Favourable reaction to this movie is a good example of a common problem - audiences rewarding something because it's different, regardless of whether it's actually good.
Luhrman has good intentions, but he sabotages his own movies by overloading the viewer's senses.
The idea to make a period musical where the actors sing contemporary pop songs has great potential, but the storyline is incredibly simplistic, and Luhrmann seems completely incapable of dealing in genuine human emotions, which makes for a hollow movie-going experience.
Still, there are a few inspired moments (the movie's high point is the 'Roxanne' number near the end, one of the only times the movie has any emotional power).
Luhrman has good intentions, but he sabotages his own movies by overloading the viewer's senses.
The idea to make a period musical where the actors sing contemporary pop songs has great potential, but the storyline is incredibly simplistic, and Luhrmann seems completely incapable of dealing in genuine human emotions, which makes for a hollow movie-going experience.
Still, there are a few inspired moments (the movie's high point is the 'Roxanne' number near the end, one of the only times the movie has any emotional power).