever the reason, the commercial breaks feel very out-of-place. (There's also one too many NBC plugs, but it never really got annoying. Network TV; what're ya gonna do?)
Still, this film is far too enjoyable to nitpick. The Muppets truly are back to form. Let's hope they stay there.
The plot, basically a Muppet version of "It's a Wonderful Life" (I guess we can get used to Muppet versions of classics now, since the more original "Muppets from Space" failed), pits Kermit and the gang against a corporate shark who intends to turn their theater into a nightclub. All is fine until everybody's favorite bear fails to get their money to the bank on time. Now, the theater is gone, everyone is out of work, and Kermit is despondent. Time for a little Divine intervention.
The strange thing about this movie is that it maintains a "G" rating, but just barely. The Muppets have always had bizarre and sometimes risque humor (Gonzo's chicken fetish has always been, well, odd), but the ante is upped in this outing, with Scooter cage dancing and Pepe being promised a special bonus as a woman focuses his eyes on her chest. (No cleavage, though. Either you know what she's talking about, or you don't.) It goes a little too far, but just a little, and not enough to destroy the film.
The other problem, really, is that the director seemed more intent on making a feature film than one for television. Many of the segues into commercials feel forced, like they suddenly hit the time limit and had to end the scene prematurely with artificial suspense, or perhaps they wanted to cut to another scene directly but time wouldn't allow. Whatever the reason, the commercial breaks feel very out-of-place. (There's also one too many NBC plugs, but it never really got annoying. Network TV; what're ya gonna do?)
Still, this film is far too enjoyable to nitpick. The Muppets truly are back to form. Let's hope they stay there.