You know, family films just aren't what they used to be, and what a wonderful notion that is. The only Ishii film that I've seen prior to The Taste of Tea is Shark Skin Man and Hip Peach Girl, and the maturity level of the director was almost unrecognizable.
At first everything in this film feels strangely secluded from the everyday world; the school, the house and the family members who seem extremely timid. The rarely displayed state of normality in family films, as supposed to the somewhat redundant tales of kindred conflicts that Ishii was able to capture, transcended in a refreshing and mesmerizing manner. The behavior of each family member was played out so naturally by the actors that I felt like I was watching a documentary. When the so called "unusual traits" of the family members resurfaces, the transformation is executed smoothly, without wandering off into another genre or changing the intended mood of the film.
I rarely get behind ensemble casts but I hope Ishii will maintain the relationship with these actors for his future projects. Asano as always breathes the ethereally inner distance, yet still feels humanely connected to the world and people in it. No matter how often the word 'subtle' is used to describe films, in reality I think it is a rare achievement. Ishii did a great job of taking his time to let us observe each family member as they go through their daily routines and as they attentively take time to watch over each other.
After seeing her in Kamikaze Girls, I was hoping to see and especially hear more from Anna Tsuchiya, who I think has a great future ahead of her.
I think every bit of detail obtained from the comments and even the poster should give you an idea about what type of film this is. It's comforting to know that in this day and age certain directors don't feel the financial and mainstream strain, and willingly dedicate their time and passion to making such wonderful films.
At first everything in this film feels strangely secluded from the everyday world; the school, the house and the family members who seem extremely timid. The rarely displayed state of normality in family films, as supposed to the somewhat redundant tales of kindred conflicts that Ishii was able to capture, transcended in a refreshing and mesmerizing manner. The behavior of each family member was played out so naturally by the actors that I felt like I was watching a documentary. When the so called "unusual traits" of the family members resurfaces, the transformation is executed smoothly, without wandering off into another genre or changing the intended mood of the film.
I rarely get behind ensemble casts but I hope Ishii will maintain the relationship with these actors for his future projects. Asano as always breathes the ethereally inner distance, yet still feels humanely connected to the world and people in it. No matter how often the word 'subtle' is used to describe films, in reality I think it is a rare achievement. Ishii did a great job of taking his time to let us observe each family member as they go through their daily routines and as they attentively take time to watch over each other.
After seeing her in Kamikaze Girls, I was hoping to see and especially hear more from Anna Tsuchiya, who I think has a great future ahead of her.
I think every bit of detail obtained from the comments and even the poster should give you an idea about what type of film this is. It's comforting to know that in this day and age certain directors don't feel the financial and mainstream strain, and willingly dedicate their time and passion to making such wonderful films.